Bach 333: Sacred & secular vocal (first half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: 4-Part Chorales, BWV 250-318 AC-GO
2▶CD: 4-Part Chorales, BWV 319-381 GO-ME
3▶CD: 4-Part Chorales, BWV 382-438 MI-WO
4▶CD: Magnificat BWV 243, 243a
5▶CD: Motets
6▶CD: Mass in B minor (1 Mortensen)
7▶CD: Mass in B minor (2 Mortensen)
8▶CD: Mass in B minor (1 Brüggen)
9▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233
10▶CD: Missas BWV 234-236
11▶CD: St. John Passion (1724) (1 Gardiner)
12▶CD: St. John Passion (1724) (2 Gardiner)
13▶CD: St. John Passion (1749) (1 Suzuki)
14▶CD: St. John Passion (1749) (2 Suzuki)
15▶CD: St. Matthew Passion (1 Gardiner)
16▶CD: St. Matthew Passion (2 Gardiner)
17▶CD: St. Matthew Passion (1 McCreesh)
18▶CD: St. Matthew Passion (2 McCreesh)
19▼CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
#TitleRatingLength
1Easter Oratorio, BWV 249: 1. Sinfonia
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
4:11
2Easter Oratorio, BWV 249: 2. Adagio
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
3:25
3Easter Oratorio, BWV 249: 3. Chorus: "Kommt, eilet und laufet"
choir vocals:
Gabrieli Consort & Players (UK early music ensemble)
vocals:
Paul Agnew (tenor and conductor), Robin Blaze (countertenor), Neal Davies (operatic bass) and Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
5:02
4Easter Oratorio, BWV 249: 4. Recitative: "O kalter Manner Sinn"
alto vocals:
Robin Blaze (countertenor)
bass vocals:
Neal Davies (operatic bass)
soprano vocals:
Kimberly McCord (American soprano)
tenor vocals:
Paul Agnew (tenor and conductor)
vocals:
Paul Agnew (tenor and conductor), Robin Blaze (countertenor), Neal Davies (operatic bass) and Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
0:52
5Easter Oratorio, BWV 249: 5. Aria: "Seele, deine Spezereien"
soprano vocals:
Kimberly McCord (American soprano)
vocals:
Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
10:13
6Easter Oratorio, BWV 249: 6. Recitative: "Hier ist die Gruft"
alto vocals:
Robin Blaze (countertenor)
bass vocals:
Neal Davies (operatic bass)
tenor vocals:
Paul Agnew (tenor and conductor)
vocals:
Paul Agnew (tenor and conductor), Robin Blaze (countertenor) and Neal Davies (operatic bass)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
0:44
7Easter Oratorio, BWV 249: 7. Aria: "Sanfte soll mein Todeskummer"
tenor vocals:
Paul Agnew (tenor and conductor)
vocals:
Paul Agnew (tenor and conductor)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
7:40
8Easter Oratorio, BWV 249: 8. Recitative: "Indessen seufzen wir"
alto vocals:
Robin Blaze (countertenor)
soprano vocals:
Kimberly McCord (American soprano)
vocals:
Robin Blaze (countertenor) and Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
1:01
9Easter Oratorio, BWV 249: 9. Aria: "Saget, saget mir geschwinde"
alto vocals:
Robin Blaze (countertenor)
vocals:
Robin Blaze (countertenor)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (in 2000-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
5:36
10Easter Oratorio, BWV 249: 10. Recitative: "Wir sind erfreut"
bass vocals:
Neal Davies (operatic bass)
vocals:
Neal Davies (operatic bass)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
0:32
11Easter Oratorio, BWV 249: 11. Chorus: "Preis und Dank"
choir vocals:
Gabrieli Consort & Players (UK early music ensemble)
vocals:
Paul Agnew (tenor and conductor), Robin Blaze (countertenor), Neal Davies (operatic bass) and Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
2:27
12Ascension Oratorio, BWV 11: 1. Chorus: "Lobet Gott in seinen Reichen"
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
4:38
13Ascension Oratorio, BWV 11: 2. Recitative: "Der Herr Jesus hub seine Hände auf"
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:27
14Ascension Oratorio, BWV 11: 3. Recitative: "Ach, Jesu, ist dein Abschied schon so nah"
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:57
15Ascension Oratorio, BWV 11: 4. Aria: "Ach, bleibe doch, mein liebstes Leben"
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
7:50
16Ascension Oratorio, BWV 11: 5. Recitative: "Und ward aufgehoben zusehends"
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:26
17Ascension Oratorio, BWV 11: 6. Chorale: "Nun lieget alles unter dir"
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 1993-10)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
1:26
18Ascension Oratorio, BWV 11: 7a. Recitative: "Und da sie ihm nachsahen gen Himmel fahren"
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:47
19Ascension Oratorio, BWV 11: 7b. Recitative: "Ach ja! so komme bald zurück"
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
alto vocals:
Michael Chance (British countertenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:34
20Ascension Oratorio, BWV 11: 7c. Recitative: "Sie aber beteten ihn an"
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:39
21Ascension Oratorio, BWV 11: 8. Aria: "Jesu, deine Gnadenblicke"
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Nancy Argenta (soprano) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
6:14
22Ascension Oratorio, BWV 11: 9. Chorale: "Wenn soll es doch geschehen"
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
4:26
23St. Matthew Passion, BWV 244b (1727 version): 29a. [Chorale:] "Jesum lass ich nicht von mir"
producer:
Mark Rowlinson and Peter Seymour
baritone vocals:
Peter Harvey (bass-baritone) (in 2013-05)
orchestra:
Yorkshire Baroque Soloists (in 2013-05)
conductor:
Peter Seymour (in 2013-05)
recorded at:
National Centre for Early Music in York, England, United Kingdom (in 2013-05)
recording of:
Matthäus-Passion, BWV 244b: XXIX Choral "Meinen Jesum lass' ich nicht" (Choral from the first version of the passion)
lyricist:
Christian Keymann (17th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 247)
0:48
24St. Matthew Passion, BWV 244b (1727 version): 30. Aria: "Ach, nun ist mein Jesus hin"
producer:
Mark Rowlinson and Peter Seymour
baritone vocals:
Peter Harvey (bass-baritone) (in 2013-05)
orchestra:
Yorkshire Baroque Soloists (in 2013-05)
conductor:
Peter Seymour (in 2013-05)
recorded at:
National Centre for Early Music in York, England, United Kingdom (in 2013-05)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:45
25St. Matthew Passion, BWV 244b (1727 version): 57. [Aria:] "Komm, süßes Kreuz"
producer:
Mark Rowlinson and Peter Seymour
baritone vocals:
Peter Harvey (bass-baritone) (in 2013-05)
orchestra:
Yorkshire Baroque Soloists (in 2013-05)
conductor:
Peter Seymour (in 2013-05)
recorded at:
National Centre for Early Music in York, England, United Kingdom (in 2013-05)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:50
20▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
21▶CD: Christmas Oratorio (1 Gardiner)
22▶CD: Christmas Oratorio (2 Gardiner)
23▶CD: Christmas Oratorio (1 Chailly)
24▶CD: Christmas Oratorio (2 Chailly)
25▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
26▶CD: Cantatas 134a, 203, 173a (1719-c. 1723)
27▶CD: Cantatas 36c, 205, 34a (1725-1726)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]