The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Annotation last modified on 2023-07-12 08:15 UTC.

Tracklist

1CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
2CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
3CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
4CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
5CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
6CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
7CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
8CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
9CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
10CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
11CD: Monteverdi: Orfeo (beginning)
12CD: Monteverdi: Orfeo (conclusion)
13CD: La Chanson et la danse – Paris, vers 1540
14CD: La Chanson de Lausanne
15CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms
16CD: De Lalande: De profundis / Regina cœli
17CD: I Dolci Frutti: Venice before Monteverdi (I)
18CD: I Dolci Frutti: Venice before Monteverdi (II)
19CD: Gabrieli: Sacrae Symphoniae vol. 1
20CD: Gabrieli: Sacrae Symphoniae vol. 2
21CD: Bach: Magnificat / Cantata BWV 187
22CD: Bach: Mass in B minor, BWV 232 (beginning)
23CD: Bach: Mass in B minor, BWV 232 (conclusion)
24CD: Carissimi: Jephté et Trois motets
25CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
26CD: Charpentier: Messe pour les trépassés (1)
27CD: Charpentier: Messe pour les trépassés (2)
28CD: Bach: Missae breves I
29CD: Bach: Missae breves II
30CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
31CD: Marcello: Seven Psalms I
32CD: Marcello: Seven Psalms II
33CD: Monteverdi: Madrigali I
34CD: Monteverdi: Madrigali II
35CD: Bach: Piano Concertos BWV 1052, 1055 & 1056
36CD: Vivaldi: Sacred Music I
37CD: Monteverdi: Madrigali III-V (I)
38CD: Monteverdi: Madrigali III-V (II)
39CD: J.C. Bach: Fortepiano Concertos
40CD: Vivaldi: Sacred Music II
41CD: Vivaldi: Sacred Music III
42CD: Vivaldi: Sacred Music IV
43CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
44CD: Vivaldi: Sacred Music V
45CD: Bach: Cantatas I
46CD: Bach: Cantatas II
47CD: Bach: Johannes-Passion, BWV 245 (beginning)
48CD: Bach: Johannes-Passion, BWV 245 (conclusion)
49CD: Vivaldi: Sacred Music VI
50CD: Charpentier: Le jugement dernier / Beatus vir
51CD: Monteverdi: Magrigali VI-VIII (I)
52CD: Monteverdi: Madrigali VI-VIII (II)
53CD: Bach: Mass in B minor, BWV 232 (beginning)
54CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
55CD: Cavalli: Ercole amante (beginning)
56CD: Cavalli: Ercole amante (continuing)
57CD: Cavalli: Ercole amante (conclusion)
58CD: Handel: Suites from Rodrigo & Il pastor fido
59CD: Charpentier: David et Jonathas, H. 490 (beginning)
60CD: Charpentier: David et Jonathas, H. 490 (conclusion)
61CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
62CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
63CD: Bach: Matthäus-Passion, BWV 244 (beginning)
64CD: Bach: Matthäus-Passion, BWV 244 (continuing)
65CD: Bach: Matthäus-Passion, BWV 244 (conclusion)
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Part II. No. 50. Recitative & Chorus. “Sie schrien aber noch mehr” (Evangelist, Pilatus, chorus I, II)
producer:
Michel Garcin (French producer)
bass vocals [Pilatus]:
Philippe Huttenlocher (baritone) (from 1982-06-12 until 1982-06-19)
choir vocals:
Ensemble Vocal de Lausanne (from 1982-06-12 until 1982-06-19) and Schola des Petits Chanteurs de Notre-Dame de Sion (from 1982-06-12 until 1982-06-19)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, L. Recit. (Evangelist, High Priest I, II) "And he Cast Down the Pieces" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach1:59
2Matthäus-Passion, BWV 244: Part II. No. 51. Recitative. “Erbarm' es Gott” (alto)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LI. Aria. (Bass) "Give me Back my Lord" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach1:13
3Matthäus-Passion, BWV 244: Part II. No. 52. Aria. “Können Tränen meinen Wangen” (alto)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LIII. Choral "Commit thy way to Jesus" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach6:03
4Matthäus-Passion, BWV 244: Part II. No. 53. Recitative & Chorus. “Da nahmen die Kriegsknechte” (Evangelist, chorus I, II)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1982-06-12 until 1982-06-19) and Schola des Petits Chanteurs de Notre-Dame de Sion (from 1982-06-12 until 1982-06-19)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LIII. Choral "Commit thy way to Jesus" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach1:06
5Matthäus-Passion, BWV 244: Part II. No. 54. Chorale. “O Haupt voll Blut und Wunden” (chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (in 1982-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (in 1982-06)
conductor:
Michel Corboz (conductor and composer) (in 1982-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1982-06)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:15
6Matthäus-Passion, BWV 244: Part II. No. 55. Recitative. “Und da sie ihn versottet hatten” (Evangelist)
producer:
Michel Garcin (French producer)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LV. Choral "O Wond'rous Love" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:50
7Matthäus-Passion, BWV 244: Part II. No. 56. Recitative. “Ja freilich will in uns das Fleisch und Blut” (bass)
producer:
Michel Garcin (French producer)
bass vocals:
Philippe Huttenlocher (baritone) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LVI. Recit. (Evangelist, Pilate) "And the Governor Said" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
version of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:40
8Matthäus-Passion, BWV 244: Part II. No. 57. Aria. “Komm, süßes Kreuz, so will ich sagen” (bass)
producer:
Michel Garcin (French producer)
bass vocals:
Philippe Huttenlocher (baritone) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LVII. Accompanied Recit. (Sop.) "To all men Jesus Good Hath Done" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
version of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach7:02
9Matthäus-Passion, BWV 244: Part II. No. 58. Recitative & Chorus. “Und da sie an die Stätte kamen” (Evangelist, chorus I, II)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1982-06-12 until 1982-06-19) and Schola des Petits Chanteurs de Notre-Dame de Sion (from 1982-06-12 until 1982-06-19)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LVIII. Aria (Sop.) "For Love my Saviour now is Dying" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach3:31
10Matthäus-Passion, BWV 244: Part II. No. 59. Recitative. “Ach Golgotha” (alto)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LIX. Recit. (Evangelist, Pilate, Chorus) "But They Cried Out" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach2:01
11Matthäus-Passion, BWV 244: Part II. No. 60. Aria & Chorus. “Sehet, Jesus hat die Hand” (alto, chorus II)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1982-06-12 until 1982-06-19)
choir vocals:
Schola des Petits Chanteurs de Notre-Dame de Sion (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LX. Recit. (Alt.) "O Gracious God" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach3:17
12Matthäus-Passion, BWV 244: Part II. No. 61. Recitative & Chorus. “Und von der sechsten Stunde an” (Evangelist)
producer:
Michel Garcin (French producer)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LXI. Aria (Alto) "If my Tears be Unavailing" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach2:23
13Matthäus-Passion, BWV 244: Part II. No. 62. Chorale. “Wenn ich einmal soll scheiden” (soprano, flute and continuo)
producer:
Michel Garcin (French producer)
soprano vocals:
Margareth Marshall (soprano) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LXII Recit. (Evangelist, Chorus) "Then the Soldiers of the Governor" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach1:43
14Matthäus-Passion, BWV 244: Part II. No. 63. Recitative & Chorus. “Und siehe da, der Vorhang im Tempel zerriß” (Evangelist, Jesus, chorus I, II)
producer:
Michel Garcin (French producer)
bass vocals [Jesus]:
Gerhard Faulstich (baritone) (from 1982-06-12 until 1982-06-19)
choir vocals:
Ensemble Vocal de Lausanne (from 1982-06-12 until 1982-06-19) and Schola des Petits Chanteurs de Notre-Dame de Sion (from 1982-06-12 until 1982-06-19)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Sacred Head Sore Wounded" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach2:36
15Matthäus-Passion, BWV 244: Part II. No. 64. Recitative. “Am Abend, da es kühle war” (bass)
producer:
Michel Garcin (French producer)
bass vocals:
Philippe Huttenlocher (baritone) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LXIV. Recit (evangelist) "And After That They had Mocked Him" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach2:23
16Matthäus-Passion, BWV 244: Part II. No. 65. Aria. “Mache dich, mein Herze, rein” (bass)
producer:
Michel Garcin (French producer)
bass vocals:
Philippe Huttenlocher (baritone) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LXV. Recit. (Bass) "In Truth, to Bear the Cross" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach6:53
17Matthäus-Passion, BWV 244: Part II. No. 66. Recitative & Chorus. “Und Joseph nahm den Leib” (Evangelist, Pilatus, chorus I, II)
producer:
Michel Garcin (French producer)
bass vocals [Pilatus]:
Philippe Huttenlocher (baritone) (from 1982-06-12 until 1982-06-19)
choir vocals:
Ensemble Vocal de Lausanne (from 1982-06-12 until 1982-06-19) and Schola des Petits Chanteurs de Notre-Dame de Sion (from 1982-06-12 until 1982-06-19)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LXVI Aria (Bass) "Come, Healing Cross" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach2:35
18Matthäus-Passion, BWV 244: Part II. No. 67. Recitative & Chorus. “Nun ist der Herr zur Ruh gebracht” (bass, tenor, alto, soprano, chorus II)
producer:
Michel Garcin (French producer)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1982-06-12 until 1982-06-19)
bass vocals:
Philippe Huttenlocher (baritone) (from 1982-06-12 until 1982-06-19)
choir vocals:
Schola des Petits Chanteurs de Notre-Dame de Sion (from 1982-06-12 until 1982-06-19)
soprano vocals:
Margareth Marshall (soprano) (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LXVII. Recit. (Evangelist, Chorus) "And When They Were Come Unto a Place" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach2:48
19Matthäus-Passion, BWV 244: Part II. No. 68. Chorus. “Wir setzen uns mit Tränen nieder” (chorus I, II)
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (from 1982-06-12 until 1982-06-19) and Schola des Petits Chanteurs de Notre-Dame de Sion (from 1982-06-12 until 1982-06-19)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1982-06-12 until 1982-06-19)
conductor:
Michel Corboz (conductor and composer) (from 1982-06-12 until 1982-06-19)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
St. Matthew Passion, BWV 244: Part II, LXVIII. Recit. (Evangelist) "The Thieves Also Were Crucified" (from 1982-06-12 until 1982-06-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach6:02
66CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)
67CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
68CD: Monteverdi: Orfeo (beginning)
69CD: Monteverdi: Orfeo (conclusion)
70CD: Purcell: Dido and Aeneas
71CD: Handel: Messiah, KV 572 (beginning)
72CD: Handel: Messiah, KV 572 (conclusion)
73CD: Bach: Mass in B minor, BWV 232 (beginning)
74CD: Bach: Mass in B minor, BWV 232 (conclusion)