Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▼CD: Mozart: La clemenza di Tito (Act I)
#TitleArtistRatingLength
1La clemenza di Tito, K. 621: Ouverture
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Ouverture (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart4:47
2La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Ma ché? sempre l'istesso” (Vitellia, Sesto)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene I. Recitativo "Ma ché? sempre l’istesso" (Vitellia, Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:11
3La clemenza di Tito, K. 621: Atto Primo. N. 1 Duetto: “Come ti piace imponi” - “Fan mille affetti insieme” (Sesto, Vitellia)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:37
4La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Amico, il passo affretta” (Annio, Vitellia, Sesto)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (Canadian mezzo-soprano) (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene II. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:11
5La clemenza di Tito, K. 621: Atto Primo. N. 2 Aria: “Deh, se piacer mi vuoi” (Vitellia)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene II. No. 2 Aria "Deh se piacer mi vuoi" (Vitellia) / "Chi ciecamente crede" (Vitellia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart5:02
6La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Amico, ecco il momento” (Annio, Sesto)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (Canadian mezzo-soprano) (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene III. Recitativo "Amico, ecco il momento" (Annio, Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart0:28
7La clemenza di Tito, K. 621: Atto Primo. N. 3 Duettino: “Deh, prendi un dolce amplesso” (Annio, Sesto)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (Canadian mezzo-soprano) (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene III. No. 3 Duettino "Deh prendi un dolce amplesso" (Annio, Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart0:48
8La clemenza di Tito, K. 621: Atto Primo. N. 4 Marcia
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:49
9La clemenza di Tito, K. 621: Atto Primo. N. 5 Coro: “Serbate, o Dei custodi” (popolo)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:47
10La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Te della patria il padre” (Publio, Annio, Tito)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
bass vocals [Publio, prefetto del pretorio]:
Cornelius Hauptmann (operatic bass) (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (Canadian mezzo-soprano) (in 1990-06)
tenor vocals [Tito Vespasiano, imperatore di Roma]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:40
11La clemenza di Tito, K. 621: Atto Primo. N. 5 Coro da capo: “Serbate, o Dei custodi” (popolo)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:47
12La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Adesso, o Sesto, parla per me” (Annio, Sesto, Tito)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (Canadian mezzo-soprano) (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
tenor vocals [Tito Vespasiano, imperatore di Roma]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Adesso, oh Sesto" (Annio, Sesto, Tito) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:30
13La clemenza di Tito, K. 621: Atto Primo. N. 6 Aria: “ Dei più sublime soglio” (Tito)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
tenor vocals [Tito Vespasiano, imperatore di Roma]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 6 Aria "Del più sublime soglio" (Tito) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:50
14La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Non ci pentiam” (Annio, Servilia)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (Canadian mezzo-soprano) (in 1990-06)
soprano vocals [Servilia, sorella di Sesto, amante d'Annio]:
Sylvia McNair (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene V. Recitativo "Non ci pentiam" (Annio, Servilia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:45
15La clemenza di Tito, K. 621: Atto Primo. N. 7 Duetto: “Ah, perdona al primo affetto” (Annio, Servilia)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (Canadian mezzo-soprano) (in 1990-06)
soprano vocals [Servilia, sorella di Sesto, amante d'Annio]:
Sylvia McNair (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:35
16La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Servilia! Augusta!” (Tito, Servilia)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
soprano vocals [Servilia, sorella di Sesto, amante d'Annio]:
Sylvia McNair (soprano) (in 1990-06)
tenor vocals [Tito Vespasiano, imperatore di Roma]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Servilia! Augusta!" (Tito, Servilia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:30
17La clemenza di Tito, K. 621: Atto Primo. N. 8 Aria: “Ah, se fosse intorno al trono” (Tito)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
tenor vocals [Tito Vespasiano, imperatore di Roma]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene VII. No. 8 Aria "Ah, se fosse intorno al trono" (Tito) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:58
18La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Felice me!” (Servilia, Vitellia) / “Ancora mi schernisce?” (Vitellia, Sesto)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Servilia, sorella di Sesto, amante d'Annio]:
Sylvia McNair (soprano) (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene VIII. Recitativi "Felice me! ...Ancora mi schernisce?" (Servilia, Vitellia, Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:16
19La clemenza di Tito, K. 621: Atto Primo. N. 9 Aria: “Parto, ma tu, ben mio” (Sesto)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart5:50
20La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Vedrai, Tito, vedrai” (Vitellia, Publio, Annio)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
bass vocals [Publio, prefetto del pretorio]:
Cornelius Hauptmann (operatic bass) (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (Canadian mezzo-soprano) (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene X. Recitativo "Vedrai, Tito, vedrai, che alfin sì vile" (Vitellia, Publio, Annio) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart0:43
21La clemenza di Tito, K. 621: Atto Primo. N. 10 Terzetto: “Vengo… aspettate… Sesto!…” (Vitellia, Annio, Publio)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
bass vocals [Publio, prefetto del pretorio]:
Cornelius Hauptmann (operatic bass) (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (Canadian mezzo-soprano) (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene X. No. 10 Terzetto "Vengo… aspettate… Sesto!…" (Vitellia, Publio, Annio) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:17
22La clemenza di Tito, K. 621: Atto Primo. N. 11 Recitativo accompagnato: “O Dei, che smania è questa” (Sesto)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:24
23La clemenza di Tito, K. 621: Atto Primo. N. 12 Quintetto con coro: “Deh, conservate, o Dei” (Sesto, Annio, Servilia, popolo, Publio, Vitellia1)
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
bass vocals [Publio, prefetto del pretorio]:
Cornelius Hauptmann (operatic bass) (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (Canadian mezzo-soprano) (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Servilia, sorella di Sesto, amante d'Annio]:
Sylvia McNair (soprano) (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) / Recitativo "Sesto!" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:35
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]