| # | Title | Rating | Length |
|---|
| 1 | Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 1. Credo in unum Deum | | 2:02 |
| 2 | Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 2. Patrem omnipotentem- choir vocals:
- Nederlands Kamerkoor (in 1989-03)
- orchestra:
- Orchestra of the Eighteenth Century (in 1989-03)
- conductor:
- Frans Brüggen (in 1989-03)
- recorded at:
- Muziekcentrum Vredenburg in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
- live recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1989-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| | 1:46 |
| 3 | Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 3. Et in unum Dominium | | 4:31 |
| 4 | Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 4. Et incarnatus est | | 3:05 |
| 5 | Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 5. Crucifixus- choir vocals:
- Nederlands Kamerkoor (in 1989-03)
- orchestra:
- Orchestra of the Eighteenth Century (in 1989-03)
- conductor:
- Frans Brüggen (in 1989-03)
- recorded at:
- Muziekcentrum Vredenburg in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
- live recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1989-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| | 3:00 |
| 6 | Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 6. Et resurrexit | | 3:46 |
| 7 | Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 7. Et in Spiritum sanctum | | 5:07 |
| 8 | Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 8. Confiteor | | 3:02 |
| 9 | Mass in B minor, BWV 232: Part II: Symbolum Nicenum. 9. Et expecto- choir vocals:
- Nederlands Kamerkoor (in 1989-03)
- orchestra:
- Orchestra of the Eighteenth Century (in 1989-03)
- conductor:
- Frans Brüggen (in 1989-03)
- recorded at:
- Muziekcentrum Vredenburg in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
- live recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1989-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
- part of:
- h-Moll-Messe, BWV 232
| | 3:46 |
| 10 | Mass in B minor, BWV 232: Part III: Sanctus | | 4:11 |
| 11 | Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 1. Osanna in excelsis- choir vocals:
- Nederlands Kamerkoor (in 1989-03)
- orchestra:
- Orchestra of the Eighteenth Century (in 1989-03)
- conductor:
- Frans Brüggen (in 1989-03)
- recorded at:
- Muziekcentrum Vredenburg in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
- live recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1989-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| | 2:26 |
| 12 | Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 2. Benedictus- tenor vocals:
- Nico van der Meel (in 1989-03)
- orchestra:
- Orchestra of the Eighteenth Century (in 1989-03)
- conductor:
- Frans Brüggen (in 1989-03)
- recorded at:
- Muziekcentrum Vredenburg in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
- live recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1989-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| | 3:59 |
| 13 | Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 3. Osanna in excelsis- choir vocals:
- Nederlands Kamerkoor (in 1989-03)
- orchestra:
- Orchestra of the Eighteenth Century (in 1989-03)
- conductor:
- Frans Brüggen (in 1989-03)
- recorded at:
- Muziekcentrum Vredenburg in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
- live recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1989-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| | 2:25 |
| 14 | Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 4. Agnus Dei- alto vocals:
- Michael Chance (in 1989-03)
- orchestra:
- Orchestra of the Eighteenth Century (in 1989-03)
- conductor:
- Frans Brüggen (in 1989-03)
- recorded at:
- Muziekcentrum Vredenburg in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
- live recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1989-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| | 5:08 |
| 15 | Mass in B minor, BWV 232: Part IV: Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem. 5. Dona nobis pacem- choir vocals:
- Nederlands Kamerkoor (in 1989-03)
- orchestra:
- Orchestra of the Eighteenth Century (in 1989-03)
- conductor:
- Frans Brüggen (in 1989-03)
- recorded at:
- Muziekcentrum Vredenburg in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1989-03)
- live recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1989-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Dona nobis pacem
- part of:
- h-Moll-Messe, BWV 232
| | 3:06 |
| 16 | Sanctus in C major, BWV 237 | | 1:31 |
| 17 | Sanctus in D major, BWV 238 | | 2:35 |
| 18 | Missa in F major, BWV 233: 1. Kyrie- producer:
- Christopher Adler
- orchestra:
- Gabrieli Players (in 1997-05)
- conductor:
- Paul McCreesh (in 1997-05)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1998)
- recorded at:
- Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen , Germany (in 1997-05)
- recording of:
- Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (in 1997-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany (in 1738)
- composer:
- Johann Sebastian Bach
- version of:
- Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
- part of:
- Messe F-Dur, BWV 233
| | 5:03 |
| 19 | Missa in F major, BWV 233: 2. Gloria | | 5:09 |
| 20 | Missa in F major, BWV 233: 3. Domine Deus | | 3:39 |
| 21 | Missa in F major, BWV 233: 4. Qui tollis- producer:
- Christopher Adler
- soprano vocals:
- Ann Monoyios (in 1997-05)
- orchestra:
- Gabrieli Players (in 1997-05)
- conductor:
- Paul McCreesh (in 1997-05)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1998)
- recorded at:
- Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen , Germany (in 1997-05)
- recording of:
- Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1997-05)
- premiered in:
- Leipzig, Sachsen , Germany
- composed in:
- Leipzig, Sachsen , Germany (in 1738)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
- part of:
- Messe F-Dur, BWV 233
| | 5:23 |
| 22 | Missa in F major, BWV 233: 5. Quoniam | | 3:18 |
| 23 | Missa in F major, BWV 233: 6. Cum Sancto Spiritu | | 2:30 |
| 24 | Kyrie in F major, BWV 233a | | 3:11 |
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