The Dreaded P.D.Q. Bach Collection

~ Release by P.D.Q. Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1In the Vanguard Vault, Part 1
producer:
Tom Voegeli (producer, engineer)
spoken vocals:
Tom Keith (radio actor) and Peter Schickele (American composer)
Peter Schickele2:23
2Introduction
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
spoken vocals:
Peter Schickele (American composer) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
Peter Schickele3:23
3Concerto for Horn and Hardart, S. 27: Allegro
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo French horn:
Ralph Froelich (on 1965-04-24)
solo percussion idiophone [hardart]:
Peter Schickele (American composer) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Concerto for Horn and Hardart: Allegro (on 1965-04-24)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Concerto for Horn and Hardart, S. 27
P.D.Q. Bach4:55
4Concerto for Horn and Hardart, S. 27: Tema con variazione
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo French horn:
Ralph Froelich (on 1965-04-24)
solo percussion idiophone [hardart]:
Peter Schickele (American composer) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Concerto for Horn and Hardart: Tema con variazione (on 1965-04-24)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Concerto for Horn and Hardart, S. 27
P.D.Q. Bach5:01
5Concerto for Horn and Hardart, S. 27: Menuetto con panna e zucchero
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo French horn:
Ralph Froelich (on 1965-04-24)
solo percussion idiophone [hardart]:
Peter Schickele (American composer) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Concerto for Horn and Hardart: Menuetto con panna e zucchero (on 1965-04-24)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Concerto for Horn and Hardart, S. 27
P.D.Q. Bach2:25
6Introduction
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
spoken vocals:
Peter Schickele (American composer) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
Peter Schickele1:10
7Cantata: Iphigenia in Brooklyn, S. 53162: Aria
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo harpsichord:
Leonid Hambro (pianist) (on 1965-04-24)
solo jug [wine bottle]:
Peter Schickele (American composer) (on 1965-04-24)
solo trumpet [trumpet mouthpiece]:
Seymour Platt (on 1965-04-24)
solo countertenor vocals:
John Ferrante (tenor) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Cantata: Iphigenia in Brooklyn: Aria (“As Hyperion…”) (on 1965-04-24)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Cantata: Iphigenia in Brooklyn
P.D.Q. Bach2:05
8Cantata: Iphigenia in Brooklyn, S. 53162: Recitative
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo harpsichord:
Leonid Hambro (pianist) (on 1965-04-24)
solo jug [wine bottle]:
Peter Schickele (American composer) (on 1965-04-24)
solo trumpet [trumpet mouthpiece]:
Seymour Platt (on 1965-04-24)
solo countertenor vocals:
John Ferrante (tenor) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Cantata: Iphigenia in Brooklyn: Recitative (“And lo, …”) (on 1965-04-24)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Cantata: Iphigenia in Brooklyn
P.D.Q. Bach1:41
9Cantata: Iphigenia in Brooklyn, S. 53162: Ground
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo harpsichord:
Leonid Hambro (pianist) (on 1965-04-24)
solo jug [wine bottle]:
Peter Schickele (American composer) (on 1965-04-24)
solo trumpet [trumpet mouthpiece]:
Seymour Platt (on 1965-04-24)
solo countertenor vocals:
John Ferrante (tenor) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Cantata: Iphigenia in Brooklyn: Ground (“Dying, …”) (on 1965-04-24)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Cantata: Iphigenia in Brooklyn
P.D.Q. Bach2:57
10Cantata: Iphigenia in Brooklyn, S. 53162: Recitative
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo harpsichord:
Leonid Hambro (pianist) (on 1965-04-24)
solo jug [wine bottle]:
Peter Schickele (American composer) (on 1965-04-24)
solo trumpet [trumpet mouthpiece]:
Seymour Platt (on 1965-04-24)
solo countertenor vocals:
John Ferrante (tenor) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Cantata: Iphigenia in Brooklyn: Recitative (“And in a vision…”) (on 1965-04-24)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Cantata: Iphigenia in Brooklyn
P.D.Q. Bach1:04
11Cantata: Iphigenia in Brooklyn, S. 53162: Aria
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo harpsichord:
Leonid Hambro (pianist) (on 1965-04-24)
solo jug [wine bottle]:
Peter Schickele (American composer) (on 1965-04-24)
solo trumpet [trumpet mouthpiece]:
Seymour Platt (on 1965-04-24)
solo countertenor vocals:
John Ferrante (tenor) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Cantata: Iphigenia in Brooklyn: Aria (“Running knows.”) (on 1965-04-24)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Cantata: Iphigenia in Brooklyn
P.D.Q. Bach1:22
12Introduction
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
spoken vocals:
Peter Schickele (American composer) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
Peter Schickele1:12
13Quodlibet for Small Orchestra: Allegro
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Quodlibet for Small Orchestra: Allegro (1st movement) (on 1965-04-24)
composer:
Peter Schickele (American composer) (in 1959-05)
medley of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: I. Allegro con spirito
medley of:
Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus)
medley of:
Tahiti Trot (Tea for Two), op. 16
medley of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
medley of:
Symphony no. 7 in C major, op. 60 "Leningrad": I. Allegretto
medley of:
Symphony no. 31 in D major, K. 300a/297 "Paris": I. Allegro assai
medley of:
Mr. Sandman
medley of:
Quartet for Strings no. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": I. Allegro non troppo
medley of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
medley of:
Pétrouchka (1911 original version)
part of:
Quodlibet for Small Orchestra
Peter Schickele2:34
14Quodlibet for Small Orchestra: Adagio
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Quodlibet for Small Orchestra: Adagio (on 1965-04-24)
composer:
Peter Schickele (American composer) (in 1959-05)
medley of:
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
medley of:
Symphony no. 2 in D major, op. 36: II. Larghetto (Symphony No. 2 in D major, Op. 36: II. Larghetto)
medley of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
medley of:
Symphony no. 4 in B-flat major, op. 60: II. Adagio
medley of:
Symphony no. 5 in C minor, op. 67: IV. Allegro
medley of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
medley of:
Symphony no. 7 in A major, op. 92: III. Presto
medley of:
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
medley of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto
medley of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
medley of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
medley of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto
medley of:
Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio
part of:
Quodlibet for Small Orchestra
Peter Schickele2:39
15Quodlibet for Small Orchestra: Allegro
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Quodlibet for Small Orchestra: Allegro (3rd movement) (on 1965-05-24)
composer:
Peter Schickele (American composer) (in 1959-05)
medley of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
medley of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro
medley of:
Jalousie “Tango Tzigane” (original orchestral version)
medley of:
Sinfonie Nr. 4 e-Moll, op. 98: IV. Allegro energico e passionato
medley of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude)
medley of:
Aquarela do Brasil
medley of:
Symphony no. 7 in A major, op. 92: II. Allegretto
medley of:
An American in Paris
medley of:
Samson et Dalila : Acte III, scène 2. Bacchanale
medley of:
Divertimento in B-flat major, Hob. II:46: II. Chorale St. Antoni
medley of:
Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio
medley of:
Old Folks at Home (Swanee River)
medley of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
medley of:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
medley of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
medley of:
Guillaume Tell : Ouverture (William Tell: Overture)
medley of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace)
medley of:
2 Mélodies, op. 3: No. 1 in F major (for solo piano)
medley of:
Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo
medley of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco)
medley of:
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
medley of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
medley of:
Scheherazade, op. 35
medley of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
medley of:
The Streets of Cairo
part of:
Quodlibet for Small Orchestra
Peter Schickele3:36
16Introduction
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
spoken vocals:
Peter Schickele (American composer) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
Peter Schickele6:38
17Sinfonia Concertante, S. 98.6: Sehr unruhig mit schmalz
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo bagpipe [bagpipes]:
Maurice Eisenstadt (on 1965-04-24)
solo balalaika:
Peter Zolotareff (on 1965-04-24)
solo double reed [double-reed slide music stand]:
Stephen Lickman (classical oboe and cor anglais player) (on 1965-04-24)
solo flute [left-handed sewer flute]:
Robert Lewis (flautist) (on 1965-04-24)
solo lute:
Stanley Buetens (on 1965-04-24)
solo ocarina:
Peter Schickele (American composer) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Sinfonia Concertante: Sehr unruhig mit Schmalz (on 1965-04-24)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Sinfonia Concertante
P.D.Q. Bach2:33
18Sinfonia Concertante, S. 98.6: Andante senza moto
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo bagpipe [bagpipes]:
Maurice Eisenstadt (on 1965-04-24)
solo balalaika:
Peter Zolotareff (on 1965-04-24)
solo double reed [double-reed slide music stand]:
Stephen Lickman (classical oboe and cor anglais player) (on 1965-04-24)
solo flute [left-handed sewer flute]:
Robert Lewis (flautist) (on 1965-04-24)
solo lute:
Stanley Buetens (on 1965-04-24)
solo ocarina:
Peter Schickele (American composer) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Sinfonia Concertante: Andante senza moto (on 1965-04-24)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Sinfonia Concertante
P.D.Q. Bach3:30
19Sinfonia Concertante, S. 98.6: Presto nicht schleppend
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo bagpipe [bagpipes]:
Maurice Eisenstadt (on 1965-04-24)
solo balalaika:
Peter Zolotareff (on 1965-04-24)
solo double reed [double-reed slide music stand]:
Stephen Lickman (classical oboe and cor anglais player) (on 1965-04-24)
solo flute [left-handed sewer flute]:
Robert Lewis (flautist) (on 1965-04-24)
solo lute:
Stanley Buetens (on 1965-04-24)
solo ocarina:
Peter Schickele (American composer) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Sinfonia Concertante: Presto nicht schleppend (on 1965-04-24)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Sinfonia Concertante
P.D.Q. Bach2:15
20Introduction
producer:
Stephen Schmidt (engineer) (in 1966-12)
spoken vocals:
Peter Schickele (American composer) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
Peter Schickele4:56
21Oratorio: “The Seasonings”, S. ½ tsp.: Chorus: “Tarragon of virtue is full”
producer:
Stephen Schmidt (engineer) (in 1966-12)
choir vocals:
The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Chorus: “Tarragon of virtue is full” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach2:19
22Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “And there were in the same country”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo bass vocals:
William Woolf (in 1966-12)
solo tenor vocals:
John Ferrante (tenor) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Recitative: “And there were in the same country” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach0:57
23Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Bide thy thyme”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo alto vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1966-12)
solo soprano vocals:
Lorna Haywood (soprano) (in 1966-12)
solo tenor vocals:
John Ferrante (tenor) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Duet: “Bide thy thyme” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach2:15
24Oratorio: “The Seasonings”, S. ½ tsp.: Fugue for Orchestra
producer:
Stephen Schmidt (engineer) (in 1966-12)
spoken vocals:
Peter Schickele (American composer) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live partial recording of:
Oratorio: “The Seasonings”: Fugue for Orchestra (in 1966-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach1:09
25Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then asked he”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo alto vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1966-12)
solo bass vocals:
William Woolf (in 1966-12)
solo soprano vocals:
Lorna Haywood (soprano) (in 1966-12)
solo tenor vocals:
John Ferrante (tenor) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Recitative: “Then asked he” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach1:54
26Oratorio: “The Seasonings”, S. ½ tsp.: Chorale: “By the leeks of Babylon / There we sat down, yea, we wept”
producer:
Stephen Schmidt (engineer) (in 1966-12)
choir vocals:
The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Chorale: “By the leeks of Babylon / There we sat down, yea, we wept” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach2:00
27Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then she gave in”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo tenor vocals:
John Ferrante (tenor) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Recitative: “Then she gave in” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach0:29
28Oratorio: “The Seasonings”, S. ½ tsp.: Aria: “Open sesame seeds”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo bass vocals:
William Woolf (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Aria: “Open sesame seeds” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach2:03
29Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “So saying”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo alto vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1966-12)
solo bass vocals:
William Woolf (in 1966-12)
solo soprano vocals:
Lorna Haywood (soprano) (in 1966-12)
solo tenor vocals:
John Ferrante (tenor) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Recitative: “So saying” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach1:01
30Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Summer is a cumin seed”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo alto vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1966-12)
solo soprano vocals:
Lorna Haywood (soprano) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Duet: “Summer is a cumin seed” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach1:42
31Oratorio: “The Seasonings”, S. ½ tsp.: Chorus with Soloists: “To curry favor, favor curry”
producer:
Stephen Schmidt (engineer) (in 1966-12)
choir vocals:
The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Chorus with Soloists: “To curry favor, favor curry” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach2:52
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Credits

Release

photography:Jim Kalett
Peter Schaaf (photographer)
Lisl Steiner
Paul Buck Hoeffler (American photographer based in Toronto, Canada since 1971) (from 1967 until 1970)
Joel Brodsky (in 1973)
liner notes:David Schickele (in 1965)
Peter Schickele (American composer) (from 1966 until 1996)
Jeff Ehrhart (sound editor, actor, and writer) (in 1996)
producer:Tom Voegeli (producer, engineer)
remastering:Jeff Zaraya
illustration:Lawrence Widdoes (American composer)
Jules Maidoff (in 1965)
design:Drew Cartwright, Barry Ridge Graphic Design
copyrighted (©) by and phonographic copyright (℗) by:Vanguard Records (not for release label use! file releases under its imprint "Vanguard" instead) (in 1996)
Discogs:https://www.discogs.com/release/13753552 [info]
ASIN:US: B000000EDK [info]
Allmusic:https://www.allmusic.com/album/release/mr0002729705 [info]