The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

1▶CD: Oberto (Atto I) (Marriner, 1966)
2▶CD: Oberto (Atto II, Appendix) (Marriner, 1966)
3▶CD: Un giorno di regno (Atto I) (Gardelli, 1973)
4▶CD: Un giorno di regno (Atto II) (Gardelli, 1973)
5▶CD: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
6▶CD: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
7▶CD: I Lombardi (Atto I, Atto II) (Levine, 1996)
8▶CD: I Lombardi (Atto III, Atto IV) (Levine, 1996)
9▶CD: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
10▶CD: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
11▶CD: I due Foscari (Atto I) (Gardelli, 1976)
12▶CD: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
13▶CD: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
14▶CD: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
15▶CD: Alzira (Prologo, Atto I) (Luisi, 1999)
16▶CD: Alzira (Atto II) (Luisi, 1999)
17▶CD: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
18▶CD: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
19▶CD: Macbeth (Atto I, Atto II) (Abbado, 1976)
20▶CD: Macbeth (Atto III, Atto IV) (Abbado, 1976)
21▶CD: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
22▶CD: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
23▶CD: Jérusalem (Acte I) (Luisi, 1998)
24▶CD: Jérusalem (Acte II) (Luisi, 1998)
25▶CD: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
26▶CD: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
27▶CD: Il corsaro (Atto III) (Gardelli, 1975)
28▶CD: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
29▶CD: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
30▼CD: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
#TitleRatingLength
1Luisa Miller: Sinfonia
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller
5:39
2Luisa Miller: Atto primo, L'amore. "Ti desta, Luisa, regina de'cori ... Ecco mia figlia" (Laura, Miller, Luisa, contadine, contadini)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
choir vocals:
London Opera Chorus (in 1975-06)
mezzo-soprano vocals [Laura]:
Annette Céline (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 1a. Coro “Ti desta, o Luisa, regina de' cori” (Laura, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 1b. Scena "Ecco mia figlia" (Miller, Luisa, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
5:30
3Luisa Miller: Atto primo, L'amore. "Non temer ... Le vidi, e 'l primo palpito ... Ah!... - Mia diletta!" (Luisa, Laura, Rodolfo, Miller, contadine, contadini)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
choir vocals:
London Opera Chorus (in 1975-06)
mezzo-soprano vocals [Laura]:
Annette Céline (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 1c. "Lo vidi, e 'l primo palpito" (Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 1d. Scena "Luisa, un pegno ingenuo" (Laura, Coro, Luisa, Rodolfo, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
4:10
4Luisa Miller: Atto primo, L'amore. "T'amo d'amor ch'esprimere mal tenterebbe il detto!" (Luisa, Rodolfo, Miller, contadine, contadini)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
choir vocals:
London Opera Chorus (in 1975-06)
mezzo-soprano vocals [Laura]:
Annette Céline (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 1e. Terzetto "T'amo d'amor ch'esprimere" (Luisa, Rodolfo, Miller, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
3:56
5Luisa Miller: Atto primo, L'amore. "Ferma ed ascolta ... Sacra la scelta è d'un consorte" (Wurm Miller)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
bass vocals [Wurm]:
Richard van Allan (operatic bass-baritone) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 2a. Scena "Ferma, ed ascolta" (Wurm, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 2b. Aria "Sacra la scelta è d'un consorte" (Miller) (Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
8:46
6Luisa Miller: Atto primo, L'amore. "Che mai narrasti! ... Il mio sangue, la vita darei" (Walter, Wurm)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
bass vocals [Il conte di Walter]:
Bonaldo Giaiotti (operatic bass) (in 1975-06)
bass vocals [Wurm]:
Richard van Allan (operatic bass-baritone) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 3a. Scena "Che mai narrasti!" (Walter, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 3b. Aria "Il mio sangue, la vita darei" (Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
5:13
7Luisa Miller: Atto primo, L'amore. "Padre... - M'abbraccia ... Taci... È la Duchessa ... Quale un sorriso d'amica sorte" (Rodolfo, Walter, Federica, damigelle, paggi, familiari, arcieri)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
bass vocals [Il conte di Walter]:
Bonaldo Giaiotti (operatic bass) (in 1975-06)
mezzo-soprano vocals [Federica]:
Anna Reynolds (alto) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 4a. Scena "Padre...M'abbraccia..." (Rodolfo, Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 4b. Coro "Quale un sorriso d'amica sorte" (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
4:43
8Luisa Miller: Atto primo, L'amore. "Duchessa ... Dall'aule raggianti di vano splendor" (Rodolfo, Federica)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
mezzo-soprano vocals [Federica]:
Anna Reynolds (alto) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 5a. Recitativo "Duchessa tu m'appelli!" (Federica, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 5b. Duetto "Dall'aule raggianti di vano splendore" (Federica, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
7:04
9Luisa Miller: Atto primo, L'amore. "Sciogliete i levrieri ... O padre mio!" (Cacciatori, Luisa, Miller)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 6a. Coro "Sciogliete i levriere...Sponate i destrieri" (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
1:35
10Luisa Miller: Atto primo, L'amore. "Del Conte di Walter figlio, qual comanda il padre ... Tu, signor, fra queste soglie!" (Miller, Luisa, Rodolfo, Walter, Laura, arcieri, contadine, contadini)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
bass vocals [Il conte di Walter]:
Bonaldo Giaiotti (operatic bass) (in 1975-06)
choir vocals:
London Opera Chorus (in 1975-06)
mezzo-soprano vocals [Laura]:
Annette Céline (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 6b. Scena "Nol veggo..." (Luisa, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 6c. "Tu, signor, fra queste soglie!" (Rodolfo, Walter, Miller, Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
6:13
11Luisa Miller: Atto primo, L'amore. "Fra'mortali ancora oppressa non è tanto l'innocenza" (Miller, Rodolfo, Walter, Luisa, Laura, contadine, contadini, arcieri)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
bass vocals [Il conte di Walter]:
Bonaldo Giaiotti (operatic bass) (in 1975-06)
choir vocals:
London Opera Chorus (in 1975-06)
mezzo-soprano vocals [Laura]:
Annette Céline (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto I, Nº 6d. Quintetto "Fra' mortali ancora oppressa" (Miller, Rodolfo, Walter, Luisa, Laura, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 6e. "I cenni miei si compiano" (Walter, Rodolfo, Miller, Luisa, Laura, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
7:25
12Luisa Miller: Atto secondo, L'intrigo. "Ah! Luisa, Luisa, ove sei? ... Al villaggio dai campi tornando" (Contadine, contadini, Laura, Luisa)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
choir vocals:
London Opera Chorus (in 1975-06)
mezzo-soprano vocals [Laura]:
Annette Céline (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto II, Nº 7a. Coro "Ah! Luisa, Luisa, ove, sei?" (Laura, Coro, Luisa, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
2:35
13Luisa Miller: Atto secondo, L'intrigo. "Il padre tuo ... Tu, puniscimi, o Signore" (Wurm, Luisa)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
bass vocals [Wurm]:
Richard van Allan (operatic bass-baritone) (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto II, Nº 7b. Scena "Il padre tuo...Finisci" (Wurm, Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
recording of:
Luisa Miller: Atto II, Nº 7c. Aria "Tu puniscimi, o Signore" (Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
6:26
31▶CD: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
32▶CD: Stiffelio (Atto I) (Gardelli, 1979)
33▶CD: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
34▶CD: Rigoletto (Atto I) (Giulini, 1979)
35▶CD: Rigoletto (Atto II, Atto III) (Giulini, 1979)
36▶CD: Il trovatore (Parte I, Parte II) (Giulini, 1984)
37▶CD: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
38▶CD: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
39▶CD: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
40▶CD: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
41▶CD: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
42▶CD: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
43▶CD: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
44▶CD: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
45▶CD: Aroldo (Atto I, Atto II) (Luisi, 1997)
46▶CD: Aroldo (Atto III, Atto IV) (Luisi, 1997)
47▶CD: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
48▶CD: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
49▶CD: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
50▶CD: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
51▶CD: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
52▶CD: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
53▶CD: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
54▶CD: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
55▶CD: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
56▶CD: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
57▶CD: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
58▶CD: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
59▶CD: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
60▶CD: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
61▶CD: Don Carlo (Atto IV, Atto V) (Solti, 1965)
62▶CD: Aida (Atto I, Atto II beginning) (Karajan, 1959)
63▶CD: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
64▶CD: Otello (Atto I, Atto II) (Chung, 1993)
65▶CD: Otello (Atto III, Atto IV) (Chung, 1993)
66▶CD: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
67▶CD: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
68▶CD: Requiem (Requiem, Dies irae) (Solti, 1967)
69▶CD: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
70▶CD: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
71▶CD: Discoveries (Riccardo Chailly, 2002)
72▶CD: Songs (Margaret Price, Geoffrey Parsons, 1986)
73▶CD: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
74▶CD: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
75▶CD: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)