Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▼CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
#TitleArtistRatingLength
1Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Bst, bst! Blondchen!« (Pedrillo, Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. "Pst, Blondchen, pst!" (Pedrillo, Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart1:21
2Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Nr. 12 Arie: »Welche Wonne, welche Lust« (Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:47
3Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Ah, dass es schon vorbei wäre« (Pedrillo) / Nr. 13 Arie: »Firsch zum Kampfe! Frisch zum Streite!« (Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:21
4Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Ha! Geht's hier so lustig zu?« (Osmin, Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart1:20
5Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Nr. 14 Duett: »Vivat Bacchus! Bacchus lebe!« (Pedrillo, Osmin)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:03
6Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Wein - das ist wahr - Wein« (Osmin, Pedrillo) - »Pedrillo, ist Konstanze noch nicht heir?« (Belmonte, Pedrillo, Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Wein - das ist wahr - Wein / Pedrillo, ist Konstanze noch nicht hier? (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart1:53
7Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Nr. 15 Arie: »Wenn der Freude Tränen fließen« (Belmonte) / Dialog: »Ich hab' hier ein Schiff in Bereitschaft« (Belmonte, Konstanze, Pedrillo, Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart6:54
8Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Nr. 16 Quartett: »Ach, Belmonte! Ach, mein Leben!« (Konstanze, Belmonte, Pedrillo, Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart10:04
9Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Dialog: »Pedrillo! Pedrillo!« (Belmonte, Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Pedrillo! Pedrillo! (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart0:31
10Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Nr. 17 Arie: »Ich baue ganz auf deine Stärke« (Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart6:15
11Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Dialog: »Alles liegt auf dem Ohr« (Pedrillo, Belmonte) / Nr. 18 Romanze: »In Mohrenland gefangen war« (Pedrillo, Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:07
12Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Dialog: »Sie macht auf, Herr!« (Pedrillo, Belmonte, Konstanze) / »Gift und Dolch! Was ist das?« (Osmin, Blonde, Pedrillo, Belmonte, Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Endlich, sie macht auf, Herr" (Pedrillo, Belmonte, Konstanze, Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart1:39
13Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Nr. 19 Arie: »Oh, wie, will ich trumphieren« (Osmin)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa] and bass vocals [Osmin]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:21
14Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Dialog: »Was gibt's, Osmin, was gibt's?« (Selim, Osmin, Konstanze, Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act III, Scene V. Dialog "Was gibt's, Osmin, was gibt's?" (Selim, Osmin, Konstanze, Belmonte) (in 1991-07)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart2:20
15Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Nr. 20 Rezitativ und Duett: »Welch ein Geschick!« - »Meinetwegen sollst du sterben!« (Belmonte, Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart9:44
16Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Dialog: »Nun, Sklave! Erwartest du dein Urteil?« (Selim, Belmonte, Konstanze, Pedrillo, Osmin)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act III, Scene IX. Dialog "Nun,Sklave! Elender Sklave!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin) (in 1991-07)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart2:03
17Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Finale. Nr. 21a Vaudeville: »Nie werd' ich deine Huld verkennen« (Belmonte, Konstanze, Pedrillo, Blonde, Osmin) / Nr. 21b Chor der Janitscharen: »Bassa Selim lebe lange«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
baritone vocals [Solo quartet in the Janissaries' chorus]:
Julian Clarkson (baritone) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
countertenor vocals [Solo quartet in the Janissaries' chorus]:
Richard Wyn Roberts (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
soprano vocals [Solo quartet in the Janissaries' chorus]:
Angela Kazimierczuk (Classical soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
tenor vocals [Solo quartet in the Janissaries' chorus]:
Paul Tindall (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart4:53
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]