Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

1CD: Cantatas 150, 4, 71, 196 (1706-1708)
2CD: Cantatas 131, 106, 143, 18 (1708-1713)
3CD: Cantatas 182, 12, 54, 172 (1714)
4CD: Cantatas 21, 199 (1714)
5CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8CD: Cantatas 75, 76, 24 (1723)
9CD: Cantatas 167, 147, 186, 136 (1723)
10CD: Cantatas 105, 46, 179, 50, 69a (1723)
11CD: Cantatas 77, 25, 119, 138 (1723)
12CD: Cantatas 95, 148, 48, 109 (1723)
13CD: Cantatas 89, 60, 90, 70, 40 (1723)
14CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15CD: Cantatas 73, 81, 83, 144, 181 (1724)
16CD: Cantatas 18, 66, 134, 67 (1724)
17CD: Cantatas 104, 166, 86, 37, 44 (1724)
18CD: Cantatas 173, 184, 194 (1724)
19CD: Cantatas 20, 2, 7, 135 (1724)
20CD: Cantatas 10, 93, 107, 178 (1724)
21CD: Cantatas 94, 101, 113 (1724)
22CD: Cantatas 33, 78, 99, 8 (1724)
23CD: Cantatas 130, 114, 96, 5 (1724)
24CD: Cantatas 180, 38, 115, 139 (1724)
25CD: Cantatas 26, 116, 62, 91, 121 (1724)
26CD: Cantatas 133, 122, 41, 123 (1724-1725)
27CD: Cantatas 124, 3, 111, 92 (1725)
28CD: Cantatas 125, 126, 127 (1725)
29CD: Cantatas 1, 6, 42 (1725)
30CD: Cantatas 85, 103, 108, 87, 128 (1725)
31CD: Cantatas 183, 74, 68, 175, 176 (1725)
32CD: Cantatas 168, 137, 164, 79, 110 (1725)
33CD: Cantatas 57, 151, 28, 16 (1725-1726)
34CD: Cantatas 32, 13, 72, 43 (1726)
35CD: Cantatas 146, 129, 39 (1726)
36CD: Cantatas 88, 170, 187, 45 (1726)
37CD: Cantatas 102, 35, 17, 19 (1726)
38CD: Cantatas 27, 47, 169, 56 (1726)
39CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40CD: Cantatas 82, 157, 84 (1727)
41CD: Cantatas 34, 193, 117, 188 (1727-1728)
42CD: Cantatas 171, 156, 159, 120a (1729)
43CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44CD: Cantatas 29, 140, 36 (1731)
45CD: Cantatas 177, 9, 97, 14 (1732-1735)
46CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49CD: 4-Part Chorales, BWV 250-318 AC-GO
50CD: 4-Part Chorales, BWV 319-381 GO-ME
51CD: 4-Part Chorales, BWV 382-438 MI-WO
52CD: Magnificat BWV 243, 243a
53CD: Motets
54CD: Mass in B minor (1 Mortensen)
55CD: Mass in B minor (2 Mortensen)
56CD: Mass in B minor (1 Brüggen)
57CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58CD: Missas BWV 234-236
59CD: St. John Passion (1724) (1 Gardiner)
60CD: St. John Passion (1724) (2 Gardiner)
61CD: St. John Passion (1749) (1 Suzuki)
62CD: St. John Passion (1749) (2 Suzuki)
63CD: St. Matthew Passion (1 Gardiner)
64CD: St. Matthew Passion (2 Gardiner)
65CD: St. Matthew Passion (1 McCreesh)
66CD: St. Matthew Passion (2 McCreesh)
67CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69CD: Christmas Oratorio (1 Gardiner)
70CD: Christmas Oratorio (2 Gardiner)
71CD: Christmas Oratorio (1 Chailly)
72CD: Christmas Oratorio (2 Chailly)
73CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75CD: Cantatas 36c, 205, 34a (1725-1726)
76CD: Cantatas 207, 204, 216a (1726-1728)
77CD: Cantatas 198, 201 (1727-1729)
78CD: Cantatas 213, 214 (1733)
79CD: Cantatas 211, 215 (1734)
80CD: Cantatas 206, 30a (1736-1737)
81CD: Cantatas 209, 210, 212 (1730s-1740s)
82CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83CD: Cantatas 56, 82, 4
84CD: Cantatas 31, 104, 57
85CD: Cantatas 199, 173, 74, 151
86CD: Easter Oratorio / Cantata 140
87CD: Cantatas 170, 159, 102
88CD: Cantatas 80, 52, 84, 209
89CD: Cantatas 82, 158, 56
90CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92CD: Cantatas 92, 126, 182 (Easter)
93CD: Cantatas 1, 4, 67, 104 (Easter)
94CD: Cantatas 34, 68, 39 (Whitsun)
95CD: Cantatas 30, 147 (Whitsun)
96CD: Cantatas 76, 21 (Trinity)
97CD: Cantatas 135, 10, 45, 105 (Trinity)
98CD: Cantatas 51, 78, 8, 130 (Trinity)
99CD: Cantatas 27, 5, 60, 26 (Trinity)
100CD: St. Matthew Passion (1 Richter)
101CD: St. Matthew Passion (2 Richter)
102CD: St. Matthew Passion (3 Richter)
103CD: Great Singers (1952-1965)
104CD: Great Singers (1967-2011)
105CD: Great Singers (Period Instruments)
106CD: Organ Works (Introduction 1)
107CD: Organ Works (Introduction 2)
108CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115CD: Early Chorale Preludes / Chorale Partitas
116CD: Chorale Preludes (Mühlhausen & Weimar)
117CD: Breitkopf Collection, BWV 690-713
118CD: Orgelbüchlein (Preston)
119CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122CD: Clavier-Übung III (1) (Preston)
123CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124CD: Free Works of Unproven Authenticity
125CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126CD: Keyboard Works (Introduction 1: Harpsichord)
127CD: Keyboard Works (Introduction 2: Piano)
128CD: Early Fugues & Capriccios
129CD: Early Suites & Sonatas
130CD: Toccatas, BWV 910-916
131CD: Virtuoso Fantasias & Fugues
132CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134CD: English Suites 1-3 (Dreyfus)
135CD: English Suites 4-6 (Dreyfus)
136CD: French Suites 1-4 (Hogwood)
137CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138CD: Partitas 1, 2, 6 (Rousset)
139CD: Partitas 3-5 (Rousset)
140CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145CD: Goldberg Variations (Rousset)
146CD: Goldberg Variations (Esfahani)
147CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149CD: French Suites 1-3 (Perahia)
150CD: French Suites 4-6 (Perahia)
151CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154CD: The Well-Tempered Clavier, Book I (1 Pollini)
155CD: The Well-Tempered Clavier, Book I (2 Pollini)
156CD: The Well-Tempered Clavier, Book II (1 Schiff)
157CD: The Well-Tempered Clavier, Book II (2 Schiff)
158CD: Goldberg Variations (Schiff)
159CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163CD: Orgelbüchlein (Walcha)
164CD: Brandenburg Concertos 1-6 (Goebel)
165CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167CD: Orchestral Suites 1-3 (Goebel)
168CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169CD: Orchestral Suites 1-4 (Pinnock)
170CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180CD: Concertos (Alternative Instrumentations)
181CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183CD: Suites for "Lute"
184CD: Cello Suites 1, 3, 5 (Watkin)
185CD: Cello Suites 2, 4, 6 (Watkin)
186CD: Violin Sonatas BWV 1014-1018
187CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188CD: 5 Flute Sonatas / Partita for Solo Flute
189CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190CD: Musical Offering / Canons (Goebel)
191CD: The Art of Fugue (Accademia Bizantina, Dantone)
192CD: The Art of Fugue (Aimard)
193CD: The Art of Fugue (1742) (Gilbert)
194CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198CD: Cello Suites 1-3 (Fournier)
199CD: Cello Suites 4-6 (Fournier)
200CD: Solo & Chamber Works (Alternative Instrumentations)
201CD: Clavier-Büchlein W. F. Bach (1)
202CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203CD: Notenbüchlein A. M. Bach (1725) (1)
204CD: Notenbüchlein A. M. Bach (1725) (2)
205CD: Schemelli Gesangbuch BWV 439-474
206CD: Schemelli Gesangbuch BWV 475-507
207CD: Bach: Early Influences
208CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209CD: Concertos at Weimar (Vivaldi)
210CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211CD: The Bach Family
212CD: Bach & Other Composers (c. 1715-1730)
213CD: Bach & Other Composers (c. 1730-1742)
214CD: Bach & Other Composers (1742-1750)
215CD: Bach Renewed (From Bach's Sons to Mahler)
216CD: Bach Reimagined (Chaconne & Passacaglia)
217CD: Bach Orchestrated (Reger to Stokowski)
218CD: Inspired by Bach (Gounod to Pärt)
#TitleArtistRatingLength
1Méditation sur le Premier Prélude de S. Bach (after Prelude BWV 846 from The Well-Tempered Clavier, Book I)
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-02-12 until 1973-02-16)
piano:
István Hajdu (pianist) (from 1973-02-12 until 1973-02-16)
violin:
Arthur Grumiaux (Belgian violinist) (from 1973-02-12 until 1973-02-16)
recorded at:
Concertgebouw: Kleine Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-02-12 until 1973-02-16)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (from 1973-02-12 until 1973-02-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Johann Sebastian Bach4:24
2Studies in Melodic Counterpoint, op. 137 (after The Well-Tempered Clavier, with cello obligato): 1. Prelude in C major (BWV 846)
producer and balance engineer:
Piotr Furmanczyk
cello:
Jelena Očić (cellist) (in 2011-01)
piano:
Federico Lovato (pianist) (in 2011-01)
recorded at:
FWL Studios Leipzig in Leipzig, Sachsen (Saxony), Germany (in 2011-01)
recording of:
Melodisch-Kontrapunktische Studien, op. 137: Nr. 1. Präludium in C major
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
instruments arranger:
Ignaz Moscheles (Bohemian composer and pianist)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
part of:
Melodisch-Kontrapunktische Studien, op. 137
Johann Sebastian Bach3:01
3Studies in Melodic Counterpoint, op. 137 (after The Well-Tempered Clavier, with cello obligato): 8. Prelude in D minor (BWV 875)
producer and balance engineer:
Piotr Furmanczyk
cello:
Jelena Očić (cellist) (in 2011-01)
piano:
Federico Lovato (pianist) (in 2011-01)
recorded at:
FWL Studios Leipzig in Leipzig, Sachsen (Saxony), Germany (in 2011-01)
recording of:
Melodisch-Kontrapunktische Studien, op. 137: Nr. 8. Präludium in D minor
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Ignaz Moscheles (Bohemian composer and pianist) (in 1861)
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 6 in D minor, BWV 875: Prelude
part of:
Melodisch-Kontrapunktische Studien, op. 137
Johann Sebastian Bach1:43
4Chromatic Fantasia and Fugue in D minor, BV B 38 (Arrangement for Cello and Piano after BWV 903)
producer:
Ted Diehl
cello:
Lucia Swarts (Dutch cellist) (in 1997-05)
piano:
Leo van Doeselaar
recorded at:
Hervormde Kerk (Renswoude) in Renswoude, Utrecht, Netherlands, Kingdom of the Netherlands
recording of:
Chromatic Fantasia and Fugue in D minor, BV B 38 (for piano and cello, Busoni)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
instruments arranger:
Ferruccio Busoni (Italian composer, pianist, conductor, editor, writer, and teacher)
part of:
Busoni-Verzeichnis (number: BV B 38)
arrangement of:
Chromatische Fantasie und Fuge d-Moll, BWV 903
Johann Sebastian Bach14:40
52-Part Inventions (Arrangements for Organ as "Schule des Triospiels"): Inventio 5 in E flat major BWV 776
producer:
Wolfgang Rübsam (organist)
organ:
Christian Barthen (organist) (in 2013-06)
recorded at:
Fuldaer Dom (Fulda Cathedral) in Fulda, Hessen (Hesse), Germany (in 2013-06)
recording of:
Inventio Nr. 5 Es-Dur, BWV 776 (for organ, Reger)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Max Reger (German composer)
arrangement of:
Inventio Nr. 5 Es-Dur, BWV 776
Johann Sebastian Bach2:10
62-Part Inventions (Arrangements for Organ as "Schule des Triospiels"): Inventio 6 in E major BWV 777
producer:
Wolfgang Rübsam (organist)
organ:
Christian Barthen (organist) (in 2013-06)
recorded at:
Fuldaer Dom (Fulda Cathedral) in Fulda, Hessen (Hesse), Germany (in 2013-06)
recording of:
Inventio Nr. 6 E-Dur, BWV 777 (for organ, Reger)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Max Reger (German composer)
arrangement of:
Inventio Nr. 6 E-Dur, BWV 777
Johann Sebastian Bach2:38
72-Part Inventions (Arrangements for Organ as "Schule des Triospiels"): Inventio 7 in E minor BWV 778
producer:
Wolfgang Rübsam (organist)
organ:
Christian Barthen (organist) (in 2013-06)
recorded at:
Fuldaer Dom (Fulda Cathedral) in Fulda, Hessen (Hesse), Germany (in 2013-06)
recording of:
Inventio Nr. 7 e-Moll, BWV 778 (for organ, Reger)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Max Reger (German composer)
arrangement of:
Inventio Nr. 7 e-Moll, BWV 778
Johann Sebastian Bach1:38
82-Part Inventions (Arrangements for Organ as "Schule des Triospiels"): Inventio 8 in F major BWV 779
producer:
Wolfgang Rübsam (organist)
organ:
Christian Barthen (organist) (in 2013-06)
recorded at:
Fuldaer Dom (Fulda Cathedral) in Fulda, Hessen (Hesse), Germany (in 2013-06)
recording of:
Inventio Nr. 8 F-Dur, BWV 779 (for organ, Reger and Straube)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Max Reger (German composer) and Karl Straube
arrangement of:
Inventio Nr. 8 F-Dur, BWV 779
Johann Sebastian Bach1:21
9Prelude and Fugue for Solo Violin in G major, op. 117/5 (after Prelude BWV 572): Molto vivace
recording engineer and balance engineer:
Mike Hatch (engineer/editor)
producer:
Stephen Johns (producer)
violin:
Mateja Marinković (violinist)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1994)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Eight Preludes and Fugues for Violin, op. 117: No. 5: Prelude
composer:
Max Reger (German composer)
part of:
Eight Preludes and Fugues for Violin, op. 117: No. 5
Max Reger1:26
10Prelude and Fugue for Solo Violin in G major, op. 117/5 (after Prelude BWV 572): Moderato
recording engineer and balance engineer:
Mike Hatch (engineer/editor)
producer:
Stephen Johns (producer)
violin:
Mateja Marinković (violinist)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1994)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Eight Preludes and Fugues for Violin, op. 117: No. 5: Fugue
composer:
Max Reger (German composer)
part of:
Eight Preludes and Fugues for Violin, op. 117: No. 5
Max Reger5:13
11Ragtime (wohltemperiert) (after Fugue BWV 847 from The Well-Tempered Clavier, Book I)
violin:
Michael Guttman (Belgian violinist, conductor) (in 1995-01)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
José Serebrier (Uruguayan conductor and composer)
balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom
recording of:
Ragtime (wohltemperiert)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1921)
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847: Fugue
Paul Hindemith3:53
12Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769 (Arrangement for Chorus and Orchestra): Choral
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Tanglewood Festival Chorus (in 1990-04)
orchestra:
Boston Symphony Orchestra (in 1990-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-04)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-04)
recording of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Choral (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1956)
part of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach)
Johann Sebastian Bach0:46
13Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769 (Arrangement for Chorus and Orchestra): Var. I: In canone all’ ottava
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Tanglewood Festival Chorus (in 1990-04)
orchestra:
Boston Symphony Orchestra (in 1990-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-04)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-04)
recording of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation I. In canone all'Ottava (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1956)
arrangement of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: I. Canon all' Ottava. Pedal. Canto fermo (Variatio 1)
part of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach)
Johann Sebastian Bach1:17
14Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769 (Arrangement for Chorus and Orchestra): Var. II: Alio modo in canone alle quinta
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Tanglewood Festival Chorus (in 1990-04)
orchestra:
Boston Symphony Orchestra (in 1990-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-04)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-04)
recording of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation II. Alio modo canone alla Quinta (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1956)
arrangement of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: II. Canon alla Quinta. Canto fermo in Pedel (Variatio 2)
part of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach)
Johann Sebastian Bach1:13
15Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769 (Arrangement for Chorus and Orchestra): Var. III: In canone alla settima
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Tanglewood Festival Chorus (in 1990-04)
orchestra:
Boston Symphony Orchestra (in 1990-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-04)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-04)
recording of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation III. In canone alla Settima (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1956)
part of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach)
Johann Sebastian Bach2:09
16Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769 (Arrangement for Chorus and Orchestra): Var. IV: In canone all’ ottava per augmentationem
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Tanglewood Festival Chorus (in 1990-04)
orchestra:
Boston Symphony Orchestra (in 1990-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-04)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-04)
recording of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation IV. In canone all'Ottava per augmentationem (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1956)
part of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach)
Johann Sebastian Bach2:34
17Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769 (Arrangement for Chorus and Orchestra): Var. V: L’altra sorte del canone al rovescio
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
Tanglewood Festival Chorus (in 1990-04)
orchestra:
Boston Symphony Orchestra (in 1990-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-04)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-04)
recording of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation V. L'altra sorte del canone al rovescio (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1956)
part of:
Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach)
Johann Sebastian Bach2:40
18Contrapunctus XIX (Arrangement for 23 Players after The Art of Fugue, BWV 1080)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi) (in 2004-08)
conductor:
Riccardo Chailly (conductor) (in 2004-08)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Auditorium di Milano in Milano (Milan), Milano, Lombardia, Italy (in 2004-08)
recording of:
Contrapunctus XIX (Die Kunst der Fugue) (in 2004-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Luciano Berio (Italian composer) (in 2001)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti
Johann Sebastian Bach8:40
19Prelude and Fugue in C-sharp major, BWV 848 (Arrangement for Chamber Ensemble from The Well-Tempered Clavier, Book I)
producer:
Antony Hodgson
orchestra:
The Fires of London (in 1980-01)
conductor:
Sir Peter Maxwell Davies (English composer and conductor)
balance engineer:
Geoffrey Barton (Recording engineer, ambisonics developer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom
recording of:
Prelude and Fugue in C-sharp major, WoO 120
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Peter Maxwell Davies (English composer and conductor) (in 1974)
part of:
Works of Peter Maxwell Davies by opus number (number: WoO 120)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 3 in C-sharp major, BWV 848.2/848
Johann Sebastian Bach4:20
20Seufzer, Tränen, Kummer, Not (Arrangement for Soprano, Oboe and Ensemble after Cantata BWV 21)
producer:
Mike Purton
clarinet:
Richard Hudson (British drummer, Strawbs)
harp:
Helen Tunstall
marimba:
Ben Fullbrook (percussionist)
oboe:
Melinda Maxwell
soprano vocals:
Claire Seaton (in 2008-09)
balance engineer:
Tony Faulkner (recording engineer)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom
recording of:
Seufzer, Tränen, Kummer, Not
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Harrison Birtwistle (composer)
arrangement of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not"
Johann Sebastian Bach4:36
21Credo for Piano Solo, Mixed Choir and Orchestra (after Prelude BWV 846 from The Well-Tempered Clavier, Book I)
recording engineer:
Jürgen Bulgrin (sound engineer) (in 2003-09)
producer:
Sid McLauchlan (engineer/producer)
piano:
Hélène Grimaud (French pianist) (in 2003-09)
choir vocals:
Radiokören (Swedish Radio Choir) (in 2003-09)
orchestra:
Sveriges Radios Symfoniorkester (Swedish Radio Symphony Orchestra) (in 2003-09)
conductor:
Esa‐Pekka Salonen (conductor and composer) (in 2003-09)
chorus master:
Stefan Parkman (conductor) (in 2003-09)
balance engineer:
Rainer Maillard (in 2003-09)
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden (in 2003-09)
live recording of:
Credo (in 2003-09)
composer:
Arvo Pärt (Estonian composer) (in 1968)
recording of:
Credo
composer:
Arvo Pärt (Estonian composer) (in 1968)
Arvo Pärt15:16
219CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220CD: Bach & The Virtuoso Piano (The 20th Century)
221CD: Bach à la Jazz
222CD: New Colours of Bach
223DVD-Video: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]