St. Matthew Passion (1978 Decca recording)

~ Release by Johann Sebastian Bach; Bach Choir, Sir David Willcocks (see all versions of this release, 2 available)

Tracklist

1▼CD: Part 1
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244: Chorus: Come ye daughters, share my mourning
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 1. Chorus "Come, ye daughters, share my mourning" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach8:34
2St. Matthew Passion, BWV 244: Recitative: When Jesus had completed all these sayings
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 2. Recitative "When Jesus had completed all these sayings" (arr. Elgar & Atkins) (in 1978-09)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:51
3St. Matthew Passion, BWV 244: Chorale: O blessed Jesu, how hast thou offended?
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 3. Chorale "O blessed Jesu, how hast thou offended?" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:55
4St. Matthew Passion, BWV 244: Recitative: At that time there assembled the chief priests
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 4. Recitative "At that time there assembled the chief priests" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista)
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:26
5St. Matthew Passion, BWV 244: Chorus: Not upon the feast
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 5. Chorus "Not upon the feast" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:17
6St. Matthew Passion, BWV 244: Recitative: Now when Jesus was in Bethany
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 6. Recitative "Now when Jesus was in Bethany" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista)
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:35
7St. Matthew Passion, BWV 244: Chorus: To what purpose is this waste?
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 7. Chorus: "To what purpose is this waste?" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:33
8St. Matthew Passion, BWV 244: Recitative: When Jesus understood it
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 8. Recitative "When Jesus understood it" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus)
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:38
9St. Matthew Passion, BWV 244: Recitative: My Master and my Lord
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo flute [flute I]:
Richard Adeney (flautist) (in 1978-09)
solo flute [flute II]:
Richard Dobson (flautist) (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 9. Recitative "My Master and my Lord" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:03
10St. Matthew Passion, BWV 244: Contralto Aria: Grief for sin
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo flute [flute I]:
Richard Adeney (flautist) (in 1978-09)
solo flute [flute II]:
Richard Dobson (flautist) (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 10. Aria (Contralto) "Grief for sin" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach4:52
11St. Matthew Passion, BWV 244: Recitative: Then went one of the disciples
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 11. Recitative "Then went one of the disciples" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:41
12St. Matthew Passion, BWV 244: Soprano Aria: Break in grief
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo flute [flute I]:
William Bennett (flautist) (in 1978-09)
solo flute [flute II]:
Alexa Turpin (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 12. Aria (Soprano) "Break in grief" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach5:21
13St. Matthew Passion, BWV 244: Recitative: Now on the first day of the unleavened bread
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 13. Recitative "Now on the first day of the unleavened bread" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista)
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:13
14St. Matthew Passion, BWV 244: Chorus: Where wilt thou?
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 14. Chorus "Where wilt thou?" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:23
15St. Matthew Passion, BWV 244: Recit & Chorus: He said, Go to one in the city yonder
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 15. Recitative with Chorus "He said, Go to one in the city yonder" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:57
16St. Matthew Passion, BWV 244: Chorale: Tis I, whose sins have bound thee
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 16. Chorale "Tis I, whose sins have bound thee" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:57
17St. Matthew Passion, BWV 244: Recitative: He answered then and said
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
lead vocals [Judas]:
John King (vocalist) (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 17. Recitative "He answered then and said" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach3:31
18St. Matthew Passion, BWV 244: Recitative: Although our eyes with tears o'erflow
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo oboe d'amore [oboe d'amore I]:
Michael Dobson (oboist) (in 1978-09)
solo oboe d'amore [oboe d'amore II]:
Lorraine Wood (oboist) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 18. Recitative "Although our eyes with tears o'erflow" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:27
19St. Matthew Passion, BWV 244: Soprano Aria: Jesus, Saviour, I am thine
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo oboe d'amore [oboe d'amore I]:
Michael Dobson (oboist) (in 1978-09)
solo oboe d'amore [oboe d'amore II]:
Lorraine Wood (oboist) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 19. Aria (Soprano) "Jesus, Saviour, I am thine" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach3:57
20St. Matthew Passion, BWV 244: Recitative: And after they had sung an hymn together
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 20. Recitative "And after they had sung an hymn together" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:13
21St. Matthew Passion, BWV 244: Chorale: Receive me, my Redeemer
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 21. Chorale "Receive me, my Redeemer" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:04
22St. Matthew Passion, BWV 244: Recitative: Simon Peter made answer
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
bass-baritone vocals [Peter]:
Hugh Davies (bass baritone) (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 22. Recitative "Simon Peter made answer" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:15
23St. Matthew Passion, BWV 244: Chorale: Here would I stand beside them
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 23. Chorale "Here would I stand beside Thee" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:08
24St. Matthew Passion, BWV 244: Recitative: Then came Jesus with them
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 24. Recitative "Then came Jesus with them" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach2:16
25St. Matthew Passion, BWV 244: Tenor Solo with Chorus: O grief! how throbs His heavy-laden breast
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals:
Neil Jenkins (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 25. Tenor Solo With Chorus "O grief! how throbs His heavy-laden breast" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach2:13
26St. Matthew Passion, BWV 244: Tenor Solo with Chorus: I would beside my Lord be watching
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo oboe:
Michael Dobson (oboist) (in 1978-09)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals:
Neil Jenkins (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 26. Tenor Solo With Chorus "I would beside my Lord be watching" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach5:34
2▶CD: Part 1 (continued), Part 2
3▶CD: Part 2 (continued)

Credits

Release group

included in:Great Choral Favourites by Various Artists (add compilations to this artist)
excerpts:St. Matthew Passion: Highlights by Bach (Johann Sebastian Bach, German Baroque period composer & musician); The Bach Choir, Sir David Willcocks (UK composer, organist, choral conductor)