The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Annotation last modified on 2023-07-12 08:15 UTC.

Tracklist

1CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
2CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
3CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
4CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
5CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
6CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
7CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
8CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
9CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
10CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
11CD: Monteverdi: Orfeo (beginning)
12CD: Monteverdi: Orfeo (conclusion)
13CD: La Chanson et la danse – Paris, vers 1540
14CD: La Chanson de Lausanne
15CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms
16CD: De Lalande: De profundis / Regina cœli
17CD: I Dolci Frutti: Venice before Monteverdi (I)
18CD: I Dolci Frutti: Venice before Monteverdi (II)
19CD: Gabrieli: Sacrae Symphoniae vol. 1
20CD: Gabrieli: Sacrae Symphoniae vol. 2
21CD: Bach: Magnificat / Cantata BWV 187
22CD: Bach: Mass in B minor, BWV 232 (beginning)
23CD: Bach: Mass in B minor, BWV 232 (conclusion)
24CD: Carissimi: Jephté et Trois motets
25CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
26CD: Charpentier: Messe pour les trépassés (1)
27CD: Charpentier: Messe pour les trépassés (2)
28CD: Bach: Missae breves I
29CD: Bach: Missae breves II
30CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
31CD: Marcello: Seven Psalms I
32CD: Marcello: Seven Psalms II
33CD: Monteverdi: Madrigali I
34CD: Monteverdi: Madrigali II
35CD: Bach: Piano Concertos BWV 1052, 1055 & 1056
36CD: Vivaldi: Sacred Music I
37CD: Monteverdi: Madrigali III-V (I)
38CD: Monteverdi: Madrigali III-V (II)
39CD: J.C. Bach: Fortepiano Concertos
40CD: Vivaldi: Sacred Music II
41CD: Vivaldi: Sacred Music III
42CD: Vivaldi: Sacred Music IV
43CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
44CD: Vivaldi: Sacred Music V
45CD: Bach: Cantatas I
46CD: Bach: Cantatas II
47CD: Bach: Johannes-Passion, BWV 245 (beginning)
48CD: Bach: Johannes-Passion, BWV 245 (conclusion)
49CD: Vivaldi: Sacred Music VI
50CD: Charpentier: Le jugement dernier / Beatus vir
51CD: Monteverdi: Magrigali VI-VIII (I)
52CD: Monteverdi: Madrigali VI-VIII (II)
53CD: Bach: Mass in B minor, BWV 232 (beginning)
54CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
55CD: Cavalli: Ercole amante (beginning)
56CD: Cavalli: Ercole amante (continuing)
57CD: Cavalli: Ercole amante (conclusion)
58CD: Handel: Suites from Rodrigo & Il pastor fido
59CD: Charpentier: David et Jonathas, H. 490 (beginning)
60CD: Charpentier: David et Jonathas, H. 490 (conclusion)
61CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
62CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
63CD: Bach: Matthäus-Passion, BWV 244 (beginning)
64CD: Bach: Matthäus-Passion, BWV 244 (continuing)
65CD: Bach: Matthäus-Passion, BWV 244 (conclusion)
66CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)
67CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
#TitleArtistRatingLength
1Weihnachtsoratorium, BWV 248: Part IV. No. 36. Chorus. “Fallt mit Danken, fallt mit Loben” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:47
2Weihnachtsoratorium, BWV 248: Part IV. No. 37. Recitative. “Und da acht Tage um waren” (Evangelist)
producer:
Michel Garcin (French producer)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:31
3Weihnachtsoratorium, BWV 248: Part IV. No. 38. Recitative & Arioso-Chorale. “Immaneuel, o süßes Wort” (bass, soprano)
producer:
Michel Garcin (French producer)
bass vocals:
Michel Brodard (bass-baritone) (from 1984-01-02 until 1984-01-06)
soprano vocals:
Barbara Schlick (soprano) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:32
4Weihnachtsoratorium, BWV 248: Part IV. No. 39. Aria. “Flößt, mein Heiland” (soprano, echo soprano)
producer:
Michel Garcin (French producer)
soprano vocals:
Barbara Schlick (soprano) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:22
5Weihnachtsoratorium, BWV 248: Part IV. No. 40. Recitative & Arioso-Chorale. “Wohlan, dein Name soll allein” (bass, soprano)
producer:
Michel Garcin (French producer)
bass vocals:
Michel Brodard (bass-baritone) (from 1984-01-02 until 1984-01-06)
soprano vocals:
Barbara Schlick (soprano) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:36
6Weihnachtsoratorium, BWV 248: Part IV. No. 41. Aria. “Ich will nur dir zu Ehren leben” (tenor)
producer:
Michel Garcin (French producer)
tenor vocals:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:24
7Weihnachtsoratorium, BWV 248: Part IV. No. 42. Chorale. “Jesus richte mein Beginnen” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:59
8Weihnachtsoratorium, BWV 248: Part V. No. 43. Chorus. “Ehre sei dir, Gott, gesungen” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:34
9Weihnachtsoratorium, BWV 248: Part V. No. 44. Recitative. “Da Jesus geboren war zu Bethlehem” / No. 45. Chorus & Recitative. “Wo ist der neugeborne König der Juden” (Evangelist, alto, chorus)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1984-01-02 until 1984-01-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:22
10Weihnachtsoratorium, BWV 248: Part V. No. 46. Chorale. “Dein Glanz all Finsternis verzehrt” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
11Weihnachtsoratorium, BWV 248: Part V. No. 47. Aria. “Erleucht, auch meine finstre Sinnen” (bass)
producer:
Michel Garcin (French producer)
bass vocals:
Michel Brodard (bass-baritone) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:13
12Weihnachtsoratorium, BWV 248: Part V. No. 48. Recitative. “Da das der König” / No. 49. Recitative. “Warum wollt ihr erschrecken” / No. 50. Recitative. “Und ließ versammeln” (Evangelist, alto)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1984-01-02 until 1984-01-06)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:07
13Weihnachtsoratorium, BWV 248: Part V. No. 51. Trio. “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1984-01-02 until 1984-01-06)
soprano vocals:
Barbara Schlick (soprano) (from 1984-01-02 until 1984-01-06)
tenor vocals:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:32
14Weihnachtsoratorium, BWV 248: Part V. No. 52. Recitative. “Mein Liebster herrschet schon” (alto)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:30
15Weihnachtsoratorium, BWV 248: Part V. No. 53. Chorale. “Zwar ist solche Herzensstube” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:08
16Weihnachtsoratorium, BWV 248: Part VI. No. 54. Chorus. “Herr, wenn die stolzen Feinde schnauben” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:06
17Weihnachtsoratorium, BWV 248: Part VI. No. 55. Recitative. “Da bereif Herodes die Weisen heimlich” (Evangelist, bass)
producer:
Michel Garcin (French producer)
bass vocals:
Michel Brodard (bass-baritone) (from 1984-01-02 until 1984-01-06)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
18Weihnachtsoratorium, BWV 248: Part VI. No. 56. Recitative. “Du Falscher, suche nur den Herrn zu fällen” (soprano)
producer:
Michel Garcin (French producer)
soprano vocals:
Barbara Schlick (soprano) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:54
19Weihnachtsoratorium, BWV 248: Part VI. No. 57. Aria. “Nur ein Wink von seinen Händen” (soprano)
producer:
Michel Garcin (French producer)
soprano vocals:
Barbara Schlick (soprano) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:40
20Weihnachtsoratorium, BWV 248: Part VI. No. 58. Recitative. “Als sie nun den König gehöret hatten” (Evangelist)
producer:
Michel Garcin (French producer)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:05
21Weihnachtsoratorium, BWV 248: Part VI. No. 59. Chorale. “Ich steh an deiner Krippen hier” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:15
22Weihnachtsoratorium, BWV 248: Part VI. No. 60. Recitative. “Und Gott befahl ihnen im Traum” (Evangelist)
producer:
Michel Garcin (French producer)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:22
23Weihnachtsoratorium, BWV 248: Part VI. No. 61. Recitative. “So geht! Genug, mein Schatz geht nicht von hier” (tenor)
producer:
Michel Garcin (French producer)
tenor vocals:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:48
24Weihnachtsoratorium, BWV 248: Part VI. No. 62. Aria. “Nun mögt ihr stolzen Feinde schrecken” (tenor)
producer:
Michel Garcin (French producer)
tenor vocals:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:24
25Weihnachtsoratorium, BWV 248: Part VI. No. 63. Recitative. “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1984-01-02 until 1984-01-06)
bass vocals:
Michel Brodard (bass-baritone) (from 1984-01-02 until 1984-01-06)
soprano vocals:
Barbara Schlick (soprano) (from 1984-01-02 until 1984-01-06)
tenor vocals:
Kurt Equiluz (tenor) (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:43
26Weihnachtsoratorium, BWV 248: Part VI. No. 64. Chorale. “Nun seid ihr wohl gerochen” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1984-01-02 until 1984-01-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1984-01-02 until 1984-01-06)
conductor:
Michel Corboz (conductor and composer) (from 1984-01-02 until 1984-01-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1984-01-02 until 1984-01-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (from 1984-01-02 until 1984-01-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:14
68CD: Monteverdi: Orfeo (beginning)
69CD: Monteverdi: Orfeo (conclusion)
70CD: Purcell: Dido and Aeneas
71CD: Handel: Messiah, KV 572 (beginning)
72CD: Handel: Messiah, KV 572 (conclusion)
73CD: Bach: Mass in B minor, BWV 232 (beginning)
74CD: Bach: Mass in B minor, BWV 232 (conclusion)