Christmas Cantatas - Weihnachtskantate

~ Release by Johann Sebastian Bach; Ton Koopman, Amsterdam Baroque Orchestra (see all versions of this release, 2 available)

Annotation

Copyright: © 2003 Challenge Classics

Annotation last modified on 2024-11-02 14:45 UTC.

Tracklist

1▶Digital Media
2▶Digital Media
3▼Digital Media
#TitleArtistRatingLength
1Tritt auf die Glaubensbahn, BWV 152 - Sinfonia
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:16
2Tritt auf die Glaubensbahn, BWV 152 - Aria Bass: Tritt auf die Glaubensbahn
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn" (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach2:42
3Tritt auf die Glaubensbahn, BWV 152 - Recitative Bass: Der Heiland ist gesetzt
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt" (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:42
4Tritt auf die Glaubensbahn, BWV 152 - Aria Soprano: Stein, der über alle Schätze
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:42
5Tritt auf die Glaubensbahn, BWV 152 - Recitative Bass: Es ärgre sich die Klunge Welt
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt" (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:22
6Tritt auf die Glaubensbahn, BWV 152 - Duet Soprano, Bass: Wie soll ich dich, Liebster der Seelen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-05)
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?" (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:23
7Jesu, nun sei gepreiset, BWV 41 - Chorus: Jesu, nun sei gepreiset
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": I. Coro "Jesu, nun sei gepreiset" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach7:42
8Jesu, nun sei gepreiset, BWV 41 - Aria Soprano: Laß uns, o Höchster Gott
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sibylla Rubens (soprano) (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": II. Aria (Soprano) "Laß uns, o höchster Gott, das Jahr vollbringen" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach5:27
9Jesu, nun sei gepreiset, BWV 41 - Recitative Alto: Ach! deine Hand, dein Segen muß allein
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Annette Markert (mezzo-soprano) (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": III. Recitativo (Alto) "Ach! deine Hand, dein Segen" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach1:04
10Jesu, nun sei gepreiset, BWV 41 - Aria Tenor: Woferne du den edlen Frienden
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Christoph Prégardien (tenor) (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": IV. Aria (Tenore) "Woferne du den edlen Frieden" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach8:17
11Jesu, nun sei gepreiset, BWV 41 - Recitative Bass: Doch weil der Feind
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1999-10)
choir vocals:
Amsterdam Baroque Choir (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": V. Recitativo (Basso) e Coro "Doch weil der Feind bei Tag und Nacht" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach0:53
12Jesu, nun sei gepreiset, BWV 41 - Choral: Dein ist allein die Ehre
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": VI. Choral "Dein ist allein die Ehre" (in 1999-10)
lyricist:
Johannes Hermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 204)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach1:50
13Singet dem Herrn ein neues Lied, BWV 190 - Chorus: Singet dem Herrn ein neues Lied
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
chorus master:
Simon Schouten (chorus master) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": I. Coro "Singet dem Herrn ein neues Lied" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach4:19
14Singet dem Herrn ein neues Lied, BWV 190 - Recitative A, T, B and Chorale: Herr Gott, dich loben wir
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1997-04 until 1997-09)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1997-04 until 1997-09)
choir vocals:
Amsterdam Baroque Choir (from 1997-04 until 1997-09)
tenor vocals:
Paul Agnew (tenor and conductor) (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
chorus master:
Simon Schouten (chorus master) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": II. Choral e Recitativo (Bass, Tenor, Alt) "Herr Gott, dich loben wir" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:43
15Singet dem Herrn ein neues Lied, BWV 190 - Aria Alto: Lobe, Zion, deinen Gott
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach2:33
16Singet dem Herrn ein neues Lied, BWV 190 - Recitative Bass: Es wünsche sich die Welt
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": IV. Recitativo (Bass) "Es wünsche sich die Welt" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:23
17Singet dem Herrn ein neues Lied, BWV 190 - Aria Tenor, Bass: Jesus soll mein alles sein
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1997-04 until 1997-09)
tenor vocals:
Paul Agnew (tenor and conductor) (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": V. Duetto (Tenor, Bass) "Jesus soll mein alles sein" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach3:06
18Singet dem Herrn ein neues Lied, BWV 190 - Recitative Tenor: Nun, Jesus gebe, daß mit dem neuen Jahr
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VI. Recitativo (Tenor) "Nun, Jesus, gebe" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:40
19Singet dem Herrn ein neues Lied, BWV 190 - Chorale: Laß uns das Jahr vollbringen
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
chorus master:
Simon Schouten (chorus master) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VII. Choral "Laß uns das Jahr vollbringen" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
lyricist:
Johannes Hermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 205)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:30
20Sie werden aus Saba alle kommen, BWV 65 - Chorus: Sie werden aus Saba alle kommen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:17
21Sie werden aus Saba alle kommen, BWV 65 - Chorale: Die Kön'ge aus Saba kamen dar
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach0:21
22Sie werden aus Saba alle kommen, BWV 65 - Recitative Bass: Was dort Jesaias vorhergesehn
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:50
23Sie werden aus Saba alle kommen, BWV 65 - Aria Bass: Gold aus Ophir ist zu slecht
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach2:51
24Sie werden aus Saba alle kommen, BWV 65 - Recitative Tenor: Verschmähe nicht
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:11
25Sie werden aus Saba alle kommen, BWV 65 - Aria Tenor: Nimm mich dir zu eigen hin
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:32
26Sie werden aus Saba alle kommen, BWV 65 - Chorale: Ei nun, mein Gott, so fall ich dir
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1998-03)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:05