The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

1▶CD: Oberto (Atto I) (Marriner, 1966)
2▶CD: Oberto (Atto II, Appendix) (Marriner, 1966)
3▶CD: Un giorno di regno (Atto I) (Gardelli, 1973)
4▶CD: Un giorno di regno (Atto II) (Gardelli, 1973)
5▶CD: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
6▶CD: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
7▼CD: I Lombardi (Atto I, Atto II) (Levine, 1996)
#TitleRatingLength
1I Lombardi alla prima Crociata: Act I (La vendetta). Prelude / "Oh nobile esempio!"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
5:26
2I Lombardi alla prima Crociata: Act I (La vendetta). "Qui nel luogo santo e pio"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
mezzo-soprano vocals [Viclinda]:
Patricia Racette (soprano) (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
0:55
3I Lombardi alla prima Crociata: Act I (La vendetta). "T'assale un tremito! Padre, che fia?"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
bass vocals [Pirro]:
Ildebrando d’Arcangelo (operatic bass) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
mezzo-soprano vocals [Viclinda]:
Patricia Racette (soprano) (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
3:17
4I Lombardi alla prima Crociata: Act I (La vendetta). "Or s'ascolti il voler cittadino!"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
tenor vocals [Un priore della città di Milano]:
Anthony Dean Griffey (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
3:09
5I Lombardi alla prima Crociata: Act I (La vendetta). "A te nell'ora infausta"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
3:26
6I Lombardi alla prima Crociata: Act I (La vendetta). "Sciagurata! Hai tu creduto"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
bass vocals [Pirro]:
Ildebrando d’Arcangelo (operatic bass) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
6:47
7I Lombardi alla prima Crociata: Act I (La vendetta). "Tutta tremante anco l'anima io sento..."
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
mezzo-soprano vocals [Viclinda]:
Patricia Racette (soprano) (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
2:23
8I Lombardi alla prima Crociata: Act I (La vendetta). "Ave Maria"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
3:30
9I Lombardi alla prima Crociata: Act I (La vendetta). "Vieni! Già pose Arvino"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
bass vocals [Pirro]:
Ildebrando d’Arcangelo (operatic bass) (from 1996-05-25 until 1996-09-25)
mezzo-soprano vocals [Viclinda]:
Patricia Racette (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
1:56
10I Lombardi alla prima Crociata: Act I (La vendetta). "Orror! Mostro d'averno orribile"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
3:11
11I Lombardi alla prima Crociata: Act I (La vendetta). "Parricida!"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
2:45
12I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "È dunque vero?"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
baritone vocals [Acciano]:
Yanni Yannissis (baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
2:02
13I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "Oh madre mia, che fa colei?"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
mezzo-soprano vocals [Sofia]:
Jane Shaulis (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
1:08
14I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "La mia letizia infondere"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
mezzo-soprano vocals [Sofia]:
Jane Shaulis (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
2:34
15I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "Come poteva un angelo"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
mezzo-soprano vocals [Sofia]:
Jane Shaulis (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
3:45
16I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "E ancor silenzio!"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
bass vocals [Pirro]:
Ildebrando d’Arcangelo (operatic bass) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
8:04
17I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "Sei tu l'uom della caverna?"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
3:42
18I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "La bella straniera"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
3:00
19I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "Oh madre, dal cielo soccorri al mio pianto"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
mezzo-soprano vocals [Sofia]:
Jane Shaulis (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
6:12
20I Lombardi alla prima Crociata: Act II (L'uomo della caverna). "No! no! giusta causa non è d'Iddio"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
mezzo-soprano vocals [Sofia]:
Jane Shaulis (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
4:30
8▶CD: I Lombardi (Atto III, Atto IV) (Levine, 1996)
9▶CD: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
10▶CD: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
11▶CD: I due Foscari (Atto I) (Gardelli, 1976)
12▶CD: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
13▶CD: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
14▶CD: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
15▶CD: Alzira (Prologo, Atto I) (Luisi, 1999)
16▶CD: Alzira (Atto II) (Luisi, 1999)
17▶CD: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
18▶CD: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
19▶CD: Macbeth (Atto I, Atto II) (Abbado, 1976)
20▶CD: Macbeth (Atto III, Atto IV) (Abbado, 1976)
21▶CD: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
22▶CD: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
23▶CD: Jérusalem (Acte I) (Luisi, 1998)
24▶CD: Jérusalem (Acte II) (Luisi, 1998)
25▶CD: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
26▶CD: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
27▶CD: Il corsaro (Atto III) (Gardelli, 1975)
28▶CD: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
29▶CD: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
30▶CD: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
31▶CD: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
32▶CD: Stiffelio (Atto I) (Gardelli, 1979)
33▶CD: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
34▶CD: Rigoletto (Atto I) (Giulini, 1979)
35▶CD: Rigoletto (Atto II, Atto III) (Giulini, 1979)
36▶CD: Il trovatore (Parte I, Parte II) (Giulini, 1984)
37▶CD: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
38▶CD: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
39▶CD: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
40▶CD: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
41▶CD: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
42▶CD: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
43▶CD: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
44▶CD: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
45▶CD: Aroldo (Atto I, Atto II) (Luisi, 1997)
46▶CD: Aroldo (Atto III, Atto IV) (Luisi, 1997)
47▶CD: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
48▶CD: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
49▶CD: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
50▶CD: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
51▶CD: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
52▶CD: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
53▶CD: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
54▶CD: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
55▶CD: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
56▶CD: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
57▶CD: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
58▶CD: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
59▶CD: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
60▶CD: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
61▶CD: Don Carlo (Atto IV, Atto V) (Solti, 1965)
62▶CD: Aida (Atto I, Atto II beginning) (Karajan, 1959)
63▶CD: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
64▶CD: Otello (Atto I, Atto II) (Chung, 1993)
65▶CD: Otello (Atto III, Atto IV) (Chung, 1993)
66▶CD: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
67▶CD: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
68▶CD: Requiem (Requiem, Dies irae) (Solti, 1967)
69▶CD: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
70▶CD: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
71▶CD: Discoveries (Riccardo Chailly, 2002)
72▶CD: Songs (Margaret Price, Geoffrey Parsons, 1986)
73▶CD: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
74▶CD: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
75▶CD: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)