Bach 333: Instrumental & supplement (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
2▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
3▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
4▶CD: Cello Suites 1-3 (Fournier)
5▶CD: Cello Suites 4-6 (Fournier)
6▶CD: Solo & Chamber Works (Alternative Instrumentations)
7▶CD: Clavier-Büchlein W. F. Bach (1)
8▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
9▶CD: Notenbüchlein A. M. Bach (1725) (1)
10▶CD: Notenbüchlein A. M. Bach (1725) (2)
11▶CD: Schemelli Gesangbuch BWV 439-474
12▶CD: Schemelli Gesangbuch BWV 475-507
13▶CD: Bach: Early Influences
14▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
15▶CD: Concertos at Weimar (Vivaldi)
16▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
17▶CD: The Bach Family
18▶CD: Bach & Other Composers (c. 1715-1730)
19▶CD: Bach & Other Composers (c. 1730-1742)
20▶CD: Bach & Other Composers (1742-1750)
21▶CD: Bach Renewed (From Bach's Sons to Mahler)
22▶CD: Bach Reimagined (Chaconne & Passacaglia)
23▶CD: Bach Orchestrated (Reger to Stokowski)
24▼CD: Inspired by Bach (Gounod to Pärt)
#TitleArtistRatingLength
1Méditation sur le Premier Prélude de S. Bach (after Prelude BWV 846 from The Well-Tempered Clavier, Book I)
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-02-12 until 1973-02-16)
piano:
István Hajdu (pianist) (from 1973-02-12 until 1973-02-16)
violin:
Arthur Grumiaux (Belgian violinist) (from 1973-02-12 until 1973-02-16)
recorded at:
Concertgebouw: Kleine Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-02-12 until 1973-02-16)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (from 1973-02-12 until 1973-02-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Johann Sebastian Bach4:24
2Studies in Melodic Counterpoint, op. 137 (after The Well-Tempered Clavier, with cello obligato): 1. Prelude in C major (BWV 846)
producer and balance engineer:
Piotr Furmanczyk
cello:
Jelena Očić (cellist) (in 2011-01)
piano:
Federico Lovato (pianist) (in 2011-01)
recorded at:
FWL Studios Leipzig in Leipzig, Sachsen (Saxony), Germany (in 2011-01)
recording of:
Melodisch-Kontrapunktische Studien, op. 137: Nr. 1. Präludium in C major
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
instruments arranger:
Ignaz Moscheles (Bohemian composer and pianist)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
part of:
Melodisch-Kontrapunktische Studien, op. 137
Johann Sebastian Bach3:01
3Studies in Melodic Counterpoint, op. 137 (after The Well-Tempered Clavier, with cello obligato): 8. Prelude in D minor (BWV 875)
producer and balance engineer:
Piotr Furmanczyk
cello:
Jelena Očić (cellist) (in 2011-01)
piano:
Federico Lovato (pianist) (in 2011-01)
recorded at:
FWL Studios Leipzig in Leipzig, Sachsen (Saxony), Germany (in 2011-01)
recording of:
Melodisch-Kontrapunktische Studien, op. 137: Nr. 8. Präludium in D minor
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Ignaz Moscheles (Bohemian composer and pianist) (in 1861)
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 6 in D minor, BWV 875: Prelude
part of:
Melodisch-Kontrapunktische Studien, op. 137
Johann Sebastian Bach1:43
4Chromatic Fantasia and Fugue in D minor, BV B 38 (Arrangement for Cello and Piano after BWV 903)
producer:
Ted Diehl
cello:
Lucia Swarts (Dutch cellist) (in 1997-05)
piano:
Leo van Doeselaar
recorded at:
Hervormde Kerk (Renswoude) in Renswoude, Utrecht, Netherlands, Kingdom of the Netherlands
recording of:
Chromatic Fantasia and Fugue in D minor, BV B 38 (for piano and cello, Busoni)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
instruments arranger:
Ferruccio Busoni (Italian composer, pianist, conductor, editor, writer, and teacher)
part of:
Busoni-Verzeichnis (number: BV B 38)
arrangement of:
Chromatische Fantasie und Fuge d-Moll, BWV 903
Johann Sebastian Bach14:40
52-Part Inventions (Arrangements for Organ as "Schule des Triospiels"): Inventio 5 in E flat major BWV 776
producer:
Wolfgang Rübsam (organist)
organ:
Christian Barthen (organist) (in 2013-06)
recorded at:
Fuldaer Dom (Fulda Cathedral) in Fulda, Hessen (Hesse), Germany (in 2013-06)
recording of:
Inventio Nr. 5 Es-Dur, BWV 776 (for organ, Reger)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Max Reger (German composer)
arrangement of:
Inventio Nr. 5 Es-Dur, BWV 776
Johann Sebastian Bach2:10
62-Part Inventions (Arrangements for Organ as "Schule des Triospiels"): Inventio 6 in E major BWV 777
producer:
Wolfgang Rübsam (organist)
organ:
Christian Barthen (organist) (in 2013-06)
recorded at:
Fuldaer Dom (Fulda Cathedral) in Fulda, Hessen (Hesse), Germany (in 2013-06)
recording of:
Inventio Nr. 6 E-Dur, BWV 777 (for organ, Reger)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Max Reger (German composer)
arrangement of:
Inventio Nr. 6 E-Dur, BWV 777
Johann Sebastian Bach2:38
72-Part Inventions (Arrangements for Organ as "Schule des Triospiels"): Inventio 7 in E minor BWV 778
producer:
Wolfgang Rübsam (organist)
organ:
Christian Barthen (organist) (in 2013-06)
recorded at:
Fuldaer Dom (Fulda Cathedral) in Fulda, Hessen (Hesse), Germany (in 2013-06)
recording of:
Inventio Nr. 7 e-Moll, BWV 778 (for organ, Reger)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Max Reger (German composer)
arrangement of:
Inventio Nr. 7 e-Moll, BWV 778
Johann Sebastian Bach1:38
82-Part Inventions (Arrangements for Organ as "Schule des Triospiels"): Inventio 8 in F major BWV 779
producer:
Wolfgang Rübsam (organist)
organ:
Christian Barthen (organist) (in 2013-06)
recorded at:
Fuldaer Dom (Fulda Cathedral) in Fulda, Hessen (Hesse), Germany (in 2013-06)
recording of:
Inventio Nr. 8 F-Dur, BWV 779 (for organ, Reger and Straube)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Max Reger (German composer) and Karl Straube
arrangement of:
Inventio Nr. 8 F-Dur, BWV 779
Johann Sebastian Bach1:21
9Prelude and Fugue for Solo Violin in G major, op. 117/5 (after Prelude BWV 572): Molto vivace
recording engineer and balance engineer:
Mike Hatch (engineer/editor)
producer:
Stephen Johns (producer)
violin:
Mateja Marinković (violinist)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1994)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Eight Preludes and Fugues for Violin, op. 117: No. 5: Prelude
composer:
Max Reger (German composer)
part of:
Eight Preludes and Fugues for Violin, op. 117: No. 5
Max Reger1:26
10Prelude and Fugue for Solo Violin in G major, op. 117/5 (after Prelude BWV 572): Moderato
recording engineer and balance engineer:
Mike Hatch (engineer/editor)
producer:
Stephen Johns (producer)
violin:
Mateja Marinković (violinist)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1994)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Eight Preludes and Fugues for Violin, op. 117: No. 5: Fugue
composer:
Max Reger (German composer)
part of:
Eight Preludes and Fugues for Violin, op. 117: No. 5
Max Reger5:13
11Ragtime (wohltemperiert) (after Fugue BWV 847 from The Well-Tempered Clavier, Book I)
violin:
Michael Guttman (Belgian violinist, conductor) (in 1995-01)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
José Serebrier (Uruguayan conductor and composer)
balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom
recording of:
Ragtime (wohltemperiert)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1921)
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847: Fugue
Paul Hindemith3:53
12Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769 (Arrangement for Chorus and Orchestra): Choral
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Tanglewood Festival Chorus (in 1990-04)
orchestra:
Boston Symphony Orchestra (in 1990-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-04)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-04)
recording of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Choral (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1956)
part of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach)
Johann Sebastian Bach0:46
13Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769 (Arrangement for Chorus and Orchestra): Var. I: In canone all’ ottava
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Tanglewood Festival Chorus (in 1990-04)
orchestra:
Boston Symphony Orchestra (in 1990-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-04)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-04)
recording of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation I. In canone all'Ottava (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1956)
arrangement of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: I. Canon all' Ottava. Pedal. Canto fermo (Variatio 1)
part of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach)
Johann Sebastian Bach1:17
14Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769 (Arrangement for Chorus and Orchestra): Var. II: Alio modo in canone alle quinta
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Tanglewood Festival Chorus (in 1990-04)
orchestra:
Boston Symphony Orchestra (in 1990-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-04)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-04)
recording of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation II. Alio modo canone alla Quinta (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1956)
arrangement of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: II. Canon alla Quinta. Canto fermo in Pedel (Variatio 2)
part of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach)
Johann Sebastian Bach1:13
15Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769 (Arrangement for Chorus and Orchestra): Var. III: In canone alla settima
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Tanglewood Festival Chorus (in 1990-04)
orchestra:
Boston Symphony Orchestra (in 1990-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-04)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-04)
recording of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation III. In canone alla Settima (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1956)
part of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach)
Johann Sebastian Bach2:09
16Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769 (Arrangement for Chorus and Orchestra): Var. IV: In canone all’ ottava per augmentationem
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Tanglewood Festival Chorus (in 1990-04)
orchestra:
Boston Symphony Orchestra (in 1990-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-04)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-04)
recording of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation IV. In canone all'Ottava per augmentationem (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1956)
part of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach)
Johann Sebastian Bach2:34
17Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769 (Arrangement for Chorus and Orchestra): Var. V: L’altra sorte del canone al rovescio
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Tanglewood Festival Chorus (in 1990-04)
orchestra:
Boston Symphony Orchestra (in 1990-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-04)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-04)
recording of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation V. L'altra sorte del canone al rovescio (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1956)
part of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach)
Johann Sebastian Bach2:40
18Contrapunctus XIX (Arrangement for 23 Players after The Art of Fugue, BWV 1080)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi) (in 2004-08)
conductor:
Riccardo Chailly (conductor) (in 2004-08)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Auditorium di Milano in Milano (Milan), Milano, Lombardia, Italy (in 2004-08)
recording of:
Contrapunctus XIX (Die Kunst der Fugue) (in 2004-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Luciano Berio (Italian composer) (in 2001)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti
Johann Sebastian Bach8:40
19Prelude and Fugue in C-sharp major, BWV 848 (Arrangement for Chamber Ensemble from The Well-Tempered Clavier, Book I)
producer:
Antony Hodgson
orchestra:
The Fires of London (in 1980-01)
conductor:
Sir Peter Maxwell Davies (English composer and conductor)
balance engineer:
Geoffrey Barton (Recording engineer, ambisonics developer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom
recording of:
Prelude and Fugue in C-sharp major, WoO 120
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Peter Maxwell Davies (English composer and conductor) (in 1974)
part of:
Works of Peter Maxwell Davies by opus number (number: WoO 120)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 3 in C-sharp major, BWV 848.2/848
Johann Sebastian Bach4:20
20Seufzer, Tränen, Kummer, Not (Arrangement for Soprano, Oboe and Ensemble after Cantata BWV 21)
producer:
Mike Purton
clarinet:
Richard Hudson (British drummer, Strawbs)
harp:
Helen Tunstall
marimba:
Ben Fullbrook (percussionist)
oboe:
Melinda Maxwell
soprano vocals:
Claire Seaton (in 2008-09)
balance engineer:
Tony Faulkner (recording engineer)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Seufzer, Tränen, Kummer, Not
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Harrison Birtwistle (composer)
arrangement of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not"
Johann Sebastian Bach4:36
21Credo for Piano Solo, Mixed Choir and Orchestra (after Prelude BWV 846 from The Well-Tempered Clavier, Book I)
recording engineer:
Jürgen Bulgrin (sound engineer) (in 2003-09)
producer:
Sid McLauchlan (engineer/producer)
piano:
Hélène Grimaud (French pianist) (in 2003-09)
choir vocals:
Radiokören (Swedish Radio Choir) (in 2003-09)
orchestra:
Sveriges Radios Symfoniorkester (Swedish Radio Symphony Orchestra) (in 2003-09)
conductor:
Esa‐Pekka Salonen (conductor and composer) (in 2003-09)
chorus master:
Stefan Parkman (conductor) (in 2003-09)
balance engineer:
Rainer Maillard (in 2003-09)
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden (in 2003-09)
live recording of:
Credo (in 2003-09)
composer:
Arvo Pärt (Estonian composer) (in 1968)
recording of:
Credo
composer:
Arvo Pärt (Estonian composer) (in 1968)
Arvo Pärt15:16
25▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
26▶CD: Bach & The Virtuoso Piano (The 20th Century)
27▶CD: Bach à la Jazz
28▶CD: New Colours of Bach

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]