The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

1▶CD: Oberto (Atto I) (Marriner, 1966)
2▶CD: Oberto (Atto II, Appendix) (Marriner, 1966)
3▶CD: Un giorno di regno (Atto I) (Gardelli, 1973)
4▶CD: Un giorno di regno (Atto II) (Gardelli, 1973)
5▶CD: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
6▶CD: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
7▶CD: I Lombardi (Atto I, Atto II) (Levine, 1996)
8▶CD: I Lombardi (Atto III, Atto IV) (Levine, 1996)
9▶CD: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
10▶CD: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
11▶CD: I due Foscari (Atto I) (Gardelli, 1976)
12▶CD: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
13▶CD: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
14▶CD: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
15▶CD: Alzira (Prologo, Atto I) (Luisi, 1999)
16▶CD: Alzira (Atto II) (Luisi, 1999)
17▶CD: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
18▶CD: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
19▶CD: Macbeth (Atto I, Atto II) (Abbado, 1976)
20▶CD: Macbeth (Atto III, Atto IV) (Abbado, 1976)
21▶CD: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
22▶CD: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
23▶CD: Jérusalem (Acte I) (Luisi, 1998)
24▶CD: Jérusalem (Acte II) (Luisi, 1998)
25▶CD: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
26▶CD: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
27▶CD: Il corsaro (Atto III) (Gardelli, 1975)
28▶CD: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
29▶CD: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
30▶CD: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
31▶CD: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
32▶CD: Stiffelio (Atto I) (Gardelli, 1979)
33▶CD: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
34▶CD: Rigoletto (Atto I) (Giulini, 1979)
35▶CD: Rigoletto (Atto II, Atto III) (Giulini, 1979)
36▶CD: Il trovatore (Parte I, Parte II) (Giulini, 1984)
37▶CD: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
38▶CD: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
39▶CD: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
40▶CD: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
41▶CD: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
42▶CD: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
43▶CD: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
44▼CD: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
#TitleRatingLength
1Simon Boccanegra: Atto primo. "Amelia, di' come fosti rapita" (Doge, Amelia, Gabriele, Fiesco, Paolo, Pietro, consiglieri, popolani)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1977-01)
soprano vocals [Amelia]:
Mirella Freni (soprano) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
partial recording of:
Simon Boccanegra: Atto I, scena 2. “Ferisci!” … “Nell'ora soave che all'estasi invita” (Amelia, coro) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto I
2:35
2Simon Boccanegra: Atto primo. "Plebe! Patrizi! Popolo ... Piango su voi" (Doge, Amelia, Pietro, Paolo, Gabriele, Fesco, consiglieri, popolani)
baritone vocals [Paolo]:
José van Dam (Belgian operatic bass-baritone) (in 1977-01)
baritone vocals [Simon Boccanegra]:
Piero Cappuccilli (baritone) (in 1977-01)
bass vocals [Fiesco]:
Nicolaï Ghiaurov (operatic bass) (in 1977-01)
bass vocals [Pietro]:
Giovanni Foiani (operatic bass) (in 1977-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1977-01)
soprano vocals [Amelia]:
Mirella Freni (soprano) (in 1977-01)
tenor vocals [Gabriele]:
José Carreras (Spanish tenor) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto I, scena 2. “Plebe! Patrizi! Popolo!” (Simon, Amelia, Pietro, Paolo, Gabriele, Fiesco, coro) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto I
5:02
3Simon Boccanegra: Atto primo. "Ecco la spada ... Sia maledetto!"
baritone vocals [Paolo]:
José van Dam (Belgian operatic bass-baritone) (in 1977-01)
baritone vocals [Simon Boccanegra]:
Piero Cappuccilli (baritone) (in 1977-01)
bass vocals [Fiesco]:
Nicolaï Ghiaurov (operatic bass) (in 1977-01)
bass vocals [Pietro]:
Giovanni Foiani (operatic bass) (in 1977-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1977-01)
soprano vocals [Amelia]:
Mirella Freni (soprano) (in 1977-01)
tenor vocals [Gabriele]:
José Carreras (Spanish tenor) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto I, scena 2. “Ecco la spada” (Coro, Pietro, Paolo, Simon, Gabriele, Amelia, Fiesco) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto I
4:38
4Simon Boccanegra: Atto secondo. "Quei due vedesti?" (Paolo, Pietro)
baritone vocals [Paolo]:
José van Dam (Belgian operatic bass-baritone) (in 1977-01)
bass vocals [Pietro]:
Giovanni Foiani (operatic bass) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto II. “Quei due vedesti?” (Paolo, Pietro) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto II
2:33
5Simon Boccanegra: Atto secondo. "Prigoniero in qual loco m'adduci?" (Fiesco, Paolo)
baritone vocals [Paolo]:
José van Dam (Belgian operatic bass-baritone) (in 1977-01)
bass vocals [Fiesco]:
Nicolaï Ghiaurov (operatic bass) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto II. “Prigioniero in qual loco m'adduci?” (Fiesco, Paolo) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto II
1:51
6Simon Boccanegra: Atto secondo. "Udisti? - Vil disegno!" (Paolo, Gabriele)
baritone vocals [Paolo]:
José van Dam (Belgian operatic bass-baritone) (in 1977-01)
tenor vocals [Gabriele]:
José Carreras (Spanish tenor) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto II. “Cielo, pietoso, rendila” (Gabriele) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto II
recording of:
Simon Boccanegra: Atto II. “Sento avvampar nell’anima” (Gabriele) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto II
recording of:
Simon Boccanegra: Atto II. “Udisti? … Vil disegno!” (Paolo, Gabriele) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto II
5:48
7Simon Boccanegra: Atto secondo. "Tu qui? - Amelia!" (Amelia, Gabriele)
soprano vocals [Amelia]:
Mirella Freni (soprano) (in 1977-01)
tenor vocals [Gabriele]:
José Carreras (Spanish tenor) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto II. “Tu qui? … Amelia!” (Amelia, Gabriele) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto II
4:33
8Simon Boccanegra: Atto secondo. "Figlia?" (Doge, Amelia)
baritone vocals [Simon Boccanegra]:
Piero Cappuccilli (baritone) (in 1977-01)
soprano vocals [Amelia]:
Mirella Freni (soprano) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto II. “Figlia! … Sì afflitto, padre mio?” (Simon, Amelia) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto II
5:54
9Simon Boccanegra: Atto secondo. "Oh! Amelia... ami... un nemico..." (Doge, Gabriele, Amelia)
baritone vocals [Simon Boccanegra]:
Piero Cappuccilli (baritone) (in 1977-01)
soprano vocals [Amelia]:
Mirella Freni (soprano) (in 1977-01)
tenor vocals [Gabriele]:
José Carreras (Spanish tenor) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto II. “Oh! Amelia, ami un nemico” … “Perdon, Amelia” (Gabriele, Simon, Amelia) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto II
6:55
10Simon Boccanegra: Atto secondo. "All'armi, all'armi, o Liguri" (Coro, Amelia, Gabriele, Doge)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1977-01)
soprano vocals [Amelia]:
Mirella Freni (soprano) (in 1977-01)
tenor vocals [Gabriele]:
José Carreras (Spanish tenor) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto II. “All'armi, all'armi, o Liguri!” (Coro, Amelia, Gabriele) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto II
1:21
11Simon Boccanegra: Atto terzo. "Evviva il Doge!" (Coro, Capitano, Fiesco, Paolo)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto III. “Evviva il Doge!” (Coro, Capitano, Fiesco, Paolo) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto III
6:50
12Simon Boccanegra: Atto terzo. "M'ardon le tempie" (Doge, Fiesco)
baritone vocals [Simon Boccanegra]:
Piero Cappuccilli (baritone) (in 1977-01)
bass vocals [Fiesco]:
Nicolaï Ghiaurov (operatic bass) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto III. “Come un fantasima” (Simon, Fiesco) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto III
recording of:
Simon Boccanegra: Atto III. “M'ardon le tempia” (Simon, Fiesco) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto III
7:15
13Simon Boccanegra: Atto terzo. "Piango, perché mi parla in te del ciel la voce" (Fiesco, Doge)
baritone vocals [Simon Boccanegra]:
Piero Cappuccilli (baritone) (in 1977-01)
bass vocals [Fiesco]:
Nicolaï Ghiaurov (operatic bass) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto III. “Piango perché mi parla” (Simon, Fiesco) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto III
3:48
14Simon Boccanegra: Atto terzo. "Chi veggo?" (Maria, Doge, Gabriele)
baritone vocals [Simon Boccanegra]:
Piero Cappuccilli (baritone) (in 1977-01)
bass vocals [Fiesco]:
Nicolaï Ghiaurov (operatic bass) (in 1977-01)
soprano vocals [Amelia]:
Mirella Freni (soprano) (in 1977-01)
tenor vocals [Gabriele]:
José Carreras (Spanish tenor) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto III. “Chi veggo!” (Amelia, Simon, Gabriele, Fiesco, Coro) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto III
2:44
15Simon Boccanegra: Atto terzo. "Gran Dio, li benedici" (Doge, Maria, Gabriele, Fiesco, coro)
baritone vocals [Simon Boccanegra]:
Piero Cappuccilli (baritone) (in 1977-01)
bass vocals [Fiesco]:
Nicolaï Ghiaurov (operatic bass) (in 1977-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1977-01)
soprano vocals [Amelia]:
Mirella Freni (soprano) (in 1977-01)
tenor vocals [Gabriele]:
José Carreras (Spanish tenor) (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
recorded at:
C.T.C. Studio Milano in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
recording of:
Simon Boccanegra: Atto III. “Gran Dio, li benedici” (Simon, Amelia, Gabriele, Fiesco, coro) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto III
7:20
45▶CD: Aroldo (Atto I, Atto II) (Luisi, 1997)
46▶CD: Aroldo (Atto III, Atto IV) (Luisi, 1997)
47▶CD: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
48▶CD: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
49▶CD: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
50▶CD: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
51▶CD: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
52▶CD: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
53▶CD: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
54▶CD: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
55▶CD: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
56▶CD: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
57▶CD: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
58▶CD: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
59▶CD: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
60▶CD: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
61▶CD: Don Carlo (Atto IV, Atto V) (Solti, 1965)
62▶CD: Aida (Atto I, Atto II beginning) (Karajan, 1959)
63▶CD: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
64▶CD: Otello (Atto I, Atto II) (Chung, 1993)
65▶CD: Otello (Atto III, Atto IV) (Chung, 1993)
66▶CD: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
67▶CD: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
68▶CD: Requiem (Requiem, Dies irae) (Solti, 1967)
69▶CD: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
70▶CD: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
71▶CD: Discoveries (Riccardo Chailly, 2002)
72▶CD: Songs (Margaret Price, Geoffrey Parsons, 1986)
73▶CD: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
74▶CD: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
75▶CD: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)