| # | Title | Artist | Rating | Length |
|---|
| 1 | Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus) | Johann Sebastian Bach | | 11:02 |
| 2 | Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano II, mezzo-soprano) | Johann Sebastian Bach | | 5:16 |
| 3 | Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus) | Johann Sebastian Bach | | 4:17 |
| 4 | Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis / V. Et in terra pax (chorus)- producer:
- Michel Garcin
- bassoon:
- Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
- cello:
- Marie-José Falcao (from 1979-09-29 until 1979-10-06)
- double bass:
- Francia Marcelin (from 1979-09-29 until 1979-10-06)
- flute:
- Pierre Wavre (from 1979-09-29 until 1979-10-06)
- horn:
- Jozsef Molnar (from 1979-09-29 until 1979-10-06)
- oboe d'amore:
- Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
- trumpet:
- Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
- viola:
- Jean Piguet (from 1979-09-29 until 1979-10-06)
- choir vocals:
- Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
- orchestra:
- Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
- conductor:
- Michel Corboz (from 1979-09-29 until 1979-10-06)
- balance engineer:
- Pierre Lavoix
- recorded at:
- Temple de Lutry in Lutry, Vaud , Switzerland (from 1979-09-29 until 1979-10-06)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1979-09-29 until 1979-10-06)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1979-09-29 until 1979-10-06)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 6:41 |
| 5 | Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano I) | Johann Sebastian Bach | | 4:53 |
| 6 | Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)- producer:
- Michel Garcin
- bassoon:
- Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
- cello:
- Marie-José Falcao (from 1979-09-29 until 1979-10-06)
- double bass:
- Francia Marcelin (from 1979-09-29 until 1979-10-06)
- flute:
- Pierre Wavre (from 1979-09-29 until 1979-10-06)
- horn:
- Jozsef Molnar (from 1979-09-29 until 1979-10-06)
- oboe d'amore:
- Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
- trumpet:
- Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
- viola:
- Jean Piguet (from 1979-09-29 until 1979-10-06)
- choir vocals:
- Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
- orchestra:
- Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
- conductor:
- Michel Corboz (from 1979-09-29 until 1979-10-06)
- balance engineer:
- Pierre Lavoix
- recorded at:
- Temple de Lutry in Lutry, Vaud , Switzerland (from 1979-09-29 until 1979-10-06)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1979-09-29 until 1979-10-06)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:28 |
| 7 | Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano I, tenor) | Johann Sebastian Bach | | 5:51 |
| 8 | Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus) | Johann Sebastian Bach | | 4:07 |
| 9 | Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano) | Johann Sebastian Bach | | 5:38 |
| 10 | Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass) | Johann Sebastian Bach | | 5:55 |
| 11 | Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus) | Johann Sebastian Bach | | 4:10 |
| 12 | Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus) | Johann Sebastian Bach | | 2:09 |
| 13 | Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)- producer:
- Michel Garcin
- bassoon:
- Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
- cello:
- Marie-José Falcao (from 1979-09-29 until 1979-10-06)
- double bass:
- Francia Marcelin (from 1979-09-29 until 1979-10-06)
- flute:
- Pierre Wavre (from 1979-09-29 until 1979-10-06)
- horn:
- Jozsef Molnar (from 1979-09-29 until 1979-10-06)
- oboe d'amore:
- Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
- trumpet:
- Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
- viola:
- Jean Piguet (from 1979-09-29 until 1979-10-06)
- choir vocals:
- Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
- orchestra:
- Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
- conductor:
- Michel Corboz (from 1979-09-29 until 1979-10-06)
- balance engineer:
- Pierre Lavoix
- recorded at:
- Temple de Lutry in Lutry, Vaud , Switzerland (from 1979-09-29 until 1979-10-06)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1979-09-29 until 1979-10-06)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:23 |
| 14 | Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano I, mezzo-soprano) | Johann Sebastian Bach | | 5:05 |
| 15 | Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus) | Johann Sebastian Bach | | 4:06 |
| 16 | Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)- producer:
- Michel Garcin
- bassoon:
- Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (from 1979-09-29 until 1979-10-06)
- cello:
- Marie-José Falcao (from 1979-09-29 until 1979-10-06)
- double bass:
- Francia Marcelin (from 1979-09-29 until 1979-10-06)
- flute:
- Pierre Wavre (from 1979-09-29 until 1979-10-06)
- horn:
- Jozsef Molnar (from 1979-09-29 until 1979-10-06)
- oboe d'amore:
- Jean-Paul Goy (from 1979-09-29 until 1979-10-06) and Markus Häberling (from 1979-09-29 until 1979-10-06)
- trumpet:
- Mario Alberti (from 1979-09-29 until 1979-10-06), André Besançon (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
- viola:
- Jean Piguet (from 1979-09-29 until 1979-10-06)
- choir vocals:
- Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
- orchestra:
- Orchestre de Chambre de Lausanne (from 1979-09-29 until 1979-10-06)
- conductor:
- Michel Corboz (from 1979-09-29 until 1979-10-06)
- balance engineer:
- Pierre Lavoix
- recorded at:
- Temple de Lutry in Lutry, Vaud , Switzerland (from 1979-09-29 until 1979-10-06)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1979-09-29 until 1979-10-06)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 4:45 |