| # | Title | Artist | Rating | Length |
|---|
| 1 | Let’s Face the Music and Dance | Nat King Cole | | 2:26 |
| 2 | Everytime We Say Goodbye | Ella Fitzgerald | | 3:33 |
| 3 | We Have All the Time in the World | Louis Armstrong | 3.5 | 3:14 |
| 4 | Mack the Knife | Bobby Darin | 4 | 3:04 |
| 5 | Body and Soul- recording of:
- Body and Soul
- lyricist:
- Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
- composer:
- Edward Heyman, Robert Sour and John Green (in 1930)
- publisher:
- Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| The Manhattan Transfer | | 4:26 |
| 6 | Take Five- recorded in:
- New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- recording engineer:
- Fred Plaut
- producer:
- Teo Macero
- alto saxophone:
- Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- double bass:
- Eugene Wright (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- drums (drum set):
- Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- piano:
- Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- phonographic copyright (℗) by:
- Compulsion , Milestones Records, Unknown Pleasures Sound, Columbia Records (in 1959), BNF Collection 2013 (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
- recorded at:
- CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- recording of:
- Take Five (on 1959-07-01)
- composer:
- Paul Desmond
- publisher:
- Derry Music Company, Desmond Music Company , Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
- part of:
- The Real Book
| Dave Brubeck | 4.35 | 5:24 |
| 7 | I Wish I Knew (How It Would Feel to Be Free) | Billy Taylor Trio | | 3:40 |
| 8 | I’ve Got the World on a String | Anita O’Day | | 3:59 |
| 9 | Love for Sale- recorded in:
- New York, New York, United States (on 1965-02-10)
- producer:
- Clyde Otis
- mixer:
- Leo Sacks and Mark Wilder
- bass:
- James Richardson (on 1965-02-10)
- drums (drum set):
- Hindal Butts (on 1965-02-10)
- guitar:
- Kenny Burrell (on 1965-02-10)
- vocals:
- Aretha Franklin (on 1965-02-10)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1965)
- live cover recording of:
- Love for Sale (on 1965-02-10)
- lyricist and composer:
- Cole Porter (in 1930)
- publisher:
- Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
- cover recording of:
- Love for Sale
- lyricist and composer:
- Cole Porter (in 1930)
- publisher:
- Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
| Aretha Franklin | 3 | 2:30 |
| 10 | Passing Strangers | Billy Eckstine & Sarah Vaughan | 3 | 2:39 |
| 11 | Cry Me a River- engineer:
- John Kraus (in 1955-08)
- producer:
- Bobby Troup
- double bass [bass]:
- Ray Leatherwood
- guitar:
- Barney Kessel
- vocals:
- Julie London (in 1955-08)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1957)
- recorded at and mixed at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
- recording of:
- Cry Me a River (in 1955-08)
- lyricist and composer:
- Arthur Hamilton
- publisher:
- Chappell & Co., Inc. , Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. , Warner/Chappell North America Limited , Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Julie London | 4.65 | 2:56 |
| 12 | My Funny Valentine- producer:
- Richard Bock
- double bass:
- Carson Smith (on 1954-02-15)
- drums (drum set):
- Bob Neel (on 1954-02-15)
- piano:
- Russ Freeman (on 1954-02-15)
- trumpet:
- Chet Baker (on 1954-02-15)
- vocals:
- Chet Baker (on 1954-02-15)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1954) and Blue Note (in 1989)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-02-15)
- cover recording of:
- My Funny Valentine (on 1954-02-15)
- lyricist:
- Lorenz Hart (in 1937)
- composer:
- Richard Rodgers (in 1937)
- publisher:
- Chappell & Co., Inc. , Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. , Warner/Chappell and Williamson Music Company
- sub-publisher:
- Warner/Chappell Music, Hong Kong Limited , シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Babes in Arms
- part of:
- The Real Book
- part of:
- Waiting to Exhale
| Chet Baker | 2.5 | 2:18 |
| 13 | Yesterdays | Miles Davis | | 3:45 |
| 14 | Take the ‘A’ Train | Duke Ellington | | 2:56 |
| 15 | Ain’t Misbehavin’ | Fats Waller | | 3:53 |
| 16 | Call Me Irresponsible | Dinah Washington | | 2:18 |
| 17 | Thinkin’ About Your Body | Bobby McFerrin | | 3:12 |
| 18 | Stormy Monday Blues | Count Basie and Billy Eckstine | | 3:11 |
| 19 | Summertime- vocals:
- Sarah Vaughan (on 1949-12-21)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1949)
- cover recording of:
- Summertime (on 1949-12-21)
- lyricist:
- Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
- composer:
- George Gershwin (in 1934)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. , Warner/Chappell , Warner/Chappell Music Holland BV, Warner/Chappell North America Limited , Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- version of:
- Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
| Sarah Vaughan | | 3:13 |
| 20 | Misty | Erroll Garner | | 2:47 |
| 21 | Round Midnight | Mel Tormé | | 3:13 |
| 22 | Let There Be Love- cello:
- Hyman Gold (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (on 1961-12-20) and William Vandenburg (on 1961-12-20)
- double bass:
- Al McKibbon (on 1961-12-20)
- double bass [arco bass]:
- Meyer "Mike" Rubin (on 1961-12-20)
- drums (drum set):
- Shelly Manne (on 1961-12-20)
- guitar:
- Al Hendrickson (on 1961-12-20)
- piano:
- George Shearing (on 1961-12-20)
- vibraphone:
- Emil Richards (on 1961-12-20)
- viola:
- Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (on 1961-12-20) and Paul Robyn (on 1961-12-20)
- violin:
- Victor Arno (on 1961-12-20), Emil Briano (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (on 1961-12-20), Joseph Livoti (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (on 1961-12-20), Mischa Russell (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (on 1961-12-20)
- vocals:
- Nat King Cole (on 1961-12-20)
- conductor:
- Ralph Carmichael (on 1961-12-20)
- arranger:
- Ralph Carmichael
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1962)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1961-12-20)
- cover recording of:
- Let There Be Love (on 1961-12-20)
- lyricist:
- Ian Grant
- composer:
- Lionel Rand
- publisher:
- Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. and Warner Chappell Music Publishing
| Nat King Cole | 2.5 | 2:45 |
| 23 | Chicago | Tony Bennett | 4 | 2:06 |
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