The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Annotation last modified on 2023-07-12 08:15 UTC.

Tracklist

1▶CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
2▶CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
3▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
4▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
5▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
6▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
7▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
8▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
9▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
10▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
11▶CD: Monteverdi: Orfeo (beginning)
12▶CD: Monteverdi: Orfeo (conclusion)
13▶CD: La Chanson et la danse – Paris, vers 1540
14▶CD: La Chanson de Lausanne
15▶CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms
16▶CD: De Lalande: De profundis / Regina cœli
17▶CD: I Dolci Frutti: Venice before Monteverdi (I)
18▶CD: I Dolci Frutti: Venice before Monteverdi (II)
19▶CD: Gabrieli: Sacrae Symphoniae vol. 1
20▶CD: Gabrieli: Sacrae Symphoniae vol. 2
21▶CD: Bach: Magnificat / Cantata BWV 187
22▶CD: Bach: Mass in B minor, BWV 232 (beginning)
23▶CD: Bach: Mass in B minor, BWV 232 (conclusion)
24▶CD: Carissimi: Jephté et Trois motets
25▶CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
26▶CD: Charpentier: Messe pour les trépassés (1)
27▶CD: Charpentier: Messe pour les trépassés (2)
28▶CD: Bach: Missae breves I
29▶CD: Bach: Missae breves II
30▶CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
31▶CD: Marcello: Seven Psalms I
32▶CD: Marcello: Seven Psalms II
33▶CD: Monteverdi: Madrigali I
34▶CD: Monteverdi: Madrigali II
35▶CD: Bach: Piano Concertos BWV 1052, 1055 & 1056
36▶CD: Vivaldi: Sacred Music I
37▶CD: Monteverdi: Madrigali III-V (I)
38▶CD: Monteverdi: Madrigali III-V (II)
39▶CD: J.C. Bach: Fortepiano Concertos
40▶CD: Vivaldi: Sacred Music II
41▶CD: Vivaldi: Sacred Music III
42▶CD: Vivaldi: Sacred Music IV
43▶CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
44▶CD: Vivaldi: Sacred Music V
45▶CD: Bach: Cantatas I
46▶CD: Bach: Cantatas II
47▶CD: Bach: Johannes-Passion, BWV 245 (beginning)
48▶CD: Bach: Johannes-Passion, BWV 245 (conclusion)
49▶CD: Vivaldi: Sacred Music VI
50▶CD: Charpentier: Le jugement dernier / Beatus vir
51▶CD: Monteverdi: Magrigali VI-VIII (I)
52▶CD: Monteverdi: Madrigali VI-VIII (II)
53▶CD: Bach: Mass in B minor, BWV 232 (beginning)
54▶CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
55▶CD: Cavalli: Ercole amante (beginning)
56▶CD: Cavalli: Ercole amante (continuing)
57▶CD: Cavalli: Ercole amante (conclusion)
58▶CD: Handel: Suites from Rodrigo & Il pastor fido
59▶CD: Charpentier: David et Jonathas, H. 490 (beginning)
60▶CD: Charpentier: David et Jonathas, H. 490 (conclusion)
61▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
62▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
63▶CD: Bach: Matthäus-Passion, BWV 244 (beginning)
64▶CD: Bach: Matthäus-Passion, BWV 244 (continuing)
65▶CD: Bach: Matthäus-Passion, BWV 244 (conclusion)
66▶CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)
67▶CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
68▶CD: Monteverdi: Orfeo (beginning)
69▶CD: Monteverdi: Orfeo (conclusion)
70▶CD: Purcell: Dido and Aeneas
71▶CD: Handel: Messiah, KV 572 (beginning)
72▼CD: Handel: Messiah, KV 572 (conclusion)
#TitleArtistRatingLength
1Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wahrlich” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 18. Coro: “Wahrlich, wahrlich!” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel2:00
2Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Durch seine Wunden” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 19. Coro: “Durch seine Wunden sind wir geheilet” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel1:54
3Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wie Schafe geh'n” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 20. Coro: “Wie Schafe geh'n” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel4:12
4Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Und alle” (soprano I) / Coro: “Er trauete Gott” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
soprano vocals [soprano I]:
Audrey Michael (Swiss soprano) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 21. Recitativo strumentato: “Und alle, die ihn seh'n” (soprano I) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil II, Nr. 22. Coro: “Er trauete Gott” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel2:57
5Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Die Schmach bricht ihm sein Herz” / Aria: “Schautr hin und sieh!” (soprano II)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
soprano vocals [soprano II]:
Magali Dami (soprano) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 23a. Recitativo strumentato: “Die Schmach bricht ihm sein Herz” (soprano II) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil II, Nr. 23b. Aria: “Schau hin und sieh!” (soprano II) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel2:35
6Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Er ist dahin aus dem Lande der Lebenden” / Aria: “Doch du liessest ihn” (soprano I)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
soprano vocals [soprano I]:
Audrey Michael (Swiss soprano) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 24a. Recitativo strumentato: “Er ist dahin aus dem Lande der Lebenden” (soprano I) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil II, Nr. 24b. Aria: “Doch du ließest ihn im Grabe nicht” (soprano I) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel3:19
7Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Machet das Tor weit” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 25a. Coro: “Machet das Tor weit” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel3:00
8Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Zu welchen” / Aria: “Der Herr gab das Wort” (soprano II)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
soprano vocals [soprano II]:
Magali Dami (soprano) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 25b. Recitativo: “Zu welchen von den Engeln hat er je gesagt” (soprano I) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil II, Nr. 26. Coro: “Der Herr gab das Wort” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel1:26
9Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Wie lieblich” (soprano I)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
soprano vocals [soprano I]:
Audrey Michael (Swiss soprano) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 27. Aria: “Wie lieblich ist der Boten Schritt” (soprano I) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel1:58
10Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Ihr Schall ging aus” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 28. Coro: “Ihr Schall ging aus” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel1:22
11Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Warum entbrennen” (bass)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
bass vocals:
Marcos Fink (bass-baritone) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 29. Aria: “Warum entbrennen die Heiden” (bass) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel5:02
12Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Brecht entzwei” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 30a. Coro: “Brecht entzwei die Ketten alle” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel2:05
13Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Der da wohnet im Himmel” / Aria: “Du zerschlägst sie” (tenor)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
tenor vocals:
Hans Peter Blochwitz (tenor) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 30b. Recitativo: “Der da wohnet im Himmel” (tenor) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil II, Nr. 31. Aria: “Du zerschlägst sie” (tenor) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel2:18
14Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Hallelujah” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 32. Coro: “Hallelujah” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel3:40
15Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Aria: “Ich weiß” (soprano I)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
soprano vocals [soprano I]:
Audrey Michael (Swiss soprano) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil III, Nr. 33. Aria: “Ich weiß, daß mein Erlöser lebet” (soprano I) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel6:00
16Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Wie durch Einen der Tod” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil III, Nr. 34a. Coro primo: “Wie durch Einen der Tod” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 34b. Coro secondo: “So man durch Einen die Auferstehung”
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 34c. Coro terzo: “Denn wie durch Adam alle sterben”
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 34d. Coro quarto: “Also wird, wer starb”
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel2:01
17Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo accompagnato ed Aria: “Sie schallt” (bass)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
bass vocals:
Marcos Fink (bass-baritone) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil III, Nr. 35a. Recitativo strumentato: “Merkt auf!” (bass) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 35b. Aria: “Sie schallt, die Posaun” (bass)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel3:04
18Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo ed Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
soprano vocals [soprano II]:
Magali Dami (soprano) (from 1990-01-18 until 1990-01-21)
tenor vocals:
Hans Peter Blochwitz (tenor) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil III, Nr. 36. Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel2:50
19Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Doch Dank sei Dir Gott” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil III, Nr. 37a. Coro: “Doch Dank sei Dir Gott” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel4:15
20Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Würdig ist das Lamm” / “Amen” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil III, Nr. 38a. Coro: “Würdig ist das Lamm” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 38b. Coro ultimo: “Amen” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel6:35
73▶CD: Bach: Mass in B minor, BWV 232 (beginning)
74▶CD: Bach: Mass in B minor, BWV 232 (conclusion)