Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1CD: Bach: Christmas Oratorio (Parts I-III)
2CD: Bach: Christmas Oratorio (Parts IV-VI)
3CD: Bach: St. Matthew Passion (Parts I & II beg.)
4CD: Bach: St. Matthew Passion (Part II cont.)
5CD: Bach: St. John Passion (Parts I & II beg.)
6CD: Bach: St. John Passion (Part II cont.)
7CD: Bach: Mass in B minor (Kyrie - Gloria)
8CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22CD: Beethoven: Symphonies nos. 1 & 2
23CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25CD: Beethoven: Symphonies nos. 7 & 8
26CD: Beethoven: Symphony no. 9 “Choral”
27CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28CD: Beethoven: Piano Concertos nos. 3 & 4
29CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31CD: Beethoven: Violin Concerto
32CD: Beethoven: Missa solemnis
33CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36CD: Interviews with John Eliot Gardiner
37CD: Britten: War Requiem
38CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39CD: Bruckner: Mass no. 1 / 5 Motets
40CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44CD: Handel: Acis and Galatea (Act I)
45CD: Handel: Acis and Galatea (Act II)
46CD: Handel: Hercules (Acts I & II beg.)
#TitleArtistRatingLength
1Hercules, HWV 60: Act One. 1. Overtura
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 1: Overtura (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel6:59
2Hercules, HWV 60: Act One. 2. Recitativo accompagnato: “See with what sad dejection” (Lichas)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
mezzo-soprano vocals [Lichas, a herald, faithful servant to Dejanira]:
Catherine Denley (contralto, mezzo‐soprano) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 2: Recitativo accompagnato "See with what sad dejection" (Lichas) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel1:32
3Hercules, HWV 60: Act One. 3. Aria: “No longer, Fate, relentless frown” (Lichas)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
mezzo-soprano vocals [Lichas, a herald, faithful servant to Dejanira]:
Catherine Denley (contralto, mezzo‐soprano) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 3: Aria "No longer, Fate, relentless frown" (Lichas) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel5:54
4Hercules, HWV 60: Act One. 4. Recitativo accompagnato: “O Hercules! why art thou absent from me?” (Dejanira) / 5. Aria: “The world, when day's career is run” (Dejanira)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
mezzo-soprano vocals [Dejanira, his wife]:
Sarah Walker (British mezzosoprano) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 5: Aria "The world, when day's career is run" (Dejanira) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel4:56
5Hercules, HWV 60: Act One. 6. Recitativo: “Princess! be comforted, and hope the best” (Lichas, Dejanira, Hyllus)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
mezzo-soprano vocals [Dejanira, his wife]:
Sarah Walker (British mezzosoprano) (in 1982-08)
mezzo-soprano vocals [Lichas, a herald, faithful servant to Dejanira]:
Catherine Denley (contralto, mezzo‐soprano) (in 1982-08)
tenor vocals [Hyllus, his son]:
Anthony Rolfe Johnson (tenor) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 6: Recitativo "Princess! Be comforted, and hope the best" (Lichas, Dejanira, Hyllys) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel1:39
6Hercules, HWV 60: Act One. 7. Aria: “I feel, I feel the god” (Hyllus)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
tenor vocals [Hyllus, his son]:
Anthony Rolfe Johnson (tenor) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 7: Aria "I feel, I feel the god" (Hyllus) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel1:30
7Hercules, HWV 60: Act One. 8. Recitativo: “Then I am lost! O dreadful oracle!” (Dejanira) / 9. Aria: “There in myrtle shades reclined” (Dejanira)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
mezzo-soprano vocals [Dejanira, his wife]:
Sarah Walker (British mezzosoprano) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 8: Recitativo "Then I am lost! O dreadful oracle!" (Dejanira) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel3:27
8Hercules, HWV 60: Act One. 10. Recitativo: “Despair not! but let rising hope suspend” (Hyllus) / 11. Aria: “Where congealed the northern streams” (Hyllus)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
tenor vocals [Hyllus, his son]:
Anthony Rolfe Johnson (tenor) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 11: Aria "Where congealed the northern streams" (Hyllus) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel2:55
9Hercules, HWV 60: Act One. 12. Chorus: “O filial piety! O generous love!”
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 12: Chorus: "O filial piety! O generous love!" (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel3:38
10Hercules, HWV 60: Act One. 13. Recitativo: “Banish your fears! The noble Hercules” (Lichas, Dejanira) / 14. Aria: “Begone, my fears, fly hence, away” (Dejanira)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
mezzo-soprano vocals [Dejanira, his wife]:
Sarah Walker (British mezzosoprano) (in 1982-08)
mezzo-soprano vocals [Lichas, a herald, faithful servant to Dejanira]:
Catherine Denley (contralto, mezzo‐soprano) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 13: Recitativo "Banish your fears! The noble" (Hercules, Lichas, Dejanira) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel4:12
11Hercules, HWV 60: Act One. 15. Recitativo: “A train of captives, red with honest wounds” (Lichas, Hyllus, Dejanira)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
mezzo-soprano vocals [Dejanira, his wife]:
Sarah Walker (British mezzosoprano) (in 1982-08)
mezzo-soprano vocals [Lichas, a herald, faithful servant to Dejanira]:
Catherine Denley (contralto, mezzo‐soprano) (in 1982-08)
tenor vocals [Hyllus, his son]:
Anthony Rolfe Johnson (tenor) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 15: Recitativo "A train of captives, red with honest wounds" (Lichas, Hyllus, Dejanira) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel0:58
12Hercules, HWV 60: Act One. 16. March
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 16: March (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel1:39
13Hercules, HWV 60: Act One. 17. Recitativo: “Thanks to the powers above” (Hercules, Iole)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
bass vocals [Hercules, surnamed Alcides]:
John Tomlinson (English operatic bass) (in 1982-08)
soprano vocals [Iole, princess of Oechalia]:
Jennifer Smith (soprano) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 17: Recitativo "Thanks to the powers above" (Hercules, Iole) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel2:04
14Hercules, HWV 60: Act One. 18. Aria: “My father! Ah! methinks I see” (Iole)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
soprano vocals [Iole, princess of Oechalia]:
Jennifer Smith (soprano) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 18: Aria "My father! Ah! Methinks I see" (Iole) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel6:12
15Hercules, HWV 60: Act One. 19. Recitativo: “Now farewell, arms! From hence the tide of time” (Hercules) / 20. Aria: “The god of battle quits the bloody field” (Hercules)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
bass vocals [Hercules, surnamed Alcides]:
John Tomlinson (English operatic bass) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 19: Recitativo "Now farewell, arms! From hence the tide of time" (Hercules) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel3:43
16Hercules, HWV 60: Act One. 21. Chorus: “Crown with festal pomp the day”
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act I, no. 21: Chorus "Crown with festal pomp the day" (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act I
George Frideric Handel2:43
17Hercules, HWV 60: Act Two. 22. Aria: “How blest the maid ordained to dwell” (Iole)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
soprano vocals [Iole, princess of Oechalia]:
Jennifer Smith (soprano) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act II, no. 22: Aria "How blest the maid ordained to dwell" (Iole) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act II
George Frideric Handel3:21
18Hercules, HWV 60: Act Two. 23. Recitativo: “It must be so! Fame speaks aloud my wrongs” (Dejanira, Iole) / 24. Aria “When beauty sorrow's livery wears” (Dejanira)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
mezzo-soprano vocals [Dejanira, his wife]:
Sarah Walker (British mezzosoprano) (in 1982-08)
soprano vocals [Iole, princess of Oechalia]:
Jennifer Smith (soprano) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act II, no. 24: Aria "When beauty sorrow's livery wears" (Dejanira) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act II
George Frideric Handel4:12
19Hercules, HWV 60: Act Two. 25. Recitativo: “Whence this unjust suspicion?” (Iole, Dejanira)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
mezzo-soprano vocals [Dejanira, his wife]:
Sarah Walker (British mezzosoprano) (in 1982-08)
soprano vocals [Iole, princess of Oechalia]:
Jennifer Smith (soprano) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act II, no. 25: Recitavio "Whence this unjust suspicion?" (Iole) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act II
George Frideric Handel1:22
20Hercules, HWV 60: Act Two. 26. Aria: “Ah! think what ills the healous prove” (Iole)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
soprano vocals [Iole, princess of Oechalia]:
Jennifer Smith (soprano) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act II, no. 26: Aria "Ah! I think what ills the jealous prove" (Iole) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act II
George Frideric Handel6:03
21Hercules, HWV 60: Act Two. 27. Recitativo: “It is too sure that Hercules is false” (Dejanira, Lichas)
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
mezzo-soprano vocals [Dejanira, his wife]:
Sarah Walker (British mezzosoprano) (in 1982-08)
mezzo-soprano vocals [Lichas, a herald, faithful servant to Dejanira]:
Catherine Denley (contralto, mezzo‐soprano) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act II, no. 27: Recitativo "It is too sure that Hercules is false" (Dejanira, Lichas) (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act II
George Frideric Handel0:25
22Hercules, HWV 60: Act Two. 28. Chorus: “Jealousy! Infernal pest”
recording engineer:
Heinz Wildhagen (engineer, producer)
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Andreas Holschneider and Klaus L. Neumann
producer:
Barbara Valentin (engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1982-08)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Hercules, HWV 60: Act II, no. 28: Chorus "Jealousy! Infernal pest" (in 1982-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act II
George Frideric Handel5:50
47CD: Handel: Hercules (Acts II cont. & III)
48CD: Haydn: The Creation (Parts I & II beg.)
49CD: Haydn: The Creation (Parts II cont. & III)
50CD: Haydn: The Seasons (Spring - Summer)
51CD: Haydn: The Seasons (Autumn - Winter)
52CD: Grainger: The Warriors / Holst: The Planets
53CD: Lehár: Die lustige Witwe
54CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59CD: Monteverdi: L'Orfeo (Acts III-V)
60CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62CD: Monteverdi: L'incoronazione di Poppea (Act III)
63CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65CD: Mozart: Piano Concertos nos. 11, 12 & 13
66CD: Mozart: Piano Concertos nos. 14, 15 & 18
67CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69CD: Mozart: Piano Concertos nos. 22 & 23
70CD: Mozart: Piano Concertos nos. 24 & 25
71CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72CD: Mozart: Idomeneo (Acts I & II beg.)
73CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74CD: Mozart: Idomeneo (Act III cont.)
75CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79CD: Mozart: Le nozze di Figaro (Act IV)
80CD: Mozart: Don Giovanni (Act I beg.)
81CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82CD: Mozart: Don Giovanni (Act II cont.)
83CD: Mozart: Così fan tutte (Act I beg.)
84CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85CD: Mozart: Così fan tutte (Act II cont.)
86CD: Mozart: La clemenza di Tito (Act I)
87CD: Mozart: La clemenza di Tito (Act II)
88CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89CD: Mozart: Die Zauberflöte (Act II cont.)
90CD: Purcell: The Fairy Queen (Acts I-III)
91CD: Purcell: The Fairy Queen (Acts IV & V)
92CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96CD: Schumann: Symphonies nos. 4 (original version) & 2
97CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99CD: Schumann: Das Paradies und die Peri (Parts II & III)
100CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]