Christmas Cantatas - Weihnachtskantate

~ Release by Johann Sebastian Bach; Ton Koopman, Amsterdam Baroque Orchestra (see all versions of this release, 2 available)

Annotation

Copyright: © 2003 Challenge Classics

Annotation last modified on 2024-11-02 14:45 UTC.

Tracklist

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1▼Digital Media
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1Ich freue mich in dir, BWV 133 - Chorus: Ich freue mich in dir
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach3:52
2Ich freue mich in dir, BWV 133 - Aria Alto: Getrost! Es faßt ein heilger Leib
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Franziska Gottwald (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:07
3Ich freue mich in dir, BWV 133 - Recitative Tenor: Ein Adam mag sich voller Schrecken
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:57
4Ich freue mich in dir, BWV 133 - Aria Soprano: Wie lieblich klingt es in den Ohren
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach7:28
5Ich freue mich in dir, BWV 133 - Recitative Bass: Wohlan! Des Todes Furcht und Schmerz
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:59
6Ich freue mich in dir, BWV 133 - Chorale: Wohlan, so will ich mich
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich" (from 2000-11-25 until 2000-12-02)
lyricist:
Caspar Ziegler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 181)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:00
7Gelobet seist du, Jesu Christ, BWV 91 - Chorale: Gelobet seist du, Jesu Christ
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": I. Coro "Gelobet seist du, Jesu Christ" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach2:48
8Gelobet seist du, Jesu Christ, BWV 91 - Recitative Soprano and Chorale: Der Glanz der höchsten Herrlichkeit
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 2000-03)
soprano vocals:
Lisa Larsson (soprano) (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": II. Recitativo (Sopran) e Choral "Der Glanz der höchsten Herrlichkeit" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:38
9Gelobet seist du, Jesu Christ, BWV 91 - Aria Tenor: Gott, dem der Erden Kreis zu klein
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Christoph Prégardien (tenor) (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": III. Aria (Tenor) "Gott, dem der Erden Kreis zu klein" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach2:45
10Gelobet seist du, Jesu Christ, BWV 91 - Recitative Bass: O Christenheit
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": IV. Recitativo (Bass) "O Christenheit!" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:18
11Gelobet seist du, Jesu Christ, BWV 91 - Aria Soprano, Alto: Die Armut, so Gott auf sich nimmt
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Annette Markert (mezzo-soprano) (in 2000-03)
soprano vocals:
Lisa Larsson (soprano) (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": V. Aria (Duetto Sopran, Alt) "Die Armut, so Gott auf sich nimmt" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach7:01
12Gelobet seist du, Jesu Christ, BWV 91 - Chorale: Das hat er alles uns getan
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": VI. Choral "Das hat er alles uns getan" (in 2000-03)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 109)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach0:46
13Christen, ätzet diesen Tag, BWV 63 - Chorus: Christen, ätzet diesen Tag
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach4:46
14Christen, ätzet diesen Tag, BWV 63 - Recitative Alto: O selger Tag! O ungemeines Heute
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:16
15Christen, ätzet diesen Tag, BWV 63 - Aria duet: Soprano, Bass: Gott, du hast es wohl gefüget
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-09)
soprano vocals:
Ruth Holton (soprano) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:52
16Christen, ätzet diesen Tag, BWV 63 - Recitative Tenor: So kehret sich nun heut das bange Leid
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:54
17Christen, ätzet diesen Tag, BWV 63 - Aria duet: Alto, Tenor: Ruft und fleht den Himmel an
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1995-09)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach4:08
18Christen, ätzet diesen Tag, BWV 63 - Recitative Bass: Verdoppelt euch demnach
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:58
19Christen, ätzet diesen Tag, BWV 63 - Chorus: Höchster, schau in Gnaden an
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach7:22
20Dazu ist erschienen der Sohn Gottes, BWV 40 - Chorus: Dazu ist erschienen der Sohn Gottes
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach3:28
21Dazu ist erschienen der Sohn Gottes, BWV 40 - Recitative Tenor: Das Wordt war Fleisch
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": II. Recitativo (Tenore) "Das Wort ward Fleisch" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach1:07
22Dazu ist erschienen der Sohn Gottes, BWV 40 - Chorale: Die Sünd macht Leid
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": III. Choral "Die Sünd macht Leid" (in 1998-03)
lyricist:
Kaspar Füger (16th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 379)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach0:46
23Dazu ist erschienen der Sohn Gottes, BWV 40 - Aria Bass: Höllische Schlange
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": IV. Aria (Basso) "Höllische Schlange" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach2:02
24Dazu ist erschienen der Sohn Gottes, BWV 40 - Recitative Alt: Die Schlange, so im Paradies
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": V. Recitativo (Alto) "Die Schlange, so im Paradies" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach1:29
25Dazu ist erschienen der Sohn Gottes, BWV 40 - Chorale: Schüttle deinen Kopf und sprich
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VI. Choral "Schüttle deinen Kopf und sprich" (in 1998-03)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 305)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach0:46
26Dazu ist erschienen der Sohn Gottes, BWV 40 - Aria Tenor: Christenkinder, freuet euch
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VII. Aria (Tenore) "Christenkinder, freuet euch!" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach3:24
27Dazu ist erschienen der Sohn Gottes, BWV 40 - Chorale: Nimm dich deiner Glieder
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VIII. Choral "Jesu, nimm dich deiner Glieder" (in 1998-03)
lyricist:
Christian Keymann (17th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 105)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach1:03
2▼Digital Media
#TitleArtistRatingLength
1Das neugeborne Kindelein, BWV 122 - Chorale: Das neugeborne Kindelein
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": I. Coro "Das neugeborne Kindelein" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach3:24
2Das neugeborne Kindelein, BWV 122 - Aria Bass: O Menschen, die ihr täglich sündigt
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": II. Aria (Bass) "O Menschen, die ihr täglich sündigt" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach4:53
3Das neugeborne Kindelein, BWV 122 - Recitative Soprano: Die Engel, welche sich zuvor
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": III. Recitativo (Sopran) "Die Engel, welche sich zuvor" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:20
4Das neugeborne Kindelein, BWV 122 - Aria Terzetto S, A, T: Ist Gott versöhnt und unser Freund
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Franziska Gottwald (from 2000-11-25 until 2000-12-02)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) "Ist Gott versöhnt" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach2:17
5Das neugeborne Kindelein, BWV 122 - Recitative Bass: Dies ist ein Tag
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": V. Recitativo (Bass) "Dies ist ein Tag, den selbst der Herr gemacht" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:15
6Das neugeborne Kindelein, BWV 122 - Chorale: Es bringt das rechte Jubeljahr
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": VI. Choral "Es bringt das rechte Jubeljahr" (from 2000-11-25 until 2000-12-02)
lyricist:
Cyriacus Schneegaß
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Breitkopf 389 Choralgesänge (number: 57)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach0:30
7Gloria in excelsis Deo, BWV 191 - Chorus: Gloria in excelsis Deo
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach6:45
8Gloria in excelsis Deo, BWV 191 - Duet Soprano, Tenor: Gloria Patri et Filio
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Caroline Stam (from 1999-03-09 until 1999-03-17)
tenor vocals:
Paul Agnew (tenor and conductor) (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach3:58
9Gloria in excelsis Deo, BWV 191 - Chorus: Sicut erat in principio
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach4:07
10Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Chorus: Sehet, welch eine Liebe hat uns der Vater erzeiget
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach2:17
11Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Chorale: Da hat er alles uns getan
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (in 1998-03)
composer:
Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:38
12Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Recitative Alto:Geh, Welt! Behalte nur das Deine
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:43
13Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Chorale: Was graf ich nach der Welt
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (in 1998-03)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:46
14Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Aria Soprano: Was die Welt in sich hält
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:23
15Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Recitative Bass: Der Himmel bleibet mir gewiß
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:09
16Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Aria Alto: Von der Welt verlang ich nichts
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:46
17Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 - Chorale: Gute Nacht, o Wesen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (in 1998-03)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:03
18Christum wir sollen loben schon, BWV 121 - Chorus: Christum wir sollen loben schon
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach2:36
19Christum wir sollen loben schon, BWV 121 - Aria Tenor: O du von Gott erhöhte Kreatur
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Christoph Prégardien (tenor) (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach5:40
20Christum wir sollen loben schon, BWV 121 - Recitative Alto: Der Gnade unermeßlichs Wesen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Annette Markert (mezzo-soprano) (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:03
21Christum wir sollen loben schon, BWV 121 - Aria Bass: Johannis freudenvolles Springen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach8:20
22Christum wir sollen loben schon, BWV 121 - Recitative Soprano: Doch wie erblickt es dich in deiner Krippe?
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (in 2000-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach0:56
23Christum wir sollen loben schon, BWV 121 - Chorale: Lob, Ehr und Dank sei dir gesagt
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 2000-03)
orchestra:
Amsterdam Baroque Orchestra (in 2000-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2000-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (in 2000-03)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach0:59
3▼Digital Media
#TitleArtistRatingLength
1Tritt auf die Glaubensbahn, BWV 152 - Sinfonia
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:16
2Tritt auf die Glaubensbahn, BWV 152 - Aria Bass: Tritt auf die Glaubensbahn
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn" (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach2:42
3Tritt auf die Glaubensbahn, BWV 152 - Recitative Bass: Der Heiland ist gesetzt
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt" (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:42
4Tritt auf die Glaubensbahn, BWV 152 - Aria Soprano: Stein, der über alle Schätze
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:42
5Tritt auf die Glaubensbahn, BWV 152 - Recitative Bass: Es ärgre sich die Klunge Welt
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt" (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:22
6Tritt auf die Glaubensbahn, BWV 152 - Duet Soprano, Bass: Wie soll ich dich, Liebster der Seelen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-05)
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?" (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:23
7Jesu, nun sei gepreiset, BWV 41 - Chorus: Jesu, nun sei gepreiset
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": I. Coro "Jesu, nun sei gepreiset" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach7:42
8Jesu, nun sei gepreiset, BWV 41 - Aria Soprano: Laß uns, o Höchster Gott
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sibylla Rubens (soprano) (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": II. Aria (Soprano) "Laß uns, o höchster Gott, das Jahr vollbringen" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach5:27
9Jesu, nun sei gepreiset, BWV 41 - Recitative Alto: Ach! deine Hand, dein Segen muß allein
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Annette Markert (mezzo-soprano) (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": III. Recitativo (Alto) "Ach! deine Hand, dein Segen" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach1:04
10Jesu, nun sei gepreiset, BWV 41 - Aria Tenor: Woferne du den edlen Frienden
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Christoph Prégardien (tenor) (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": IV. Aria (Tenore) "Woferne du den edlen Frieden" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach8:17
11Jesu, nun sei gepreiset, BWV 41 - Recitative Bass: Doch weil der Feind
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1999-10)
choir vocals:
Amsterdam Baroque Choir (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": V. Recitativo (Basso) e Coro "Doch weil der Feind bei Tag und Nacht" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach0:53
12Jesu, nun sei gepreiset, BWV 41 - Choral: Dein ist allein die Ehre
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": VI. Choral "Dein ist allein die Ehre" (in 1999-10)
lyricist:
Johannes Hermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 204)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach1:50
13Singet dem Herrn ein neues Lied, BWV 190 - Chorus: Singet dem Herrn ein neues Lied
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
chorus master:
Simon Schouten (chorus master) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": I. Coro "Singet dem Herrn ein neues Lied" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach4:19
14Singet dem Herrn ein neues Lied, BWV 190 - Recitative A, T, B and Chorale: Herr Gott, dich loben wir
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1997-04 until 1997-09)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1997-04 until 1997-09)
choir vocals:
Amsterdam Baroque Choir (from 1997-04 until 1997-09)
tenor vocals:
Paul Agnew (tenor and conductor) (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
chorus master:
Simon Schouten (chorus master) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": II. Choral e Recitativo (Bass, Tenor, Alt) "Herr Gott, dich loben wir" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:43
15Singet dem Herrn ein neues Lied, BWV 190 - Aria Alto: Lobe, Zion, deinen Gott
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach2:33
16Singet dem Herrn ein neues Lied, BWV 190 - Recitative Bass: Es wünsche sich die Welt
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": IV. Recitativo (Bass) "Es wünsche sich die Welt" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:23
17Singet dem Herrn ein neues Lied, BWV 190 - Aria Tenor, Bass: Jesus soll mein alles sein
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1997-04 until 1997-09)
tenor vocals:
Paul Agnew (tenor and conductor) (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": V. Duetto (Tenor, Bass) "Jesus soll mein alles sein" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach3:06
18Singet dem Herrn ein neues Lied, BWV 190 - Recitative Tenor: Nun, Jesus gebe, daß mit dem neuen Jahr
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VI. Recitativo (Tenor) "Nun, Jesus, gebe" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:40
19Singet dem Herrn ein neues Lied, BWV 190 - Chorale: Laß uns das Jahr vollbringen
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1997-04 until 1997-09)
orchestra:
Amsterdam Baroque Orchestra (from 1997-04 until 1997-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1997-04 until 1997-09)
chorus master:
Simon Schouten (chorus master) (from 1997-04 until 1997-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-04 until 1997-09)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VII. Choral "Laß uns das Jahr vollbringen" (from 1997-04 until 1997-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
lyricist:
Johannes Hermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 205)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:30
20Sie werden aus Saba alle kommen, BWV 65 - Chorus: Sie werden aus Saba alle kommen
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:17
21Sie werden aus Saba alle kommen, BWV 65 - Chorale: Die Kön'ge aus Saba kamen dar
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach0:21
22Sie werden aus Saba alle kommen, BWV 65 - Recitative Bass: Was dort Jesaias vorhergesehn
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:50
23Sie werden aus Saba alle kommen, BWV 65 - Aria Bass: Gold aus Ophir ist zu slecht
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach2:51
24Sie werden aus Saba alle kommen, BWV 65 - Recitative Tenor: Verschmähe nicht
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:11
25Sie werden aus Saba alle kommen, BWV 65 - Aria Tenor: Nimm mich dir zu eigen hin
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:32
26Sie werden aus Saba alle kommen, BWV 65 - Chorale: Ei nun, mein Gott, so fall ich dir
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-03)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1998-03)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:05