Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1CD: Bach: Christmas Oratorio (Parts I-III)
2CD: Bach: Christmas Oratorio (Parts IV-VI)
3CD: Bach: St. Matthew Passion (Parts I & II beg.)
4CD: Bach: St. Matthew Passion (Part II cont.)
5CD: Bach: St. John Passion (Parts I & II beg.)
6CD: Bach: St. John Passion (Part II cont.)
7CD: Bach: Mass in B minor (Kyrie - Gloria)
8CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22CD: Beethoven: Symphonies nos. 1 & 2
23CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25CD: Beethoven: Symphonies nos. 7 & 8
26CD: Beethoven: Symphony no. 9 “Choral”
27CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28CD: Beethoven: Piano Concertos nos. 3 & 4
29CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31CD: Beethoven: Violin Concerto
32CD: Beethoven: Missa solemnis
33CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36CD: Interviews with John Eliot Gardiner
37CD: Britten: War Requiem
38CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39CD: Bruckner: Mass no. 1 / 5 Motets
40CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44CD: Handel: Acis and Galatea (Act I)
45CD: Handel: Acis and Galatea (Act II)
46CD: Handel: Hercules (Acts I & II beg.)
47CD: Handel: Hercules (Acts II cont. & III)
48CD: Haydn: The Creation (Parts I & II beg.)
49CD: Haydn: The Creation (Parts II cont. & III)
50CD: Haydn: The Seasons (Spring - Summer)
51CD: Haydn: The Seasons (Autumn - Winter)
52CD: Grainger: The Warriors / Holst: The Planets
53CD: Lehár: Die lustige Witwe
54CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59CD: Monteverdi: L'Orfeo (Acts III-V)
60CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62CD: Monteverdi: L'incoronazione di Poppea (Act III)
63CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65CD: Mozart: Piano Concertos nos. 11, 12 & 13
66CD: Mozart: Piano Concertos nos. 14, 15 & 18
67CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69CD: Mozart: Piano Concertos nos. 22 & 23
70CD: Mozart: Piano Concertos nos. 24 & 25
71CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72CD: Mozart: Idomeneo (Acts I & II beg.)
73CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74CD: Mozart: Idomeneo (Act III cont.)
75CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79CD: Mozart: Le nozze di Figaro (Act IV)
80CD: Mozart: Don Giovanni (Act I beg.)
81CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82CD: Mozart: Don Giovanni (Act II cont.)
83CD: Mozart: Così fan tutte (Act I beg.)
84CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85CD: Mozart: Così fan tutte (Act II cont.)
86CD: Mozart: La clemenza di Tito (Act I)
87CD: Mozart: La clemenza di Tito (Act II)
88CD: Mozart: Die Zauberflöte (Acts I & II beg.)
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Ouvertüre
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart5:55
2Die Zauberflöte, K. 620: Erster Aufzug. Nr. 1 Introduktion: »Zu Hilfe! Zu Hilfe! Sonst bin ich verloren« (Tamino, die drei Damen)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
mezzo-soprano vocals [Dritte Dame der Königin]:
Maria Jonas (mezzo-soprano) (in 1995-07)
mezzo-soprano vocals [Zweite Dame der Königin]:
Carola Guber (mezzo-soprano) (in 1995-07)
soprano vocals [Erste Dame der Königin]:
Susan Roberts (soprano) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:04
3Die Zauberflöte, K. 620: Erster Aufzug. Dialog: »Wo bin ich?« (Tamino)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. Monolog „Wo bin ich?” (Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart0:24
4Die Zauberflöte, K. 620: Erster Aufzug. Nr. 2 Arie: »Der Vogelfänger bin ich ja« (Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:24
5Die Zauberflöte, K. 620: Erster Aufzug. Dialog: »He! Du da!« (Tamino, Papageno, die drei Damen)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
mezzo-soprano vocals [Dritte Dame der Königin]:
Maria Jonas (mezzo-soprano) (in 1995-07)
mezzo-soprano vocals [Zweite Dame der Königin]:
Carola Guber (mezzo-soprano) (in 1995-07)
soprano vocals [Erste Dame der Königin]:
Susan Roberts (soprano) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. Dialog „He da!” … „Was da!” (Tamino, Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:05
6Die Zauberflöte, K. 620: Erster Aufzug. Nr. 3 Arie: »Dies Bildnis ist bezaubernd schöne« (Tamino)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“ (for two flutes or violins, Mozart) (in 1995-07)
composer and arranger:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino)
Wolfgang Amadeus Mozart3:28
7Die Zauberflöte, K. 620: Erster Aufzug. Dialog: »Rüste dich mit Mut und Standhaftigkeit« (die drei Damen, Tamino)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
mezzo-soprano vocals [Dritte Dame der Königin]:
Maria Jonas (mezzo-soprano) (in 1995-07)
mezzo-soprano vocals [Zweite Dame der Königin]:
Carola Guber (mezzo-soprano) (in 1995-07)
soprano vocals [Erste Dame der Königin]:
Susan Roberts (soprano) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. Dialog „Rüste dich mit Mut und Standhaftigkeit, schöner Jüngling” (Drei Damen, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:04
8Die Zauberflöte, K. 620: Erster Aufzug. Nr. 4 Rezitativ und Arie: »O zittre nicht, mein lieber Sohn! Zum Leiden bin ich auserkoren« (Königin der Nacht)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
soprano vocals [Königin der Nacht]:
Cyndia Sieden (soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:30
9Die Zauberflöte, K. 620: Erster Aufzug. Dialog: »War das Wirklichkeit, was ich sah?« (Tamino)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. Monolog „Ist’s denn auch Wirklichkeit, was ich sah?” (Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart0:08
10Die Zauberflöte, K. 620: Erster Aufzug. Nr. 5 Quintett: »Hm, hm, hm, hm« (Papageno, Tamino, die drei Damen)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
mezzo-soprano vocals [Dritte Dame der Königin]:
Maria Jonas (mezzo-soprano) (in 1995-07)
mezzo-soprano vocals [Zweite Dame der Königin]:
Carola Guber (mezzo-soprano) (in 1995-07)
soprano vocals [Erste Dame der Königin]:
Susan Roberts (soprano) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:36
11Die Zauberflöte, K. 620: Erster Aufzug. Nr. 6 Terzett: »Du feines Täubchen, nur herein!« (Monostatos, Pamina, Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Monostatos]:
Uwe Peper (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:43
12Die Zauberflöte, K. 620: Erster Aufzug. Dialog: »Mutter! Mutter!« (Pamina, Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. Monolog „Mutter! Mutter!” … „Wie? Noch schlägt dies Herz?” (Pamina) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:15
13Die Zauberflöte, K. 620: Erster Aufzug. Nr. 7 Duett: »Bei Männern, weiche Liebe fühlen« (Pamina, Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:05
14Die Zauberflöte, K. 620: Erster Aufzug. Nr. 8 Finale: »Zum Ziele führt dich diese Bahn« (die drei Knaben, Tamino, Priester, Sprecher)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass-baritone vocals [Sprecher (Erster Priester)]:
Detlef Roth (bass-baritone) (in 1995-07)
choir vocals [Priester]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
treble vocals [Dritter Knabe]:
Florian Wöller (in 1995-07)
treble vocals [Erster Knabe]:
Andreas Dieterich (treble / boy soprano) (in 1995-07)
treble vocals [Zweiter Knabe]:
Jan Andreas Mendel (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart11:34
15Die Zauberflöte, K. 620: Erster Aufzug. Nr. 8 Finale: »Schnelle Füße, rascher Mut« (Pamina, Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart0:59
16Die Zauberflöte, K. 620: Erster Aufzug. Nr. 8 Finale: »Nur geschwinde!« (Monostatos, Pamina, Papageno, Sklaven, Priester)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
choir vocals [Priester] and choir vocals [Sklaven]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Monostatos]:
Uwe Peper (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:56
17Die Zauberflöte, K. 620: Erster Aufzug. Nr. 8 Finale: »Es lebe Sarastro, Sarastro soll leben« (Sarastros Gefolge, Pamina, Sarastro)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
choir vocals [Sarastros Gefolge]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:23
18Die Zauberflöte, K. 620: Erster Aufzug. Nr. 8 Finale: »Ja, stolzer Jüngling« (Monostatos, Pamina, Tamino, Sarastros Gefolge, Sarastro)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
choir vocals [Sarastros Gefolge]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Monostatos]:
Uwe Peper (tenor) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. „Nun, stolzer Jüngling; nur hierher!” (Monostatos, Pamina, Tamino, Gefolge, Sarastro) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:15
19Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 9 Marsch der Priester
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:21
20Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 9a Dialog: »Eingeweihte Diener« (Sarastro, zweiter Priester, Sprecher, dritter Priester)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
bass-baritone vocals [Sprecher (Erster Priester)]:
Detlef Roth (bass-baritone) (in 1995-07)
spoken vocals [Dritter Priester]:
Robert Burt (tenor) (in 1995-07)
spoken vocals [Zweiter Priester]:
Douglas Welbat (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro, Sprecher, Priester) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:21
21Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 10 Arie mit Chor: »O Isis und Osiris« (Sarastro, Sarastros Gefolge)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:42
22Die Zauberflöte, K. 620: Anhang. Nr. 3a Arie: »So reizend hold, so zaubrisch schön« (Tamino)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Appendix. Nr. 3a Arie: »So reizend hold, so zaubrisch schön« (Tamino) (Ed. Nicholas McNair, based on the autograph) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:33
23Die Zauberflöte, K. 620: Anhang. Nr. 7a Duett: »Der Liebe holdes Glück empfinden« (Pamina, Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Appendix. Nr. 7a Duett: »Der Liebe holdes Glück empfinden« (Pamina, Papageno) (Ed. Nicholas McNair, based on the autograph) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:06
89CD: Mozart: Die Zauberflöte (Act II cont.)
90CD: Purcell: The Fairy Queen (Acts I-III)
91CD: Purcell: The Fairy Queen (Acts IV & V)
92CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96CD: Schumann: Symphonies nos. 4 (original version) & 2
97CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99CD: Schumann: Das Paradies und die Peri (Parts II & III)
100CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]