The Dreaded P.D.Q. Bach Collection

~ Release by P.D.Q. Bach (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Introduction
recorded in:
U.S.A.
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
Will Jordan1:15
2The Stoned Guest, Part 1: Overture
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Overture (in 1970)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach1:42
3The Stoned Guest, Part 1: Aria: “Let’s face it — I’m lost”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
solo mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Aria: “Let’s face it—I’m lost” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach2:21
4The Stoned Guest, Part 1: Recitative: “Boy!”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
solo mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Recitative: “Boy!” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach1:15
5The Stoned Guest, Part 1: Aria: “Now is the season”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
solo soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
spoken vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970) and Peter Schickele (American composer) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Aria: “Now is the season” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach3:31
6The Stoned Guest, Part 1: Recitative: “Gesundheit!”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Recitative: “Gesundheit!” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach2:35
7The Stoned Guest, Part 1: Duet: “Woe”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Duet: “Woe” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach2:26
8The Stoned Guest, Part 1: Recitative: “Hark!”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Recitative: “Hark!” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach1:28
9The Stoned Guest, Part 1: Aria: “Look at me”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
solo countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Aria: “Look at me” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach3:36
10The Stoned Guest, Part 1: Recitative: “That’s the end”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Recitative: “That’s the end” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach2:17
11The Stoned Guest, Part 1: Trio: “I’m sure I’d be”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
spoken vocals:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
partial recording of:
The Stoned Guest: Trio: “I’m sure I’d be” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach2:33
12Intermission Feature: Opera Whiz
recorded in:
U.S.A.
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
spoken vocals:
Professor Peter Schickele (American composer) (in 1970)
spoken vocals [Paul Henry Lung]:
Bill Macy (in 1970)
Peter Schickele4:25
13Plot Synopsis
recorded in:
U.S.A.
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
partial recording of:
The Stoned Guest: Trio: “I’m sure I’d be” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
Will Jordan4:01
14The Stoned Guest, Part 2: Recitative: “I hate to interrupt”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
tenor vocals [Dog, houndentenor]:
Bernice (fictional Bernese Mountain Dog cast in P.D.Q. Bach’s “The Stoned Guest”) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Recitative: “I hate to interrupt” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach2:46
15The Stoned Guest, Part 2: Quartet: “Don Octave”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
bass vocals [Il Commendatoreador]:
Peter Schickele (American composer) (in 1970)
countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Quartet: “Don Octave” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach3:48
16The Stoned Guest, Part 2: Finale: “O saviour”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
bass vocals [Il Commendatoreador]:
Peter Schickele (American composer) (in 1970)
countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
tenor vocals [Dog, houndentenor]:
Bernice (fictional Bernese Mountain Dog cast in P.D.Q. Bach’s “The Stoned Guest”) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
recording of:
The Stoned Guest: Finale: “O saviour” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach1:01
17Announcement
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
whistling:
Peter Schickele (American composer) (in 1970)
Will Jordan0:51
18Two Madrigals from The Triumphs of Thusnelda: “The queen to me a royal pain doth give”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
alto vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
baritone vocals:
John Nelson (American conductor) (in 1970)
bass vocals:
Professor Schickele (American composer) (in 1970)
soprano vocals:
Lorna Haywood (soprano) (in 1970)
tenor vocals:
John Ferrante (tenor) (in 1970)
recording of:
Two Madrigals from The Triumphs of Thusnelda, S. 1601: 1. “The queen to me a royal pain doth give” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Two Madrigals from The Triumphs of Thusnelda, S. 1601
P.D.Q. Bach3:21
19Two Madrigals from The Triumphs of Thusnelda: “My bonnie lass she smelleth”
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
alto vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
baritone vocals:
John Nelson (American conductor) (in 1970)
bass vocals:
Professor Schickele (American composer) (in 1970)
soprano vocals:
Lorna Haywood (soprano) (in 1970)
tenor vocals:
John Ferrante (tenor) (in 1970)
recording of:
Two Madrigals from The Triumphs of Thusnelda, S. 1601: 2. “My bonnie lass she smelleth” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parody version of:
Balletts to Five Voices: My bonnie lass she smileth
part of:
Two Madrigals from The Triumphs of Thusnelda, S. 1601
P.D.Q. Bach2:36
20Final Announcement
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
Will Jordan0:28
4▶CD

Credits

Release

photography:Jim Kalett
Peter Schaaf (photographer)
Lisl Steiner
Paul Buck Hoeffler (American photographer based in Toronto, Canada since 1971) (from 1967 until 1970)
Joel Brodsky (in 1973)
liner notes:David Schickele (in 1965)
Peter Schickele (American composer) (from 1966 until 1996)
Jeff Ehrhart (sound editor, actor, and writer) (in 1996)
producer:Tom Voegeli (producer, engineer)
remastering:Jeff Zaraya
illustration:Lawrence Widdoes (American composer)
Jules Maidoff (in 1965)
design:Drew Cartwright, Barry Ridge Graphic Design
copyrighted (©) by and phonographic copyright (℗) by:Vanguard Records (not for release label use! file releases under its imprint "Vanguard" instead) (in 1996)
Discogs:https://www.discogs.com/release/13753552 [info]
ASIN:US: B000000EDK [info]
Allmusic:https://www.allmusic.com/album/release/mr0002729705 [info]