The Dreaded P.D.Q. Bach Collection

~ Release by P.D.Q. Bach (see all versions of this release, 1 available)

Tracklist

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1In the Vanguard Vault, Part 1
producer:
Tom Voegeli (producer, engineer)
spoken vocals:
Tom Keith (radio actor) and Peter Schickele (American composer)
Peter Schickele2:23
2Introduction
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
spoken vocals:
Peter Schickele (American composer) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
Peter Schickele3:23
3Concerto for Horn and Hardart, S. 27: Allegro
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo French horn:
Ralph Froelich (on 1965-04-24)
solo percussion idiophone [hardart]:
Peter Schickele (American composer) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Concerto for Horn and Hardart: Allegro (on 1965-04-24)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Concerto for Horn and Hardart, S. 27
P.D.Q. Bach4:55
4Concerto for Horn and Hardart, S. 27: Tema con variazione
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo French horn:
Ralph Froelich (on 1965-04-24)
solo percussion idiophone [hardart]:
Peter Schickele (American composer) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Concerto for Horn and Hardart: Tema con variazione (on 1965-04-24)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Concerto for Horn and Hardart, S. 27
P.D.Q. Bach5:01
5Concerto for Horn and Hardart, S. 27: Menuetto con panna e zucchero
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo French horn:
Ralph Froelich (on 1965-04-24)
solo percussion idiophone [hardart]:
Peter Schickele (American composer) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Concerto for Horn and Hardart: Menuetto con panna e zucchero (on 1965-04-24)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Concerto for Horn and Hardart, S. 27
P.D.Q. Bach2:25
6Introduction
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
spoken vocals:
Peter Schickele (American composer) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
Peter Schickele1:10
7Cantata: Iphigenia in Brooklyn, S. 53162: Aria
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo harpsichord:
Leonid Hambro (pianist) (on 1965-04-24)
solo jug [wine bottle]:
Peter Schickele (American composer) (on 1965-04-24)
solo trumpet [trumpet mouthpiece]:
Seymour Platt (on 1965-04-24)
solo countertenor vocals:
John Ferrante (tenor) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Cantata: Iphigenia in Brooklyn: Aria (“As Hyperion…”) (on 1965-04-24)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Cantata: Iphigenia in Brooklyn
P.D.Q. Bach2:05
8Cantata: Iphigenia in Brooklyn, S. 53162: Recitative
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo harpsichord:
Leonid Hambro (pianist) (on 1965-04-24)
solo jug [wine bottle]:
Peter Schickele (American composer) (on 1965-04-24)
solo trumpet [trumpet mouthpiece]:
Seymour Platt (on 1965-04-24)
solo countertenor vocals:
John Ferrante (tenor) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Cantata: Iphigenia in Brooklyn: Recitative (“And lo, …”) (on 1965-04-24)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Cantata: Iphigenia in Brooklyn
P.D.Q. Bach1:41
9Cantata: Iphigenia in Brooklyn, S. 53162: Ground
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo harpsichord:
Leonid Hambro (pianist) (on 1965-04-24)
solo jug [wine bottle]:
Peter Schickele (American composer) (on 1965-04-24)
solo trumpet [trumpet mouthpiece]:
Seymour Platt (on 1965-04-24)
solo countertenor vocals:
John Ferrante (tenor) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Cantata: Iphigenia in Brooklyn: Ground (“Dying, …”) (on 1965-04-24)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Cantata: Iphigenia in Brooklyn
P.D.Q. Bach2:57
10Cantata: Iphigenia in Brooklyn, S. 53162: Recitative
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo harpsichord:
Leonid Hambro (pianist) (on 1965-04-24)
solo jug [wine bottle]:
Peter Schickele (American composer) (on 1965-04-24)
solo trumpet [trumpet mouthpiece]:
Seymour Platt (on 1965-04-24)
solo countertenor vocals:
John Ferrante (tenor) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Cantata: Iphigenia in Brooklyn: Recitative (“And in a vision…”) (on 1965-04-24)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Cantata: Iphigenia in Brooklyn
P.D.Q. Bach1:04
11Cantata: Iphigenia in Brooklyn, S. 53162: Aria
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo harpsichord:
Leonid Hambro (pianist) (on 1965-04-24)
solo jug [wine bottle]:
Peter Schickele (American composer) (on 1965-04-24)
solo trumpet [trumpet mouthpiece]:
Seymour Platt (on 1965-04-24)
solo countertenor vocals:
John Ferrante (tenor) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Cantata: Iphigenia in Brooklyn: Aria (“Running knows.”) (on 1965-04-24)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Cantata: Iphigenia in Brooklyn
P.D.Q. Bach1:22
12Introduction
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
spoken vocals:
Peter Schickele (American composer) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
Peter Schickele1:12
13Quodlibet for Small Orchestra: Allegro
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Quodlibet for Small Orchestra: Allegro (1st movement) (on 1965-04-24)
composer:
Peter Schickele (American composer) (in 1959-05)
medley of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: I. Allegro con spirito
medley of:
Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus)
medley of:
Tahiti Trot (Tea for Two), op. 16
medley of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
medley of:
Symphony no. 7 in C major, op. 60 "Leningrad": I. Allegretto
medley of:
Symphony no. 31 in D major, K. 300a/297 "Paris": I. Allegro assai
medley of:
Mr. Sandman
medley of:
Quartet for Strings no. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": I. Allegro non troppo
medley of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
medley of:
Pétrouchka (1911 original version)
part of:
Quodlibet for Small Orchestra
Peter Schickele2:34
14Quodlibet for Small Orchestra: Adagio
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Quodlibet for Small Orchestra: Adagio (on 1965-04-24)
composer:
Peter Schickele (American composer) (in 1959-05)
medley of:
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
medley of:
Symphony no. 2 in D major, op. 36: II. Larghetto (Symphony No. 2 in D major, Op. 36: II. Larghetto)
medley of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
medley of:
Symphony no. 4 in B-flat major, op. 60: II. Adagio
medley of:
Symphony no. 5 in C minor, op. 67: IV. Allegro
medley of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
medley of:
Symphony no. 7 in A major, op. 92: III. Presto
medley of:
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
medley of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto
medley of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
medley of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
medley of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto
medley of:
Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio
part of:
Quodlibet for Small Orchestra
Peter Schickele2:39
15Quodlibet for Small Orchestra: Allegro
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Quodlibet for Small Orchestra: Allegro (3rd movement) (on 1965-05-24)
composer:
Peter Schickele (American composer) (in 1959-05)
medley of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
medley of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro
medley of:
Jalousie “Tango Tzigane” (original orchestral version)
medley of:
Sinfonie Nr. 4 e-Moll, op. 98: IV. Allegro energico e passionato
medley of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude)
medley of:
Aquarela do Brasil
medley of:
Symphony no. 7 in A major, op. 92: II. Allegretto
medley of:
An American in Paris
medley of:
Samson et Dalila : Acte III, scène 2. Bacchanale
medley of:
Divertimento in B-flat major, Hob. II:46: II. Chorale St. Antoni
medley of:
Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio
medley of:
Old Folks at Home (Swanee River)
medley of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
medley of:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
medley of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
medley of:
Guillaume Tell : Ouverture (William Tell: Overture)
medley of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace)
medley of:
2 Mélodies, op. 3: No. 1 in F major (for solo piano)
medley of:
Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo
medley of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco)
medley of:
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
medley of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
medley of:
Scheherazade, op. 35
medley of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
medley of:
The Streets of Cairo
part of:
Quodlibet for Small Orchestra
Peter Schickele3:36
16Introduction
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
spoken vocals:
Peter Schickele (American composer) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
Peter Schickele6:38
17Sinfonia Concertante, S. 98.6: Sehr unruhig mit schmalz
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo bagpipe [bagpipes]:
Maurice Eisenstadt (on 1965-04-24)
solo balalaika:
Peter Zolotareff (on 1965-04-24)
solo double reed [double-reed slide music stand]:
Stephen Lickman (classical oboe and cor anglais player) (on 1965-04-24)
solo flute [left-handed sewer flute]:
Robert Lewis (flautist) (on 1965-04-24)
solo lute:
Stanley Buetens (on 1965-04-24)
solo ocarina:
Peter Schickele (American composer) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Sinfonia Concertante: Sehr unruhig mit Schmalz (on 1965-04-24)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Sinfonia Concertante
P.D.Q. Bach2:33
18Sinfonia Concertante, S. 98.6: Andante senza moto
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo bagpipe [bagpipes]:
Maurice Eisenstadt (on 1965-04-24)
solo balalaika:
Peter Zolotareff (on 1965-04-24)
solo double reed [double-reed slide music stand]:
Stephen Lickman (classical oboe and cor anglais player) (on 1965-04-24)
solo flute [left-handed sewer flute]:
Robert Lewis (flautist) (on 1965-04-24)
solo lute:
Stanley Buetens (on 1965-04-24)
solo ocarina:
Peter Schickele (American composer) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Sinfonia Concertante: Andante senza moto (on 1965-04-24)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Sinfonia Concertante
P.D.Q. Bach3:30
19Sinfonia Concertante, S. 98.6: Presto nicht schleppend
producer:
Stephen Schmidt (engineer) (from 1965-04-24 until 1965)
solo bagpipe [bagpipes]:
Maurice Eisenstadt (on 1965-04-24)
solo balalaika:
Peter Zolotareff (on 1965-04-24)
solo double reed [double-reed slide music stand]:
Stephen Lickman (classical oboe and cor anglais player) (on 1965-04-24)
solo flute [left-handed sewer flute]:
Robert Lewis (flautist) (on 1965-04-24)
solo lute:
Stanley Buetens (on 1965-04-24)
solo ocarina:
Peter Schickele (American composer) (on 1965-04-24)
orchestra:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (on 1965-04-24)
conductor:
Jorge Mester (conductor) (on 1965-04-24)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1965-04-24)
live recording of:
Sinfonia Concertante: Presto nicht schleppend (on 1965-04-24)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Sinfonia Concertante
P.D.Q. Bach2:15
20Introduction
producer:
Stephen Schmidt (engineer) (in 1966-12)
spoken vocals:
Peter Schickele (American composer) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
Peter Schickele4:56
21Oratorio: “The Seasonings”, S. ½ tsp.: Chorus: “Tarragon of virtue is full”
producer:
Stephen Schmidt (engineer) (in 1966-12)
choir vocals:
The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Chorus: “Tarragon of virtue is full” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach2:19
22Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “And there were in the same country”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo bass vocals:
William Woolf (in 1966-12)
solo tenor vocals:
John Ferrante (tenor) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Recitative: “And there were in the same country” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach0:57
23Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Bide thy thyme”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo alto vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1966-12)
solo soprano vocals:
Lorna Haywood (soprano) (in 1966-12)
solo tenor vocals:
John Ferrante (tenor) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Duet: “Bide thy thyme” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach2:15
24Oratorio: “The Seasonings”, S. ½ tsp.: Fugue for Orchestra
producer:
Stephen Schmidt (engineer) (in 1966-12)
spoken vocals:
Peter Schickele (American composer) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live partial recording of:
Oratorio: “The Seasonings”: Fugue for Orchestra (in 1966-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach1:09
25Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then asked he”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo alto vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1966-12)
solo bass vocals:
William Woolf (in 1966-12)
solo soprano vocals:
Lorna Haywood (soprano) (in 1966-12)
solo tenor vocals:
John Ferrante (tenor) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Recitative: “Then asked he” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach1:54
26Oratorio: “The Seasonings”, S. ½ tsp.: Chorale: “By the leeks of Babylon / There we sat down, yea, we wept”
producer:
Stephen Schmidt (engineer) (in 1966-12)
choir vocals:
The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Chorale: “By the leeks of Babylon / There we sat down, yea, we wept” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach2:00
27Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then she gave in”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo tenor vocals:
John Ferrante (tenor) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Recitative: “Then she gave in” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach0:29
28Oratorio: “The Seasonings”, S. ½ tsp.: Aria: “Open sesame seeds”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo bass vocals:
William Woolf (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Aria: “Open sesame seeds” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach2:03
29Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “So saying”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo alto vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1966-12)
solo bass vocals:
William Woolf (in 1966-12)
solo soprano vocals:
Lorna Haywood (soprano) (in 1966-12)
solo tenor vocals:
John Ferrante (tenor) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Recitative: “So saying” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach1:01
30Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Summer is a cumin seed”
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo alto vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1966-12)
solo soprano vocals:
Lorna Haywood (soprano) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Duet: “Summer is a cumin seed” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach1:42
31Oratorio: “The Seasonings”, S. ½ tsp.: Chorus with Soloists: “To curry favor, favor curry”
producer:
Stephen Schmidt (engineer) (in 1966-12)
choir vocals:
The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Oratorio: “The Seasonings”: Chorus with Soloists: “To curry favor, favor curry” (in 1966-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Oratorio: “The Seasonings”
P.D.Q. Bach2:52
2▼CD
#TitleArtistRatingLength
1Introduction
producer:
Stephen Schmidt (engineer) (in 1966-12)
spoken vocals:
Peter Schickele (American composer) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
Peter Schickele2:06
2“Unbegun” Symphony: Ⅲ. Minuet
producer:
Stephen Schmidt (engineer) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
“Unbegun” Symphony: Minuet (in 1966-12)
composer:
Peter Schickele (American composer)
medley of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio
medley of:
Du, Du liegst mir im Herzen
medley of:
Cielito lindo
medley of:
Symphony no. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto / IIIb. Trio. Da capo
medley of:
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
medley of:
Oh My Darling, Clementine
medley of:
Du und du, op. 367
medley of:
Carmen Suite no. 2: VI. Danse bohème
medley of:
Sinfonie Nr. 4 e-Moll, op. 98: IV. Allegro energico e passionato
medley of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
medley of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano)
medley of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
medley of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
medley of:
The Band Played On
part of:
“Unbegun” Symphony
Peter Schickele3:27
3“Unbegun” Symphony: Ⅳ. Andante – Allegro
producer:
Stephen Schmidt (engineer) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
“Unbegun” Symphony: Andante—Allegro (in 1966-12)
composer:
Peter Schickele (American composer)
medley of:
Sinfonie Nr. 2 D-Dur, op. 73: I. Allegro non troppo
medley of:
Beautiful Dreamer
medley of:
Ta-Ra-Ra-Boom-De-Ay (original English version)
medley of:
Guillaume Tell : Ouverture (William Tell: Overture)
medley of:
Camptown Races
medley of:
Irish Suite: III. The Rakes of Mallow
medley of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
medley of:
Le nozze di Figaro, K. 492: Sinfonia
medley of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro
medley of:
Onward, Christian Soldiers
medley of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture)
medley of:
Joy to the World (Christmas carol)
medley of:
Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo
medley of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace
medley of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
medley of:
Anchors Aweigh
medley of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
medley of:
You Are My Sunshine
medley of:
The Year 1812, Festival Overture in E-flat major, op. 49
medley of:
Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio
medley of:
Lohengrin, WWV 75
medley of:
Dies Irae (plainchant)
medley of:
Marche slave in B-flat minor, op. 31
medley of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco)
medley of:
Боже, Царя храни! (God Save the Tsar!)
medley of:
Study no. 2 in C major: Allegro moderato
medley of:
The Mikado: Act II, no. 16 “Miya sama” (Chorus)
part of:
“Unbegun” Symphony
Peter Schickele5:16
4Introduction
producer:
Stephen Schmidt (engineer) (in 1966-12)
spoken vocals:
Peter Schickele (American composer) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
Peter Schickele2:39
5Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Allegro moulto
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo bagpipe [bagpipes]:
Maurice Eisenstadt (in 1966-12)
solo other instruments [balloons]:
Robert Lewis (flautist) (in 1966-12)
solo other instruments [bicycle]:
Peter Schickele (American composer) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Pervertimento for Bagpipes, Bicycle, and Balloons: Allegro moulto (in 1966-12)
writer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Pervertimento for Bagpipes, Bicycle, and Balloons
P.D.Q. Bach0:45
6Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅱ (Adagio sereno)
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo bagpipe [bagpipes]:
Maurice Eisenstadt (in 1966-12)
solo other instruments [balloons]:
Robert Lewis (flautist) (in 1966-12)
solo other instruments [bicycle]:
Peter Schickele (American composer) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Pervertimento for Bagpipes, Bicycle, and Balloons: Romanze II (Adagio Sereno) (in 1966-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Pervertimento for Bagpipes, Bicycle, and Balloons
P.D.Q. Bach1:23
7Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Minaret and Trio
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo bagpipe [bagpipes]:
Maurice Eisenstadt (in 1966-12)
solo other instruments [balloons]:
Robert Lewis (flautist) (in 1966-12)
solo other instruments [bicycle]:
Peter Schickele (American composer) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Pervertimento for Bagpipes, Bicycle, and Balloons: Minaret and Trio (in 1966-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Pervertimento for Bagpipes, Bicycle, and Balloons
P.D.Q. Bach2:40
8Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅰ (Chi largo)
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo bagpipe [bagpipes]:
Maurice Eisenstadt (in 1966-12)
solo other instruments [balloons]:
Robert Lewis (flautist) (in 1966-12)
solo other instruments [bicycle]:
Peter Schickele (American composer) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Pervertimento for Bagpipes, Bicycle, and Balloons: Romanze I (Chi Largo) (in 1966-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Pervertimento for Bagpipes, Bicycle, and Balloons
P.D.Q. Bach2:01
9Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Presto changio
producer:
Stephen Schmidt (engineer) (in 1966-12)
solo bagpipe [bagpipes]:
Maurice Eisenstadt (in 1966-12)
solo other instruments [balloons]:
Robert Lewis (flautist) (in 1966-12)
solo other instruments [bicycle]:
Peter Schickele (American composer) (in 1966-12)
orchestra:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1966-12)
live recording of:
Pervertimento for Bagpipes, Bicycle, and Balloons: Presto Changio (in 1966-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Pervertimento for Bagpipes, Bicycle, and Balloons
P.D.Q. Bach2:56
10Report From Hoople: Bright and Early Show: Signature Theme / Intro
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
orchestra:
I Virtuosi di Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
Peter Schickele1:34
11Report From Hoople: Bright and Early Show: Echo Sonata for Two Unfriendly Groups of Instruments / Tag
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
orchestra:
I Virtuosi di Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
partial recording of:
Echo Sonata for Two Unfriendly Groups of Instruments (in 1967)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
publisher:
Theodore Presser Co.
part of:
Schickele ("S." numbers for compositions of P.D.Q. Bach) (number: 9)
P.D.Q. Bach / Peter Schickele3:27
12Report From Hoople: Bright and Early Show: Station Break
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
solo countertenor vocals:
John Ferrante (tenor) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
orchestra:
I Virtuosi di Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
Peter Schickele0:18
13Report From Hoople: Bright and Early Show: Commercial: “Do You Suffer?”
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
solo countertenor vocals:
John Ferrante (tenor) (in 1967)
orchestra:
I Virtuosi di Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
recording of:
Diverse Ayres on Sundrie Notions, S. 99 44/100: “Do you suffer?” (in 1967)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Diverse Ayres on Sundrie Notions, S. 99 44/100
Peter Schickele2:54
14Report From Hoople: Bright and Early Show: Intro
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
Peter Schickele0:52
15Report From Hoople: Bright and Early Show: New Horizons in Music Appreciation: Beethoven’s Fifth Symphony
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
spoken vocals [commentator]:
Bob Dennis (in 1967) and Pete Schickele (American composer) (in 1967)
orchestra:
New York Mills Philharmonic (in 1967)
conductor:
Heilige Dankesan (American composer) (in 1967)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1967)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Peter Schickele with Robert Dennis7:56
16Report From Hoople: Bright and Early Show: Time / Weather / News
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
solo countertenor vocals:
John Ferrante (tenor) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
orchestra:
I Virtuosi di Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
partial recording of:
Diverse Ayres on Sundrie Notions, S. 99 44/100: Sinfonia (in 1967)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Diverse Ayres on Sundrie Notions, S. 99 44/100
Peter Schickele3:04
17Report From Hoople: Bright and Early Show: Intro
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
Peter Schickele0:43
18Report From Hoople: Bright and Early Show: Traumarei for Unaccompanied Piano
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
solo piano:
Heinrich Seifenblase (American composer) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
partial recording of:
Traumarei for unaccompanied piano, S. 13 (in 1967)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
publisher:
Theodore Presser Co.
part of:
Schickele ("S." numbers for compositions of P.D.Q. Bach) (number: 13)
P.D.Q. Bach3:28
19Report From Hoople: Bright and Early Show: Station Break / Tag / Signature Theme
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
solo countertenor vocals:
John Ferrante (tenor) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
orchestra:
I Virtuosi di Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
partial recording of:
Diverse Ayres on Sundrie Notions, S. 99 44/100: Sinfonia (in 1967)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Diverse Ayres on Sundrie Notions, S. 99 44/100
Peter Schickele0:55
20Report From Hoople: Dull and Late Show: Signature Theme / Intro
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
orchestra:
I Virtuosi di Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
partial recording of:
Diverse Ayres on Sundrie Notions, S. 99 44/100: Sinfonia (in 1967)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Diverse Ayres on Sundrie Notions, S. 99 44/100
Peter Schickele1:10
21Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Larghissimo – Allegro boffo
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
orchestra:
Freshman 4-H Club Symphonic Society of the University of Southern North Dakota at Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
recording of:
Schleptet in E-flat major: Larghissimo—Allegro boffo (in 1967)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Schleptet in E‐flat major, S. 0
P.D.Q. Bach2:40
22Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Menuetto con brio ma senza trio
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
orchestra:
Freshman 4-H Club Symphonic Society of the University of Southern North Dakota at Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
recording of:
Schleptet in E-flat major: Menuetto con brio ma senza trio (in 1967)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Schleptet in E‐flat major, S. 0
P.D.Q. Bach1:18
23Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Adagio saccharino
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
orchestra:
Freshman 4-H Club Symphonic Society of the University of Southern North Dakota at Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
recording of:
Schleptet in E-flat major: Adagio saccharino (in 1967)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Schleptet in E‐flat major, S. 0
P.D.Q. Bach0:53
24Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Yehudi Menuetto
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
orchestra:
Freshman 4-H Club Symphonic Society of the University of Southern North Dakota at Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
recording of:
Schleptet in E-flat major: Yehudi menuetto (in 1967)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Schleptet in E‐flat major, S. 0
P.D.Q. Bach1:46
25Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Presto hey nonny nonnio
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
orchestra:
Freshman 4-H Club Symphonic Society of the University of Southern North Dakota at Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
recording of:
Schleptet in E-flat major: Presto hey nonny nonnio (in 1967)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Schleptet in E‐flat major, S. 0
P.D.Q. Bach1:10
26Report From Hoople: Dull and Late Show: Tag / Station Break
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
Peter Schickele0:27
27Report From Hoople: Dull and Late Show: What’s My Melodic Line?
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
orchestra:
I Virtuosi di Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
Peter Schickele5:09
28Report From Hoople: Dull and Late Show: Time / News / Intro
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
solo countertenor vocals:
John Ferrante (tenor) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
orchestra:
I Virtuosi di Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
Peter Schickele2:56
29Report From Hoople: Dull and Late Show: Fugue in C minor (from the Toot Suite for Calliope Four Hands)
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
solo calliope:
Emanuel Pedel (American composer) (in 1967)
recording of:
Toot Suite for calliope four hands: Fugue in C minor (in 1967)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Toot Suite for calliope four hands
P.D.Q. Bach2:46
30Report From Hoople: Dull and Late Show: Tag / Station Break
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
countertenor vocals:
John Ferrante (tenor) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
orchestra:
I Virtuosi di Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
Peter Schickele0:34
31Report From Hoople: Dull and Late Show: What’s Happening in Home Economics (Beethoven’s Revenge)
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
orchestra:
I Virtuosi di Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
Peter Schickele0:49
32Report From Hoople: Dull and Late Show: Commercial: “If You Have Never”
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
baritone vocals:
Peter Schickele (American composer) (in 1967)
solo countertenor vocals:
John Ferrante (tenor) (in 1967)
orchestra:
I Virtuosi di Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
recording of:
Diverse Ayres on Sundrie Notions, S. 99 44/100: “If you have never” (in 1967)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Diverse Ayres on Sundrie Notions, S. 99 44/100
Peter Schickele1:06
33Report From Hoople: Dull and Late Show: Sign‐Off / Signature Theme
assistant producer:
Stephen Schmidt (engineer) (in 1967) and Seymour Solomon (producer and founder of Vanguard Records) (in 1967)
spoken vocals:
Peter Schickele (American composer) (in 1967)
orchestra:
I Virtuosi di Hoople (in 1967)
conductor:
Professor Schickele (American composer) (in 1967)
recording of:
Diverse Ayres on Sundrie Notions, S. 99 44/100: Sinfonia (in 1967)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Diverse Ayres on Sundrie Notions, S. 99 44/100
Peter Schickele1:57
3▼CD
#TitleArtistRatingLength
1Introduction
recorded in:
U.S.A.
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
Will Jordan1:15
2The Stoned Guest, Part 1: Overture
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Overture (in 1970)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach1:42
3The Stoned Guest, Part 1: Aria: “Let’s face it — I’m lost”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
solo mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Aria: “Let’s face it—I’m lost” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach2:21
4The Stoned Guest, Part 1: Recitative: “Boy!”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
solo mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Recitative: “Boy!” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach1:15
5The Stoned Guest, Part 1: Aria: “Now is the season”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
solo soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
spoken vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970) and Peter Schickele (American composer) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Aria: “Now is the season” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach3:31
6The Stoned Guest, Part 1: Recitative: “Gesundheit!”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Recitative: “Gesundheit!” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach2:35
7The Stoned Guest, Part 1: Duet: “Woe”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Duet: “Woe” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach2:26
8The Stoned Guest, Part 1: Recitative: “Hark!”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Recitative: “Hark!” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach1:28
9The Stoned Guest, Part 1: Aria: “Look at me”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
solo countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Aria: “Look at me” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach3:36
10The Stoned Guest, Part 1: Recitative: “That’s the end”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Recitative: “That’s the end” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach2:17
11The Stoned Guest, Part 1: Trio: “I’m sure I’d be”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
spoken vocals:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
partial recording of:
The Stoned Guest: Trio: “I’m sure I’d be” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach2:33
12Intermission Feature: Opera Whiz
recorded in:
U.S.A.
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
spoken vocals:
Professor Peter Schickele (American composer) (in 1970)
spoken vocals [Paul Henry Lung]:
Bill Macy (in 1970)
Peter Schickele4:25
13Plot Synopsis
recorded in:
U.S.A.
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
partial recording of:
The Stoned Guest: Trio: “I’m sure I’d be” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
Will Jordan4:01
14The Stoned Guest, Part 2: Recitative: “I hate to interrupt”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
tenor vocals [Dog, houndentenor]:
Bernice (fictional Bernese Mountain Dog cast in P.D.Q. Bach’s “The Stoned Guest”) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Recitative: “I hate to interrupt” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach2:46
15The Stoned Guest, Part 2: Quartet: “Don Octave”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
bass vocals [Il Commendatoreador]:
Peter Schickele (American composer) (in 1970)
countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Quartet: “Don Octave” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach3:48
16The Stoned Guest, Part 2: Finale: “O saviour”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
bass vocals [Il Commendatoreador]:
Peter Schickele (American composer) (in 1970)
countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
tenor vocals [Dog, houndentenor]:
Bernice (fictional Bernese Mountain Dog cast in P.D.Q. Bach’s “The Stoned Guest”) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Finale: “O saviour” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach1:01
17Announcement
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
whistling:
Peter Schickele (American composer) (in 1970)
Will Jordan0:51
18Two Madrigals from The Triumphs of Thusnelda: “The queen to me a royal pain doth give”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
alto vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
baritone vocals:
John Nelson (American conductor) (in 1970)
bass vocals:
Professor Schickele (American composer) (in 1970)
soprano vocals:
Lorna Haywood (soprano) (in 1970)
tenor vocals:
John Ferrante (tenor) (in 1970)
recording of:
Two Madrigals from The Triumphs of Thusnelda, S. 1601: 1. “The queen to me a royal pain doth give” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Two Madrigals from The Triumphs of Thusnelda, S. 1601
P.D.Q. Bach3:21
19Two Madrigals from The Triumphs of Thusnelda: “My bonnie lass she smelleth”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
alto vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
baritone vocals:
John Nelson (American conductor) (in 1970)
bass vocals:
Professor Schickele (American composer) (in 1970)
soprano vocals:
Lorna Haywood (soprano) (in 1970)
tenor vocals:
John Ferrante (tenor) (in 1970)
recording of:
Two Madrigals from The Triumphs of Thusnelda, S. 1601: 2. “My bonnie lass she smelleth” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parody version of:
Balletts to Five Voices: My bonnie lass she smileth
part of:
Two Madrigals from The Triumphs of Thusnelda, S. 1601
P.D.Q. Bach2:36
20Final Announcement
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
Will Jordan0:28
4▶CD

Credits

Release

photography:Jim Kalett
Peter Schaaf (photographer)
Lisl Steiner
Paul Buck Hoeffler (American photographer based in Toronto, Canada since 1971) (from 1967 until 1970)
Joel Brodsky (in 1973)
liner notes:David Schickele (in 1965)
Peter Schickele (American composer) (from 1966 until 1996)
Jeff Ehrhart (sound editor, actor, and writer) (in 1996)
producer:Tom Voegeli (producer, engineer)
remastering:Jeff Zaraya
illustration:Lawrence Widdoes (American composer)
Jules Maidoff (in 1965)
design:Drew Cartwright, Barry Ridge Graphic Design
copyrighted (©) by and phonographic copyright (℗) by:Vanguard Records (not for release label use! file releases under its imprint "Vanguard" instead) (in 1996)
Discogs:https://www.discogs.com/release/13753552 [info]
ASIN:US: B000000EDK [info]
Allmusic:https://www.allmusic.com/album/release/mr0002729705 [info]