Bach 333: Instrumental & supplement (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
2▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
3▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
4▶CD: Cello Suites 1-3 (Fournier)
5▶CD: Cello Suites 4-6 (Fournier)
6▶CD: Solo & Chamber Works (Alternative Instrumentations)
7▶CD: Clavier-Büchlein W. F. Bach (1)
8▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
9▶CD: Notenbüchlein A. M. Bach (1725) (1)
10▼CD: Notenbüchlein A. M. Bach (1725) (2)
#TitleArtistRatingLength
1"Bist du bei mir", BWV 508 by G. H. Stölzel (1690–1749)
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1997-02)
orchestra:
Academy of Ancient Music (in 1997-02)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1997-02)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-02)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)
Johann Sebastian Bach2:29
2Aria with 30 Variations "Goldberg Variations", BWV 988: Aria
recorded in:
Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-09)
producer:
Michael Bremner (producer/engineer)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach2:34
3Solo per il cembalo in E-flat major, BWV Anh. 129 (App. D)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Keyboard Sonata in E-flat major, Wq. 65 no. 7, BWV Anh. 129, H. 16
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1736)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
revised by:
Carl Philipp Emanuel Bach (German classical composer) (in 1744)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 16) and Notebook for Anna Magdalena Bach (1725) (number: 27)
part of:
Vollständige sammlung aller ungedruckten Clavier-Sonaten, Wq. 65
Carl Philipp Emanuel Bach3:09
4Polonaise in G major, BWV Anh. 130 (App. D)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Polonaise, BWV Anh. 130
composer:
Johann Adolf Hasse (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 28), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 130 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 130)
Johann Adolf Hasse1:31
5Prelude in C major, BWV 846a
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹), Klavierbüchlein für Wilhelm Friedemann Bach (number: 14), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 846a), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 846.1), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 846a) and Bach Compendium (number: BC L 80)
Johann Sebastian Bach2:04
6French Suite no. 1 in D minor, BWV 812: 1. Allemande
harpsichord:
Huguette Dreyfus (harpsichordist) (in 1972-05)
recorded at:
Christuskirche in Paris, Île-de-France, France (in 1972-05)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: I. Allemande
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach3:28
7French Suite no. 1 in D minor, BWV 812: 2. Courante
harpsichord:
Huguette Dreyfus (harpsichordist) (in 1972-05)
recorded at:
Christuskirche in Paris, Île-de-France, France (in 1972-05)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: II. Courante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach2:06
8French Suite no. 1 in D minor, BWV 812: 3. Sarabande
harpsichord:
Huguette Dreyfus (harpsichordist) (in 1972-05)
recorded at:
Christuskirche in Paris, Île-de-France, France (in 1972-05)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: III. Sarabande
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach2:26
9French Suite no. 1 in D minor, BWV 812: 4. Menuet I alternativement
harpsichord:
Huguette Dreyfus (harpsichordist) (in 1972-05)
recorded at:
Christuskirche in Paris, Île-de-France, France (in 1972-05)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: IV. Menuet I
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach1:14
10French Suite no. 1 in D minor, BWV 812: 5. Menuet II
harpsichord:
Huguette Dreyfus (harpsichordist) (in 1972-05)
recorded at:
Christuskirche in Paris, Île-de-France, France (in 1972-05)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: V. Menuet II - Menuet I da capo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach1:28
11French Suite no. 1 in D minor, BWV 812: 6. Gigue
harpsichord:
Huguette Dreyfus (harpsichordist) (in 1972-05)
recorded at:
Christuskirche in Paris, Île-de-France, France (in 1972-05)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: VI. Gigue
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach3:13
12French Suite no. 2 in C minor, BWV 813: 1. Allemande
clavichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-05)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: I. Allemande (in 1988-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach3:11
13French Suite no. 2 in C minor, BWV 813: 2. Courante
clavichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-05)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: II. Courante (in 1988-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach1:54
14French Suite no. 2 in C minor, BWV 813: 3. Sarabande
clavichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-05)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: III. Sarabande (in 1988-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach2:18
15French Suite no. 2 in C minor, BWV 813: 4. Air
clavichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-05)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: IV. Air (in 1988-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach0:52
16French Suite no. 2 in C minor, BWV 813: 5. Menuet I / 6. Menuet II
clavichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-05)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: V. Menuet I (in 1988-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach1:14
17French Suite no. 2 in C minor, BWV 813: 7. Gigue
clavichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-05)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: VII. Gigue (in 1988-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach1:47
18Rigaudon (March) in F major, BWV Anh. 131 (App. D)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
March in F, BWV Anh. 131
composer:
Johann Christian Bach (German composer, son of JSB)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johann Christian Bach, Thematic catalog (number: W. A22), Notebook for Anna Magdalena Bach (1725) (number: 32), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 131 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 131)
Johann Christian Bach0:38
19"Warum betrübst du dich", BWV 516
producer:
Hans Ritter
harpsichord:
Fritz Neumeyer (cembalist, pianist and composer) (in 1960-10)
soprano vocals:
Margot Guilleaume (German soprano) (in 1960-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 1960-10)
recording of:
Aria “Warum betrübst du dich”, BWV 516
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 33) and Bach-Werke-Verzeichnis (number: BWV 516)
Johann Sebastian Bach1:39
20"Ich habe genug", BWV 82: 2. Recitative: "Ich habe genug! Mein Trost ist nur allein"
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1997-02)
orchestra:
Academy of Ancient Music (in 1997-02)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1997-02)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-02)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:57
21"Ich habe genug", BWV 82: 3. Aria: "Schlummert ein, ihr matten Augen"
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1997-02)
orchestra:
Academy of Ancient Music (in 1997-02)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1997-02)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-02)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:37
22"Schaffs mit mir, Gott, nach deinem Willen", BWV 514
producer:
Hans Ritter
harpsichord:
Fritz Neumeyer (cembalist, pianist and composer) (in 1960-10)
soprano vocals:
Margot Guilleaume (German soprano) (in 1960-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 1960-10)
recording of:
Choral “Schaffs mit mir, Gott”, BWV 514
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Benjamin Schmolck
part of:
Notebook for Anna Magdalena Bach (1725) (number: 35), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 514), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 514) and Bach Compendium (number: BC F 216)
Johann Sebastian Bach1:50
23Minuet in D minor, BWV Anh. 132 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Menuett in d-Moll, BWV Anh. 132 (in 2018-01)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 36), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 132) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 132)
Johann Sebastian Bach1:05
24Aria di Giovannini: "Willst du dein Herz mir schenken", BWV 518
producer:
Robina G. Young (producer)
editor:
Hugh Davies (US recording engineer) and Paul F. Witt (engineer/editor)
cello [baroque cello]:
David v.R Bowles (in 1990)
clavichord and harpsichord:
Nicholas McGegan (in 1990)
soprano vocals:
Lorraine Hunt (American soprano / mezzo) (in 1990)
balance engineer:
Hugh Davies (US recording engineer)
recorded at:
Skywalker Ranch in Nicasio, California, United States (in 1990)
recording of:
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken (attribution doubtful) (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/An/13), Notebook for Anna Magdalena Bach (1725) (number: 37), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 518), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 518) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 518)
Johann Sebastian Bach5:12
25"Ich habe genug", BWV 82: 3. Aria: Schlummert ein, ihr matten Augen
producer:
Hans Ritter
harpsichord:
Fritz Neumeyer (cembalist, pianist and composer) (in 1960-10)
soprano vocals:
Margot Guilleaume (German soprano) (in 1960-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 1960-10)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:01
26"Dir, dir, Jehova, will ich singen", BWV 299
producer and balance engineer:
Johannes Kammann
organ:
Claudia Waßner (German organist) (in 2017-07)
choir vocals:
Augsburger Domsingknaben (in 2017-07)
conductor:
Reinhard Kammler (conductor) (in 2017-07)
recorded at:
St Thekla Kirche (Welden) in Welden, Bayern (Bavaria), Germany (in 2017-07)
recording of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach) (in 2017-07)
lyricist:
Bartholomäus Crasselius (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39a), Breitkopf 389 Choralgesänge (number: 67) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 299 [1])
adaptations:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo)
Johann Sebastian Bach1:01
27"Dir, dir, Jehova, will ich singen", BWV 452
producer:
Rupert Fäustle and Tini Mathot (Dutch classical keyboardist)
cello:
Jaap ter Linden (cellist/violist/conductor) (in 1991-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1991-09)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1991-09)
recorded at:
Raphaëlkerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1991-09)
recording of:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo) (in 1991-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Bartholomäus Crasselius (German hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39b), Bach Compendium (number: BC F 250) and Bach-Werke-Verzeichnis (number: BWV 452)
adaptation of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach)
Johann Sebastian Bach1:28
28"Wie wohl ist mir, o Freund der Seelen", BWV 517
producer:
Gerd Ploebsch
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1974-08)
soprano vocals:
Elisabeth Speiser (in 1974-08)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1974-08)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: “Wie wohl ist mir, o Freund der Seelen”, BWV 517
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Wolfgang Christoph Dessler (in 1692)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 40) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 517)
Johann Sebastian Bach3:05
29"Gedenke doch, mein Geist, zurücke", BWV 509
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1997-02)
orchestra:
Academy of Ancient Music (in 1997-02)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1997-02)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-02)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VI , Gedenke doch mein Geist, BWV 509 (attribution doubtful)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 41) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 509)
Johann Sebastian Bach1:11
30"O Ewigkeit, du Donnerwort", BWV 513
producer:
Hans Ritter
harpsichord:
Fritz Neumeyer (cembalist, pianist and composer) (in 1960-10)
soprano vocals:
Margot Guilleaume (German soprano) (in 1960-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 1960-10)
recording of:
O Ewigkeit, du Donnerwort, BWV 513
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1642)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 42), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 513) and Bach Compendium (number: BC F 218)
Johann Sebastian Bach3:15
11▶CD: Schemelli Gesangbuch BWV 439-474
12▶CD: Schemelli Gesangbuch BWV 475-507
13▶CD: Bach: Early Influences
14▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
15▶CD: Concertos at Weimar (Vivaldi)
16▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
17▶CD: The Bach Family
18▶CD: Bach & Other Composers (c. 1715-1730)
19▶CD: Bach & Other Composers (c. 1730-1742)
20▶CD: Bach & Other Composers (1742-1750)
21▶CD: Bach Renewed (From Bach's Sons to Mahler)
22▶CD: Bach Reimagined (Chaconne & Passacaglia)
23▶CD: Bach Orchestrated (Reger to Stokowski)
24▶CD: Inspired by Bach (Gounod to Pärt)
25▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
26▶CD: Bach & The Virtuoso Piano (The 20th Century)
27▶CD: Bach à la Jazz
28▶CD: New Colours of Bach

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]