Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)
2▶CD: Cantatas 131, 106, 143, 18 (1708-1713)
3▶CD: Cantatas 182, 12, 54, 172 (1714)
4▶CD: Cantatas 21, 199 (1714)
5▶CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶CD: Cantatas 75, 76, 24 (1723)
9▶CD: Cantatas 167, 147, 186, 136 (1723)
10▶CD: Cantatas 105, 46, 179, 50, 69a (1723)
11▶CD: Cantatas 77, 25, 119, 138 (1723)
12▶CD: Cantatas 95, 148, 48, 109 (1723)
13▶CD: Cantatas 89, 60, 90, 70, 40 (1723)
14▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15▶CD: Cantatas 73, 81, 83, 144, 181 (1724)
16▶CD: Cantatas 18, 66, 134, 67 (1724)
17▶CD: Cantatas 104, 166, 86, 37, 44 (1724)
18▶CD: Cantatas 173, 184, 194 (1724)
19▶CD: Cantatas 20, 2, 7, 135 (1724)
20▶CD: Cantatas 10, 93, 107, 178 (1724)
21▶CD: Cantatas 94, 101, 113 (1724)
22▶CD: Cantatas 33, 78, 99, 8 (1724)
23▶CD: Cantatas 130, 114, 96, 5 (1724)
24▶CD: Cantatas 180, 38, 115, 139 (1724)
25▶CD: Cantatas 26, 116, 62, 91, 121 (1724)
26▶CD: Cantatas 133, 122, 41, 123 (1724-1725)
27▶CD: Cantatas 124, 3, 111, 92 (1725)
28▶CD: Cantatas 125, 126, 127 (1725)
29▶CD: Cantatas 1, 6, 42 (1725)
30▶CD: Cantatas 85, 103, 108, 87, 128 (1725)
31▶CD: Cantatas 183, 74, 68, 175, 176 (1725)
32▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
33▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
34▶CD: Cantatas 32, 13, 72, 43 (1726)
35▶CD: Cantatas 146, 129, 39 (1726)
36▶CD: Cantatas 88, 170, 187, 45 (1726)
37▶CD: Cantatas 102, 35, 17, 19 (1726)
38▶CD: Cantatas 27, 47, 169, 56 (1726)
39▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40▶CD: Cantatas 82, 157, 84 (1727)
41▼CD: Cantatas 34, 193, 117, 188 (1727-1728)
#TitleRatingLength
1"O ewiges Feuer, o Ursprung der Liebe", BWV 34: 1. [Chorus:] "O ewiges Feuer, o Ursprung der Liebe"
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-06-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-06-11)
recorded at:
Holy Trinity in Long Melford, Suffolk, England, United Kingdom (on 2000-06-11)
live recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": I. Coro "O ewiges Feuer, o Ursprung der Liebe" (on 2000-06-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
7:19
2"O ewiges Feuer, o Ursprung der Liebe", BWV 34: 2. Recitative: "Herr, unsre Herzen halten dir"
tenor vocals:
Christoph Genz (tenor) (on 2000-06-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-06-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-06-11)
recorded at:
Holy Trinity in Long Melford, Suffolk, England, United Kingdom (on 2000-06-11)
live recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Tenore) "Herr, unsre Herzen halten dir" (on 2000-06-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
0:39
3"O ewiges Feuer, o Ursprung der Liebe", BWV 34: 3. Aria: "Wohl euch, ihr auserwählten Seelen"
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-06-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-06-11)
recorded at:
Holy Trinity in Long Melford, Suffolk, England, United Kingdom (on 2000-06-11)
live recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (on 2000-06-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
6:21
4"O ewiges Feuer, o Ursprung der Liebe", BWV 34: 4. Recitative: "Erwählt sich Gott die heilgen Hütten"
bass vocals:
Panajotis N. Iconomou (bass-baritone) (on 2000-06-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-06-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-06-11)
recorded at:
Holy Trinity in Long Melford, Suffolk, England, United Kingdom (on 2000-06-11)
live recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": IV. Recitativo (Basso) "Erwählt sich Gott die heilgen Hütten" (on 2000-06-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
0:31
5"O ewiges Feuer, o Ursprung der Liebe", BWV 34: 5. Tutti: "Friede über Israel!"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-06-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-06-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-06-11)
recorded at:
Holy Trinity in Long Melford, Suffolk, England, United Kingdom (on 2000-06-11)
live recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": V. Coro "Friede über Israel" (on 2000-06-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
2:10
6"Ihr Tore zu Zion", BWV 193: 1. [Chorus:] "Ihr Pforten zu Zion, ihr Wohnungen Jakobs, freuet euch!"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
choir vocals:
Amsterdam Baroque Choir (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
chorus master:
Ulrike Grosch (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": I. Coro "Ihr Tore zu Zion" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
4:18
7"Ihr Tore zu Zion", BWV 193: 2. Recitative: "Der Hüter Israels entschläft noch schlummert nicht"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
soprano vocals:
Caroline Stam (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": II. Recitativo (Sopran) "Der Hüter Israel entschläft noch schlummert nicht" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
0:38
8"Ihr Tore zu Zion", BWV 193: 3. Aria: "Gott, wir danken deiner Güte"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
soprano vocals:
Caroline Stam (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": III. Aria (Sopran) "Gott, wir danken deiner Güte" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
5:41
9"Ihr Tore zu Zion", BWV 193: 4. Recitative: "O Leipziger Jerusalem, vergnüge dich an deinem Feste!"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
alto vocals:
Michael Chance (British countertenor) (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": IV. Recitativo (Alt) "O Leipziger Jerusalem" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
0:47
10"Ihr Tore zu Zion", BWV 193: 5. Aria: "Sende, Herr, den Segen ein"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
alto vocals:
Michael Chance (British countertenor) (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": V. Aria (Alt) "Sende, Herr, den Segen ein" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
3:17
11"Ihr Tore zu Zion", BWV 193: 6. Recitative: "Nun, Herr, so weihe selbst das Regiment"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": V. Aria (Alt) "Sende, Herr, den Segen ein" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
0:47
12"Ihr Tore zu Zion", BWV 193: 7. Chorus ab initio repetatur: "Ihr Pforten zu Zion"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
choir vocals:
Amsterdam Baroque Choir (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
chorus master:
Ulrike Grosch (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": VI. Coro "Ihr Tore zu Zion" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
4:24
13"Sei Lob und Ehr dem höchsten Gut", BWV 117: 1. [Chorale] Versus 1: "Sei Lob und Ehr dem höchsten Gut"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": I. Coro "Sei Lob und Ehr dem höchsten Gut" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:56
14"Sei Lob und Ehr dem höchsten Gut", BWV 117: 2. Recitative Versus 2: "Es danken dir die Himmelsheer"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2001-06 until 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": II. Recitativo (Bass) "Es danken dir die Himmelsheer" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
1:10
15"Sei Lob und Ehr dem höchsten Gut", BWV 117: 3. [Aria] Versus 3: "Was unser Gott geschaffen hat"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
tenor vocals:
Satoshi Mizukoshi (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": III. Aria (Tenor) "Was unser Gott geschaffen hat" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
2:46
16"Sei Lob und Ehr dem höchsten Gut", BWV 117: 4. Versus 4 Choraliter: "Ich rief dem Herrn in meiner Not"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IV. Choral "Ich rief dem Herrn in meiner Not" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Breitkopf 389 Choralgesänge (number: 90)
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
0:54
17"Sei Lob und Ehr dem höchsten Gut", BWV 117: 5. Recitative Versus 5: "Der Herr ist noch und nimmer nicht"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
alto vocals:
Robin Blaze (countertenor) (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": V. Recitativo (Alt) "Der Herr ist noch und nimmer nicht" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
1:22
18"Sei Lob und Ehr dem höchsten Gut", BWV 117: 6. [Aria] Versus 6: "Wenn Trost und Hülf ermangeln muss"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2001-06 until 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VI. Aria (Bass) "Wenn Trost und Hülf ermangeln muss" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:09
19"Sei Lob und Ehr dem höchsten Gut", BWV 117: 7. [Aria] Versus 7: "Ich will dich all mein Leben lang"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
alto vocals:
Robin Blaze (countertenor) (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VII. Aria (Alt) "Ich will dich all mein Leben lang" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:27
20"Sei Lob und Ehr dem höchsten Gut", BWV 117: 8. Recitative Versus 8: "Ihr, die ihr Christi Namen nennt"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
tenor vocals:
Satoshi Mizukoshi (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VIII. Recitativo (Tenor) "Ihr, die ihr Christi Namen nennt" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
0:44
21"Sei Lob und Ehr dem höchsten Gut", BWV 117: 9. [Chorale] Versus 9: "So kommet vor sein Angesicht"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IX. Choral "So kommet vor sein Angesicht" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:58
22"Ich habe meine Zuversicht", BWV 188: 1. [Sinfonia]
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-11-11 until 2000-11-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-11-11 until 2000-11-12)
recorded at:
Old Royal Naval College Chapel in Greenwich, London (Greater London), England, United Kingdom (from 2000-11-11 until 2000-11-12)
live recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": I. Sinfonia (from 2000-11-11 until 2000-11-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: III. Allegro
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
7:58
23"Ich habe meine Zuversicht", BWV 188: 2. Aria: "Ich habe meine Zuversicht"
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-11 until 2000-11-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-11-11 until 2000-11-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-11-11 until 2000-11-12)
recorded at:
Old Royal Naval College Chapel in Greenwich, London (Greater London), England, United Kingdom (from 2000-11-11 until 2000-11-12)
live recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": II. Aria (Tenor) "Ich habe meine Zuversicht" (from 2000-11-11 until 2000-11-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
7:09
24"Ich habe meine Zuversicht", BWV 188: 3. Recitative: "Gott meint es gut mit jedermann"
bass vocals:
Gotthold Schwarz (bass-baritone/conductor) (from 2000-11-11 until 2000-11-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-11-11 until 2000-11-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-11-11 until 2000-11-12)
recorded at:
Old Royal Naval College Chapel in Greenwich, London (Greater London), England, United Kingdom (from 2000-11-11 until 2000-11-12)
live recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": III. Recitativo (Bass) "Gott meint es gut mit jedermann" (from 2000-11-11 until 2000-11-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
2:00
25"Ich habe meine Zuversicht", BWV 188: 4. Aria: "Unerforschlich ist die Weise"
vocals:
William Towers (Countertenor) (from 2000-11-11 until 2000-11-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-11-11 until 2000-11-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-11-11 until 2000-11-12)
recorded at:
Old Royal Naval College Chapel in Greenwich, London (Greater London), England, United Kingdom (from 2000-11-11 until 2000-11-12)
live recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": IV. Aria (Alt) "Unerforschlich ist die Weise" (from 2000-11-11 until 2000-11-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
6:06
26"Ich habe meine Zuversicht", BWV 188: 5. Recitative: "Die Macht der Welt verlieret sich"
soprano vocals:
Joanne Lunn (British soprano vocalist) (from 2000-11-11 until 2000-11-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-11-11 until 2000-11-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-11-11 until 2000-11-12)
recorded at:
Old Royal Naval College Chapel in Greenwich, London (Greater London), England, United Kingdom (from 2000-11-11 until 2000-11-12)
live recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": V. Recitativo (Sopran) "Die Macht der Welt verlieret sich" (from 2000-11-11 until 2000-11-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
0:34
27"Ich habe meine Zuversicht", BWV 188: 6. Chorale: "Auf meinen lieben Gott"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 2000-11-11 until 2000-11-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-11-11 until 2000-11-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-11-11 until 2000-11-12)
recorded at:
Old Royal Naval College Chapel in Greenwich, London (Greater London), England, United Kingdom (from 2000-11-11 until 2000-11-12)
live recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": VI. Choral "Auf meinen lieben Gott" (from 2000-11-11 until 2000-11-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 25)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
0:54
42▶CD: Cantatas 171, 156, 159, 120a (1729)
43▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44▶CD: Cantatas 29, 140, 36 (1731)
45▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
46▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49▶CD: 4-Part Chorales, BWV 250-318 AC-GO
50▶CD: 4-Part Chorales, BWV 319-381 GO-ME
51▶CD: 4-Part Chorales, BWV 382-438 MI-WO
52▶CD: Magnificat BWV 243, 243a
53▶CD: Motets
54▶CD: Mass in B minor (1 Mortensen)
55▶CD: Mass in B minor (2 Mortensen)
56▶CD: Mass in B minor (1 Brüggen)
57▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58▶CD: Missas BWV 234-236
59▶CD: St. John Passion (1724) (1 Gardiner)
60▶CD: St. John Passion (1724) (2 Gardiner)
61▶CD: St. John Passion (1749) (1 Suzuki)
62▶CD: St. John Passion (1749) (2 Suzuki)
63▶CD: St. Matthew Passion (1 Gardiner)
64▶CD: St. Matthew Passion (2 Gardiner)
65▶CD: St. Matthew Passion (1 McCreesh)
66▶CD: St. Matthew Passion (2 McCreesh)
67▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69▶CD: Christmas Oratorio (1 Gardiner)
70▶CD: Christmas Oratorio (2 Gardiner)
71▶CD: Christmas Oratorio (1 Chailly)
72▶CD: Christmas Oratorio (2 Chailly)
73▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75▶CD: Cantatas 36c, 205, 34a (1725-1726)
76▶CD: Cantatas 207, 204, 216a (1726-1728)
77▶CD: Cantatas 198, 201 (1727-1729)
78▶CD: Cantatas 213, 214 (1733)
79▶CD: Cantatas 211, 215 (1734)
80▶CD: Cantatas 206, 30a (1736-1737)
81▶CD: Cantatas 209, 210, 212 (1730s-1740s)
82▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83▶CD: Cantatas 56, 82, 4
84▶CD: Cantatas 31, 104, 57
85▶CD: Cantatas 199, 173, 74, 151
86▶CD: Easter Oratorio / Cantata 140
87▶CD: Cantatas 170, 159, 102
88▶CD: Cantatas 80, 52, 84, 209
89▶CD: Cantatas 82, 158, 56
90▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92▶CD: Cantatas 92, 126, 182 (Easter)
93▶CD: Cantatas 1, 4, 67, 104 (Easter)
94▶CD: Cantatas 34, 68, 39 (Whitsun)
95▶CD: Cantatas 30, 147 (Whitsun)
96▶CD: Cantatas 76, 21 (Trinity)
97▶CD: Cantatas 135, 10, 45, 105 (Trinity)
98▶CD: Cantatas 51, 78, 8, 130 (Trinity)
99▶CD: Cantatas 27, 5, 60, 26 (Trinity)
100▶CD: St. Matthew Passion (1 Richter)
101▶CD: St. Matthew Passion (2 Richter)
102▶CD: St. Matthew Passion (3 Richter)
103▶CD: Great Singers (1952-1965)
104▶CD: Great Singers (1967-2011)
105▶CD: Great Singers (Period Instruments)
106▶CD: Organ Works (Introduction 1)
107▶CD: Organ Works (Introduction 2)
108▶CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109▶CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110▶CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111▶CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112▶CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113▶CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114▶CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115▶CD: Early Chorale Preludes / Chorale Partitas
116▶CD: Chorale Preludes (Mühlhausen & Weimar)
117▶CD: Breitkopf Collection, BWV 690-713
118▶CD: Orgelbüchlein (Preston)
119▶CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120▶CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121▶CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122▶CD: Clavier-Übung III (1) (Preston)
123▶CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124▶CD: Free Works of Unproven Authenticity
125▶CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126▶CD: Keyboard Works (Introduction 1: Harpsichord)
127▶CD: Keyboard Works (Introduction 2: Piano)
128▶CD: Early Fugues & Capriccios
129▶CD: Early Suites & Sonatas
130▶CD: Toccatas, BWV 910-916
131▶CD: Virtuoso Fantasias & Fugues
132▶CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133▶CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134▶CD: English Suites 1-3 (Dreyfus)
135▶CD: English Suites 4-6 (Dreyfus)
136▶CD: French Suites 1-4 (Hogwood)
137▶CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138▶CD: Partitas 1, 2, 6 (Rousset)
139▶CD: Partitas 3-5 (Rousset)
140▶CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141▶CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142▶CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143▶CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144▶CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145▶CD: Goldberg Variations (Rousset)
146▶CD: Goldberg Variations (Esfahani)
147▶CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148▶CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149▶CD: French Suites 1-3 (Perahia)
150▶CD: French Suites 4-6 (Perahia)
151▶CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152▶CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153▶CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154▶CD: The Well-Tempered Clavier, Book I (1 Pollini)
155▶CD: The Well-Tempered Clavier, Book I (2 Pollini)
156▶CD: The Well-Tempered Clavier, Book II (1 Schiff)
157▶CD: The Well-Tempered Clavier, Book II (2 Schiff)
158▶CD: Goldberg Variations (Schiff)
159▶CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160▶CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161▶CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162▶CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163▶CD: Orgelbüchlein (Walcha)
164▶CD: Brandenburg Concertos 1-6 (Goebel)
165▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167▶CD: Orchestral Suites 1-3 (Goebel)
168▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169▶CD: Orchestral Suites 1-4 (Pinnock)
170▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180▶CD: Concertos (Alternative Instrumentations)
181▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183▶CD: Suites for "Lute"
184▶CD: Cello Suites 1, 3, 5 (Watkin)
185▶CD: Cello Suites 2, 4, 6 (Watkin)
186▶CD: Violin Sonatas BWV 1014-1018
187▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188▶CD: 5 Flute Sonatas / Partita for Solo Flute
189▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190▶CD: Musical Offering / Canons (Goebel)
191▶CD: The Art of Fugue (Accademia Bizantina, Dantone)
192▶CD: The Art of Fugue (Aimard)
193▶CD: The Art of Fugue (1742) (Gilbert)
194▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198▶CD: Cello Suites 1-3 (Fournier)
199▶CD: Cello Suites 4-6 (Fournier)
200▶CD: Solo & Chamber Works (Alternative Instrumentations)
201▶CD: Clavier-Büchlein W. F. Bach (1)
202▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203▶CD: Notenbüchlein A. M. Bach (1725) (1)
204▶CD: Notenbüchlein A. M. Bach (1725) (2)
205▶CD: Schemelli Gesangbuch BWV 439-474
206▶CD: Schemelli Gesangbuch BWV 475-507
207▶CD: Bach: Early Influences
208▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209▶CD: Concertos at Weimar (Vivaldi)
210▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211▶CD: The Bach Family
212▶CD: Bach & Other Composers (c. 1715-1730)
213▶CD: Bach & Other Composers (c. 1730-1742)
214▶CD: Bach & Other Composers (1742-1750)
215▶CD: Bach Renewed (From Bach's Sons to Mahler)
216▶CD: Bach Reimagined (Chaconne & Passacaglia)
217▶CD: Bach Orchestrated (Reger to Stokowski)
218▶CD: Inspired by Bach (Gounod to Pärt)
219▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220▶CD: Bach & The Virtuoso Piano (The 20th Century)
221▶CD: Bach à la Jazz
222▶CD: New Colours of Bach
223▶DVD-Video: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]