Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

1CD: Cantatas 150, 4, 71, 196 (1706-1708)
2CD: Cantatas 131, 106, 143, 18 (1708-1713)
3CD: Cantatas 182, 12, 54, 172 (1714)
4CD: Cantatas 21, 199 (1714)
5CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8CD: Cantatas 75, 76, 24 (1723)
9CD: Cantatas 167, 147, 186, 136 (1723)
10CD: Cantatas 105, 46, 179, 50, 69a (1723)
11CD: Cantatas 77, 25, 119, 138 (1723)
12CD: Cantatas 95, 148, 48, 109 (1723)
13CD: Cantatas 89, 60, 90, 70, 40 (1723)
14CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15CD: Cantatas 73, 81, 83, 144, 181 (1724)
16CD: Cantatas 18, 66, 134, 67 (1724)
17CD: Cantatas 104, 166, 86, 37, 44 (1724)
18CD: Cantatas 173, 184, 194 (1724)
19CD: Cantatas 20, 2, 7, 135 (1724)
20CD: Cantatas 10, 93, 107, 178 (1724)
21CD: Cantatas 94, 101, 113 (1724)
22CD: Cantatas 33, 78, 99, 8 (1724)
23CD: Cantatas 130, 114, 96, 5 (1724)
24CD: Cantatas 180, 38, 115, 139 (1724)
25CD: Cantatas 26, 116, 62, 91, 121 (1724)
26CD: Cantatas 133, 122, 41, 123 (1724-1725)
27CD: Cantatas 124, 3, 111, 92 (1725)
28CD: Cantatas 125, 126, 127 (1725)
29CD: Cantatas 1, 6, 42 (1725)
30CD: Cantatas 85, 103, 108, 87, 128 (1725)
31CD: Cantatas 183, 74, 68, 175, 176 (1725)
32CD: Cantatas 168, 137, 164, 79, 110 (1725)
33CD: Cantatas 57, 151, 28, 16 (1725-1726)
34CD: Cantatas 32, 13, 72, 43 (1726)
35CD: Cantatas 146, 129, 39 (1726)
36CD: Cantatas 88, 170, 187, 45 (1726)
37CD: Cantatas 102, 35, 17, 19 (1726)
38CD: Cantatas 27, 47, 169, 56 (1726)
39CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40CD: Cantatas 82, 157, 84 (1727)
41CD: Cantatas 34, 193, 117, 188 (1727-1728)
42CD: Cantatas 171, 156, 159, 120a (1729)
43CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44CD: Cantatas 29, 140, 36 (1731)
45CD: Cantatas 177, 9, 97, 14 (1732-1735)
46CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49CD: 4-Part Chorales, BWV 250-318 AC-GO
50CD: 4-Part Chorales, BWV 319-381 GO-ME
51CD: 4-Part Chorales, BWV 382-438 MI-WO
52CD: Magnificat BWV 243, 243a
53CD: Motets
54CD: Mass in B minor (1 Mortensen)
55CD: Mass in B minor (2 Mortensen)
56CD: Mass in B minor (1 Brüggen)
57CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58CD: Missas BWV 234-236
59CD: St. John Passion (1724) (1 Gardiner)
60CD: St. John Passion (1724) (2 Gardiner)
61CD: St. John Passion (1749) (1 Suzuki)
62CD: St. John Passion (1749) (2 Suzuki)
63CD: St. Matthew Passion (1 Gardiner)
64CD: St. Matthew Passion (2 Gardiner)
65CD: St. Matthew Passion (1 McCreesh)
66CD: St. Matthew Passion (2 McCreesh)
67CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69CD: Christmas Oratorio (1 Gardiner)
70CD: Christmas Oratorio (2 Gardiner)
71CD: Christmas Oratorio (1 Chailly)
72CD: Christmas Oratorio (2 Chailly)
73CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75CD: Cantatas 36c, 205, 34a (1725-1726)
76CD: Cantatas 207, 204, 216a (1726-1728)
77CD: Cantatas 198, 201 (1727-1729)
78CD: Cantatas 213, 214 (1733)
79CD: Cantatas 211, 215 (1734)
80CD: Cantatas 206, 30a (1736-1737)
81CD: Cantatas 209, 210, 212 (1730s-1740s)
82CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83CD: Cantatas 56, 82, 4
84CD: Cantatas 31, 104, 57
85CD: Cantatas 199, 173, 74, 151
86CD: Easter Oratorio / Cantata 140
87CD: Cantatas 170, 159, 102
88CD: Cantatas 80, 52, 84, 209
89CD: Cantatas 82, 158, 56
90CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92CD: Cantatas 92, 126, 182 (Easter)
93CD: Cantatas 1, 4, 67, 104 (Easter)
94CD: Cantatas 34, 68, 39 (Whitsun)
95CD: Cantatas 30, 147 (Whitsun)
96CD: Cantatas 76, 21 (Trinity)
97CD: Cantatas 135, 10, 45, 105 (Trinity)
98CD: Cantatas 51, 78, 8, 130 (Trinity)
99CD: Cantatas 27, 5, 60, 26 (Trinity)
100CD: St. Matthew Passion (1 Richter)
101CD: St. Matthew Passion (2 Richter)
102CD: St. Matthew Passion (3 Richter)
103CD: Great Singers (1952-1965)
104CD: Great Singers (1967-2011)
105CD: Great Singers (Period Instruments)
#TitleRatingLength
1"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 1. Aria: "Vergnügte Ruh, beliebte Seelenlust"
producer:
Wolf Erichson (engineer/producer)
countertenor vocals:
Alfred Deller (countertenor) (in 1954-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1954-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1954-05)
recorded at:
Franziskanerkirche in Innere Stadt, Wien (Vienna), Austria (in 1954-05)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
6:55
2"Gott ist unsre Zuversicht", BWV 197: 1. [Chorus:] "Gott ist unsre Zuversicht"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": I. Coro "Gott ist unsre Zuversicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
6:20
3"Gott ist unsre Zuversicht", BWV 197: 2. Recitative: "Gott ist und bleibt der beste Sorger"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": II. Recitativo (Bass) "Gott ist und bleibt der beste Sorger"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
1:17
4"Gott ist unsre Zuversicht", BWV 197: 3. Aria: "Schläfert allen Sorgenkummer"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": III. Aria (Alt) "Schläfert allen Sorgenkummer"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
8:28
5"Gott ist unsre Zuversicht", BWV 197: 4. Recitative: "Drum folget Gott und seinem Triebe"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IV. Recitativo (Bass) "Drum folget Gott und seinem Triebe"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
0:42
6"Gott ist unsre Zuversicht", BWV 197: 5. Chorale: "Du süße Lieb, schenk uns deine Gunst"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": V. Choral "Du süße Lieb, schenk uns deine Gunst"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 255)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
1:06
7"Gott ist unsre Zuversicht", BWV 197: 6. Aria: "O du angenehmes Paar"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VI. Aria (Bass) "O du angenehmes Paar"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
6:36
8"Gott ist unsre Zuversicht", BWV 197: 7. Recitative: "So wie es Gott mit dir"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VII. Recitativo (Sopran) "So wie es Gott mit dir"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
1:36
9"Gott ist unsre Zuversicht", BWV 197: 8. Aria: "Vergnügen und Lust"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Sopran) "Vergnügen und Lust"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
4:05
10"Gott ist unsre Zuversicht", BWV 197: 9. Recitative: "Und dieser frohe Lebenslauf"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IX. Recitativo (Bass) "Und dieser frohe Lebenslauf"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
0:42
11"Gott ist unsre Zuversicht", BWV 197: 10. Chorale: "So wandelt froh auf Gottes Wegen"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": X. Choral "So wandelt froh auf Gottes Wegen"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Georg Neumark (German hymn writer) (in 1657)
part of:
Breitkopf 389 Choralgesänge (number: 370)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
1:02
12"Also hat Gott die Welt geliebt", BWV 68: 2. Aria & Ritornello: "Mein gläubiges Herze"
soprano vocals [boy soprano]:
Peter Jelosits (tenor)
treble vocals:
Peter Jelosits (tenor) (from 1975-05-13 until 1975-06-29)
orchestra:
Concentus Musicus Wien (from 1975-05-13 until 1975-06-29)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-05-13 until 1975-06-29)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1975-05-13 until 1975-06-29)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": II. Aria (Sopran) + Ritornello "Mein gläubiges Herze" (from 1975-05-13 until 1975-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
4:04
13"Was Gott tut, das ist wohlgetan", BWV 100: 2. Duet: "Was Gott tut, das ist wohlgetan"
alto vocals:
Paul Esswood (countertenor)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": II. Duetto (Alt, Tenor) "Was Gott tut, das ist wohlgetan" (from 1979-09-16 until 1979-09-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
4:03
14"Mein Herze schwimmt im Blut", BWV 199: 2. Aria: "Stumme Seufzer, stille Klagen"
soprano vocals:
Barbara Bonney (soprano) (in 1988-09)
orchestra:
Concentus Musicus Wien (in 1988-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-09)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (in 1988-09)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
8:43
15St. John Passion, BWV 245: 7. Aria: "Von den Stricken meiner Sünden"
producer:
Sieuwert Verster
countertenor vocals:
James Bowman (UK countertenor) (in 1992-02)
orchestra:
Orchestra of the Eighteenth Century (in 1992-02)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1992-02)
balance engineer:
Jaap Bogaart (engineer)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1992-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
4:50
16St. Matthew Passion, BWV 244: 20. Aria: "Ich will bei meinem Jesu wachen"
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir)
tenor vocals:
Ian Bostridge (tenor)
orchestra:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
5:06
17"Geschwinde, geschwinde, ihr wirbelnden Winde", BWV 201: 13. Aria: "Aufgeblasne Hitze, aber wenig Grütze"
alto vocals [Mercurius]:
Andreas Scholl (countertenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XIII. Aria (Alt) "Aufgeblasne Hitze" (in 1995-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
5:53
18"O Ewigkeit, du Donnerwort", BWV 60: 1. Aria: "O Ewigkeit, du Donnerwort"4:05
19"Was mir behagt, ist nur die muntre Jagd", BWV 208: 9. Aria: "Schafe können sicher weiden"
soprano vocals:
Magdalena Kožená (mezzo-soprano)
orchestra:
Musica Florea
conductor:
Marek Štryncl (conductor)
recorded at:
Concert Hall, Kromeriz in Kroměříž (Kroměříž District), Zlínský kraj (Zlín Region), Czechia
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
4:06
20"Geist und Seele wird verwirret", BWV 35: 4. Aria: "Gott hat alles wohlgemacht"
alto vocals:
Bernarda Fink (mezzo-soprano)
vocals:
Bernarda Fink (mezzo-soprano)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Petra Müllejans (violinist)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, IV. Aria (Alto) "Gott hat alles wohlgemacht" (in 2008-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
3:22
21Mass in B minor, BWV 232: "Cum Sancto Spiritu"
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:57
106CD: Organ Works (Introduction 1)
107CD: Organ Works (Introduction 2)
108CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115CD: Early Chorale Preludes / Chorale Partitas
116CD: Chorale Preludes (Mühlhausen & Weimar)
117CD: Breitkopf Collection, BWV 690-713
118CD: Orgelbüchlein (Preston)
119CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122CD: Clavier-Übung III (1) (Preston)
123CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124CD: Free Works of Unproven Authenticity
125CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126CD: Keyboard Works (Introduction 1: Harpsichord)
127CD: Keyboard Works (Introduction 2: Piano)
128CD: Early Fugues & Capriccios
129CD: Early Suites & Sonatas
130CD: Toccatas, BWV 910-916
131CD: Virtuoso Fantasias & Fugues
132CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134CD: English Suites 1-3 (Dreyfus)
135CD: English Suites 4-6 (Dreyfus)
136CD: French Suites 1-4 (Hogwood)
137CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138CD: Partitas 1, 2, 6 (Rousset)
139CD: Partitas 3-5 (Rousset)
140CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145CD: Goldberg Variations (Rousset)
146CD: Goldberg Variations (Esfahani)
147CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149CD: French Suites 1-3 (Perahia)
150CD: French Suites 4-6 (Perahia)
151CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154CD: The Well-Tempered Clavier, Book I (1 Pollini)
155CD: The Well-Tempered Clavier, Book I (2 Pollini)
156CD: The Well-Tempered Clavier, Book II (1 Schiff)
157CD: The Well-Tempered Clavier, Book II (2 Schiff)
158CD: Goldberg Variations (Schiff)
159CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163CD: Orgelbüchlein (Walcha)
164CD: Brandenburg Concertos 1-6 (Goebel)
165CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167CD: Orchestral Suites 1-3 (Goebel)
168CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169CD: Orchestral Suites 1-4 (Pinnock)
170CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180CD: Concertos (Alternative Instrumentations)
181CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183CD: Suites for "Lute"
184CD: Cello Suites 1, 3, 5 (Watkin)
185CD: Cello Suites 2, 4, 6 (Watkin)
186CD: Violin Sonatas BWV 1014-1018
187CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188CD: 5 Flute Sonatas / Partita for Solo Flute
189CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190CD: Musical Offering / Canons (Goebel)
191CD: The Art of Fugue (Accademia Bizantina, Dantone)
192CD: The Art of Fugue (Aimard)
193CD: The Art of Fugue (1742) (Gilbert)
194CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198CD: Cello Suites 1-3 (Fournier)
199CD: Cello Suites 4-6 (Fournier)
200CD: Solo & Chamber Works (Alternative Instrumentations)
201CD: Clavier-Büchlein W. F. Bach (1)
202CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203CD: Notenbüchlein A. M. Bach (1725) (1)
204CD: Notenbüchlein A. M. Bach (1725) (2)
205CD: Schemelli Gesangbuch BWV 439-474
206CD: Schemelli Gesangbuch BWV 475-507
207CD: Bach: Early Influences
208CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209CD: Concertos at Weimar (Vivaldi)
210CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211CD: The Bach Family
212CD: Bach & Other Composers (c. 1715-1730)
213CD: Bach & Other Composers (c. 1730-1742)
214CD: Bach & Other Composers (1742-1750)
215CD: Bach Renewed (From Bach's Sons to Mahler)
216CD: Bach Reimagined (Chaconne & Passacaglia)
217CD: Bach Orchestrated (Reger to Stokowski)
218CD: Inspired by Bach (Gounod to Pärt)
219CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220CD: Bach & The Virtuoso Piano (The 20th Century)
221CD: Bach à la Jazz
222CD: New Colours of Bach
223DVD-Video: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]