Bach 333: Instrumental & supplement (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
2CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
3CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
4CD: Cello Suites 1-3 (Fournier)
5CD: Cello Suites 4-6 (Fournier)
6CD: Solo & Chamber Works (Alternative Instrumentations)
7CD: Clavier-Büchlein W. F. Bach (1)
8CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
9CD: Notenbüchlein A. M. Bach (1725) (1)
10CD: Notenbüchlein A. M. Bach (1725) (2)
11CD: Schemelli Gesangbuch BWV 439-474
12CD: Schemelli Gesangbuch BWV 475-507
13CD: Bach: Early Influences
14CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
15CD: Concertos at Weimar (Vivaldi)
16CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
17CD: The Bach Family
18CD: Bach & Other Composers (c. 1715-1730)
19CD: Bach & Other Composers (c. 1730-1742)
20CD: Bach & Other Composers (1742-1750)
#TitleRatingLength
1Aria: Bekennen will ich seinen Namen, BWV 200 (from Passion Oratorio "Die leidende und am Kreuz sterbende Liebe") (after Gottfried Heinrich Stölzel (1690–1749))
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Kantate (Aria), BWV 200 "Bekennen will ich seinen Namen" (in 2003-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Gottfried Heinrich Stölzel (composer)
librettist:
[anonymous] (special purpose artist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1742 until 1743)
part of:
Bach-Werke-Verzeichnis (number: BWV 200)
3:27
2Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 1. Chorus: Magnificat anima
producer:
Stephan Schmidt (classical producer and editor)
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke (from 2009-03 until 2009-05)
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658)
3:52
3Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 2. Duet: Quia respexit
producer:
Stephan Schmidt (classical producer and editor)
alto vocals [alto I]:
Marnix De Cat (Belgian counter-tenor, conductor, organist, percussionist) (from 2009-03 until 2009-05)
tenor vocals [tenor I]:
Harry Van Berne (tenor) (from 2009-03 until 2009-05)
vocals:
Members of Gesualdo Consort Amsterdam (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658)
1:46
4Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 3. Duet: Quia fecit mihi magna
producer:
Stephan Schmidt (classical producer and editor)
bass vocals [bass I]:
Harry van der Kamp (operatic bass) (from 2009-03 until 2009-05)
soprano vocals [soprano I]:
Nele Gramss (soprano) (from 2009-03 until 2009-05)
vocals:
Members of Gesualdo Consort Amsterdam (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658)
2:09
5Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 4. Chorus: Et misericordia ejus
producer:
Stephan Schmidt (classical producer and editor)
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke (from 2009-03 until 2009-05)
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658)
2:43
6Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 5. Duet: Fecit, fecit, fecit potentiam
producer:
Stephan Schmidt (classical producer and editor)
alto vocals [alto II]:
Jan Moritz von Cube (from 2009-03 until 2009-05)
tenor vocals [tenor II]:
Jan Hübner (tenor) (from 2009-03 until 2009-05)
vocals:
Members of Solistenquartett der Hochschule Bremen (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658)
1:27
7Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 6. Chorus: Deposuit, deposuit potentes de sede
producer:
Stephan Schmidt (classical producer and editor)
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658)
1:05
8Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 7. Duet: Suscepit Israel puerum suum
producer:
Stephan Schmidt (classical producer and editor)
bass vocals [bass II]:
Carsten Krüger (from 2009-03 until 2009-05)
soprano vocals [soprano II]:
Manja Stephan (from 2009-03 until 2009-05)
vocals:
Members of Solistenquartett der Hochschule Bremen (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke (from 2009-03 until 2009-05)
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658)
1:45
9Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 8. Chorus: Sicut locutus est ad patres nostros
producer:
Stephan Schmidt (classical producer and editor)
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (from 2009-03 until 2009-05)
vocals:
Gesualdo Consort Amsterdam (from 2009-03 until 2009-05) and Solistenquartett der Hochschule Bremen (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke (from 2009-03 until 2009-05)
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658)
4:20
10Missa Sine Nomine (J. S. Bach’s colla parte arrangement App. C) (after Giovanni Pierluigi da Palestrina (1525–1594)): 1. Kyrie
recorded in:
Germany
orchestra:
Concerto Palatino (early music wind instruments ensemble)
conductor:
Bruce Dickey (cornett player)
recording of:
Missa Sine Nomine
composer:
Giovanni Pierluigi da Palestrina (composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
3:16
11Missa Sine Nomine (J. S. Bach’s colla parte arrangement App. C) (after Giovanni Pierluigi da Palestrina (1525–1594)): 2. Gloria
recorded in:
Germany
orchestra:
Concerto Palatino (early music wind instruments ensemble)
conductor:
Bruce Dickey (cornett player)
recording of:
Missa Sine Nomine
composer:
Giovanni Pierluigi da Palestrina (composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
2:26
12Missa Sine Nomine (J. S. Bach’s colla parte arrangement App. C) (after Giovanni Pierluigi da Palestrina (1525–1594)): 2. Qui Tollis
recorded in:
Germany
orchestra:
Concerto Palatino (early music wind instruments ensemble)
conductor:
Bruce Dickey (cornett player)
recording of:
Missa Sine Nomine
composer:
Giovanni Pierluigi da Palestrina (composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
3:00
13"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 1. Versus 1: Tilge, Höchster, meine Sünden
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
4:25
14"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 2. Versus 2: Ist mein Herz in Missetaten
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:09
15"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 3. Versus 3: Missetaten, die mich drücken
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:31
16"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 4. Versus 4: Dich erzürnt mein Tun und Lassen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 4 (Alt) "Dich erzürnt mein Tun und Lassen" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:03
17"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 5. Versus 5–6: Wer wird seine Schuld verneinen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (1) Duo: Quis est homo, qui non fleret (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:10
18"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 6. Versus 7: Sieh! ich bin in Sünd empfangen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (2) Duo: Pro peccatis suae gentis (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
0:46
19"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 7. Versus 8: Sieh, du willst die Wahrheit haben
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria (soprano): Vidit suum dulcem natum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:49
20"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 8. Versus 9: Wasche mich doch rein, rein von Sünden
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 9 (Alt) "Wasche mich doch rein von Sünden" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:00
21"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 9. Versus 10: Lass mich Freud und Wonne spüren
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:21
22"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 10. Versus 11–15: Schaue nicht auf meine Sünden
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
5:56
23"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 11. Versus 16: Öffne Lippen, Mund und Seele
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 16 (Alt) "Öffne Lippen, Mund und Seele" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut portem Christi mortem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
3:32
24"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 12. Versus 17–18: Denn du willst kein Opfer haben
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur (without Amen)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
3:11
25"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 13. Versus 19–20: Lass dein Zion blühend dauern
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
1:51
26"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 14. Amen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": XIV. (Sopran, Alt) "Amen" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician)
composer:
Giovanni Battista Pergolesi (composer)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XIII. Amen (separate Amen variant)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:04
27Sanctus in D major, BWV 241 (Version in E major) from "Missa superba" (after Johann Kaspar Kerll (1627–1693))
producer:
Hans Kipfer
orchestra:
Bach Collegium Japan (from 2014-09 until 2015-10)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 2014-09 until 2015-10)
balance engineer:
Jens Braun (classical engineer)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2014-09 until 2015-10)
recording of:
Sanctus D-Dur, BWV 241 (from 2014-09 until 2015-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 241) and Bach Compendium (number: BC E 17)
2:10
28Credo Intonation, BWV 1081 by J. S. Bach for (after Johann Kaspar Kerll (1627–1693))
producer and balance engineer:
Adrian Hunter (producer and engineer)
choir vocals:
St Salvator’s Chapel Choir (in 2015-06)
orchestra:
Ars Eloquentiae (in 2015-06) and Fitzwilliam String Quartet (in 2015-06)
conductor:
Tom Wilkinson (American musician) (in 2015-06)
recording of:
Credo in unum Deum, BWV 1081 (in 2015-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1081), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 1081 / 236‑>) and Bach Compendium (number: BC E 9)
0:45
29Credo in unum Deum (from Missa No. 5 in F major "Acroama Missale")
producer and balance engineer:
Adrian Hunter (producer and engineer)
choir vocals:
St Salvator’s Chapel Choir (in 2015-06)
orchestra:
Ars Eloquentiae (in 2015-06) and Fitzwilliam String Quartet (in 2015-06)
conductor:
Tom Wilkinson (American musician) (in 2015-06)
recording of:
Missa No. 5 in F major “Acroama Missale”: Credo in unum Deum
composer:
Giovanni Battista Bassani
part of:
Missa No. 5 in F major “Acroama Missale”
5:43
30Der Gerechte kömmt um, BWV 1149 (after motet "Tristis est anima mea", probably by Kuhnau) (after Johann Kuhnau (1660–1722))
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2000-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2000-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2000-07)
balance engineer:
Jean‐Marie Geijsen
recorded at:
St Gumbertus in Ansbach, Bayern (Bavaria), Germany (in 2000-07)
live recording of:
Der Gerechte kömmt um, BWV 1149 (in 2000-07)
composer:
Johann Kuhnau (composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1149) and Bach Compendium (number: BC D 10/3 (= C 8))
7:41
21CD: Bach Renewed (From Bach's Sons to Mahler)
22CD: Bach Reimagined (Chaconne & Passacaglia)
23CD: Bach Orchestrated (Reger to Stokowski)
24CD: Inspired by Bach (Gounod to Pärt)
25CD: Bach & The Virtuoso Piano (Liszt and Busoni)
26CD: Bach & The Virtuoso Piano (The 20th Century)
27CD: Bach à la Jazz
28CD: New Colours of Bach

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]