The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

1▶CD: Oberto (Atto I) (Marriner, 1966)
2▶CD: Oberto (Atto II, Appendix) (Marriner, 1966)
3▶CD: Un giorno di regno (Atto I) (Gardelli, 1973)
4▶CD: Un giorno di regno (Atto II) (Gardelli, 1973)
5▶CD: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
6▶CD: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
7▶CD: I Lombardi (Atto I, Atto II) (Levine, 1996)
8▶CD: I Lombardi (Atto III, Atto IV) (Levine, 1996)
9▶CD: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
10▶CD: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
11▶CD: I due Foscari (Atto I) (Gardelli, 1976)
12▶CD: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
13▶CD: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
14▶CD: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
15▶CD: Alzira (Prologo, Atto I) (Luisi, 1999)
16▶CD: Alzira (Atto II) (Luisi, 1999)
17▶CD: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
18▶CD: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
19▶CD: Macbeth (Atto I, Atto II) (Abbado, 1976)
20▶CD: Macbeth (Atto III, Atto IV) (Abbado, 1976)
21▶CD: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
22▶CD: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
23▶CD: Jérusalem (Acte I) (Luisi, 1998)
24▶CD: Jérusalem (Acte II) (Luisi, 1998)
25▶CD: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
26▶CD: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
27▶CD: Il corsaro (Atto III) (Gardelli, 1975)
28▶CD: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
29▶CD: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
30▶CD: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
31▶CD: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
32▶CD: Stiffelio (Atto I) (Gardelli, 1979)
33▶CD: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
34▶CD: Rigoletto (Atto I) (Giulini, 1979)
35▶CD: Rigoletto (Atto II, Atto III) (Giulini, 1979)
36▶CD: Il trovatore (Parte I, Parte II) (Giulini, 1984)
37▶CD: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
38▶CD: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
39▶CD: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
40▶CD: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
41▶CD: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
42▶CD: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
43▶CD: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
44▶CD: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
45▶CD: Aroldo (Atto I, Atto II) (Luisi, 1997)
46▶CD: Aroldo (Atto III, Atto IV) (Luisi, 1997)
47▶CD: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
48▶CD: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
49▶CD: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
50▶CD: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
51▶CD: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
52▶CD: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
53▶CD: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
54▶CD: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
55▶CD: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
56▶CD: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
57▶CD: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
58▼CD: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
#TitleRatingLength
1Don Carlos : Acte V. « Toi qui sus le néant des grandeurs de ce monde … France, noble pays » (Elisabeth)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte V. Scène et air « Toi qui sus le néant des grandeurs de ce monde » (Elisabeth) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
recording of:
Don Carlos : Acte V. Scène et air « Toi qui sus le néant des grandeurs de ce monde » (Elisabeth) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
10:36
2Don Carlos : Acte V. « C'est elle ! … J'avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure » (Carlos, Elisabeth)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass-baritone vocals:
Ruggero Raimondi (bass-baritone)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
vocals:
Nicolaï Ghiaurov (operatic bass)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte V. Scène et duo d’adieu « C'est elle ! … J’avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure … » (Elisabeth, Don Carlos, Philippe, L’Inquisiteur, Un moine, Chœur) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
recording of:
Don Carlos : Acte V. Scène et duo d’adieu « C'est elle ! … J’avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure … » (Elisabeth, Don Carlos, Philippe, L’Inquisiteur, Un moine, Chœur) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
9:44
3Don Carlos : Acte V. « Oui, pour toujours ! » (Philippe, l'Inquisiteur, Elisabeth, Carlos, les Inquisiteurs, un Moine, moines)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Le Grand Inquisiteur]:
Nicolaï Ghiaurov (operatic bass) (in 1982-01, in 1984-06)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
choir vocals [Un inquisiteur]:
LIbero Bullo (in 1982-01, in 1984-06), Gaspare Cerri (in 1982-01, in 1984-06), Sebastiano Gernone (in 1982-01, in 1984-06), Ferdinando Meret (in 1982-01, in 1984-06), Giordano Olivo (in 1982-01, in 1984-06), Alfredo Pinardi (in 1982-01, in 1984-06), Eros Sartori (in 1982-01, in 1984-06), Vittorio Sarzano (in 1982-01, in 1984-06) and Armando Vivani (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
vocals:
Nicolaï Ghiaurov (operatic bass)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte V. Scène finale « Oui, pour toujours ! » (Philippe, l'Inquisiteur, Elisabeth, Carlos, les Inquisiteurs, un Moine, moines) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
recording of:
Don Carlos : Acte V. Scène finale « Oui, pour toujours ! » (Philippe, l'Inquisiteur, Elisabeth, Carlos, les Inquisiteurs, un Moine, moines) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
1:40
4Don Carlos : Appendice. Acte I. « L'hiver est long ! » (Les bûcherons et leurs femmes, les chasseurs, un Bûcheron, Elisabeth)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Un bûcheron]:
Alessandro Corbelli (baritone) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte I. Prélude et introduction « L’hiver est long » (Chœur) (1867 original french version) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
recording of:
Don Carlos : Appendice, Acte I. Prélude et introduction « L’hiver est long » (Chœur) (1867 original french version) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
9:38
5Don Carlos : Appendice. Acte III. « Que de fleurs … Pour une nuit me voilà Reine » (Dame et seigneurs, Elisabeth, Eboli, les femmes de la Reine)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte IV, scène 1. Introduction et chœur « Que de fleurs … Pour une nuit me voilà reine » (Dames et seigneurs, Elisabeth, Eboli, les femmes de la Reine) (1867 original french version) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 1. Introduction et chœur « Que de fleurs … Pour une nuit me voilà reine » (Dames et seigneurs, Elisabeth, Eboli, les femmes de la Reine) (1867 original french version) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
4:46
6Don Carlos : Appendice. Acte III. Le Ballet de la Reine (“La peregrina“)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Le Ballet de la Reine (1867 original french version) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Le Ballet de la Reine (1867 original french version) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
15:15
7Don Carlos : Appendice. Acte IV. « J'ai tout compris » (Elisabeth, Eboli)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Scène « J'ai tout compris » (Elisabeth, Eboli) (1867 original french version) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Scène « J'ai tout compris » (Elisabeth, Eboli) (1867 original french version) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
4:47
8Don Carlos : Appendice. Acte IV. « Mon fils, reprenez votre épée ... Qui me rendra ce mort ? » (Philippe, Carlos, les courtisans)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Le Grand Inquisiteur]:
Nicolaï Ghiaurov (operatic bass) (in 1982-01, in 1984-06)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte V. Final « Oui pour toujours... Ah ! Sois maudit ! Artisan d’une œuvre détestée ! » (Philippe, Carlos, les courtisans) (1867 original french version) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
recording of:
Don Carlos : Appendice, Acte V. Final « Oui pour toujours... Ah ! Sois maudit ! Artisan d’une œuvre détestée ! » (Philippe, Carlos, les courtisans) (1867 original french version) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
7:23
9Don Carlos : Appendice. Acte V. « Oui, pour toujours ! Il faut un double sacrifice ! … Ah ! Sois maudit ! artisan d'une épreuve détestée ! » (Philippe, Inquisiteur, Carlos, Elisabeth, Moine, les inquisiteurs, moines)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Le Grand Inquisiteur]:
Nicolaï Ghiaurov (operatic bass) (in 1982-01, in 1984-06)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte V. Final « Oui pour toujours... Ah ! Sois maudit ! Artisan d’une œuvre détestée ! » (Philippe, Carlos, les courtisans) (1867 original french version) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
recording of:
Don Carlos : Appendice, Acte V. Final « Oui pour toujours... Ah ! Sois maudit ! Artisan d’une œuvre détestée ! » (Philippe, Carlos, les courtisans) (1867 original french version) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
4:12
59▶CD: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
60▶CD: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
61▶CD: Don Carlo (Atto IV, Atto V) (Solti, 1965)
62▶CD: Aida (Atto I, Atto II beginning) (Karajan, 1959)
63▶CD: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
64▶CD: Otello (Atto I, Atto II) (Chung, 1993)
65▶CD: Otello (Atto III, Atto IV) (Chung, 1993)
66▶CD: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
67▶CD: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
68▶CD: Requiem (Requiem, Dies irae) (Solti, 1967)
69▶CD: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
70▶CD: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
71▶CD: Discoveries (Riccardo Chailly, 2002)
72▶CD: Songs (Margaret Price, Geoffrey Parsons, 1986)
73▶CD: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
74▶CD: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
75▶CD: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)