Christmas Cantatas - Weihnachtskantate

~ Release by Johann Sebastian Bach; Ton Koopman, Amsterdam Baroque Orchestra (see all versions of this release, 2 available)

Annotation

Copyright: © 2003 Challenge Classics

Annotation last modified on 2024-11-02 14:45 UTC.

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Das neugeborne Kindelein, BWV 122 - Chorale: Das neugeborne Kindelein
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": I. Coro "Das neugeborne Kindelein" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach3:24
2Das neugeborne Kindelein, BWV 122 - Aria Bass: O Menschen, die ihr täglich sündigt
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": II. Aria (Bass) "O Menschen, die ihr täglich sündigt" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach4:53
3Das neugeborne Kindelein, BWV 122 - Recitative Soprano: Die Engel, welche sich zuvor
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": III. Recitativo (Sopran) "Die Engel, welche sich zuvor" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:20
4Das neugeborne Kindelein, BWV 122 - Aria Terzetto S, A, T: Ist Gott versöhnt und unser Freund
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Franziska Gottwald (from 2000-11-25 until 2000-12-02)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) "Ist Gott versöhnt" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach2:17
5Das neugeborne Kindelein, BWV 122 - Recitative Bass: Dies ist ein Tag
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": V. Recitativo (Bass) "Dies ist ein Tag, den selbst der Herr gemacht" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:15
6Das neugeborne Kindelein, BWV 122 - Chorale: Es bringt das rechte Jubeljahr
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": VI. Choral "Es bringt das rechte Jubeljahr" (from 2000-11-25 until 2000-12-02)
lyricist:
Cyriacus Schneegaß
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Breitkopf 389 Choralgesänge (number: 57)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach0:30
7Gloria in excelsis Deo, BWV 191 - Chorus: Gloria in excelsis Deo
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach6:45
8Gloria in excelsis Deo, BWV 191 - Duet Soprano, Tenor: Gloria Patri et Filio
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Caroline Stam (from 1999-03-09 until 1999-03-17)
tenor vocals:
Paul Agnew (tenor and conductor) (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach3:58
9Gloria in excelsis Deo, BWV 191 - Chorus: Sicut erat in principio
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach4:07
10Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Chorus: Sehet, welch eine Liebe hat uns der Vater erzeiget
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach2:17
11Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Chorale: Da hat er alles uns getan
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (in 1998-03)
composer:
Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:38
12Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Recitative Alto:Geh, Welt! Behalte nur das Deine
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:43
13Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Chorale: Was graf ich nach der Welt
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (in 1998-03)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:46
14Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Aria Soprano: Was die Welt in sich hält
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:23
15Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Recitative Bass: Der Himmel bleibet mir gewiß
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:09
16Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Aria Alto: Von der Welt verlang ich nichts
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:46
17Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Chorale: Gute Nacht, o Wesen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (in 1998-03)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:03
18Christum wir sollen loben schon, BWV 121 - Chorus: Christum wir sollen loben schon
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach2:36
19Christum wir sollen loben schon, BWV 121 - Aria Tenor: O du von Gott erhöhte Kreatur
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Christoph Prégardien (tenor) (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach5:40
20Christum wir sollen loben schon, BWV 121 - Recitative Alto: Der Gnade unermeßlichs Wesen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Annette Markert (mezzo-soprano) (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:03
21Christum wir sollen loben schon, BWV 121 - Aria Bass: Johannis freudenvolles Springen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach8:20
22Christum wir sollen loben schon, BWV 121 - Recitative Soprano: Doch wie erblickt es dich in deiner Krippe?
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach0:56
23Christum wir sollen loben schon, BWV 121 - Chorale: Lob, Ehr und Dank sei dir gesagt
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (in 2000-03)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach0:59
3▶Digital Media