Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▼CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
#TitleArtistRatingLength
1“Erschallet, ihr Lieder”, BWV 172: 1. Chorus: “Erschallet, ihr Lieder, erklinget, ihr Saiten!”
recording engineer:
Wolf‐Dieter Karwatky, Everett Porter and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (in 1999-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach3:53
2“Erschallet, ihr Lieder”, BWV 172: 2. Recitative (bass): “Wer mich liebet, der wird mein Wort halten”
recording engineer:
Wolf‐Dieter Karwatky, Everett Porter and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
bass vocals:
Reinhard Hagen (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (in 1999-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach0:51
3“Erschallet, ihr Lieder”, BWV 172: 3. Aria (bass): “Heiligste Dreieinigkeit”
recording engineer:
Wolf‐Dieter Karwatky, Everett Porter and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
bass vocals:
Reinhard Hagen (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (in 1999-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach1:59
4“Erschallet, ihr Lieder”, BWV 172: 4. Aria (tenor): “O Seelenparadies”
recording engineer:
Wolf‐Dieter Karwatky, Everett Porter and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
tenor vocals:
Christoph Genz (tenor) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (in 1999-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach5:12
5“Erschallet, ihr Lieder”, BWV 172: 5. Aria (Duet: soprano, alto): “Komm, lass mich nicht länger warten”
recording engineer:
Wolf‐Dieter Karwatky, Everett Porter and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
countertenor vocals [alto]:
Robin Blaze (countertenor) (in 1999-04)
soprano vocals:
Martina Janková (soprano) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (in 1999-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach4:20
6“Erschallet, ihr Lieder”, BWV 172: 6. Chorale: “Von Gott kömmt mir ein Freudenschein”
recording engineer:
Wolf‐Dieter Karwatky, Everett Porter and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (in 1999-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 376)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach1:22
7“Wer mich liebet, der wird mein Wort halten”, BWV 59: 1. Duet (soprano, bass): “Wer mich liebet, der wird mein Wort halten”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
bass vocals:
Peter Harvey (bass-baritone) (in 1999-04)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": I. Duetto (Soprano, Basso) "Wer mich liebet, der wird mein Wort halten" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach3:18
8“Wer mich liebet, der wird mein Wort halten”, BWV 59: 2. Recitative (soprano): “O was sind das vor Ehren”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": II. Recitativo (Soprano) "O, was sind das für Ehren" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach2:10
9“Wer mich liebet, der wird mein Wort halten”, BWV 59: 3. Chorale: “Komm, Heiliger Geist, Herre Gott”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": III. Choral "Komm, Heiliger Geist, Herre Gott" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Breitkopf 389 Choralgesänge (number: 220)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach1:48
10“Wer mich liebet, der wird mein Wort halten”, BWV 59: 4. Aria (bass): “Die Welt mit allen Königreichen”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
bass vocals:
Peter Harvey (bass-baritone) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": IV. Aria (Basso) "Die Welt mit allen Königreichen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach2:31
11“Wer mich liebet, der wird mein Wort halten”, BWV 59: 5. Chorale: “Du heilige Brunst, süßer Trost”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": V. Choral "Gott Heil"ger Geist" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach1:57
12“Wer mich liebet, der wird mein Wort halten”, BWV 74: 1. Chorus: “Wer mich liebet, der wird mein Wort halten”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": I. Coro "Wer mich liebet, der wird mein Wort halten" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach3:07
13“Wer mich liebet, der wird mein Wort halten”, BWV 74: 2. Aria (soprano): “Komm, komm, mein Herze steht dir offen”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": II. Aria (Sopran) "Komm, komm, mein Herze steht dir offen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach2:33
14“Wer mich liebet, der wird mein Wort halten”, BWV 74: 3. Recitative (alto): “Die Wohnung ist bereit”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
countertenor vocals [alto]:
Robin Blaze (countertenor) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": III. Recitativo (Alt) "Die Wohnung ist bereit" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach0:33
15“Wer mich liebet, der wird mein Wort halten”, BWV 74: 4. Aria (bass): “Ich gehe hin und komme wieder zu euch”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
bass vocals:
Peter Harvey (bass-baritone) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": IV. Aria (Bass) "Ich gehe hin und komme wieder zu euch" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach2:54
16“Wer mich liebet, der wird mein Wort halten”, BWV 74: 5. Aria (tenor): “Kommt, eilet, stimmet Sait und Lieder”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
tenor vocals:
Christoph Genz (tenor) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": V. Aria (Tenor) "Kommt, eilet, stimmet Sait und Lieder" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach4:51
17“Wer mich liebet, der wird mein Wort halten”, BWV 74: 6. Recitative (bass): “Es ist nichts Verdammliches an denen”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
bass vocals:
Peter Harvey (bass-baritone) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": VI. Recitativo (Bass) "Es ist nichts Verdammliches an denen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach0:23
18“Wer mich liebet, der wird mein Wort halten”, BWV 74: 7. Aria (alto): “Nichts kann mich erretten”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
countertenor vocals [alto]:
Robin Blaze (countertenor) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": VII. Aria (Alt) "Nichts kann mich erretten" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach5:13
19“Wer mich liebet, der wird mein Wort halten”, BWV 74: 8. Chorale: “Kein Menschenkind hier auf der Erd”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Roy Mowatt (violinist, musicologist, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Clements (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": VIII. Choral "Kein Menschenkind hier auf der Erd" (in 1999-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 223)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach1:01
20“O ewiges Feuer, o Ursprung der Liebe” BWV 34: 1. Chorus: “O ewiges Feuer, o Ursprung der Liebe”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": I. Coro "O ewiges Feuer, o Ursprung der Liebe" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach7:16
21“O ewiges Feuer, o Ursprung der Liebe” BWV 34: 2. Recitative (tenor): “Herr! unsre Herzen halten dir”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
tenor vocals:
Steve Davislim (tenor) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Tenore) "Herr, unsre Herzen halten dir" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach0:39
22“O ewiges Feuer, o Ursprung der Liebe” BWV 34: 3. Aria (alto): “Wohl euch, ihr auserwählten Seelen”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach6:21
23“O ewiges Feuer, o Ursprung der Liebe” BWV 34: 4. Recitative (bass): “Erwählt sich Gott die Heilgen Hütten”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
bass vocals:
Christopher Foster (English bass-baritone) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": IV. Recitativo (Basso) "Erwählt sich Gott die heilgen Hütten" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach0:33
24“O ewiges Feuer, o Ursprung der Liebe” BWV 34: 5. Chorus: “Friede über Israel!”
recording engineer:
Wolf‐Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": V. Coro "Friede über Israel" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach2:07
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]