Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▼CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
#TitleArtistRatingLength
1“Nun komm, der Heiden Heiland”, BWV 61: 1. Ouverture (chorus): “Nun komm, her Heiden Heiland”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach2:48
2“Nun komm, der Heiden Heiland”, BWV 61: 2. Recitative (tenor): “Der Heiland ist gekommen”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:20
3“Nun komm, der Heiden Heiland”, BWV 61: 3. Aria (tenor): “Komm, Jesu, komm zu deiner Kirche”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:17
4“Nun komm, der Heiden Heiland”, BWV 61: 4. Recitative (baritone): “Siehe, ich stehe vor der Tür”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Olaf Bär (baritone) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür und klopfe an" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:08
5“Nun komm, der Heiden Heiland”, BWV 61: 5. Aria (soprano): “Öffne dich, mein ganzes Herze”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Timothy Mason (classical cellist) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach3:47
6“Nun komm, der Heiden Heiland”, BWV 61: 6. Chorale: “Amen”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Olaf Bär (baritone) (in 1992-01) and Anthony Rolfe Johnson (tenor) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:54
7“Schwingt freudig euch empor”, BWV 36: First Part. 1. Chorus: “Schwingt freudig euch empor”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Ingmar Haas (engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
The English Baroque Soloists (in 1992-01)
conductor:
John Eliot Gardiner (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Great Hall, Blackheath Concert Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": I. Coro "Schwingt freudig euch empor" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach4:11
8“Schwingt freudig euch empor”, BWV 36: First Part. 2. Chorale (soprano, mezzo-soprano): “Nun komm, her Heiden Heiland”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals:
Petra Lang (mezzo-soprano) (in 1992-01)
soprano vocals:
Nancy Argenta (soprano) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Anthony Robson (oboist) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": II. Choral "Nun komm, der Heiden Heiland" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach3:21
9“Schwingt freudig euch empor”, BWV 36: First Part. 3. Aria (tenor): “Die Liebe zieht mit sanften Schritten”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Anthony Robson (oboist) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": III. Aria (Tenore) "Die Liebe zieht mit sanften Schritten" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach4:50
10“Schwingt freudig euch empor”, BWV 36: First Part. 4. Chorale: “Zwingt die Saiten in Cy”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Petra Lang (mezzo-soprano) (in 1992-01) and Anthony Rolfe Johnson (tenor) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": IV. Choral "Zwingt die Saiten in Cythara" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 377)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach1:19
11“Schwingt freudig euch empor”, BWV 36: Second Part. 5. Aria (baritone): “Willkommen, werter Schatz!”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Olaf Bär (baritone) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": V. Aria (Basso) "Willkommen, werter Schatz!" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach3:32
12“Schwingt freudig euch empor”, BWV 36: Second Part. 6. Chorale (tenors): “Der du bist dem Vater gleich”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals [tenors]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Olaf Bär (baritone) (in 1992-01) and Petra Lang (mezzo-soprano) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VI. Choral (Tenore) "Der du bist dem Vater gleich" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach1:44
13“Schwingt freudig euch empor”, BWV 36: Second Part. 7. Aria (soprano): “Auch mit gedämpften, schwachen Stimmen”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Alison Bury (violinist) (in 1992-01) and Timothy Mason (classical cellist) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VII. Aria (Soprano) "Auch mit gedämpften, schwachen Stimmen" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach8:54
14“Schwingt freudig euch empor”, BWV 36: Second Part. 8. Chorale: “Lob sei Gott, dem Vater, ton”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Olaf Bär (baritone) (in 1992-01) and Petra Lang (mezzo-soprano) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VIII. Choral "Lob sei Gott, dem Vater g'ton" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 264)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
Johann Sebastian Bach0:47
15“Nun komm, der Heiden Heiland”, BWV 62: 1. Chorus: “Nun komm, der Heiden Heiland”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Ingmar Haas (engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
The English Baroque Soloists (in 1992-01)
conductor:
John Eliot Gardiner (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Great Hall, Blackheath Concert Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:27
16“Nun komm, der Heiden Heiland”, BWV 62: 2. Aria (tenor): “Bewundert, o Menschen, dies große Geheimnis”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Bewundert, o Menschen" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach6:20
17“Nun komm, der Heiden Heiland”, BWV 62: 3. Recitative (baritone): “So geht aus Gottes Herrlichkeit und Thron”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Olaf Bär (baritone) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": III. Recitativo (Basso) "So geht aus Gottes Herrlichkeit" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:40
18“Nun komm, der Heiden Heiland”, BWV 62: 4. Aria (baritone): “Streite, siege, starker Held!”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Olaf Bär (baritone) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach5:21
19“Nun komm, der Heiden Heiland”, BWV 62: 5. Recitative (soprano, mezzo-soprano): “Wir ehren diese Herrlichkeit”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals:
Petra Lang (mezzo-soprano) (in 1992-01)
soprano vocals:
Nancy Argenta (soprano) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": V. Recitativo (Duetto: Soprano, Alto) "Wir ehren diese Herrlichkeit" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:49
20“Nun komm, der Heiden Heiland”, BWV 62: 6. Chorale: “Lob sei Gott, dem Vater, ton”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-01)
performer:
Nancy Argenta (soprano) (in 1992-01), Olaf Bär (baritone) (in 1992-01), Petra Lang (mezzo-soprano) (in 1992-01) and Anthony Rolfe Johnson (tenor) (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral "Lob sei Gott, dem Vater, g'ton" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 265)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:40
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]