Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1CD: Bach: Christmas Oratorio (Parts I-III)
2CD: Bach: Christmas Oratorio (Parts IV-VI)
3CD: Bach: St. Matthew Passion (Parts I & II beg.)
4CD: Bach: St. Matthew Passion (Part II cont.)
5CD: Bach: St. John Passion (Parts I & II beg.)
6CD: Bach: St. John Passion (Part II cont.)
7CD: Bach: Mass in B minor (Kyrie - Gloria)
8CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22CD: Beethoven: Symphonies nos. 1 & 2
23CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25CD: Beethoven: Symphonies nos. 7 & 8
26CD: Beethoven: Symphony no. 9 “Choral”
27CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28CD: Beethoven: Piano Concertos nos. 3 & 4
29CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31CD: Beethoven: Violin Concerto
32CD: Beethoven: Missa solemnis
33CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36CD: Interviews with John Eliot Gardiner
37CD: Britten: War Requiem
38CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39CD: Bruckner: Mass no. 1 / 5 Motets
40CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44CD: Handel: Acis and Galatea (Act I)
45CD: Handel: Acis and Galatea (Act II)
46CD: Handel: Hercules (Acts I & II beg.)
47CD: Handel: Hercules (Acts II cont. & III)
48CD: Haydn: The Creation (Parts I & II beg.)
49CD: Haydn: The Creation (Parts II cont. & III)
50CD: Haydn: The Seasons (Spring - Summer)
51CD: Haydn: The Seasons (Autumn - Winter)
52CD: Grainger: The Warriors / Holst: The Planets
53CD: Lehár: Die lustige Witwe
54CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59CD: Monteverdi: L'Orfeo (Acts III-V)
60CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62CD: Monteverdi: L'incoronazione di Poppea (Act III)
63CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65CD: Mozart: Piano Concertos nos. 11, 12 & 13
66CD: Mozart: Piano Concertos nos. 14, 15 & 18
67CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69CD: Mozart: Piano Concertos nos. 22 & 23
70CD: Mozart: Piano Concertos nos. 24 & 25
71CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72CD: Mozart: Idomeneo (Acts I & II beg.)
73CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74CD: Mozart: Idomeneo (Act III cont.)
75CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79CD: Mozart: Le nozze di Figaro (Act IV)
80CD: Mozart: Don Giovanni (Act I beg.)
81CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82CD: Mozart: Don Giovanni (Act II cont.)
83CD: Mozart: Così fan tutte (Act I beg.)
84CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85CD: Mozart: Così fan tutte (Act II cont.)
86CD: Mozart: La clemenza di Tito (Act I)
87CD: Mozart: La clemenza di Tito (Act II)
88CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89CD: Mozart: Die Zauberflöte (Act II cont.)
90CD: Purcell: The Fairy Queen (Acts I-III)
91CD: Purcell: The Fairy Queen (Acts IV & V)
92CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96CD: Schumann: Symphonies nos. 4 (original version) & 2
97CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99CD: Schumann: Das Paradies und die Peri (Parts II & III)
100CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
#TitleArtistRatingLength
1The Rake's Progress: Act One. Prelude
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act I, Scene I. Prelude (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky0:32
2The Rake's Progress: Act One, Scene 1. Duet and Trio: “The woods are green” (Anne, Rakewell, Trulove)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass vocals [Trulove, Anne's father]:
Martin Robson (UK bass-baritone vocalist, violinist, composer) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act I, Scene I. "The Woods Are Green" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky3:28
3The Rake's Progress: Act One, Scene 1. Recitative: “Anne, my dear” (Trulove, Anne, Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass vocals [Trulove, Anne's father]:
Martin Robson (UK bass-baritone vocalist, violinist, composer) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act One, Scene 1. Recitative: “Anne, my dear” (Trulove, Anne, Rakewell) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky0:52
4The Rake's Progress: Act One, Scene 1. Recitative: “Here I stand” (Rakewell) / Aria: “Since it is not by merit” (Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act I, Scene I. "Here I Stand" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky2:33
5The Rake's Progress: Act One, Scene 1. Recitative: “Tom Rakewell?” (Shadow, Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act I, Scene I. "Tom Rakewell?" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky1:15
6The Rake's Progress: Act One, Scene 1. Recitative: “Fair lady, gracious gentlemen” (Shadow) / Quartet: “I wished but once” (Rakewell, Shadow, Anne, Trulove)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass vocals [Trulove, Anne's father]:
Martin Robson (UK bass-baritone vocalist, violinist, composer) (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act One, Scene 1. Recitative: “Fair lady, gracious gentlemen” (Shadow) / Quartet: “I wished but once” (Rakewell, Shadow, Anne, Trulove) (in 1997-06)
part of:
The Rake's Progress: Act I
Igor Stravinsky5:00
7The Rake's Progress: Act One, Scene 1. Recitative: “I'll call the coachman, sir” (Shadow, Trulove)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass vocals [Trulove, Anne's father]:
Martin Robson (UK bass-baritone vocalist, violinist, composer) (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act One, Scene 1. Recitative: “I’ll call the coachman, sir” (Shadow, Trulove) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky0:11
8The Rake's Progress: Act One, Scene 1. Duettino: “Farewell for now” (Anne, Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act I, Scene I. "Farewell for Now" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky1:14
9The Rake's Progress: Act One, Scene 1. Recitative: “All is ready, sir” (Shadow, Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act One, Scene 1. Recitative: “All is ready, sir” (Shadow, Rakewell) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky0:46
10The Rake's Progress: Act One, Scene 1. Arioso: “Dear father Trulove” (Rakewell) / Terzettino: “Laughter and light” (Rakewell, Anne, Trulove, Shadow)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass vocals [Trulove, Anne's father]:
Martin Robson (UK bass-baritone vocalist, violinist, composer) (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act One, Scene 1. Arioso: “Dear father Trulove” (Rakewell) / Terzettino: “Laughter and light” (Rakewell, Anne, Trulove; Shadow) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky2:54
11The Rake's Progress: Act One, Scene 2. Chorus: “With air commanding and weapon handy”
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act I, Scene II. "With Air Commanding" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky2:30
12The Rake's Progress: Act One, Scene 2. Recitative and Scene: “Come, Tom” (Shadow, Rakewell, Mother Goose)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
soprano vocals [Mother Goose]:
Anne Howells (operatic mezzo-soprano) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act I, Scene II. "Come, Tom" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky3:18
13The Rake's Progress: Act One, Scene 2. Chorus: “Soon dawn will glitter”
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act One, Scene 2. Chorus: “Soon dawn will glitter” (Whores, Roaring Boys) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky0:37
14The Rake's Progress: Act One, Scene 2. Recitative: “Sisters of Venus, Brothers of Mars” (Shadow)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act One, Scene 2. Recitative: “Sisters of Venus, Brothers of Mars” (Shadow) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky0:56
15The Rake's Progress: Act One, Scene 2. Cavatina: “Love, too frequently betrayed” (Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act I, Scene II. "Love too Frequently Betrayed" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky2:44
16The Rake's Progress: Act One, Scene 2. Chorus: “How sad a song” (chorus, Mother Goose)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
soprano vocals [Mother Goose]:
Anne Howells (operatic mezzo-soprano) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act One, Scene 2. Chorus: “How sad a song” (Whores, Mother Goose) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky1:05
17The Rake's Progress: Act One, Scene 2. Chorus: “The sun is bright, the grass is green” (chorus, Shadow)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act I, Scene II. "The Sun Is Bright" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky2:06
18The Rake's Progress: Act One, Scene 3. Recitative: “No word from Tom” (Anne)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act I, Scene III. "No Word From Tom" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky1:56
19The Rake's Progress: Act One, Scene 3. Aria: “Quietly, night” (Anne, Trulove)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass vocals [Trulove, Anne's father]:
Martin Robson (UK bass-baritone vocalist, violinist, composer) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act One, Scene 2. Aria: “Quietly, night” (Anne; Trulove) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky2:11
20The Rake's Progress: Act One, Scene 3. Recitative: “My father! Can I desert him” (Anne)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act One, Scene 2. Recitative: “My father! Can I desert him” (Anne) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky1:00
21The Rake's Progress: Act One, Scene 3. Cabaletta: “I go, I go to him” (Anne)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act I, Scene III. "I Go to Him" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky2:49
22The Rake's Progress: Act Two, Scene 1. Aria: “Vary the song, O London, change!” (Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act II, Scene I. "Vary the Song, O London, Change!" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky2:51
23The Rake's Progress: Act Two, Scene 1. Recitative: “Nature, green unnatural mother” (Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Two, Scene 1. Recitative: “O Nature, green unnatural mother” (Rakewell) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky2:23
24The Rake's Progress: Act Two, Scene 1. Aria (reprise): “Always the quarry” (Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Two, Scene 1. Aria (reprise): “Always the quarry that I stalk” (Rakewell) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky1:34
25The Rake's Progress: Act Two, Scene 1. Recitative: “Master, are you alone?” (Shadow, Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act II, Scene I. "Master, Are You Alone" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky1:07
26The Rake's Progress: Act Two, Scene 1. “Come master, observe the host” (Shadow)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Two, Scene 1. “Come, master, observe the host of mankind” (Shadow) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky1:11
27The Rake's Progress: Act Two, Scene 1. Aria: “In youth the panting slave” (Shadow)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Two, Scene 1. Aria: “In youth the panting slave pursues” (Shadow) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky1:59
28The Rake's Progress: Act Two, Scene 1. Duet-Finale: “My tale shall be told” (Rakewell, Shadow)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act II, Scene I. "My Tale Shall Be Told" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky2:21
29The Rake's Progress: Act Two, Scene 2. Introduction
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Two, Scene 2. [Introduction] (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky1:51
30The Rake's Progress: Act Two, Scene 2. Recitative: “How strange” (Anne) / Arioso: “O heart be stronger” (Anne)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act II, Scene II. "How Strange!" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky3:28
31The Rake's Progress: Act Two, Scene 2. Duet: “Anne! here!” (Rakewell, Anne)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act II, Scene II. "Anne! Here!" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky2:31
32The Rake's Progress: Act Two, Scene 2. Recitative: “My love, am I to remain in here for ever?” (Baba, Anne, Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
mezzo-soprano vocals [Baba the Turk]:
Anne Sofie von Otter (mezzo-soprano) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Two, Scene 2. Recitative: “My love, am I to remain in here for ever?” (Baba; Anne, Rakewell) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky0:59
33The Rake's Progress: Act Two, Scene 2. Trio: “Could it then have been known” (Anne, Rakewell, Baba)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
mezzo-soprano vocals [Baba the Turk]:
Anne Sofie von Otter (mezzo-soprano) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act II, Scene II. "Could It Then Have Been Known" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky3:07
34The Rake's Progress: Act Two, Scene 2. Finale: “I have not run away” (Baba, Rakewell, chorus)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
mezzo-soprano vocals [Baba the Turk]:
Anne Sofie von Otter (mezzo-soprano) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Two, Scene 2. Finale: “I have not run away” (Baba, Rakewell, Voices, Town People) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky2:24
102CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]