Complete Beethoven Edition, Volume 17: Folksong Arrangements

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Annotation

Individual disc cat#s probably run from 787-2 to 793-2.

Annotation last modified on 2014-09-15 19:38 UTC.

Tracklist

1▼CD
#TitleRatingLength
125 Scottish Songs, op. 108 no. 9 “Behold, my love, how green the groves”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Catrin Wyn Davies (soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 9, "Behold My Love How Green the Groves" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:16
225 Scottish Songs, op. 108 no. 10. Sympathy
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
tenor vocals:
Toby Spence (tenor) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 10, "Sympathy" (in 1996-11)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:55
325 Scottish Songs, op. 108 no. 11 “Oh! thou art the lad of my heart, Willy”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 11, "O, Thou Art the Lad of My Heart" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:23
425 Scottish Songs, op. 108 no. 12 “Oh, had my fate been join’d with thine”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 12, "O, Had My Fate Been Join'd With Thine" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
4:46
525 Scottish Songs, op. 108 no. 13 “Come fill, fill, my good fellow!”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
baritone vocals:
Sir Thomas Allen (baritone) (in 1997-03)
soprano vocals:
Janice Watson (soprano) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: no. 13, “Come Fill, Fill, My Good Fellow” (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:12
625 Scottish Songs, op. 108 no. 14 “O, how can I be blithe and glad”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 14, "O, How Can I Be Blithe and Glad" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
1:24
725 Scottish Songs, op. 108 no. 15 “O cruel was my father”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 15, "O Cruel Was My Father" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:38
825 Scottish Songs, op. 108 no. 16 “Could this ill world have been contriv’d”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 16, "Could This Ill World Have Been Contriv'd" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:40
925 Scottish Songs, op. 108 no. 1. Music, Love and Wine
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Catrin Wyn Davies (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 1, "Music, Love and Wine" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
1:56
1025 Scottish Songs, op. 108 no. 2. Sunset
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 2, "Sunset" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:35
1125 Scottish Songs, op. 108 no. 3 “O sweet were the hours”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 3, "O Sweet Were the Hours" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:59
1225 Scottish Songs, op. 108 no. 4. The Maid of Isla
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Christopher Maltman (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 4, "The Maid of Isla" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:09
1325 Scottish Songs, op. 108 no. 5 “The sweetest lad was Jamie”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 5, "The Sweetest Lad Was Jamie" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:00
1425 Scottish Songs, op. 108 no. 6 “Dim, dim is my eye”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 6, "Dim, Dim Is My Eye" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:40
1525 Scottish Songs, op. 108 no. 7. Bonny Laddie, Highland Laddie
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 7, "Bonnie, Laddie, Highland Laddie" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
1:48
1625 Scottish Songs, op. 108 no. 8 “The lovely lass of Inverness”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 8, "The Lovely Lass of Inverness" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:54
1725 Scottish Songs, op. 108 no. 17 “O Mary, at thy window be”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Christopher Maltman (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 17, "O Mary, at Thy Window Be" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:29
1825 Scottish Songs, op. 108 no. 18 “Enchantress, farewell”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
tenor vocals:
Toby Spence (tenor) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 18, "Enchantress, Farewell" (in 1996-11)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
4:07
1925 Scottish Songs, op. 108 no. 19 “O swiftly glides the bonny boat”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
baritone vocals:
Sir Thomas Allen (baritone) (in 1997-03)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1997-03)
soprano vocals:
Janice Watson (soprano) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 19, "O Swiftly Glides the Bonny Boat" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:11
2025 Scottish Songs, op. 108 no. 20. Faithfu’ Johnie
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 20, "Faithfu' Johnie" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
4:19
2125 Scottish Songs, op. 108 no. 21. Jeanie’s Distress
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 21, "Jeanie's Distress" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:19
2225 Scottish Songs, op. 108 no. 22. The Highland Watch
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
baritone vocals:
Sir Thomas Allen (baritone) (in 1997-03)
soprano vocals:
Janice Watson (soprano) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 22, "The Highland Watch" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:15
2325 Scottish Songs, op. 108 no. 23. The Shepherd’s Song
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Christopher Maltman (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 23, "The Shepherd's Song" (in 1996-08)
lyricist:
Joanna Baillie (poet)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:07
2425 Scottish Songs, op. 108 no. 24 “Again, my Lyre, yet once again”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 24, "Again, My Lyre" (in 1996-08)
lyricist:
William Smyth
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:28
2525 Scottish Songs, op. 108 no. 25. Sally in our Alley
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
tenor vocals:
Toby Spence (tenor) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 25, "Sally in Our Alley" (in 1996-11)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:31
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Credits

Release

part of:Complete Beethoven Edition (Deutsche Grammophon) (number: 17) (order: 20)
ASIN:US: B000001GZK [info]
discography entry:http://www.deutschegrammophon.com/cat/4537862 [info]

Release group

part of:Complete Beethoven Edition (Deutsche Grammophon, release groups) (number: 17) (order: 17)