The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

1CD: Oberto (Atto I) (Marriner, 1966)
2CD: Oberto (Atto II, Appendix) (Marriner, 1966)
3CD: Un giorno di regno (Atto I) (Gardelli, 1973)
4CD: Un giorno di regno (Atto II) (Gardelli, 1973)
5CD: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
6CD: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
7CD: I Lombardi (Atto I, Atto II) (Levine, 1996)
8CD: I Lombardi (Atto III, Atto IV) (Levine, 1996)
9CD: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
10CD: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
11CD: I due Foscari (Atto I) (Gardelli, 1976)
12CD: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
13CD: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
14CD: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
15CD: Alzira (Prologo, Atto I) (Luisi, 1999)
16CD: Alzira (Atto II) (Luisi, 1999)
17CD: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
18CD: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
19CD: Macbeth (Atto I, Atto II) (Abbado, 1976)
20CD: Macbeth (Atto III, Atto IV) (Abbado, 1976)
21CD: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
22CD: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
23CD: Jérusalem (Acte I) (Luisi, 1998)
24CD: Jérusalem (Acte II) (Luisi, 1998)
25CD: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
26CD: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
27CD: Il corsaro (Atto III) (Gardelli, 1975)
28CD: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
29CD: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
30CD: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
31CD: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
32CD: Stiffelio (Atto I) (Gardelli, 1979)
33CD: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
34CD: Rigoletto (Atto I) (Giulini, 1979)
35CD: Rigoletto (Atto II, Atto III) (Giulini, 1979)
36CD: Il trovatore (Parte I, Parte II) (Giulini, 1984)
37CD: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
38CD: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
39CD: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
40CD: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
41CD: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
42CD: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
43CD: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
44CD: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
45CD: Aroldo (Atto I, Atto II) (Luisi, 1997)
46CD: Aroldo (Atto III, Atto IV) (Luisi, 1997)
47CD: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
48CD: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
#TitleRatingLength
1Un ballo in maschera: Atto secondo. "Ahimè! s'appressa alcun ... Tu qui! - Per salvarti da lor" (Amelia, Riccardo, Renato)
baritone vocals [Renato]:
Renato Bruson (baritone) (from 1982-05 until 1982-06)
soprano vocals [Amelia]:
Margaret Price (soprano) (from 1982-05 until 1982-06)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto II. Nº 14a. Scena "Ahimè! S'appressa alcun!" (Amelia, Riccardo, Renato) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 14b. Terzetto "Tu qui? - Per salvarti da lor" (Riccardo, Renato, Amelia) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto II
4:46
2Un ballo in maschera: Atto secondo. "Seguitemi. - (Mio Dio!) ... Ve', se di notte qui colla sposa" (Renato, Amelia, Samuel, Tom e loro seguaci)
baritone vocals [Renato]:
Renato Bruson (baritone) (from 1982-05 until 1982-06)
bass vocals [Samuel]:
Robert Lloyd (operatic bass) (from 1982-05 until 1982-06)
bass vocals [Tom]:
Malcolm King (operatic bass) (from 1982-05 until 1982-06)
choir vocals:
London Opera Chorus (from 1982-05 until 1982-06) and Royal College of Music Junior Department Chorus (from 1982-05 until 1982-06)
soprano vocals [Amelia]:
Margaret Price (soprano) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto II. Nº 15a. Scena "Seguitemi - Mio Dio!" (Renato, Amelia) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 15c. Quartetto "Ve', se di notte qui colla sposa" (Samuel, Tom, Renato, Amelia, Coro) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
7:35
3Un ballo in maschera: Atto terzo. "A tal colpa è nulla il pianto" (Renato, Amelia)
baritone vocals [Renato]:
Renato Bruson (baritone) (from 1982-05 until 1982-06)
soprano vocals [Amelia]:
Margaret Price (soprano) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16a. Scena "A tal colpa è nulla il pianto" (Renato, Amelia) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
2:17
4Un ballo in maschera: Atto terzo. "Morrò, ma prima in grazia" (Amelia)
soprano vocals [Amelia]:
Margaret Price (soprano) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
4:43
5Un ballo in maschera: Atto terzo. "Alzati; là tuo figlio a te concedo riveder ... Eri tu che macchiavi quell'anima" (Renato)
baritone vocals [Renato]:
Renato Bruson (baritone) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17a. Scena “Alzati! Là, tuo figlio” (Renato) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
6:32
6Un ballo in maschera: Atto terzo. "Siam soli ... Dunque l'onta di tutti sol una" (Renato, Tom, Samuel)
baritone vocals [Renato]:
Renato Bruson (baritone) (from 1982-05 until 1982-06)
bass vocals [Samuel]:
Robert Lloyd (operatic bass) (from 1982-05 until 1982-06)
bass vocals [Tom]:
Malcolm King (operatic bass) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18a Scena “Siam soli. Udite” (Renato, Tom, Samuel) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18b. Terzetto “Dunque l'onta di tutti sol una” (Renato, Tom, Samuel) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
3:03
7Un ballo in maschera: Atto terzo. "D'una grazia vi supplico" (Renato, Samuel, Tom, Amelia)
baritone vocals [Renato]:
Renato Bruson (baritone) (from 1982-05 until 1982-06)
bass vocals [Samuel]:
Robert Lloyd (operatic bass) (from 1982-05 until 1982-06)
bass vocals [Tom]:
Malcolm King (operatic bass) (from 1982-05 until 1982-06)
soprano vocals [Amelia]:
Margaret Price (soprano) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19a. “D'una grazia vi supplico” (Renato, Tom, Samuel, Amelia) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
4:56
8Un ballo in maschera: Atto terzo. "Il messaggio entri ... Di che fulgor, che musiche" (Renato, Oscar, Amelia, Samuel, Tom)
baritone vocals [Renato]:
Renato Bruson (baritone) (from 1982-05 until 1982-06)
bass vocals [Samuel]:
Robert Lloyd (operatic bass) (from 1982-05 until 1982-06)
bass vocals [Tom]:
Malcolm King (operatic bass) (from 1982-05 until 1982-06)
soprano vocals [Amelia]:
Margaret Price (soprano) (from 1982-05 until 1982-06)
soprano vocals [Oscar]:
Kathleen Battle (soprano) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20a. Scena “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20b. Quintetto "Ah! Di che fulgor, che musiche" (Oscar, Amelia, Renato, Samuel, Tom) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
4:07
9Un ballo in maschera: Atto terzo. "Forse la soglia attinse ... Ma se m'è forza perderti" (Riccardo)
baritone vocals [Renato]:
Renato Bruson (baritone) (from 1982-05 until 1982-06)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
5:31
10Un ballo in maschera: Atto terzo. "Ah! dessa è là ... Ignoto donna questo foglio diemmi ... Fervono amori e danze ... Altro de'nostri è questo" (Riccardo, Oscar invitati, Samuel, Renato, Tom)
baritone vocals [Renato]:
Renato Bruson (baritone) (from 1982-05 until 1982-06)
bass vocals [Samuel]:
Robert Lloyd (operatic bass) (from 1982-05 until 1982-06)
bass vocals [Tom]:
Malcolm King (operatic bass) (from 1982-05 until 1982-06)
choir vocals:
London Opera Chorus (from 1982-05 until 1982-06) and Royal College of Music Junior Department Chorus (from 1982-05 until 1982-06)
soprano vocals [Oscar]:
Kathleen Battle (soprano) (from 1982-05 until 1982-06)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22a. Festa da ballo “Ah! dessa è là …” (Riccardo, Oscar) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
3:35
11Un ballo in maschera: Atto terzo. "Saper vorreste di che si veste" (Oscar)
soprano vocals [Oscar]:
Kathleen Battle (soprano) (from 1982-05 until 1982-06)
vocals:
Kathleen Battle (soprano) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 23b. Canzone “Saper vorreste di che si veste” (Oscar) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
2:03
12Un ballo in maschera: Atto terzo. "Fervono amori e danze" (Invitati, Renato, Oscar)
baritone vocals [Renato]:
Renato Bruson (baritone) (from 1982-05 until 1982-06)
choir vocals:
London Opera Chorus (from 1982-05 until 1982-06) and Royal College of Music Junior Department Chorus (from 1982-05 until 1982-06)
soprano vocals [Oscar]:
Kathleen Battle (soprano) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24a. Coro “Fervono amori e danze” (2) (Coro, Renato, Oscar) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
1:52
13Un ballo in maschera: Atto terzo. "Ah! perché qui! fuggite ... T'amo, sì, t'amo, e in lagrime ... E tu ricevi il mio" (Amelia, Riccardo, Renato, Oscar, dame, uffiziali, e guardie, invitati)
baritone vocals [Renato]:
Renato Bruson (baritone) (from 1982-05 until 1982-06)
choir vocals:
London Opera Chorus (from 1982-05 until 1982-06) and Royal College of Music Junior Department Chorus (from 1982-05 until 1982-06)
soprano vocals [Amelia]:
Margaret Price (soprano) (from 1982-05 until 1982-06)
soprano vocals [Oscar]:
Kathleen Battle (soprano) (from 1982-05 until 1982-06)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24c. Scena "Ah! Perché qui? Fuggite … ” (Amelia, Riccardo, Renato, Oscar, coro) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
5:22
14Un ballo in maschera: Atto terzo. "Ella è pura ... Cor sì grande e genroso" (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, invitati)
baritone vocals [Renato]:
Renato Bruson (baritone) (from 1982-05 until 1982-06)
bass vocals [Samuel]:
Robert Lloyd (operatic bass) (from 1982-05 until 1982-06)
bass vocals [Tom]:
Malcolm King (operatic bass) (from 1982-05 until 1982-06)
choir vocals:
London Opera Chorus (from 1982-05 until 1982-06) and Royal College of Music Junior Department Chorus (from 1982-05 until 1982-06)
soprano vocals [Amelia]:
Margaret Price (soprano) (from 1982-05 until 1982-06)
soprano vocals [Oscar]:
Kathleen Battle (soprano) (from 1982-05 until 1982-06)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24f. Finale “Ella è pura; in braccio a morte” (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, coro) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
4:55
49CD: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
50CD: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
51CD: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
52CD: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
53CD: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
54CD: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
55CD: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
56CD: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
57CD: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
58CD: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
59CD: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
60CD: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
61CD: Don Carlo (Atto IV, Atto V) (Solti, 1965)
62CD: Aida (Atto I, Atto II beginning) (Karajan, 1959)
63CD: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
64CD: Otello (Atto I, Atto II) (Chung, 1993)
65CD: Otello (Atto III, Atto IV) (Chung, 1993)
66CD: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
67CD: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
68CD: Requiem (Requiem, Dies irae) (Solti, 1967)
69CD: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
70CD: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
71CD: Discoveries (Riccardo Chailly, 2002)
72CD: Songs (Margaret Price, Geoffrey Parsons, 1986)
73CD: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
74CD: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
75CD: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)