Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
2.4St. Matthew Passion, BWV 244: Teil II. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex)1:02Johann Sebastian BachSt. Matthew PassionJohann Sebastian Bach; John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir, The English Baroque SoloistsAlbum
  • DE1989-09-15
Archiv Produktion427 648-2
4.4St. Matthew Passion, BWV 244: Part Two: No. 33. "Und wiewohl viel" (Evangelist, Pontifex, Testis I-II)1:02Johann Sebastian BachChristmas Oratorio / St. Matthew Passion / St. John Passion / Mass in B minorBach; John Eliot GardinerAlbum + Compilation
Archiv Produktion469 769-2
4.4St. Matthew Passion, BWV 244: Teil II. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex)1:02Johann Sebastian BachBach, J.S.: Cantatas & Sacred MasterpiecesJohann Sebastian Bach & Sir John Eliot GardinerAlbum + Compilation
  • -2010-01-01
Archiv Produktion
4.4St. Matthew Passion, BWV 244: Teil II. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex)1:02Johann Sebastian BachSacred Masterpieces and CantatasJohann Sebastian Bach; Sir John Eliot GardinerAlbum + Compilation
  • XE2010-03-15
Archiv Produktion477 8735
6.4Matthäus-Passion, BWV 244: Part 2. 33. Recitative: "Und wiewohl viel falsche Zeugen herzutraten" (Evangelist, Witnesses I/II, High Priest)1:02Johann Sebastian BachThe John Eliot Gardiner CollectionSir John Eliot GardinerAlbum + Compilation
  • DE2013-03-15
Deutsche Grammophon479 1044
63.33St. Matthew Passion, BWV 244: Part II. Jesus vor den Hohenpriestern: 33. Recitative: "Und wiewohl viel falsche Zeugen herzutraten"1:02Johann Sebastian BachBach 333 - J.S. Bach The New Complete EditionJohann Sebastian BachAlbum + Compilation
  • XW2018-10-26
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only), Deutsche Grammophon4798000
3.33St. Matthew Passion, BWV 244: Part Two. Jesus's Interrogation by the High Priests: 33. Recitative (Evangelist, Witnesses I/II, High Priest): "Und wiewohl viel falsche Zeugen herzutraten"1:02Johann Sebastian BachComplete Recordings on Archiv Produktion and Deutsche GrammophonSir John Eliot GardinerAlbum + Compilation
  • XW2021-05-21
Deutsche Grammophon483 9963
Pseudo-Release
15.33St. Matthew Passion, BWV 244: Part II. Jesus vor den Hohenpriestern: 33. Recitative: "Und wiewohl viel falsche Zeugen herzutraten"1:02Johann Sebastian BachBach 333: Sacred & secular vocal (first half)Johann Sebastian BachAlbum + Compilation

Relationships

recording engineer:Klaus Behrens (engineer)
executive producer:Dr. Andreas Holschneider
Charlotte Kriesch
producer:Karl-August Naegler (balance engineer)
bass vocals [High Priest]:Cornelius Hauptmann (operatic bass) (in 1988-04)
countertenor vocals [First Witness]:Michael Chance (British countertenor) (in 1988-04)
tenor vocals [Evangelist]:Anthony Rolfe Johnson (tenor) (in 1988-04)
tenor vocals [Second Witness]:Howard Crook (tenor) (in 1988-04)
orchestra:English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:Ulrich Vette (engineer)
recorded at:Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1988-04)

Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten"

composer:Johann Sebastian Bach (German Baroque period composer & musician)
librettist:Picander
later translated versions:St. Matthew Passion, BWV 244: Part II, XXXIX. Recit (Evangelist, High Priest, Chorus II) "Yea, Tho' Many Flase Witnesses"
part of:Matthäus-Passion, BWV 244: Teil II (order: 4)
arrangements:St. Matthew Passion: Part II: No. 39. Recitative "Yea, though many lying witnesses came forward" (arr. Elgar & Atkins) (translated)