Complete Beethoven Edition, Volume 17: Folksong Arrangements

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Annotation

Individual disc cat#s probably run from 787-2 to 793-2.

Annotation last modified on 2014-09-15 19:38 UTC.

Tracklist

| |
1▼CD
#TitleRatingLength
125 Scottish Songs, op. 108 no. 9 “Behold, my love, how green the groves”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Catrin Wyn Davies (soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 9, "Behold My Love How Green the Groves" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:16
225 Scottish Songs, op. 108 no. 10. Sympathy
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
tenor vocals:
Toby Spence (tenor) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 10, "Sympathy" (in 1996-11)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:55
325 Scottish Songs, op. 108 no. 11 “Oh! thou art the lad of my heart, Willy”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 11, "O, Thou Art the Lad of My Heart" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:23
425 Scottish Songs, op. 108 no. 12 “Oh, had my fate been join’d with thine”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 12, "O, Had My Fate Been Join'd With Thine" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
4:46
525 Scottish Songs, op. 108 no. 13 “Come fill, fill, my good fellow!”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
baritone vocals:
Sir Thomas Allen (baritone) (in 1997-03)
soprano vocals:
Janice Watson (soprano) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: no. 13, “Come Fill, Fill, My Good Fellow” (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:12
625 Scottish Songs, op. 108 no. 14 “O, how can I be blithe and glad”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 14, "O, How Can I Be Blithe and Glad" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
1:24
725 Scottish Songs, op. 108 no. 15 “O cruel was my father”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 15, "O Cruel Was My Father" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:38
825 Scottish Songs, op. 108 no. 16 “Could this ill world have been contriv’d”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 16, "Could This Ill World Have Been Contriv'd" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:40
925 Scottish Songs, op. 108 no. 1. Music, Love and Wine
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Catrin Wyn Davies (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 1, "Music, Love and Wine" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
1:56
1025 Scottish Songs, op. 108 no. 2. Sunset
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 2, "Sunset" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:35
1125 Scottish Songs, op. 108 no. 3 “O sweet were the hours”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 3, "O Sweet Were the Hours" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:59
1225 Scottish Songs, op. 108 no. 4. The Maid of Isla
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Christopher Maltman (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 4, "The Maid of Isla" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:09
1325 Scottish Songs, op. 108 no. 5 “The sweetest lad was Jamie”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 5, "The Sweetest Lad Was Jamie" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:00
1425 Scottish Songs, op. 108 no. 6 “Dim, dim is my eye”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 6, "Dim, Dim Is My Eye" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:40
1525 Scottish Songs, op. 108 no. 7. Bonny Laddie, Highland Laddie
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 7, "Bonnie, Laddie, Highland Laddie" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
1:48
1625 Scottish Songs, op. 108 no. 8 “The lovely lass of Inverness”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 8, "The Lovely Lass of Inverness" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:54
1725 Scottish Songs, op. 108 no. 17 “O Mary, at thy window be”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Christopher Maltman (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 17, "O Mary, at Thy Window Be" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:29
1825 Scottish Songs, op. 108 no. 18 “Enchantress, farewell”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
tenor vocals:
Toby Spence (tenor) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 18, "Enchantress, Farewell" (in 1996-11)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
4:07
1925 Scottish Songs, op. 108 no. 19 “O swiftly glides the bonny boat”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
baritone vocals:
Sir Thomas Allen (baritone) (in 1997-03)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1997-03)
soprano vocals:
Janice Watson (soprano) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 19, "O Swiftly Glides the Bonny Boat" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:11
2025 Scottish Songs, op. 108 no. 20. Faithfu’ Johnie
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 20, "Faithfu' Johnie" (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
4:19
2125 Scottish Songs, op. 108 no. 21. Jeanie’s Distress
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 21, "Jeanie's Distress" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:19
2225 Scottish Songs, op. 108 no. 22. The Highland Watch
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
baritone vocals:
Sir Thomas Allen (baritone) (in 1997-03)
soprano vocals:
Janice Watson (soprano) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 22, "The Highland Watch" (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:15
2325 Scottish Songs, op. 108 no. 23. The Shepherd’s Song
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Christopher Maltman (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 23, "The Shepherd's Song" (in 1996-08)
lyricist:
Joanna Baillie (poet)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:07
2425 Scottish Songs, op. 108 no. 24 “Again, my Lyre, yet once again”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 24, "Again, My Lyre" (in 1996-08)
lyricist:
William Smyth
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:28
2525 Scottish Songs, op. 108 no. 25. Sally in our Alley
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
tenor vocals:
Toby Spence (tenor) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 25, "Sally in Our Alley" (in 1996-11)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:31
2▼CD
#TitleRatingLength
125 Irish Songs, WoO 152 no. 1. The Return to Ulster
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 1, "The Return to Ulster" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
5:21
225 Irish Songs, WoO 152 no. 7 “His boat comes on the sunny tide”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
25 Irish Songs, WoO 152: No. 7, "His Boat Comes on the Sunny Tide" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
2:20
325 Irish Songs, WoO 152 no. 4 “The morning air plays on my face”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 4, "The Morning Air Plays on My Face" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
2:54
425 Irish Songs, WoO 152 no. 2. Sweet Power of Song!
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 2 "Sweet power of song" (duet) (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
3:53
525 Irish Songs, WoO 152 no. 5. On the Massacre of Glencoe
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
25 Irish Songs, WoO 152: No. 5 "On the massacre of Glencoe" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
4:47
625 Irish Songs, WoO 152 no. 10. The Deserter
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 10 "The deserter" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
1:52
725 Irish Songs, WoO 152 no. 12. English Bulls (A.K.A. The Irishman in London)
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 12, "English Bulls" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
2:37
825 Irish Songs, WoO 152 no. 6 “What shall I do to shew her how much I love her?”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 6 "What shall I do to shew how much I love her?" (duet) (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
2:34
925 Irish Songs, WoO 152 no. 21 “Morning a cruel turmoiler is”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 21 "Morning a cruel turmoiler is" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
2:25
1025 Irish Songs, WoO 152 no. 3 “Once more I hail thee”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 3, "Once More I Hail Thee" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
4:31
1125 Irish Songs, WoO 152 no. 8 “Come draw we round a cheerful ring”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
25 Irish Songs, WoO 152: No. 8 "Come draw we round a cheerful ring" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
1:41
1225 Irish Songs, WoO 152 no. 9 “Our bugles sung truce” (A.K.A. The Soldier’s Dream)
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 9, "The Soldier's Dream" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
5:23
1325 Irish Songs, WoO 152 no. 18 “They bid me slight my dermot dear”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 18, "They Bid Me Slight My Dermot Dear" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
3:22
1425 Irish Songs, WoO 152 no. 13 “Musing on the roaring ocean”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recording of:
25 Irish Songs, WoO 152: No. 13 "Musing on the roaring ocean" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
2:20
1525 Irish Songs, WoO 152 no. 14. Dermot and Shelah
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
25 Irish Songs, WoO 152: No. 14, "Dermot and Shelah" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
2:34
1625 Irish Songs, WoO 152 no. 25 “O harp of Erin”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
25 Irish Songs, WoO 152: No. 25, "Oh Harp of Erin" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
3:54
1725 Irish Songs, WoO 152 no. 22 “From Garyone, my happy home”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
25 Irish Songs, WoO 152: No. 22, "From Garyone, My Happy Home" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
4:11
1825 Irish Songs, WoO 152 no. 11 “Thou emblem of faith”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 11 "Thou emblem of faith" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
4:23
1925 Irish Songs, WoO 152 no. 15 “Let brain‐spinning swains”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 15 "Let brain-spinning swains" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
2:08
2025 Irish Songs, WoO 152 no. 16 “Hide not thy anguish”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
25 Irish Songs, WoO 152: No. 16, "Hide Not Thy Anguish" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
3:02
2125 Irish Songs, WoO 152 no. 19. Wife, Children and Friends
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 19 "Wife, children and friends" (duet) (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
3:57
2225 Irish Songs, WoO 152 no. 17 “In vain to this desert my fate I deplore”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
25 Irish Songs, WoO 152: No. 17 "In vain to this desert" (duet) (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
3:31
3▼CD
#TitleRatingLength
125 Irish Songs, WoO 152 no. 23 “A wand’ring gypsey, Sirs, am I”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
25 Irish Songs, WoO 152: No. 23 "The wand'ring gypsy" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
2:21
225 Irish Songs, WoO 152 no. 20 “Farewell bliss and farewell Nancy”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
25 Irish Songs, WoO 152: No. 20 "Farewell bliss and farewell Nancy" (duet) (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
2:54
325 Irish Songs, WoO 152 no. 24. The Traugh Welcome
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
25 Irish Songs, WoO 152: No. 24 "The Traugh welcome" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
1:55
420 Irish Songs, WoO 153 no. 6 “Sad and luckless was the season”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
tenor vocals:
Toby Spence (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 6, "Sad and Luckless Was the Season" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
4:00
520 Irish Songs, WoO 153 no. 3. The British Light Dragoons (A.K.A. The Plain of Badajos)
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
tenor vocals:
Toby Spence (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 3, "The British Light Dragoons" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
2:44
620 Irish Songs, WoO 153 no. 1 “When eve’s last rays in twilight die”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
tenor vocals:
Toby Spence (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 1 "When eve's last rays in twilight" (duet) (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
3:20
720 Irish Songs, WoO 153 no. 4 “Since greybeards inform us that youth will decay”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 4 "Since greybeards inpourm us that youth will decay" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
1:47
820 Irish Songs, WoO 153 no. 2 “No riches from his scanty store”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 2, "No Riches From His Scanty Store" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
3:17
920 Irish Songs, WoO 153 no. 5 “I dream’d I lay where flow’rs were springing”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 5 "I dream'd I lay where flowers were springing" (duet) (in 1996-07)
lyricist:
Robert Burns (18th century Scottish poet/lyricist) (in 1776)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
2:40
1020 Irish Songs, WoO 153 no. 9 “The kiss, dear maid, thy lip has left”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 9, "The Kiss, Dear Maid, Thy Lip Has Left" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
3:01
1120 Irish Songs, WoO 153 no. 7 “O soothe me, my lyre”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
20 Irish Songs WoO 153: No. 7 "O soothe me, my lyre" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
2:42
1220 Irish Songs, WoO 153 no. 15 “’Tis but in vain, for nothing thrives”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
20 Irish Songs WoO 153: No. 15 "'t is but in vain, pour nothing thrives" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
4:12
1320 Irish Songs, WoO 153 no. 11 “When far from the home”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
20 Irish Songs WoO 153: No. 11, "When Far From the Home" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
2:39
1420 Irish Songs, WoO 153 no. 13 “’Tis sunshine at last”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
tenor vocals:
Toby Spence (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 13, "'Tis Sunshine at Last" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
3:25
1520 Irish Songs, WoO 153 no. 8. Norah of Balamagairy “Farewell mirth and hilarity”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 8 Farewell mirth and hilarity: "Norah of Balamagairy" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
3:12
1620 Irish Songs, WoO 153 no. 19 “Judy, lovely matchless creature”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
tenor vocals:
Toby Spence (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 19, "Judy, Lovely, Matchless Creature" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
2:13
1720 Irish Songs, WoO 153 no. 12 “I’ll praise the saints with early song”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 12, "I'll Praise the Saints" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
4:31
1820 Irish Songs, WoO 153 no. 18 “No more, my Mary, I sigh for splendour”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
tenor vocals:
Toby Spence (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 18, "No More, My Mary" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
1:53
1920 Irish Songs, WoO 153 no. 20 “Thy ship must sail, my Henry dear”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 20 "Thy ship must sail, my Henry dear" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
2:47
2020 Irish Songs, WoO 153 no. 14. Paddy O’Rafferty
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
20 Irish Songs WoO 153: No. 14, "Paddy O'Rafferty" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
2:30
2120 Irish Songs, WoO 153 no. 16 “O might I but my Patrick love!”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 16, "O Might I but My Patrick Love" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
4:15
2220 Irish Songs, WoO 153 no. 10 “Oh! Thou hapless soldier”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
baritone vocals:
Christopher Maltman (baritone) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 10 "The hapless soldier" (duet) (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
2:34
2320 Irish Songs, WoO 153 no. 17 “Come, Darby dear! easy, be easy”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
20 Irish Songs WoO 153: No. 17 "Come, Darby dear, easy, be easy" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
2:04
4▼CD
#TitleRatingLength
112 Irish Songs, WoO 154 no. 2: “O harp of Erin”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
12 Irish Songs WoO 154: No. 2, "O Harp of Erin" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
4:24
212 Irish Songs, WoO 154 no. 12: “He promised me at parting”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
12 Irish Songs WoO 154: No. 12, "He Promised Me at Parting" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
2:00
312 Irish Songs, WoO 154 no. 4: “The pulse of an Irishman”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
12 Irish Songs WoO 154: No. 4, "The Pulse of an Irishman" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
2:37
412 Irish Songs, WoO 154 no. 3: “The farewell song”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
12 Irish Songs WoO 154: No. 3, "The Farewell Song" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
2:41
512 Irish Songs, WoO 154 no. 8: “Save me from the grave and wise”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
alto vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
tenor vocals:
Toby Spence (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
12 Irish Songs WoO 154: No. 8, "Save Me From the Grace and Wise" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
2:01
612 Irish Songs, WoO 154 no. 9: “O would I were but that sweet linnet!”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
12 Irish Songs WoO 154: No. 9, "Oh! Would I Were but That Sweet Linnet!" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
3:40
712 Irish Songs, WoO 154 no. 10: “The hero may perish”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
12 Irish Songs WoO 154: No. 10, "The Hero May Perish" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
2:28
812 Irish Songs, WoO 154 no. 6: “Put round the bright wine”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
12 Irish Songs WoO 154: No. 6, "Put Round the Bright Wine" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
2:22
912 Irish Songs, WoO 154 no. 5: “O who, my dear Dermot”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
soprano vocals:
Janice Watson (soprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
12 Irish Songs WoO 154: No. 5, "Oh! Who, My Dear Dermot" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
2:21
1012 Irish Songs, WoO 154 no. 7: “From Garyone, my happy home”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
12 Irish Songs WoO 154: No. 7, "From Garyone, My Happy Home" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
3:56
1112 Irish Songs, WoO 154 no. 11: “The soldier in a foreign land”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
12 Irish Songs WoO 154: No. 11, "The Soldier in a Foreign Land" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
4:07
1212 Irish Songs, WoO 154 no. 1: “The elfin fairies”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1997-03)
soprano vocals:
Janice Watson (soprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
12 Irish Songs WoO 154: No. 1, "The Elfin Fairies" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
2:35
1312 Songs of Various Nationalities, WoO 157 no. 1: “God save the king”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
baritone vocals:
Sir Thomas Allen (baritone) (in 1997-03)
soprano vocals:
Janice Watson (soprano) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twelve Various Folksongs, WoO 157: No. 1, “God Save the King” (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
orchestration of:
God Save the King (national anthem of several countries in the British Commonwealth)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
4:27
1412 Songs of Various Nationalities, WoO 157 no. 2: “The soldier”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Various Folksongs, WoO 157: No. 2, "The Soldier" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
3:08
1512 Songs of Various Nationalities, WoO 157 no. 3: “Charlie is my darling”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08) and Ruby Philogene (mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Various Folksongs, WoO 157: No. 3, "Charlie Is My Darling" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
2:04
1612 Songs of Various Nationalities, WoO 157 no. 4: “O Sanctissima”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
baritone vocals:
Sir Thomas Allen (baritone) (in 1997-03)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1997-03)
soprano vocals:
Janice Watson (soprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twelve Various Folksongs, WoO 157: No. 4, "O Sanctissima" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
1:37
1712 Songs of Various Nationalities, WoO 157 no. 5: “The miller of Dee”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Various Folksongs, WoO 157: No. 5, "The Miller of Dee" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
3:11
1812 Songs of Various Nationalities, WoO 157 no. 6: “A health to the brave”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Various Folksongs, WoO 157: No. 6, "A Health to the Brave" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
2:42
1912 Songs of Various Nationalities, WoO 157 no. 9: “Highlander’s lament”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
baritone vocals:
Sir Thomas Allen (baritone) (in 1997-03)
soprano vocals:
Janice Watson (soprano) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twelve Various Folksongs, WoO 157: No. 9, "Highlander's Lament" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
3:52
2012 Songs of Various Nationalities, WoO 157 no. 8: “By the side of the shannon”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Various Folksongs, WoO 157: No. 8, "By the Side of the Shannon" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
2:21
2112 Songs of Various Nationalities, WoO 157 no. 11: “The wandering minstrel”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
baritone vocals:
Sir Thomas Allen (baritone) (in 1997-03)
soprano vocals:
Janice Watson (soprano) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twelve Various Folksongs, WoO 157: No. 11, "The Wandering Minstrel" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
3:34
2212 Songs of Various Nationalities, WoO 157 no. 10: “Sir Johnnie Cope”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Twelve Various Folksongs, WoO 157: No. 10, "Sir Johnnie Cope" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
4:40
2312 Songs of Various Nationalities, WoO 157 no. 7: “Robin Adair”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
baritone vocals:
Sir Thomas Allen (baritone) (in 1997-03)
soprano vocals:
Janice Watson (soprano) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Twelve Various Folksongs, WoO 157: No. 7, "Robin Adair" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
is based on:
Robin Adair
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
4:43
2412 Songs of Various Nationalities, WoO 157 no. 12: “La gondoletta”
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Twelve Various Folksongs, WoO 157: No. 12, "La Gondoletta" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
3:06
5▶CD
6▶CD
7▶CD

Credits

Release

part of:Complete Beethoven Edition (Deutsche Grammophon) (number: 17) (order: 20)
ASIN:US: B000001GZK [info]
discography entry:http://www.deutschegrammophon.com/cat/4537862 [info]

Release group

part of:Complete Beethoven Edition (Deutsche Grammophon, release groups) (number: 17) (order: 17)