Bach 333: Sacred & secular vocal (first half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: 4-Part Chorales, BWV 250-318 AC-GO
2CD: 4-Part Chorales, BWV 319-381 GO-ME
3CD: 4-Part Chorales, BWV 382-438 MI-WO
4CD: Magnificat BWV 243, 243a
5CD: Motets
6CD: Mass in B minor (1 Mortensen)
7CD: Mass in B minor (2 Mortensen)
8CD: Mass in B minor (1 Brüggen)
9CD: Mass in B minor (2 Brüggen) / Missa BWV 233
10CD: Missas BWV 234-236
11CD: St. John Passion (1724) (1 Gardiner)
12CD: St. John Passion (1724) (2 Gardiner)
13CD: St. John Passion (1749) (1 Suzuki)
14CD: St. John Passion (1749) (2 Suzuki)
15CD: St. Matthew Passion (1 Gardiner)
#TitleRatingLength
1St. Matthew Passion, BWV 244: Part I. 1. Chorus: "Kommt, ihr Töchter, helft mir klagen"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Werner Roth (Engineer) and Ulrich Vette (engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and The Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
The English Baroque Soloists (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
6:55
2St. Matthew Passion, BWV 244: Part I. Salbung in Bethanien: 2. "Da Jesus diese Rede vollendet hatte"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:36
3St. Matthew Passion, BWV 244: Part I. Salbung in Bethanien: 3. Chorale: "Herzliebster Jesu, was hast du verbrochen"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1988-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
0:39
4St. Matthew Passion, BWV 244: Part I. Salbung in Bethanien: 4a. Recitative: "Da versammelten sich die Hohenpriester" / 4b. Chorus: "Ja nicht auf das Fest" / 4c. Recitative: "Da nun Jesus war zu Bethanien" / 4d. Chorus: "Wozu dienet dieser Unrat" / 4e. "Da das Jesus merkete"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:51
5St. Matthew Passion, BWV 244: Part I. Salbung in Bethanien: 5. Recitative: "Du lieber Heiland du"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:53
6St. Matthew Passion, BWV 244: Part I. Salbung in Bethanien: 6. Aria: "Buß und Reu"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:13
7St. Matthew Passion, BWV 244: Part I. Verrat durch Judas: 7. Recitative: "Da ging hin der Zwölfen einer"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals [Judas]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:34
8St. Matthew Passion, BWV 244: Part I. Verrat durch Judas: 8. Aria: "Blute nur, du liebes Herz"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Ann Monoyios (soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:43
9St. Matthew Passion, BWV 244: Part I. Das letzte Abendmahl: 9a. Recitative: "Aber am ersten Tage der süßen Brot" / 9b. Chorus: "Wo willst du, dass wir dir bereiten" / 9c. Recitative: "Er sprach: Gehet hin in die Stadt" / 9d. Recitative: "Und sie wurden sehr betrübt" / 9e. Chorus: "Herr, bin iche"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:54
10St. Matthew Passion, BWV 244: Part I. Das letzte Abendmahl: 10. Chorale: "Ich bins, ich sollte büßen"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (in 1988-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
0:42
11St. Matthew Passion, BWV 244: Part I. Das letzte Abendmahl: 11. Recitative: "Er antwortete und sprach"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
bass vocals [Judas]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:34
12St. Matthew Passion, BWV 244: Part I. Das letzte Abendmahl: 12. Recitative: "Wiewohl mein Herz in Tränen schwimmt"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Barbara Bonney (soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:18
13St. Matthew Passion, BWV 244: Part I. Das letzte Abendmahl: 13. Aria: "Ich will dir mein Herze schenken"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Barbara Bonney (soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:56
14St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 14. Recitative: "Und da sie den Lobgesang gesprochen hatten"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:53
15St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 15. Chorale: "Erkenne mich, mein Hüter"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1988-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
0:50
16St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 16. Recitative: "Petrus aber antwortete"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
baritone vocals [Peter]:
Olaf Bär (baritone) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:52
17St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 17. Chorale: "Ich will hier bei dir stehen"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:52
18St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 18. Recitative: "Da kam Jesus mit ihnen zu einen Hofe"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:28
19St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 19. Recitative: "O Schmerz! Hier zittert das gequälte Herz"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:58
20St. Matthew Passion, BWV 244: Part I. Jesu Verzweiflung am Ölberg: 20. Aria: "Ich will bei meinen Jesu wachen"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:57
21St. Matthew Passion, BWV 244: Part I. Gebet am Ölberg: 21. Recitative: "Und ging hin ein wenig"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:37
22St. Matthew Passion, BWV 244: Part I. Gebet am Ölberg: 22. Recitative: "Der Heiland fällt vor seinem Vater nieder"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [bass]:
Olaf Bär (baritone) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:53
23St. Matthew Passion, BWV 244: Part I. Gebet am Ölberg: 23. Aria: "Gerne will ich mich bequemen"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [bass]:
Olaf Bär (baritone) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:02
24St. Matthew Passion, BWV 244: Part I. Gebet am Ölberg: 24. Recitative: "Und er kam zu seinen Jüngern"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:07
25St. Matthew Passion, BWV 244: Part I. Gebet am Ölberg: 25. Chorale: "Was mein Gott will, das g'scheh allzeit"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
0:57
26St. Matthew Passion, BWV 244: Part I. Gebet am Ölberg: 26. Recitative: "Und er kam und fand sie aber schlafend"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
bass vocals [Judas]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:26
27St. Matthew Passion, BWV 244: Part I. Jesu Gefangennahme: 27a. Aria (Duet): "So ist mein Jesus nun gefangen" / 27b. [Chorus:] "Sind Blitze, sind Donner in Wolken verschwunden"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-04)
soprano vocals:
Barbara Bonney (soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
5:28
28St. Matthew Passion, BWV 244: Part I. Jesu Gefangennahme: 28. Recitative: "Und siehe, einer aus denen, die mit Jesu waren"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:48
29St. Matthew Passion, BWV 244: Part I. Jesu Gefangennahme: 29. Chorale: "O Mensch, bewein dein Sünde groß"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
6:06
30St. Matthew Passion, BWV 244: Part II. 30. Aria: "Ach, nun ist mein Jesus hin"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:28
31St. Matthew Passion, BWV 244: Part II. Jesus vor den Hohenpriestern: 31. Recitative: "Die aber Jesum gegriffen hatten"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:53
32St. Matthew Passion, BWV 244: Part II. Jesus vor den Hohenpriestern: 32. Chorale: "Mir hat die Welt trüglich gericht'"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1988-04)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
0:39
33St. Matthew Passion, BWV 244: Part II. Jesus vor den Hohenpriestern: 33. Recitative: "Und wiewohl viel falsche Zeugen herzutraten"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals [High Priest]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
countertenor vocals [First Witness]:
Michael Chance (British countertenor) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
tenor vocals [Second Witness]:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:02
34St. Matthew Passion, BWV 244: Part II. Jesus vor den Hohenpriestern: 34. Recitative: "Mein Jesus schweigt zu falschen Lügen stille"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:16
35St. Matthew Passion, BWV 244: Part II. Jesus vor den Hohenpriestern: 35. Aria: "Geduld! Wenn mich falsche Zungen stechen"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:34
36St. Matthew Passion, BWV 244: Part II. Verleugnung durch Petrus: 36a. Recitative: "Und der Hohepriester antwortete" / 36b. Chorus: "Er ist des Todes schuldig" / 36c. Recitative: "Da speieten sie aus" / 36d. Chorus: "Weissage uns, Christe"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
bass vocals [High Priest]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:54
37St. Matthew Passion, BWV 244: Part II. Verleugnung durch Petrus: 37. Chorale: "Wer hat dich so geschlagen"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1988-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
0:50
16CD: St. Matthew Passion (2 Gardiner)
17CD: St. Matthew Passion (1 McCreesh)
18CD: St. Matthew Passion (2 McCreesh)
19CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
20CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
21CD: Christmas Oratorio (1 Gardiner)
22CD: Christmas Oratorio (2 Gardiner)
23CD: Christmas Oratorio (1 Chailly)
24CD: Christmas Oratorio (2 Chailly)
25CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
26CD: Cantatas 134a, 203, 173a (1719-c. 1723)
27CD: Cantatas 36c, 205, 34a (1725-1726)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]