Complete Beethoven Edition, Volume 17: Folksong Arrangements

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Annotation

Individual disc cat#s probably run from 787-2 to 793-2.

Annotation last modified on 2014-09-15 19:38 UTC.

Tracklist

1▶CD
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3▶CD
4▶CD
5▶CD
6▼CD
#TitleRatingLength
112 Scottish Songs, WoO 156 no. 4: “Ye shepherds of this pleasant vale”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 4, "Ye Shepherds of This Pleasant Vale" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
2:48
212 Scottish Songs, WoO 156 no. 3: “Up! Quit thy bower”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 3, "Up! Quit Thy Bower" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
3:34
312 Scottish Songs, WoO 156 no. 7: “Polly Stewart”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 7, "Polly Stewart" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
1:31
412 Scottish Songs, WoO 156 no. 10: “Glencoe”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 10, "Glencoe" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
3:38
512 Scottish Songs, WoO 156 no. 2: “Duncan Gray”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 2, "Duncan Cray" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
2:41
612 Scottish Songs, WoO 156 no. 8: “Womankind”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 8, "Womankind" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
1:15
712 Scottish Songs, WoO 156 no. 1: “The banner of Buccleuch”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 1, "The Banner of Buccleuch" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
2:53
812 Scottish Songs, WoO 156 no. 6: “Highland Harry”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 6, "Highland Harry" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
2:02
912 Scottish Songs, WoO 156 no. 12: “The quaker’s wife”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 12, "The Quaker's Wife" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
1:58
1012 Scottish Songs, WoO 156 no. 9: “Lochnagar”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 9, "Lochnagar" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
4:01
1112 Scottish Songs, WoO 156 no. 5: “Cease your funning”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 5, "Cease Your Funning" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
1:09
1212 Scottish Songs, WoO 156 no. 11: “Auld lang syne”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 11, "Auld Lang Syne" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
Auld Lang Syne (original Scots version, lyrics by Robert Burns)
part of:
Twelve Scottish Folksongs, WoO 156
2:17
137 British Songs, WoO 158b no. 1: “Adieu, my lov’d harp”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Seven British Folksongs, WoO 158/b, "Adieu, My Lov'd Harp" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven British Folksongs, WoO 158b
2:25
147 British Songs, WoO 158b no. 7: “Lament for Owen Roe O’Neill”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Seven British Folksongs, WoO 158/b, "Lament for Owen Roe O'Neill" (in 1996-11)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
The Lament for Owen Roe O'Neill (Original instrumental)
part of:
Seven British Folksongs, WoO 158b
1:40
157 British Songs, WoO 158b no. 5: “Erin! O Erin!”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Seven British Folksongs, WoO 158/b, "Erin! O Erin!" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven British Folksongs, WoO 158b
3:24
167 British Songs, WoO 158b no. 4: “Red gleams the sun on yon hill tap”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Seven British Folksongs, WoO 158/b, "Red Gleam The Sun on Yon Hill Tab" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven British Folksongs, WoO 158b
1:57
177 British Songs, WoO 158b no. 2: “Castle O’Neill”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Seven British Folksongs, WoO 158/b, "Castle O'Neill" (in 1996-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven British Folksongs, WoO 158b
1:26
187 British Songs, WoO 158b no. 6: “O Mary, ye’s be clad in silk”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Seven British Folksongs, WoO 158/b, "O Mary, ye's be clad in silk" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven British Folksongs, WoO 158b
2:41
197 British Songs, WoO 158b no. 3: “O was not I a weary wight! (Oh Ono Chri!)”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Seven British Folksongs, WoO 158/b, "Oh, Ono Chrio (O Was Not I a Weary Wight!)" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven British Folksongs, WoO 158b
4:25
206 Songs of Various Nationalities, WoO 158c no. 3: “Mark yonder pomp of costly fashion”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
tenor vocals:
Toby Spence (tenor) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Six Assorted Folksongs, WoO 158/c, "Mark Yonder Pomp of Costly Fashion" (in 1996-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Assorted Folk Songs, WoO 158c
3:29
216 Songs of Various Nationalities, WoO 158c no. 1: “When my hero in court appears”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Six Assorted Folksongs, WoO 158/c, "When my Hero in Court Appears" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Assorted Folk Songs, WoO 158c
2:53
226 Songs of Various Nationalities, WoO 158c no. 4: “Bonnie wee thing”
producer:
Lennart Dehn
piano:
Malcolm Martineau (pianist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-08)
soprano vocals:
Catrin Wyn Davies (soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Assorted Folk Songs, WoO 158c
2:03
236 Songs of Various Nationalities, WoO 158c no. 5: “From thee, Eliza, I must go”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Catrin Wyn Davies (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Assorted Folk Songs, WoO 158c
2:44
246 Songs of Various Nationalities, WoO 158c no. 6: [untitled]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Six Assorted Folksongs, WoO 158/c, "untitled" (in 1996-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Assorted Folk Songs, WoO 158c
1:43
256 Songs of Various Nationalities, WoO 158c no. 2: “Non, non, Colette n’est Point Trompeuse”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
tenor vocals:
Toby Spence (tenor) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Six Assorted Folksongs, WoO 158/c, "Air de Colin (Non, non, Colette n'est point trompeuse)" (in 1996-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Assorted Folk Songs, WoO 158c
1:39
7▶CD

Credits

Release

part of:Complete Beethoven Edition (Deutsche Grammophon) (number: 17) (order: 20)
ASIN:US: B000001GZK [info]
discography entry:http://www.deutschegrammophon.com/cat/4537862 [info]

Release group

part of:Complete Beethoven Edition (Deutsche Grammophon, release groups) (number: 17) (order: 17)