The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Annotation last modified on 2023-07-12 08:15 UTC.

Tracklist

1CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
2CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
3CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
4CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
5CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
6CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
7CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
8CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
9CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
10CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
11CD: Monteverdi: Orfeo (beginning)
12CD: Monteverdi: Orfeo (conclusion)
13CD: La Chanson et la danse – Paris, vers 1540
14CD: La Chanson de Lausanne
15CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms
16CD: De Lalande: De profundis / Regina cœli
17CD: I Dolci Frutti: Venice before Monteverdi (I)
18CD: I Dolci Frutti: Venice before Monteverdi (II)
19CD: Gabrieli: Sacrae Symphoniae vol. 1
20CD: Gabrieli: Sacrae Symphoniae vol. 2
21CD: Bach: Magnificat / Cantata BWV 187
22CD: Bach: Mass in B minor, BWV 232 (beginning)
23CD: Bach: Mass in B minor, BWV 232 (conclusion)
24CD: Carissimi: Jephté et Trois motets
25CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
26CD: Charpentier: Messe pour les trépassés (1)
27CD: Charpentier: Messe pour les trépassés (2)
28CD: Bach: Missae breves I
29CD: Bach: Missae breves II
30CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
31CD: Marcello: Seven Psalms I
32CD: Marcello: Seven Psalms II
33CD: Monteverdi: Madrigali I
34CD: Monteverdi: Madrigali II
35CD: Bach: Piano Concertos BWV 1052, 1055 & 1056
36CD: Vivaldi: Sacred Music I
37CD: Monteverdi: Madrigali III-V (I)
38CD: Monteverdi: Madrigali III-V (II)
39CD: J.C. Bach: Fortepiano Concertos
40CD: Vivaldi: Sacred Music II
41CD: Vivaldi: Sacred Music III
42CD: Vivaldi: Sacred Music IV
43CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
44CD: Vivaldi: Sacred Music V
45CD: Bach: Cantatas I
46CD: Bach: Cantatas II
47CD: Bach: Johannes-Passion, BWV 245 (beginning)
48CD: Bach: Johannes-Passion, BWV 245 (conclusion)
49CD: Vivaldi: Sacred Music VI
50CD: Charpentier: Le jugement dernier / Beatus vir
51CD: Monteverdi: Magrigali VI-VIII (I)
52CD: Monteverdi: Madrigali VI-VIII (II)
53CD: Bach: Mass in B minor, BWV 232 (beginning)
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach11:02
2Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano II, mezzo-soprano)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
soprano vocals [soprano II]:
Jennifer Smith (soprano) (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:16
3Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:17
4Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis / V. Et in terra pax (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:41
5Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano I)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
soprano vocals [soprano I]:
Rachel Yakar (soprano) (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:53
6Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:28
7Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano I, tenor)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
soprano vocals [soprano I]:
Rachel Yakar (soprano) (from 1979-09-29 until 1979-10-06)
tenor vocals:
Anthony Rolfe Johnson (tenor) (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:51
8Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (catch all for arrangements) (from 1979-09-29 until 1979-10-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi")
Johann Sebastian Bach4:07
9Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:38
10Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (catch all for arrangements) (from 1979-09-29 until 1979-10-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus")
Johann Sebastian Bach5:55
11Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:10
12Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:09
13Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:23
14Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano I, mezzo-soprano)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
soprano vocals [soprano I]:
Rachel Yakar (soprano) (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:05
15Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:06
16Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1979-09-29 until 1979-10-06) and André Vivian (bassoonist) (from 1979-09-29 until 1979-10-06)
cello:
Marie-José Falcao (cellist) (from 1979-09-29 until 1979-10-06)
double bass:
Francia Marcelin (double bassist) (from 1979-09-29 until 1979-10-06)
flute:
Pierre Wavre (from 1979-09-29 until 1979-10-06)
horn:
Jozsef Molnar (from 1979-09-29 until 1979-10-06)
oboe d'amore:
Jean-Paul Goy (oboist) (from 1979-09-29 until 1979-10-06) and Markus Häberling (hornist) (from 1979-09-29 until 1979-10-06)
trumpet:
Mario Alberti (trumpeter) (from 1979-09-29 until 1979-10-06), André Besançon (Swiss trumpeter) (from 1979-09-29 until 1979-10-06) and Jean-Claude Blanc (from 1979-09-29 until 1979-10-06)
viola:
Jean Piguet (from 1979-09-29 until 1979-10-06)
choir vocals:
Ensemble Vocal de Lausanne (from 1979-09-29 until 1979-10-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1979-09-29 until 1979-10-06)
conductor:
Michel Corboz (conductor and composer) (from 1979-09-29 until 1979-10-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Temple de Lutry in Lutry, Vaud (Canton of Vaud), Switzerland (from 1979-09-29 until 1979-10-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1979-09-29 until 1979-10-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:45
54CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
55CD: Cavalli: Ercole amante (beginning)
56CD: Cavalli: Ercole amante (continuing)
57CD: Cavalli: Ercole amante (conclusion)
58CD: Handel: Suites from Rodrigo & Il pastor fido
59CD: Charpentier: David et Jonathas, H. 490 (beginning)
60CD: Charpentier: David et Jonathas, H. 490 (conclusion)
61CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
62CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
63CD: Bach: Matthäus-Passion, BWV 244 (beginning)
64CD: Bach: Matthäus-Passion, BWV 244 (continuing)
65CD: Bach: Matthäus-Passion, BWV 244 (conclusion)
66CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)
67CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
68CD: Monteverdi: Orfeo (beginning)
69CD: Monteverdi: Orfeo (conclusion)
70CD: Purcell: Dido and Aeneas
71CD: Handel: Messiah, KV 572 (beginning)
72CD: Handel: Messiah, KV 572 (conclusion)
73CD: Bach: Mass in B minor, BWV 232 (beginning)
74CD: Bach: Mass in B minor, BWV 232 (conclusion)