Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1CD: Bach: Christmas Oratorio (Parts I-III)
2CD: Bach: Christmas Oratorio (Parts IV-VI)
3CD: Bach: St. Matthew Passion (Parts I & II beg.)
4CD: Bach: St. Matthew Passion (Part II cont.)
5CD: Bach: St. John Passion (Parts I & II beg.)
6CD: Bach: St. John Passion (Part II cont.)
7CD: Bach: Mass in B minor (Kyrie - Gloria)
8CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
#TitleArtistRatingLength
1“Was frag ich nach der Welt”, BWV 94: 1. Chorus: “Was frag ich nach der Welt”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": I. Coro "Was frag ich nach der Welt" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:44
2“Was frag ich nach der Welt”, BWV 94: 2. Aria (bass): “Die Welt ist wie ein Rauch und Schatten”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": II. Aria (Bass) "Die Welt ist wie ein Rauch und Schatten" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:24
3“Was frag ich nach der Welt”, BWV 94: 3. Chorale & Recitative (tenor): “Die Wlt sucht Ehr und Ruhm” / “Ein Stolzer baut die prächtigsten Paläste”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (British tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": III. Recitativo (Tenor) "Die Welt sucht Ehr und Ruhm" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:01
4“Was frag ich nach der Welt”, BWV 94: 4. Aria (alto): “Betörte Welt, betörte Welt!”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": IV. Aria (Alt) "Betörte Welt, betörte Welt!" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach5:52
5“Was frag ich nach der Welt”, BWV 94: 5. Chorale & Recitative (bass): “Die Welt bekümmert sich” / “Was muss doch wohl der Kummer sein?”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": V. Recitativo (Bass) "Die Welt bekümmert sich" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:33
6“Was frag ich nach der Welt”, BWV 94: 6. Aria (tenor): “Die Welt kann ihre Lust und Freud”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (British tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VI. Aria (Tenor) "Die Welt kann ihre Lust und Freud" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach4:21
7“Was frag ich nach der Welt”, BWV 94: 7. Aria (soprano): “Es halt es mit der blinden Welt”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VII. Aria (Sopran) "Es halt es mit der blinden Welt" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:10
8“Was frag ich nach der Welt”, BWV 94: 8. Chorale: “Was frag ich nach der Welt!”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VIII. Choral "Was frag ich nach der Welt!" (on 2000-08-19)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 281)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:03
9“Tue Rechnung! Donnerwort”, BWV 168: 1. Aria (bass): “Tue Rechnung! Donnerwort”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass) "Tue Rechnung, Donnerwort" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach3:10
10“Tue Rechnung! Donnerwort”, BWV 168: 2. Recitative (tenor): “Es ist nur fremdes Gut”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (British tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenor) "Es ist nur fremdes Gut" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:38
11“Tue Rechnung! Donnerwort”, BWV 168: 3. Aria (tenor): “Kapital und interessen”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (British tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor) "Kapital und Interessen" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach3:04
12“Tue Rechnung! Donnerwort”, BWV 168: 4. Recitative (bass): “Jedoch, erschrocknes Herz, leb und verezage nicht!”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Bass) "Jedoch, erschrocknes Herz" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:53
13“Tue Rechnung! Donnerwort”, BWV 168: 5. Aria (Duet: soprano, alto): “Herz, zerriß des Mammons Kette”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Sopran, Alt) "Herz, zerreiß des Mammons Kette" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach2:09
14“Tue Rechnung! Donnerwort”, BWV 168: 6. Chorale: “Stärk mich mit deinem Freudengeist”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist" (on 2000-08-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Bartholomäus Ringwaldt (in 1588)
part of:
Breitkopf 389 Choralgesänge (number: 143)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:15
15“Herr, gehe nicht ins Gericht”, BWV 105: 1. Chorus: “Herr, gehe nicht ins Gericht”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:19
16“Herr, gehe nicht ins Gericht”, BWV 105: 2. Recitative (alto): “Mein Gott, verwirf mich nicht”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": II. Recitativo (Alt) "Mein Gott, verwirf mich nicht" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach0:56
17“Herr, gehe nicht ins Gericht”, BWV 105: 3. Aria (soprano): “Wie zittern und wanken”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:41
18“Herr, gehe nicht ins Gericht”, BWV 105: 4. Recitative (bass): “Wohl aber dem, der seinen Bürgen weiß”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": IV. Recitativo (Bass) "Wohl aber dem, der seinen Bürgen weiß" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach1:44
19“Herr, gehe nicht ins Gericht”, BWV 105: 5. Aria (tenor): “Kann ich nur Jesum mir zum Freunde machen”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (British tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach5:18
20“Herr, gehe nicht ins Gericht”, BWV 105: 6. Chorale: “Nun, ich weiß, du wirst mir stillen”
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach2:12
19CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22CD: Beethoven: Symphonies nos. 1 & 2
23CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25CD: Beethoven: Symphonies nos. 7 & 8
26CD: Beethoven: Symphony no. 9 “Choral”
27CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28CD: Beethoven: Piano Concertos nos. 3 & 4
29CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31CD: Beethoven: Violin Concerto
32CD: Beethoven: Missa solemnis
33CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36CD: Interviews with John Eliot Gardiner
37CD: Britten: War Requiem
38CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39CD: Bruckner: Mass no. 1 / 5 Motets
40CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44CD: Handel: Acis and Galatea (Act I)
45CD: Handel: Acis and Galatea (Act II)
46CD: Handel: Hercules (Acts I & II beg.)
47CD: Handel: Hercules (Acts II cont. & III)
48CD: Haydn: The Creation (Parts I & II beg.)
49CD: Haydn: The Creation (Parts II cont. & III)
50CD: Haydn: The Seasons (Spring - Summer)
51CD: Haydn: The Seasons (Autumn - Winter)
52CD: Grainger: The Warriors / Holst: The Planets
53CD: Lehár: Die lustige Witwe
54CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59CD: Monteverdi: L'Orfeo (Acts III-V)
60CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62CD: Monteverdi: L'incoronazione di Poppea (Act III)
63CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65CD: Mozart: Piano Concertos nos. 11, 12 & 13
66CD: Mozart: Piano Concertos nos. 14, 15 & 18
67CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69CD: Mozart: Piano Concertos nos. 22 & 23
70CD: Mozart: Piano Concertos nos. 24 & 25
71CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72CD: Mozart: Idomeneo (Acts I & II beg.)
73CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74CD: Mozart: Idomeneo (Act III cont.)
75CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79CD: Mozart: Le nozze di Figaro (Act IV)
80CD: Mozart: Don Giovanni (Act I beg.)
81CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82CD: Mozart: Don Giovanni (Act II cont.)
83CD: Mozart: Così fan tutte (Act I beg.)
84CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85CD: Mozart: Così fan tutte (Act II cont.)
86CD: Mozart: La clemenza di Tito (Act I)
87CD: Mozart: La clemenza di Tito (Act II)
88CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89CD: Mozart: Die Zauberflöte (Act II cont.)
90CD: Purcell: The Fairy Queen (Acts I-III)
91CD: Purcell: The Fairy Queen (Acts IV & V)
92CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96CD: Schumann: Symphonies nos. 4 (original version) & 2
97CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99CD: Schumann: Das Paradies und die Peri (Parts II & III)
100CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]