Bach 333: Instrumental & supplement (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
2▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
3▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
4▶CD: Cello Suites 1-3 (Fournier)
5▶CD: Cello Suites 4-6 (Fournier)
6▶CD: Solo & Chamber Works (Alternative Instrumentations)
7▶CD: Clavier-Büchlein W. F. Bach (1)
8▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
9▼CD: Notenbüchlein A. M. Bach (1725) (1)
#TitleArtistRatingLength
1Partita no. 3 in A minor, BWV 827: 1. Fantasia
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 3 in A minor, BWV 827: I. Fantaisie (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach2:05
2Partita no. 3 in A minor, BWV 827: 2. Allemande
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 3 in A minor, BWV 827: II. Allemande (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach2:58
3Partita no. 3 in A minor, BWV 827: 3. Corrente
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 3 in A minor, BWV 827: III. Courante (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach3:18
4Partita no. 3 in A minor, BWV 827: 4. Sarabande
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 3 in A minor, BWV 827: IV. Sarabande (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach2:41
5Partita no. 3 in A minor, BWV 827: 5. Burlesca
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 3 in A minor, BWV 827: V. Burlesca (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach1:38
6Partita no. 3 in A minor, BWV 827: 6. Scherzo
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 3 in A minor, BWV 827: VI. Scherzo (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach1:20
7Partita no. 3 in A minor, BWV 827: 7. Gigue
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 3 in A minor, BWV 827: VII. Gigue (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach3:41
8Partita no. 6 in E minor, BWV 830: 1. Toccata
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 6 in E minor, BWV 830: I. Toccata (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach6:11
9Partita no. 6 in E minor, BWV 830: 2. Allemande
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 6 in E minor, BWV 830: II. Allemande (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach2:54
10Partita no. 6 in E minor, BWV 830: 3. Corrente
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 6 in E minor, BWV 830: III. Courante (same as BWV 1019.1 (former 1019a/v1): III. Cembalo solo) (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
part of:
Sonate für Violine und Cembalo G-dur, BWV 1019.1 (Sonata for Violin and Harpsichord in G major, BWV 1019.1, former 1019a, 1. version)
Johann Sebastian Bach2:52
11Partita no. 6 in E minor, BWV 830: 4. Air
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 6 in E minor, BWV 830: IV. Air (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach1:27
12Partita no. 6 in E minor, BWV 830: 5. Sarabande
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 6 in E minor, BWV 830: V. Sarabande (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach3:20
13Partita no. 6 in E minor, BWV 830: 6. Tempo di Gavotta
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 6 in E minor, BWV 830: VI. Tempo di Gavotta (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach2:22
14Partita no. 6 in E minor, BWV 830: 7. Gigue
recorded in:
Netherlands, Kingdom of the Netherlands (in 1977-02)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Blandine Verlet (harpsichordist) (in 1977-02)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1977-02)
recording of:
Partita no. 6 in E minor, BWV 830: VII. Gigue (in 1977-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach3:32
15Minuet in F major, BWV Anh. 113 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Clavier-büchlein für Anna Magdalena Bach 1725: Menuet F-Dur, BWV Anh. 113
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 3) and Bach-Werke-Verzeichnis (number: BWV Anh. 113)
Johann Sebastian Bach1:32
16Minuet in G major, BWV Anh. 114 (App. D)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
Christian Petzold1:27
17Minuet in G minor, BWV Anh. 115 (App. D)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Menuet in G minor, BWV Anh. 115 (in 2018-01)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 5), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 115 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 115)
Christian Petzold1:32
18Rondeau in B flat major, BWV Anh. 183 (App. D)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Rondeau, BWV Anh. 183 (in 2018-01)
composer:
François Couperin (French composer of the Baroque era)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 6), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. III 183), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 1, S. 638) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 183)
François Couperin4:55
19Minuet in G major, BWV Anh. 116 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Minuet in G major, BWV Anh. 116 (in 2018-01)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 116) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 116)
Johann Sebastian Bach1:14
20Polonaise in F major, BWV Anh. 117a (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Polonaise F-Dur, BWV Anh. 117a
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 8), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 117a) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 117a)
version of:
Polonaise F-Dur, BWV Anh. 117b
Johann Sebastian Bach1:00
21Polonaise in F major, BWV Anh. 117b (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Polonaise F-Dur, BWV Anh. 117b
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 8), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 117b) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 117)
Johann Sebastian Bach1:07
22Minuet in B flat major, BWV Anh. 118 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Minuet in B-flat major, BWV Anh. 118
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 9) and Bach-Werke-Verzeichnis (number: BWV Anh. 118)
Johann Sebastian Bach1:14
23Polonaise in G minor, BWV Anh. 119 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Polonaise in G minor, BWV Anh. 119 (in 2018-01)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 10) and Bach-Werke-Verzeichnis (number: BWV Anh. 119)
Johann Sebastian Bach0:48
24Wer nun den lieben Gott lässt walten, BWV 691
producer:
Chris Hazell
organ:
Peter Hurford (organist) (in 1977-04)
recorded at:
Church of Our Lady of Sorrows (Toronto) in Toronto, Ontario, Canada (in 1977-04)
recording of:
Wer nur den lieben Gott läßt walten, BWV 691 (in 1977-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Chorale Preludes, Kirnberger Collection (number: 2), Notebook for Anna Magdalena Bach (1725) (number: 11), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 691) and Bach Compendium (number: BC K 99)
is based on:
Wer nur den lieben Gott läßt walten (1641 hymn)
Johann Sebastian Bach1:50
25Gib dich zufrieden und sei stille, BWV 510 (realisation by Stéphane Gassot)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Choralsatz F-Dur, BWV 510 “Gib dich zufrieden und sei stille” (attribution doubtful)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 12), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 510) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 510)
Johann Sebastian Bach2:20
26Gib dich zufrieden und sei stille, BWV 511
cello:
Richard Harand (in 1954)
harpsichord:
Franz Holetschek (in 1954)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1954)
recording of:
Choralsatz, BWV 511 “Gib dich zufrieden und sei stille”
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1666)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 13a), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 511), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 511) and Bach Compendium (number: BC F 214a)
Johann Sebastian Bach2:29
27Gib dich zufrieden und sei stille, BWV 512
producer:
Gerd Ploebsch
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1974-08)
soprano vocals:
Elisabeth Speiser (in 1974-08)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1974-08)
recording of:
Choralsatz, BWV 512 “Gib dich zufrieden und sei stille”
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 512), Notebook for Anna Magdalena Bach (1725) (number: 13) and Bach Compendium (number: BC F 214b)
Johann Sebastian Bach2:32
28Minuet in A minor, BWV Anh. 120 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Clavier-büchlein für Anna Magdalena Bach 1725: Menuet a-Moll, BWV Anh. 120
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 14) and Bach-Werke-Verzeichnis (number: BWV Anh. 120)
Johann Sebastian Bach1:05
29Minuet in C minor, BWV Anh. 121 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Menuett c-Moll, BWV Anh. 121
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 15), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 121) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 121)
Johann Sebastian Bach0:59
30March in D major, BWV Anh. 122 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Marche in D major, BWV Anh. 122, H. 1/1
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/1), Notebook for Anna Magdalena Bach (1725) (number: 16) and Bach-Werke-Verzeichnis (number: BWV Anh. 122)
Johann Sebastian Bach0:57
31Polonaise in G minor, BWV Anh. 123 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Polonaise in G minor, BWV Anh. 123, H. 1/2
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/2), Notebook for Anna Magdalena Bach (1725) (number: 17) and Bach-Werke-Verzeichnis (number: BWV Anh. 123)
Johann Sebastian Bach1:02
32March in G major, BWV Anh. 124 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Marche in G major, BWV Anh. 124, H. 1/3
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/3), Notebook for Anna Magdalena Bach (1725) (number: 18) and Bach-Werke-Verzeichnis (number: BWV Anh. 124)
Johann Sebastian Bach1:11
33Polonaise in G minor, BWV Anh. 125 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Polonaise in G minor, BWV Anh. 125, H. 1/4 (in 2018-01)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/4), Notebook for Anna Magdalena Bach (1725) (number: 19) and Bach-Werke-Verzeichnis (number: BWV Anh. 125)
Johann Sebastian Bach1:30
34So oft ich meine Tobackspfeife, BWV 515
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Aria “ Schaffs mit mir, Gott, nach deinem Willen”, BWV 515a
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 20b), Bach-Werke-Verzeichnis (number: BWV 515) and Bach-Werke-Verzeichnis (number: BWV 515a)
Johann Sebastian Bach1:00
35So oft ich meine Tobackspfeife, BWV 515a
recorded in:
Germany (in 1973-01)
producer:
H. Gerhard Lichthorn
harpsichord:
Leonard Hokanson (pianist) (in 1973-01)
viola da gamba:
Marçal Cervera (cellist, viola da gamba player) (in 1973-01)
baritone vocals:
Hermann Prey (baritone) (in 1973-01)
balance engineer:
Karl-August Naegler (balance engineer)
recording of:
Erbauliche Gedanken eines Tabakrauchers BWV 515a
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 515a)
version of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VII, Erbauliche Gedanken eines Tabakrauchers, BWV 515
Johann Sebastian Bach2:34
36Minuet in G major “per Monsieur Böhm”, BWV deest
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Minuet in G major “per Monsieur Böhm”, BWV deest (Clavier-büchlein für Anna Magdalena Bach 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 21) and Bach-Werke-Verzeichnis (number: BWV deest)
Johann Sebastian Bach0:58
37Musette in D major, BWV Anh. 126 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Musette in D major, BWV Anh. 126
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 22) and Bach-Werke-Verzeichnis (number: BWV Anh. 126)
Johann Sebastian Bach0:51
38March in E flat major, BWV Anh. 127 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Marche Es-dur, BWV Anh. 127
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 23) and Bach-Werke-Verzeichnis (number: BWV Anh. 127)
Johann Sebastian Bach1:38
39Polonaise in D minor, BWV Anh. 128 (App. C)
producer and balance engineer:
Ken Yoshida (classical producer / engineer)
harpsichord:
Justin Taylor (harpsichordist) (in 2018-01)
recorded at:
b‐sharp in Berlin, Germany (in 2018-01)
recording of:
Polonaise d-Moll, BWV Anh. 128 (in 2018-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 24), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 128) and Bach-Werke-Verzeichnis (number: BWV Anh. 128)
Johann Sebastian Bach1:50
10▶CD: Notenbüchlein A. M. Bach (1725) (2)
11▶CD: Schemelli Gesangbuch BWV 439-474
12▶CD: Schemelli Gesangbuch BWV 475-507
13▶CD: Bach: Early Influences
14▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
15▶CD: Concertos at Weimar (Vivaldi)
16▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
17▶CD: The Bach Family
18▶CD: Bach & Other Composers (c. 1715-1730)
19▶CD: Bach & Other Composers (c. 1730-1742)
20▶CD: Bach & Other Composers (1742-1750)
21▶CD: Bach Renewed (From Bach's Sons to Mahler)
22▶CD: Bach Reimagined (Chaconne & Passacaglia)
23▶CD: Bach Orchestrated (Reger to Stokowski)
24▶CD: Inspired by Bach (Gounod to Pärt)
25▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
26▶CD: Bach & The Virtuoso Piano (The 20th Century)
27▶CD: Bach à la Jazz
28▶CD: New Colours of Bach

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]