Aantekening

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Aantekening het laatst bewerkt op 2022-12-20 10:21 UTC.

Nummerlijst

1cd: Bach: Christmas Oratorio (Parts I-III)
2cd: Bach: Christmas Oratorio (Parts IV-VI)
#TitelArtiestWaarderingDuur
1Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 36. Chorus: “Fallt mit Danken, fallt mit Loben”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:31
2Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 37. Recitative (Evangelist): “Und da acht Tage um waren”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:32
3Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 38. Recitative (bass): “Immanuel, o süßes Wort” / Arioso (sopranos, bass): “Jesu, du mein liebstes Leben”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
basvocalen [Herod]:
Olaf Bär (baritone) (in 1987-01)
sopraanvocalen:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
uitvoerend artiest:
Nancy Argenta (soprano) (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:16
4Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 39. Aria (soprano, echo soprano): “Flößt, mein Heiland, flößt dein Namen”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
hobo:
Anthony Robson (oboist) (in 1987-01)
sopraanvocalen:
Nancy Argenta (soprano) (in 1987-01)
sopraanvocalen [Echo]:
Katie Pringle (Soprano) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:40
5Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 40. Recitative (bass): “Wohlan, dein Name soll allein” / Chorale (sopranos): “Jesu, meine Freud und Wonne”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
basvocalen [Herod]:
Olaf Bär (baritone) (in 1987-01)
sopraanvocalen:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
uitvoerend artiest:
Nancy Argenta (soprano) (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:22
6Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 41. Aria (tenor): “Ich will nur dir zu Ehren leben”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
viool [Baroque violin]:
Alison Bury (violinist) (in 1987-01) en Maya Homburger (in 1987-01)
tenorvocalen:
Hans Peter Blochwitz (tenor) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:23
7Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 42. Chorale: “Jesus richte mein Beginnen”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:10
8Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 43. Chorus: “Ehre sei dir, Gott, gesungen”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
basvocalen:
Olaf Bär (baritone) (in 1987-01)
koor:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
tenorvocalen:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1987)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:56
9Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 44. Recitative (Evangelist): “Da “Jesus geboren war zu Bethlehem”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
10Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 45. Chorus: “Wo ist neugeborne König der Juden” / Recitative (alto): “Sucht ihn in meiner Brust”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:40
11Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 46. Chorale: “Dein Glanz all Finsternis verzehrt”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
tekstschrijver:
Georg Weissel (17th century hymn writer)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Breitkopf 389 Choralgesänge (nummer: 214)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:45
12Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 47. Aria (bass): “Erleucht auch meine finstre Sinnen”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
oboe d’amore:
Anthony Robson (oboist) (in 1987-01)
basvocalen [Herod]:
Olaf Bär (baritone) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:59
13Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 48. Recitative (Evangelist): “Da das der König Herodes hörte”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:12
14Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 49. Recitative (alto): “Warum wollt ihr erschrecken”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
mezzo-sopraanvocalen [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:30
15Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 50. Recitative (Evangelist): “Und ließ versammeln alle Hohenpriester”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:24
16Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 51. Trio (soprano, alto, tenor): “Ach, wann wird die Zeit erscheinen?”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
mezzo-sopraanvocalen [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1987-01)
sopraanvocalen:
Nancy Argenta (soprano) (in 1987-01)
tenorvocalen:
Hans Peter Blochwitz (tenor) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:34
17Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 52. Recitative (alto): “Mein Liebster herrschet schon”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
mezzo-sopraanvocalen [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
18Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 53. Chorale: “Zwar ist solche Herzensstube”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Breitkopf 389 Choralgesänge (nummer: 114)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
19Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 54. Chorus: “Herr, wenn die stolzen Feinde schnauben”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:59
20Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 55. Recitative (Evangelist): “Da berief Herodes die Weisen heimlich” / Herod: “Ziehet hin und forschet fleißig”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
basvocalen [Herod]:
Olaf Bär (baritone) (in 1987-01)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:43
21Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 56. Recitative (soprano): “Du Falscher, suche nur den Herrn zu fällen”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
sopraanvocalen:
Nancy Argenta (soprano) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:56
22Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 57. Aria (soprano): “Nur ein Wink von seinen Händen”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
sopraanvocalen:
Nancy Argenta (soprano) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:25
23Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 58. Recitative (Evangelist): “Als sie nun den König gehöret hatten”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:03
24Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 59. Chorale: “Ich steh an deiner Krippen hier”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
tekstschrijver:
Paul Gerhardt (17th century hymn writer)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Breitkopf 389 Choralgesänge (nummer: 263)
is gebaseerd op:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:02
25Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 60. Recitative (Evangelist): “Und Gott befahl ihnen im Traum”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
tenorvocalen [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
26Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 61. Recitative (tenor): “So geht! Genug, mein Schatz geht nicht von hier”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
tenorvocalen:
Hans Peter Blochwitz (tenor) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:52
27Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 62. Aria (tenor): “Nun mögt ihr stolzen Feinde schrecken”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
oboe d’amore:
Valerie Darke (oboist) (in 1987-01) en Anthony Robson (oboist) (in 1987-01)
tenorvocalen:
Hans Peter Blochwitz (tenor) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:59
28Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 63. Recitative (soprano, alto, tenor, bass): “Was will der Höllen Schrecken nun”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
basvocalen [Herod]:
Olaf Bär (baritone) (in 1987-01)
mezzo-sopraanvocalen [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1987-01)
sopraanvocalen:
Nancy Argenta (soprano) (in 1987-01)
tenorvocalen:
Hans Peter Blochwitz (tenor) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:37
29Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 64. Chorale: “Nun seid ihr wohl gerochen”
opnametechnicus:
Gregor Zielinsky (Balance engineer)
leidinggevend producent:
Dr. Andreas Holschneider en Charlotte Kriesch
producent en balanstechnicus:
Karl-August Naegler (balance engineer)
koor:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orkest:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
was dirigent:
John Eliot Gardiner (in 1987-01)
opgenomen bij:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (in 1987-01)
is een opname van:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1987-01)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1734 tot 1735)
tekstschrijver:
Paul Gerhardt (17th century hymn writer)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Breitkopf 389 Choralgesänge (nummer: 165)
deel van:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:26
3cd: Bach: St. Matthew Passion (Parts I & II beg.)
4cd: Bach: St. Matthew Passion (Part II cont.)
5cd: Bach: St. John Passion (Parts I & II beg.)
6cd: Bach: St. John Passion (Part II cont.)
7cd: Bach: Mass in B minor (Kyrie - Gloria)
8cd: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9cd: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10cd: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11cd: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12cd: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13cd: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14cd: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15cd: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16cd: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17cd: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18cd: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19cd: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20cd: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21cd: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22cd: Beethoven: Symphonies nos. 1 & 2
23cd: Beethoven: Symphonies nos. 3 “Eroica” & 4
24cd: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25cd: Beethoven: Symphonies nos. 7 & 8
26cd: Beethoven: Symphony no. 9 “Choral”
27cd: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28cd: Beethoven: Piano Concertos nos. 3 & 4
29cd: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30cd: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31cd: Beethoven: Violin Concerto
32cd: Beethoven: Missa solemnis
33cd: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34cd: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35cd: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36cd: Interviews with John Eliot Gardiner
37cd: Britten: War Requiem
38cd: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39cd: Bruckner: Mass no. 1 / 5 Motets
40cd: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41cd: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42cd: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43cd: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44cd: Handel: Acis and Galatea (Act I)
45cd: Handel: Acis and Galatea (Act II)
46cd: Handel: Hercules (Acts I & II beg.)
47cd: Handel: Hercules (Acts II cont. & III)
48cd: Haydn: The Creation (Parts I & II beg.)
49cd: Haydn: The Creation (Parts II cont. & III)
50cd: Haydn: The Seasons (Spring - Summer)
51cd: Haydn: The Seasons (Autumn - Winter)
52cd: Grainger: The Warriors / Holst: The Planets
53cd: Lehár: Die lustige Witwe
54cd: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55cd: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56cd: Monteverdi: Vespro della Beata Vergine nos. 1-10
57cd: Monteverdi: Vespro della Beata Vergine nos. 11-13
58cd: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59cd: Monteverdi: L'Orfeo (Acts III-V)
60cd: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61cd: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62cd: Monteverdi: L'incoronazione di Poppea (Act III)
63cd: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64cd: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65cd: Mozart: Piano Concertos nos. 11, 12 & 13
66cd: Mozart: Piano Concertos nos. 14, 15 & 18
67cd: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68cd: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69cd: Mozart: Piano Concertos nos. 22 & 23
70cd: Mozart: Piano Concertos nos. 24 & 25
71cd: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72cd: Mozart: Idomeneo (Acts I & II beg.)
73cd: Mozart: Idomeneo (Acts II cont. & III beg.)
74cd: Mozart: Idomeneo (Act III cont.)
75cd: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76cd: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77cd: Mozart: Le nozze di Figaro (Acts I & II beg.)
78cd: Mozart: Le nozze di Figaro (Acts II cont. & III)
79cd: Mozart: Le nozze di Figaro (Act IV)
80cd: Mozart: Don Giovanni (Act I beg.)
81cd: Mozart: Don Giovanni (Acts I cont. & II beg.)
82cd: Mozart: Don Giovanni (Act II cont.)
83cd: Mozart: Così fan tutte (Act I beg.)
84cd: Mozart: Così fan tutte (Acts I cont. & II beg.)
85cd: Mozart: Così fan tutte (Act II cont.)
86cd: Mozart: La clemenza di Tito (Act I)
87cd: Mozart: La clemenza di Tito (Act II)
88cd: Mozart: Die Zauberflöte (Acts I & II beg.)
89cd: Mozart: Die Zauberflöte (Act II cont.)
90cd: Purcell: The Fairy Queen (Acts I-III)
91cd: Purcell: The Fairy Queen (Acts IV & V)
92cd: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93cd: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94cd: Schütz: 4 Motets and Songs / Musikalische Exequien
95cd: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96cd: Schumann: Symphonies nos. 4 (original version) & 2
97cd: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98cd: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99cd: Schumann: Das Paradies und die Peri (Parts II & III)
100cd: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101cd: Stravinsky: The Rake's Progress (Acts I & II beg.)
102cd: Stravinsky: The Rake's Progress (Acts II cont. & III)
103cd: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104cd: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105cd: Mozart: Thamos, König in Ägypten

Relaties

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fotografie:Clive Barda (photographer)
Sheila Rock (UK photographer)
diverse ondersteuning:Andreas Fischer (product manager at Deutsche Grammophon) (taak: product manager)
Lars Hoffman (creative production manager) (taak: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (taak: compilation)
verzorgde het ontwerp:Mareike Walter (designer)
redacteur van het boekje:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discografisch lemma:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]