St. Matthew Passion (1978 Decca recording)

~ Release by Johann Sebastian Bach; Bach Choir, Sir David Willcocks (see all versions of this release, 2 available)

Tracklist

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1▼CD: Part 1
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1St. Matthew Passion, BWV 244: Chorus: Come ye daughters, share my mourning
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 1. Chorus "Come, ye daughters, share my mourning" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach8:34
2St. Matthew Passion, BWV 244: Recitative: When Jesus had completed all these sayings
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 2. Recitative "When Jesus had completed all these sayings" (arr. Elgar & Atkins) (in 1978-09)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:51
3St. Matthew Passion, BWV 244: Chorale: O blessed Jesu, how hast thou offended?
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 3. Chorale "O blessed Jesu, how hast thou offended?" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:55
4St. Matthew Passion, BWV 244: Recitative: At that time there assembled the chief priests
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 4. Recitative "At that time there assembled the chief priests" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista)
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:26
5St. Matthew Passion, BWV 244: Chorus: Not upon the feast
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 5. Chorus "Not upon the feast" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:17
6St. Matthew Passion, BWV 244: Recitative: Now when Jesus was in Bethany
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 6. Recitative "Now when Jesus was in Bethany" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista)
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:35
7St. Matthew Passion, BWV 244: Chorus: To what purpose is this waste?
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 7. Chorus: "To what purpose is this waste?" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:33
8St. Matthew Passion, BWV 244: Recitative: When Jesus understood it
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 8. Recitative "When Jesus understood it" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus)
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:38
9St. Matthew Passion, BWV 244: Recitative: My Master and my Lord
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo flute [flute I]:
Richard Adeney (flautist) (in 1978-09)
solo flute [flute II]:
Richard Dobson (flautist) (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 9. Recitative "My Master and my Lord" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:03
10St. Matthew Passion, BWV 244: Contralto Aria: Grief for sin
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo flute [flute I]:
Richard Adeney (flautist) (in 1978-09)
solo flute [flute II]:
Richard Dobson (flautist) (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 10. Aria (Contralto) "Grief for sin" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach4:52
11St. Matthew Passion, BWV 244: Recitative: Then went one of the disciples
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 11. Recitative "Then went one of the disciples" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:41
12St. Matthew Passion, BWV 244: Soprano Aria: Break in grief
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo flute [flute I]:
William Bennett (flautist) (in 1978-09)
solo flute [flute II]:
Alexa Turpin (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 12. Aria (Soprano) "Break in grief" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach5:21
13St. Matthew Passion, BWV 244: Recitative: Now on the first day of the unleavened bread
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 13. Recitative "Now on the first day of the unleavened bread" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista)
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:13
14St. Matthew Passion, BWV 244: Chorus: Where wilt thou?
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 14. Chorus "Where wilt thou?" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:23
15St. Matthew Passion, BWV 244: Recit & Chorus: He said, Go to one in the city yonder
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 15. Recitative with Chorus "He said, Go to one in the city yonder" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:57
16St. Matthew Passion, BWV 244: Chorale: Tis I, whose sins have bound thee
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 16. Chorale "Tis I, whose sins have bound thee" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:57
17St. Matthew Passion, BWV 244: Recitative: He answered then and said
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
lead vocals [Judas]:
John King (vocalist) (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 17. Recitative "He answered then and said" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach3:31
18St. Matthew Passion, BWV 244: Recitative: Although our eyes with tears o'erflow
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo oboe d'amore [oboe d'amore I]:
Michael Dobson (oboist) (in 1978-09)
solo oboe d'amore [oboe d'amore II]:
Lorraine Wood (oboist) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 18. Recitative "Although our eyes with tears o'erflow" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:27
19St. Matthew Passion, BWV 244: Soprano Aria: Jesus, Saviour, I am thine
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo oboe d'amore [oboe d'amore I]:
Michael Dobson (oboist) (in 1978-09)
solo oboe d'amore [oboe d'amore II]:
Lorraine Wood (oboist) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 19. Aria (Soprano) "Jesus, Saviour, I am thine" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach3:57
20St. Matthew Passion, BWV 244: Recitative: And after they had sung an hymn together
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 20. Recitative "And after they had sung an hymn together" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:13
21St. Matthew Passion, BWV 244: Chorale: Receive me, my Redeemer
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 21. Chorale "Receive me, my Redeemer" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:04
22St. Matthew Passion, BWV 244: Recitative: Simon Peter made answer
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
bass-baritone vocals [Peter]:
Hugh Davies (bass baritone) (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 22. Recitative "Simon Peter made answer" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:15
23St. Matthew Passion, BWV 244: Chorale: Here would I stand beside them
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 23. Chorale "Here would I stand beside Thee" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:08
24St. Matthew Passion, BWV 244: Recitative: Then came Jesus with them
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 24. Recitative "Then came Jesus with them" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach2:16
25St. Matthew Passion, BWV 244: Tenor Solo with Chorus: O grief! how throbs His heavy-laden breast
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals:
Neil Jenkins (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 25. Tenor Solo With Chorus "O grief! how throbs His heavy-laden breast" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach2:13
26St. Matthew Passion, BWV 244: Tenor Solo with Chorus: I would beside my Lord be watching
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo oboe:
Michael Dobson (oboist) (in 1978-09)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals:
Neil Jenkins (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 26. Tenor Solo With Chorus "I would beside my Lord be watching" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach5:34
2▼CD: Part 1 (continued), Part 2
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244: Recitative: And he went away
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 27. Recitative "And he went away" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:50
2St. Matthew Passion, BWV 244: Recitative: The Saviour, low before His Father bending
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 28. Recitative "The Saviour, low before His Father bending" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:08
3St. Matthew Passion, BWV 244: Bass Aria: Gladly would I take upon me
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 29. Aria (Bass) "Gladly would I take upon me" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach4:26
4St. Matthew Passion, BWV 244: Recitative: And he came to his disciples
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 30. Recitative "And he came to his disciples" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:30
5St. Matthew Passion, BWV 244: Chorale: O Father, let thy will be done
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 31. Chorale "O Father, let thy will be done" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:15
6St. Matthew Passion, BWV 244: Recitative: And he came again and found them sleeping
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 32. Recitative "And he came again and found them sleeping" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach2:34
7St. Matthew Passion, BWV 244: Duet & Chorus: Behold, my Saviour now is taken
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 33. Duet (Soprano & Contralto) & Chorus "Behold, my Saviour now is taken" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach4:55
8St. Matthew Passion, BWV 244: Recitative: And behold, one of the others that were there with Jesus
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 34. Recitative "And behold, one of the others that were there with Jesus" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach2:35
9St. Matthew Passion, BWV 244: Chorus: O man, thy grievous sin bemoan
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 35. Chorus "O man, thy grievous sin bemoan" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach6:56
10St. Matthew Passion, BWV 244: Contralto Aria with Chorus: Ah! now is my Saviour gone
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 36. Aria (Contralto) With Chorus "Ah! now is my Saviour gone" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach4:33
11St. Matthew Passion, BWV 244: Recitative: And they that had laid hold on Jesus
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 37. Recitative "And they that had laid hold on Jesus" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:03
12St. Matthew Passion, BWV 244: Chorale: How falsely doth the world accuse!
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 38. Chorale "How falsely doth the world accuse!" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:57
13St. Matthew Passion, BWV 244: Recitative: Yea, though many lying witnesses came forward
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Richard Jackson (baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 39. Recitative "Yea, though many lying witnesses came forward" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:24
14St. Matthew Passion, BWV 244: Recitative: He holds his peace though men accuse him falsely
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals:
Neil Jenkins (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 40. Recitative "He holds his peace though men accuse him falsely" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:05
15St. Matthew Passion, BWV 244: Tenor Aria: Endure, endure
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo cello:
Charles Tunnell (in 1978-09)
solo tenor vocals:
Neil Jenkins (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 41. Aria (Tenor) "Endure, endure" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach3:45
16St. Matthew Passion, BWV 244: Recitative with Chorus: And the high priest answered and said unto him
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo baritone vocals:
Richard Jackson (baritone) (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 42. Recitative with Chorus "And the high priest answered and said unto him" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:43
17St. Matthew Passion, BWV 244: Recitative with Chorus: And then with one accord did they spit in his face
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 43. Recitative with Chorus "And then with one accord did they spit in his face" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:40
18St. Matthew Passion, BWV 244: Chorale: O Lord, who dares to smite Thee?
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 44. Chorale "O Lord, who dares to smite Thee?" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:55
19St. Matthew Passion, BWV 244: Recitative with Chorus: Simon Peter sat outside the court
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 45. Recitative with Chorus "Simon Peter sat outside the court" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:11
20St. Matthew Passion, BWV 244: Recitative: And then began he to curse and to swear
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
bass-baritone vocals [Peter]:
Hugh Davies (bass baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 46. Recitative "And then began he to curse and to swear" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:26
21St. Matthew Passion, BWV 244: Contralto Aria: Have mercy, Lord, on me
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
John Bacon (violinist) (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 47. Aria (Contralto) "Have mercy, Lord, on me" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach6:44
22St. Matthew Passion, BWV 244: Chorale: Lamb of God, I fall before Thee
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 48. Chorale "Lamb of God, I fall before Thee" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:09
23St. Matthew Passion, BWV 244: Recitative with Chorus: Now when the morning came
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
lead vocals [Judas]:
John King (vocalist) (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 49. Recitative with Chorus "Now when the morning came" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:57
24St. Matthew Passion, BWV 244: Recitative: And he cast the silver pieces down in the temple
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Richard Jackson (baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 50. Recitative "And he cast the silver pieces down in the temple" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:58
25St. Matthew Passion, BWV 244: Bass Aria: Give, O give me back my Lord
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
Roger Garland (violinist) (in 1978-09)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 51. Aria (Bass) "Give, O give me back my Lord" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach3:36
26St. Matthew Passion, BWV 244: Recitative: And they took counsel together
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 52. Recitative "And they took counsel together" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach2:18
27St. Matthew Passion, BWV 244: Chorale: Commit thy way to Jesus
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 53. Chorale "Commit thy way to Jesus" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:12
3▼CD: Part 2 (continued)
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244: Recitative with Chorus: At that feast then
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
soprano vocals [Pilate's wife]:
Sandra Wilkes (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 54. Recitative with Chorus "At that feast then" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach2:30
2St. Matthew Passion, BWV 244: Chorale: O wondrous love, that suffers this correction!
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 55. Chorale "O wondrous love, that suffers this correction!" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:56
3St. Matthew Passion, BWV 244: Recitative: The governor answered
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 56. Recitative "The governor answered" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:16
4St. Matthew Passion, BWV 244: Recitative: To all men Jesus good hath done
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo cor anglais [cor anglais I]:
Michael Dobson (oboist) (in 1978-09)
solo cor anglais [cor anglais II]:
Lorraine Wood (oboist) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 57. Recitative "To all men Jesus good hath done" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:17
5St. Matthew Passion, BWV 244: Soprano Aria: For love my Saviour now is dying
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo cor anglais [cor anglais I]:
Michael Dobson (oboist) (in 1978-09)
solo cor anglais [cor anglais II]:
Lorraine Wood (oboist) (in 1978-09)
solo flute:
Richard Adeney (flautist) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 58. Aria (Soprano) "For love my Saviour now is dying" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach5:14
6St. Matthew Passion, BWV 244: Recitative with Chorus: But they cried out the more
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:24
7St. Matthew Passion, BWV 244: Recitative: O gracious God!
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:19
8St. Matthew Passion, BWV 244: Contralto Aria: If my tears be unavailing
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:46
9St. Matthew Passion, BWV 244: Recitative with Chorus: And then did the soldiers of the governor
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:30
10St. Matthew Passion, BWV 244: Chorale: O Sacred Head surrounded by crown of piercing thorn
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1978-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
partial recording of:
St. Matthew Passion (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
publisher:
Novello & Co. Ltd.
arrangement of:
Matthäus-Passion, BWV 244 (St Matthew Passion, BWV 244)
Johann Sebastian Bach2:29
11St. Matthew Passion, BWV 244: Recitative: And after they had mocked at him
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:28
12St. Matthew Passion, BWV 244: Recitative: In truth, to bear the cross
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:42
13St. Matthew Passion, BWV 244: Bass Aria: Come, healing cross
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo viola da gamba:
Adam Skeaping (in 1978-09)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:09
14St. Matthew Passion, BWV 244: Recitative with Chorus: And when they came unto the place that is called Golgotha
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach3:52
15St. Matthew Passion, BWV 244: Recitative: The same was cast in His teeth by the robbers
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:16
16St. Matthew Passion, BWV 244: Recitative: Ah Golgotha! Unhappy Golgotha!
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo cor anglais [cor anglais I]:
Michael Dobson (oboist) (in 1978-09)
solo cor anglais [cor anglais II]:
Lorraine Wood (oboist) (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:47
17St. Matthew Passion, BWV 244: Contralto Aria with Chorus: See ye! See the Saviour's outstretched hands!
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo cor anglais [cor anglais I]:
Michael Dobson (oboist) (in 1978-09)
solo cor anglais [cor anglais II]:
Lorraine Wood (oboist) (in 1978-09)
choir vocals:
The Bach Choir (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:49
18St. Matthew Passion, BWV 244: Recitative with Chorus: Now from the sixth hour
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:47
19St. Matthew Passion, BWV 244: Chorale: Be near me Lord, when dying
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1978-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:45
20St. Matthew Passion, BWV 244: Recitative with Chorus: And then, behold, the veil of the temple was rent
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:06
21St. Matthew Passion, BWV 244: Recitative: At evening, hour of calm and peace
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:32
22St. Matthew Passion, BWV 244: Bass Aria: Make thee clean, my heart, from sin
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:48
23St. Matthew Passion, BWV 244: Recitative with Chorus: And Joseph took the body
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:51
24St. Matthew Passion, BWV 244: Recitative with Chorus: And now the Lord to rest is laid
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
solo tenor vocals:
Neil Jenkins (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
partial recording of:
St. Matthew Passion (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
publisher:
Novello & Co. Ltd.
arrangement of:
Matthäus-Passion, BWV 244 (St Matthew Passion, BWV 244)
Johann Sebastian Bach2:18
25St. Matthew Passion, BWV 244: Chorus: In tears of grief, dear Lord, we leave thee
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
partial recording of:
St. Matthew Passion (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
publisher:
Novello & Co. Ltd.
arrangement of:
Matthäus-Passion, BWV 244 (St Matthew Passion, BWV 244)
Johann Sebastian Bach7:10

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included in:Great Choral Favourites by Various Artists (add compilations to this artist)
excerpts:St. Matthew Passion: Highlights by Bach (Johann Sebastian Bach, German Baroque period composer & musician); The Bach Choir, Sir David Willcocks (UK composer, organist, choral conductor)