The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

1▶CD: Oberto (Atto I) (Marriner, 1966)
2▶CD: Oberto (Atto II, Appendix) (Marriner, 1966)
3▶CD: Un giorno di regno (Atto I) (Gardelli, 1973)
4▶CD: Un giorno di regno (Atto II) (Gardelli, 1973)
5▶CD: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
6▶CD: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
7▶CD: I Lombardi (Atto I, Atto II) (Levine, 1996)
8▶CD: I Lombardi (Atto III, Atto IV) (Levine, 1996)
9▶CD: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
10▶CD: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
11▶CD: I due Foscari (Atto I) (Gardelli, 1976)
12▶CD: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
13▶CD: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
14▶CD: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
15▶CD: Alzira (Prologo, Atto I) (Luisi, 1999)
16▶CD: Alzira (Atto II) (Luisi, 1999)
17▶CD: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
18▼CD: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
#TitleRatingLength
1Attila: Atto I. “Uldino! Uldin!” (Uldino)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°8 Scena ed aria “Uldino! Uldin! … Mio Re” (Attila, Uldino) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
1:45
2Attila: Atto I. “Mentre gonfiarsi l'anima” (Attila, Uldino)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°8 Scena ed aria “Mentre gonfiarsi l'anima” (Attila) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
3:35
3Attila: Atto I. “Oltre a quel limite t'attendo, o spettro!” (Attila)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°8 “Oltre a quel limite t'attendo” (Attila) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
2:18
4Attila: Atto I. “Parla, imponi … Vieni. Le menti visita” (Druidi, duci e re, Attila, Leone, vergini e fanciulli di Roma)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°9 Finale I “Parla, imponi ” – “Vieni. Le menti visita” (coro, Attila) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
3:40
5Attila: Atto I. “(No! … non è sogno ch'or l'alma invade! …)” (Attila, Odabella, Foresto, Uldino, Leone, vergini, druidi, duci e re)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°9 Finale I. “No! … non é sogno” … “Spirti, fermate (Attila, Odabella, Leone, Foresto, Uldino, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
5:00
6Attila: Atto II. “Tregua è cogl'Unni …” (Ezio)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “Tregua è cogl'Unni … ” (Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
1:55
7Attila: Atto II. “Dagli immortali vertici” (Ezio)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto II. N°10 “Dagl'immortali vertici” … “Chi vien?” (Ezio, Foresto, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
2:23
8Attila: Atto II. “Chi vien? - Salute ad Ezio” (Ezio, schiavi d'Attila, soldati romani, Foresto)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “Dagl'immortali vertici” … “Chi vien?” (Ezio, Foresto, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
partial recording of:
Attila: Atto II. N°10 “Dagl'immortali vertici” … “Chi vien?” (Ezio, Foresto, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
1:38
9Attila: Atto II. “È gettata la mia sorte” (Ezio)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “È gettata la mia sorte” (Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
2:32
10Attila: Atto II. “Del ciel l'immensa vôlta” (Unni, ostrogoti, eruli, ecc., Druidi, sacerdotesse, duci e re)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 Finale II. “Del ciel l'immensa volta” (Coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
1:31
11Attila: Atto II. “Ezio, ben vieni!” (Attila, Ezio, Druidi)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Ezio, ben vieni!” (Attila, Ezio, Druidi) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
2:17
12Attila: Atto II. “Chi dona luce al cor?” (Sacerdotesse)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Chi dona luce al cor?” (Sacerdotesse) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
1:48
13Attila: Atto II. “Ah! - Lo spirto de' monti ne rugge alle fronti"”(Ezio, Foresto, Odabella)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto II. N°11 “Lo spirto de'monti … L'orrenda procella” (tutti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
2:15
14Attila: Atto II. “L'orrenda procella qual lampo, spari” (Odabella, Foresto, Uldino, Ezio)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto II. N°11 “Lo spirto de'monti … L'orrenda procella” (tutti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
1:08
15Attila: Atto II. “Si riaccendan le quercie” (Attila, Foresto, Odabella, sacerdotesse, Unni, Ostrogoti, Eruli, ecc., duci e re)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Si riaccendan le quercie” (tutti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
2:17
16Attila: Atto II. “Oh, miei prodi!” (Attila, Odabella, Foresto, Ezio, Uldino, sacerdotesse, Unni, Ostrogoti, Eruli, ecc., duci e re)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
bass vocals [Leone]:
Jules Bastin (Belgian 20th century operatic bass) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°11 “Oh, miei prodi!” (tutti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
3:07
17Attila: Atto III. “Qui del convegno è il loco” (Foresto, Uldino)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°12 Scena e romanza “Qui del convengo è il loco” (Foresto, Uldino) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
2:47
18Attila: Atto III. “Che non avrebbe il misero” (Foresto)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°12 “Che non avrebbe il misero” (Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
2:37
19Attila: Atto III. “Che più s'indugia” (Ezio, Foresto, Unni, Ostrogoti, Eruli, ecc.)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°13 Terzetto “Che più s'indugia” (Ezio, Foresto, Odabella, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
1:46
20Attila: Atto III. “Cessa, deh, cessa” (Odabella, Foresto, Ezio)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°13 “Tutti d'Averno i demoni” … “Cessa, deh, cessa” (Ezio, Foresto, Odabella, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
0:59
21Attila: Atto III. “Te sol, te sol quest'anima ama” (Odabella, Foresto, Ezio)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto III. N°13 “Te sol, te sol quest'anima” (Ezio, Foresto, Odabella, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
3:02
22Attila: Atto III. “Non involarti, seguimi” (Attila)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto III. N°14 Quartetto finale “Non involarti, seguimi” … “Scellerati … Nella tenda” (Attila, Odabella, Ezio, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
0:44
23Attila: Atto III. “Tu, rea donna” (Attila)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto III. N°14 Quartetto finale “Non involarti, seguimi” … “Scellerati … Nella tenda” (Attila, Odabella, Ezio, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
0:56
24Attila: Atto III. “Nella tenda” (Odabella, Foresto, Ezio, Attila, guerrieri romani)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto III. N°14 Quartetto finale “Non involarti, seguimi” … “Scellerati … Nella tenda” (Attila, Odabella, Ezio, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
3:09
19▶CD: Macbeth (Atto I, Atto II) (Abbado, 1976)
20▶CD: Macbeth (Atto III, Atto IV) (Abbado, 1976)
21▶CD: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
22▶CD: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
23▶CD: Jérusalem (Acte I) (Luisi, 1998)
24▶CD: Jérusalem (Acte II) (Luisi, 1998)
25▶CD: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
26▶CD: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
27▶CD: Il corsaro (Atto III) (Gardelli, 1975)
28▶CD: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
29▶CD: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
30▶CD: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
31▶CD: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
32▶CD: Stiffelio (Atto I) (Gardelli, 1979)
33▶CD: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
34▶CD: Rigoletto (Atto I) (Giulini, 1979)
35▶CD: Rigoletto (Atto II, Atto III) (Giulini, 1979)
36▶CD: Il trovatore (Parte I, Parte II) (Giulini, 1984)
37▶CD: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
38▶CD: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
39▶CD: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
40▶CD: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
41▶CD: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
42▶CD: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
43▶CD: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
44▶CD: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
45▶CD: Aroldo (Atto I, Atto II) (Luisi, 1997)
46▶CD: Aroldo (Atto III, Atto IV) (Luisi, 1997)
47▶CD: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
48▶CD: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
49▶CD: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
50▶CD: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
51▶CD: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
52▶CD: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
53▶CD: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
54▶CD: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
55▶CD: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
56▶CD: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
57▶CD: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
58▶CD: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
59▶CD: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
60▶CD: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
61▶CD: Don Carlo (Atto IV, Atto V) (Solti, 1965)
62▶CD: Aida (Atto I, Atto II beginning) (Karajan, 1959)
63▶CD: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
64▶CD: Otello (Atto I, Atto II) (Chung, 1993)
65▶CD: Otello (Atto III, Atto IV) (Chung, 1993)
66▶CD: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
67▶CD: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
68▶CD: Requiem (Requiem, Dies irae) (Solti, 1967)
69▶CD: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
70▶CD: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
71▶CD: Discoveries (Riccardo Chailly, 2002)
72▶CD: Songs (Margaret Price, Geoffrey Parsons, 1986)
73▶CD: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
74▶CD: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
75▶CD: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)