Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▼CD: Mozart: Così fan tutte (Act I beg.)
#TitleArtistRatingLength
1Così fan tutte, K. 588: Ouvertura
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Ouvertura (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
Wolfgang Amadeus Mozart4:15
2Così fan tutte, K. 588: Atto Primo. N. 1 Terzetto: “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:03
3Così fan tutte, K. 588: Atto Primo. Recitativo: “Fuor la spada!” (Guglielmo, Don Alfonso, Ferrando)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Fuor la spada” (Ferrando, Guglielmo, Don Alfonso) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:05
4Così fan tutte, K. 588: Atto Primo. N. 2 Terzetto: “È la fede delle femmine” (Don Alfonso, Ferrando, Guglielmo)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 2 Terzetto “È la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:08
5Così fan tutte, K. 588: Atto Primo. Recitativo: “Scioccherie di poeti!” (Ferrando, Guglielmo, Don Alfonso)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Scioccherie di poeti!” (Ferrando, Guglielmo, Don Alfonso) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:35
6Così fan tutte, K. 588: Atto Primo. N. 3 Terzetto: “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:22
7Così fan tutte, K. 588: Atto Primo. N. 4 Duetto: “Ah, guarda, sorella” (Fiordiligi, Dorabella)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
vocals:
Amanda Roocroft (soprano) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 4 Duetto “Ah, guarda, sorella” (Fiordiligi, Dorabella) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:31
8Così fan tutte, K. 588: Atto Primo. Recitativo: “Mi par che stamattina” (Fiordiligi, Dorabella, Don Alfonso)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Mi par che stamattina” (Fiordiligi, Dorabella) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:16
9Così fan tutte, K. 588: Atto Primo. N. 5 Aria: “Vorrei dir, e cor non ho” (Don Alfonso)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 5 Aria “Vorrei dir e cor non ho” (Don Alfonso) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:39
10Così fan tutte, K. 588: Atto Primo. Recitativo: “Stelle! Per carità, signor Alfonso” (Fiordiligi, Don Alfonso, Dorabella)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
vocals:
Carlos Feller (operatic bass) (in 1992-06) and Amanda Roocroft (soprano) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Stelle! Per carità, Signor Alfonso” (Fiordiligi, Don Alfonso, Dorabella) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:03
11Così fan tutte, K. 588: Atto Primo. N. 6 Quintetto: “Sento, oh Dio, che questo piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 6 Quintetto “Sento, oh Dio, che questo piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:07
12Così fan tutte, K. 588: Atto Primo. Recitativo: “Non piangere, idol mio!” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Non piangere, idol mio” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:00
13Così fan tutte, K. 588: Atto Primo. N. 7 Duettino: “Al fato dan legge” (Ferrando, Guglielmo)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 7 Duettino “Al fato dan legge quegli occhi vezzosi” (Ferrando, Guglielmo) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:30
14Così fan tutte, K. 588: Atto Primo. Recitativo: “La commedia è graziosa” (Don Alfonso, Ferrando, Fiordiligi, Dorabella)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “La commedia è graziosa” (Ferrando, Don Alfonso, Fiordiligi, Dorabella) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:33
15Così fan tutte, K. 588: Atto Primo. N. 8 Coro: “Bella vita militar!”
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:38
16Così fan tutte, K. 588: Atto Primo. Recitativo: “Non v'è più tempo, amici” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Non v’è più tempo, amici” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:35
17Così fan tutte, K. 588: Atto Primo. N. 8a Quintetto: “Di scrivermi ogni giorno” (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 9 Quintetto e coro “Di scrivermi ogni giorno” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, coro) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:58
18Così fan tutte, K. 588: Atto Primo. N. 9 Coro: “Bella vita militar!”
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:51
19Così fan tutte, K. 588: Atto Primo. Recitativo: “Dove son?” - “Son partiti” (Dorabella, Don Alfonso, Fiordiligi)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. “Dove son! Che loco è questo!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:03
20Così fan tutte, K. 588: Atto Primo. N. 10 Terzettino: “Soave sia il vento” (Fiordiligi, Dorabella, Don Alfonso)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:56
21Così fan tutte, K. 588: Atto Primo. Recitativo: “Non son cattivo comico!” (Don Alfonso)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Non son cattivo comico” (Don Alfonso) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:02
22Così fan tutte, K. 588: Atto Primo. “Che vita maledetta” (Despina, Fiordiligi, Dorabella)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
mezzo-soprano vocals [Despina, cameriera delle dame]:
Eirian James (mezzo-soprano) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Che vita maledetta” (Despina, Fiordiligi, Dorabella) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:21
23Così fan tutte, K. 588: Atto Primo. “Ah, scostati!” (Dorabella)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
soprano vocals [Dorabella, sorelle ferraresi, abitanti in Napoli]:
Rosa Mannion (soprano) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Ah, scostati!” (Dorabella) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:15
24Così fan tutte, K. 588: Atto Primo. N. 11 Aria: “Smanie impacabili che m'agitate” (Dorabella)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
soprano vocals [Dorabella, sorelle ferraresi, abitanti in Napoli]:
Rosa Mannion (soprano) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:09
25Così fan tutte, K. 588: Atto Primo. Recitativo: “Signora Dorabella, Signora Fiordiligi” (Despina, Dorabella, Fiordiligi)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
mezzo-soprano vocals [Despina, cameriera delle dame]:
Eirian James (mezzo-soprano) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Signora Dorabella, Signora Fiordiligi” (Despina, Dorabello, Fiordiligi) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:19
26Così fan tutte, K. 588: Atto Primo. N. 12 Aria: “In uomini, in soldati sperare fedeltà?” (Despina)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
mezzo-soprano vocals [Despina, cameriera delle dame]:
Eirian James (mezzo-soprano) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:39
27Così fan tutte, K. 588: Atto Primo. Recitativo: “Che silenzio! Che aspetto di tristezza” (Don Alfonso, Despina)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
mezzo-soprano vocals [Despina, cameriera delle dame]:
Eirian James (mezzo-soprano) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Che silenzio: che aspetto di tristezza” (Don Alfonso, Despina) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:46
28Così fan tutte, K. 588: Atto Primo. N. 13 Sestetto: “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
mezzo-soprano vocals [Despina, cameriera delle dame]:
Eirian James (mezzo-soprano) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 13 Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:33
29Così fan tutte, K. 588: Atto Primo. Recitativo: “Che sussurro! Che strepito!” (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
mezzo-soprano vocals [Despina, cameriera delle dame]:
Eirian James (mezzo-soprano) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Che sussurro! Che strepito” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:48
30Così fan tutte, K. 588: Atto Primo. N. 14 Aria: “Come scoglio immoto resta” (Fiordiligi)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:43
31Così fan tutte, K. 588: Atto Primo. Recitativo: “Ah, non partite!” (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Ah non partite” (Don Alfonso, Ferrando, Guglielmo, Fiordiligi, Dorabella) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:03
32Così fan tutte, K. 588: Atto Primo. N. 15 Aria: “Non siate ritros!” (Guglielmo)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 15 Aria “Non siate ritrosi” (Guglielmo) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:28
33Così fan tutte, K. 588: Atto Primo. N. 16 Terzetto: “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06) and Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:54
34Così fan tutte, K. 588: Atto Primo. Recitativo: “Si può sapere un poco” (Don Alfonso, Guglielmo, Ferrando)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Rodney Gilfry (baritone) (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. Recitativo “Si può sapere un poco la cagion di quel riso” (Don Alfonso, Ferrando, Guglielmo) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:04
35Così fan tutte, K. 588: Atto Primo. N. 17 Aria: “Un'aura amorosa del nostro tesoro” (Ferrando)
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
tenor vocals [Ferrando, ufficiale, amante di Dorabella]:
Rainer Trost (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:44
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]