100 Hits: Jazz

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
152nd Street Theme
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
52nd Street Theme (on 1949-08-08)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
Bud Powell2:50
2Just One of Those Things
instrumental recording of:
Just One of Those Things (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Charlie Parker Quintet2:42
3Remember
recording engineer:
Rudy van Gelder (on 1957-09-06)
producer:
Bob Weinstock
alto saxophone:
Zeke Tolin (on 1957-09-06)
bass:
Paul Chambers (US jazz bassist) (on 1957-09-06)
bassoon:
Dave Kurtzer (on 1957-09-06)
drums (drum set):
Jo Jones (US jazz drummer) (on 1957-09-06)
French horn:
Willie Ruff (on 1957-09-06)
piano:
Gil Evans (Canadian–American jazz pianist and composer) (on 1957-09-06)
saxophone:
Lee Konitz (jazz saxophonist) (on 1957-09-06) and Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1957-09-06)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1957-09-06) and Bart Varsalona (on 1957-09-06)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-09-06) and Jake Koven (on 1957-09-06)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-06)
Gil Evans4:31
4Cheek to Cheek
recorded in:
Los Angeles, California, United States (from 1952-11 until 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
Cheek to Cheek (from “Top Hat”) (in 1952)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Oscar Peterson Trio3:06
5Anthropology
recording engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
alto saxophone:
Bud Shank (on 1959-03-28)
alto saxophone, clarinet and tenor saxophone:
Art Pepper (on 1959-03-28)
baritone saxophone:
Med Flory (on 1959-03-28)
double bass:
Joe Mondragon (on 1959-03-28)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1959-03-28)
French horn:
Vincent DeRosa (on 1959-03-28)
piano:
Russ Freeman (pianist) (on 1959-03-28)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1959-03-28)
tenor saxophone and valve trombone:
Bob Enevoldsen (on 1959-03-28)
trombone:
Dick Nash (on 1959-03-28)
trumpet:
Al Porcino (on 1959-03-28) and Jack Sheldon (on 1959-03-28)
conductor:
Marty Paich (on 1959-03-28)
arranger:
Marty Paich
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1959-03-28)
recording of:
Anthropology (on 1959-03-28)
composer:
Dizzy Gillespie and Charlie Parker (aka “Bird”, jazz alto saxophonist)
Art Pepper3:19
6This Nearly Was Mine
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
cover recording of:
This Nearly Was Mine (South Pacific) (in 1960-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
Cecil Taylor10:51
7Peri’s Scope
recording engineer:
Jack Higgins (recording engineer) (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1959-12-28)
piano:
Bill Evans (pianist) (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
recording of:
Peri's Scope (on 1959-12-28)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp. and TRO-Folkways Music Publishers, Inc.
part of:
The Real Book (compilation of jazz standards, Volume I)
The Bill Evans Trio3:15
8My Funny Valentine
producer:
Richard Bock (record producer)
double bass:
Carson Smith (on 1954-02-15)
drums (drum set):
Bob Neel (on 1954-02-15)
piano:
Russ Freeman (pianist) (on 1954-02-15)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954) and Blue Note (in 1989)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-02-15)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-02-15)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2.52:19
9Weirdo
producer:
Alfred Lion
bass and double bass:
Percy Heath (on 1954-03-06)
drums (drum set):
Art Blakey (on 1954-03-06)
piano:
Horace Silver (on 1954-03-06)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-03-06)
phonographic copyright (℗) by:
Blue Note
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-03-06)
recording of:
Weirdo (on 1954-03-06)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis4:43
10The Lady Is a Tramp
baritone saxophone:
Gerry Mulligan (on 1953-01-03)
double bass:
Carson Smith (on 1953-01-03)
drums (drum set):
Chico Hamilton (on 1953-01-03)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-01-03)
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Gerry Mulligan Quartet3:13
11Giant Steps
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, Volume I)
John Coltrane3.354:45
12Mangolina
flute:
Eric Dolphy
Eric Dolphy2:08
13Horacescope
Horace Silver Trio4:43
14Willow Weep for Me
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
instrumental recording of:
Willow Weep for Me (on 1951-07-23)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Thelonious Monk3:00
15Django
double bass [bass]:
Percy Heath (on 1959-08-22)
drums (drum set):
Connie Kay (on 1959-08-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1959-08-22)
vibraphone:
Milt Jackson (on 1959-08-22)
recording of:
Django (on 1959-08-22)
composer:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1954)
publisher:
MJQ Music, Inc.
Modern Jazz Quartet4:37
16Ecorah
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
drums (drum set):
Paul Parker (jazz drummer) (in 1959-10, on 1959-10-05)
guitar:
Wes Montgomery (in 1959-10, on 1959-10-05)
organ:
Melvin Rhyne (in 1959-10, on 1959-10-05)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-10-05)
recording of:
Ecaroh (on 1959-10-05)
writer:
Horace Silver
recording of:
Ecaroh (in 1959-10)
writer:
Horace Silver
Wes Montgomery2:58
17The Ripper
Ramsey Lewis Trio1:54
18The Cylinder
recorded in:
New York, New York, United States (on 1959-09-10)
alto flute:
Don Hammond (American multi-wind instrumentalist) (on 1959-09-10)
bass:
Bill Crow (on 1959-09-10)
cello:
Charles McCracken (cellist) (on 1959-09-10), George Ricci (on 1959-09-10) and Harvey Shapiro (cellist) (on 1959-09-10)
drums (drum set):
Connie Kay (on 1959-09-10)
guitar:
Barry Galbraith (on 1959-09-10)
harp:
Gloria Agostini (Harp) (on 1959-09-10)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-09-10)
vibraphone:
Milt Jackson (on 1959-09-10)
viola:
Al Brown (violin) (on 1959-09-10), Burt Fisch (on 1959-09-10) and David Mankowitz (on 1959-09-10)
violin:
Alexander Cores (violin) (on 1959-09-10), Max Cahn (on 1959-09-10), Harold Coletta (on 1959-09-10), Paul Gershman (on 1959-09-10), Julius Held (on 1959-09-10), Leo Kahn (on 1959-09-10), Harry Katzman (on 1959-09-10), Harry Lookofsky (on 1959-09-10), David Nadien (on 1959-09-10), George Ockner (on 1959-09-10) and Leonard Posner (on 1959-09-10)
conductor:
Quincy Jones (on 1959-09-10)
arranger:
Quincy Jones
recording of:
The Cylinder (on 1959-09-10)
composer:
Milt Jackson
Milt Jackson2:48
19Splinter
Sonny Stitt2:41
20Epistrophy
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (US jazz trumpeter) (on 1957-06-26)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Epistrophy (on 1957-06-26)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
Thelonious Monk and John Coltrane3:05
2▼CD
#TitleArtistRatingLength
1Watermelon Man
recording engineer:
Rudy van Gelder (on 1962-05-28)
producer:
Alfred Lion
bass:
Butch Warren (on 1962-05-28)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1962-05-28)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1962-05-28)
tenor saxophone:
Dexter Gordon (on 1962-05-28)
trumpet:
Freddie Hubbard (on 1962-05-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-05-28)
recording of:
Watermelon Man (on 1962-05-28)
composer:
H. Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music and Warner Chappell Music Ltd (1996–2019)
Herbie Hancock4.557:11
2Soul Bossa Nova
recording engineer:
Phil Ramone (on 1962-09-13)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-13)
drums (drum set):
Rudy Collins (drums) (on 1962-09-13)
flute:
Rahsaan Roland Kirk (on 1962-09-13)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-13)
tenor saxophone:
Paul Gonsalves (on 1962-09-13)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-13)
conductor:
Quincy Jones (on 1962-09-13)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recording of:
Soul Bossa Nova (on 1962-09-13)
composer:
Quincy Jones
Quincy Jones42:46
3There Is No Greater Love
producer:
Norman Granz
double bass:
Sam Jones (US jazz bassist) (from 1959-02-17 until 1959-02-20)
drums (drum set):
Lex Humphries (from 1959-02-17 until 1959-02-20)
guitar:
Les Spann (from 1959-02-17 until 1959-02-20)
piano:
Junior Mance (from 1959-02-17 until 1959-02-20)
trumpet:
Dizzy Gillespie (from 1959-02-17 until 1959-02-20)
recorded at:
Columbia Recording Studios in Manhattan, New York, New York, United States (from 1959-02-17 until 1959-02-20)
recording of:
There Is No Greater Love
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
Dizzy Gillespie3:25
4Misty
Erroll Garner2:49
5You’re Mine You
Max Roach2:40
6Velodrome
Modern Jazz Quartet2:31
7Ghana
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Doug Watkins (on 1960-01-25)
drums (drum set):
Lex Humphries (on 1960-01-25)
piano:
Duke Pearson (on 1960-01-25)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1960-01-25)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1960-01-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-01-25)
recording of:
Ghana (on 1960-01-25)
composer:
Donald Byrd (American jazz trumpeter)
publisher:
Elgy Music
Donald Byrd7:16
8Spain
Stan Lacey2:39
9Mr. Smith Goes to Town
Chico Hamilton Quintet2:54
10Titora
Yusef Lateef2:27
11Subconscious Lee
Lee Konitz2:49
12Blues for Herky
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (on 1957-10-10)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-10-10)
recording of:
Blues for Herky (on 1957-10-10)
composer:
Stan Getz
publisher:
Lynnstorm Publ. Co.
Stan Getz and The Oscar Peterson Trio3:46
13Reflections
recorded in:
New York, New York, United States (on 1952-12-18)
double bass:
Gary Mapp (jazz double bassist) (on 1952-12-18)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-12-18)
piano:
Thelonious Monk (on 1952-12-18)
recording of:
Reflections (on 1952-12-18)
composer:
Thelonious Monk
Thelonious Monk2:47
14Street of Dreams
recorded in:
Milano (Milan), Milano, Lombardia, Italy (on 1959-10-05)
alto saxophone:
Glauco Masetti (saxophone and songwriter) (on 1959-10-05)
baritone saxophone:
Fausto Papetti (on 1959-10-05)
bass:
Franco Cerri (Italian jazz guitarist) (on 1959-10-05)
drums (drum set):
Gene Voctory (on 1959-10-05)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1959-10-05)
tenor saxophone:
Gianni Basso (on 1959-10-05)
trombone:
Mario Pezzotta (on 1959-10-05)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1959-10-05)
conductor:
Len Mercer (Ezio Leoni) (on 1959-10-05)
arranger:
Len Mercer (Ezio Leoni)
Chet Baker2:28
15Embraceable You
Charles Mingus3:33
16I’ll Close My Eyes
Kenny Burrell4:49
17When I Fall in Love
double bass:
Ray Brown (jazz bassist) (on 1956-09-23)
drums (drum set):
Osie Johnson (on 1956-09-23)
piano:
Bud Powell (on 1956-09-23)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-09-23)
instrumental cover recording of:
When I Fall in Love (on 1956-09-23)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bud Powell1:40
18Second Genesis
double bass [bass]:
Bob Cranshaw (on 1960-10-11)
drums (drum set) and drums (drum set) [drums]:
Art Blakey (on 1960-10-11)
piano:
Cedar Walton (on 1960-10-11)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1960-10-11)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1960-10-11)
recording of:
Second Genesis (on 1960-10-11)
composer:
Wayne Shorter (US jazz saxophonist and composer)
Wayne Shorter4:08
19John S.
recorded in:
New York, New York, United States (on 1962-02-13)
recording engineer:
Ray Hall (engineer) (on 1962-02-13)
engineer:
Ray Hall (engineer) (in 1986-07)
producer:
George Avakian (US 1940-90s record producer) and Bob Prince (Jazz composer, arranger, conductor & producer)
double bass and double bass [bass]:
Bob Cranshaw (on 1962-02-13)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-02-13)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-02-13)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1962-02-13)
recorded at:
RCA Victor Studio B (Cherokee B) in Manhattan, New York, New York, United States (on 1962-02-13)
recording of:
John S. (on 1962-02-13)
composer:
Sonny Rollins (American saxophonist)
named after artist:
John Coltrane
Sonny Rollins7:45
20Cool Eyes
Horace Silver3:54
3▼CD
#TitleArtistRatingLength
1More West
Maynard Ferguson2:35
2The Preacher
double bass [bass]:
Doug Watkins (on 1955-02-06)
drums (drum set):
Art Blakey (on 1955-02-06)
piano:
Horace Silver (on 1955-02-06)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1955-02-06)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1955-02-06)
instrumental recording of:
The Preacher (on 1955-02-06)
lyricist:
Babs Gonzales
composer:
Horace Silver
publisher:
Silhouette Music
Horace Silver4:18
3The Sphinx
recorded in:
Los Angeles, California, United States (on 1958-03-24)
alto saxophone:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer) (on 1958-03-24)
cornet:
Don Cherry (jazz trumpeter) (on 1958-03-24)
double bass:
Don Payne (Bass player) (on 1958-03-24)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1958-03-24)
piano accordion:
Walter Norris (on 1958-03-24)
recording of:
The Sphinx (on 1958-03-24)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
The Ornette Coleman Quartet4:17
4Baubles Bangles and Beads
Art Farmer Quartet3:01
5Repetition
congas:
Ray Barretto (on 1961-08-04)
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1961-08-04)
drums (drum set):
Lex Humphries (on 1961-08-04)
guitar:
Wes Montgomery (on 1961-08-04)
piano:
Hank Jones (piano) (on 1961-08-04)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-08-04)
recording of:
Repetition (on 1961-08-04)
composer:
Neal Hefti
publisher:
Cinephonic Music Co., Ltd.
Wes Montgomery43:53
6Comin’ Home Baby
cover recording of:
Comin’ Home Baby (original instrumental)
composer:
Ben Tucker
Herbie Mann8:37
7Hymn of the Orient
recorded in:
New York, New York, United States (on 1953-08-28)
alto saxophone:
Gigi Gryce (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-08-28)
trumpet:
Clifford Brown (trumpet) (on 1953-08-28)
recording of:
Hymn of the Orient (on 1953-08-28)
composer:
Gigi Gryce
Clifford Brown Sextet4:07
8Three for the Festival
Roland Kirk Quartet3:08
9Far Cry
recording engineer:
Rudy van Gelder (on 1960-12-21)
alto saxophone:
Eric Dolphy (on 1960-12-21)
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1960-12-21)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-12-21)
piano:
Jaki Byard (on 1960-12-21)
trumpet:
Booker Little (on 1960-12-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-12-21)
recording of:
Far Cry (aka 'Out There') (on 1960-12-21)
composer:
Eric Dolphy
publisher:
Prestige Music Co. (US, affiliated with BMI)
Eric Dolphy3:54
10Everytime We Say Goodbye
recording engineer:
Tom Dowd (on 1960-10-26) and Phil Iehle (on 1960-10-26)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
soprano saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
instrumental cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1960-10-26)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
John Coltrane35:40
11Pierre et Beatrice
producer:
Marcel Romano (in 1958-12)
double bass:
Jymie Merritt (in 1958-12)
drums (drum set):
Art Blakey (in 1958-12)
piano:
Bobby Timmons (in 1958-12)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1958-12)
trumpet:
Lee Morgan (jazz trumpeter / composer) (in 1958-12)
Art Blakey and The Jazz Messengers1:04
12Once in a While
Clifford Brown and Horace Silver5:03
13Spring Cannon
Kenny Dorham4:51
14For the Fat Man
Sonny Stitt2:57
15Miss Bliss
Charles Mingus3:07
16Ahmed’s Blues
recording of:
Ahmad’s Blues
composer:
Ahmad Jamal
Ahmad Jamal2:56
17Dr. Free‐Zee
recorded in:
New York, New York, United States (on 1956-09-19)
bass:
George Morrow (on 1956-09-19)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-09-19)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1956-09-19)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-09-19)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1956-09-19)
Max Roach2:09
18Let’s Get Lost
Steve Lacy2:04
19Ungawa
recording of:
Ungawa
composer:
Dizzy Gillespie and Oswaldo Nunes (aka Oswaldo Nunes, Brazilian singer & composer)
Dizzy Gillespie3:20
20Air Conditioning
Charlie Parker3:00
4▼CD
#TitleArtistRatingLength
1African Waltz
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009)
Cannonball Adderley2:10
2Lullaby of Birdland
instrumental recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
George Shearing2:44
3That’s All
recorded in:
Los Angeles, California, United States (on 1953-12-08)
producer:
Norman Granz (on 1953-12-08)
alto saxophone:
Benny Carter (on 1953-12-08)
double bass:
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (on 1953-12-08)
drums (drum set):
J.C. Heard (on 1953-12-08) and Alvin Stoller (on 1953-12-08)
guitar:
Herb Ellis (jazz guitarist) (on 1953-12-08) and Barney Kessel (on 1953-12-08)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-08)
tenor saxophone:
Ben Webster (on 1953-12-08)
trumpet:
Harry Edison (on 1953-12-08)
instrumental recording of:
That’s All (on 1953-12-08)
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
Ben Webster3:50
4But Beautiful
Kenny Dorham & Sonny Rollins2:43
5In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Charles Mingus3:24
6Taking a Chance on Love
Clark Terry & His Orchestra2:20
7I Cover the Warerfont
Lester Young Trio4:04
8Sonny Sounds
recorded in:
New York, New York, United States (on 1952-02-25)
bass:
Ernie Shepard (on 1952-02-25)
congas:
Humberto Molares (on 1952-02-25)
drums (drum set):
Shadow Wilson (on 1952-02-25)
piano:
John Houston (jazz pianist) (on 1952-02-25)
tenor saxophone:
Sonny Stitt (on 1952-02-25)
trumpet:
Bill Massey (on 1952-02-25), John Hunt (trumpeter) (on 1952-02-25) and Joe Newman (US jazz trumpeter) (on 1952-02-25)
Sonny Stitt2:29
9While We’re Young
recording engineer:
Rudy van Gelder (on 1960-01-29)
producer:
Esmond Edwards
double bass [bass]:
Wendell Marshall (on 1960-01-29)
drums (drum set):
Osie Johnson (on 1960-01-29)
piano:
Tommy Flanagan (on 1960-01-29)
tenor saxophone:
Coleman Hawkins (on 1960-01-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-01-29)
instrumental recording of:
While We’re Young (on 1960-01-29)
lyricist:
William Engvick
composer:
Morty Palitz and Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Regent Music (BMI) and ロックンロール ミュージック (Rock ’n’ Roll Music)
Coleman Hawkins3:34
10Yesterdays
recorded in:
New York, New York, United States (on 1950-05-17)
producer:
Teddy Reig
bass, double bass and double bass [bass]:
Tommy Potter (on 1950-05-17)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1950-05-17)
piano:
Al Haig (on 1950-05-17)
tenor saxophone:
Stan Getz (on 1950-05-17)
instrumental recording of:
Yesterdays (on 1950-05-17)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Stan Getz2:48
11Mack the Knife
bass:
Arvell Shaw (in 1955)
clarinet:
Barney Bigard (in 1955)
drums (drum set):
Barrett Deems (in 1955)
piano:
Billy Kyle (in 1955)
trombone:
Trummy Young (in 1955)
trumpet and lead vocals:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (on 1955-09-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3.53:23
12Just Friends
Charlie Parker with Strings3:32
13Now’s the Time
Hank Jones Trio3:32
14Dig Dis
recording engineer:
Rudy van Gelder (on 1960-02-07)
art direction:
Scott Warpool
engineer:
Joe Harley, Robert Bantz and Alan Yoshida
producer:
Alfred Lion
bass and double bass:
Paul Chambers (US jazz bassist) (on 1960-02-07)
drums (drum set):
Art Blakey (on 1960-02-07)
piano:
Wynton Kelly (on 1960-02-07)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1960-02-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-02-07)
recording of:
Dig Dis (on 1960-02-07)
writer:
Hank Mobley (US jazz tenor saxophonist)
Hank Mobley6:07
15Black Orpheus
recorded in:
Chicago, Illinois, United States (in 1961)
double bass [bass]:
Jymie Merritt (in 1961)
drums (drum set):
Marshall Thompson (drums) (in 1961)
piano:
Eddie Higgins (in 1961)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (in 1961)
trumpet:
Freddie Hubbard (in 1961)
Wayne Shorter4:31
16Blue and Sentimental
Gene Ammons3:10
17Body and Soul
Charles Mingus3:37
18Have You Met Miss Jones?
George Shearing Quintet2:07
19Stardust
Donald Byrd4:01
20Autumn in New York
Bud Powell Trio3:01
5▼CD
#TitleArtistRatingLength
1The Opener
engineer:
GP
bass:
Major Holley (from 1960-06-01 until 1960-06-03)
drums (drum set):
Osie Johnson (from 1960-06-01 until 1960-06-03)
piano:
George Handy (from 1960-06-01 until 1960-06-03)
tenor saxophone:
Al Cohn (from 1960-06-01 until 1960-06-03) and Zoot Sims (US jazz saxophonist) (from 1960-06-01 until 1960-06-03)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (from 1960-06-01 until 1960-06-03)
Al Cohn & Zoot Sims Quintet3:43
2The Wailing Boat
recorded in:
New York, New York, United States (from 1956-09-07 until 1956-09-25)
engineer:
Ray Hall (engineer)
producer:
Jack Lewis (jazz producer)
alto saxophone:
Herb Geller (from 1956-09-07 until 1956-09-25)
baritone saxophone:
Ernie Wilkins (from 1956-09-07 until 1956-09-25)
bass:
Milt Hinton (from 1956-09-07 until 1956-09-25)
drums (drum set):
Jimmy Campbell (American jazz drummer) (from 1956-09-07 until 1956-09-25)
piano:
Hank Jones (piano) (from 1956-09-07 until 1956-09-25)
tenor saxophone:
Al Cohn (from 1956-09-07 until 1956-09-25) and Budd Johnson (from 1956-09-07 until 1956-09-25)
trombone:
Eddie Bert (from 1956-09-07 until 1956-09-25), Jimmy Cleveland (US jazz trombonist) (from 1956-09-07 until 1956-09-25) and Sonny Russo (American jazz trombonist) (from 1956-09-07 until 1956-09-25)
trumpet:
Maynard Ferguson (from 1956-09-07 until 1956-09-25), Joe Ferrante (from 1956-09-07 until 1956-09-25), Al De Risi (from 1956-09-07 until 1956-09-25) and Nick Travis (from 1956-09-07 until 1956-09-25)
conductor:
Maynard Ferguson (from 1956-09-07 until 1956-09-25)
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-09-11)
Maynard Ferguson3:09
3Port of Call
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Port of Call (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp.
Cecil Taylor4:20
4Palo Alto
Bill Evans, Jimmy Giuffre & Lee Konitz3:10
5Tem d’amore
recorded in:
Roma (Rome), Roma, Lazio, Italy (in 1961)
alto saxophone:
Marcello Boschi (in 1961)
baritone saxophone:
Gino Marinacci (in 1961)
bass:
Berto Pisano (in 1961)
membranophone:
Jimmy Pratt (in 1961)
piano:
Piero Umiliani (in 1961)
tenor saxophone:
Livio Cervellieri (in 1961)
trombone:
Bill Gilmore (in 1961)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1961) and Nini Rosso (Italian trumpeter and composer) (in 1961)
Chet Baker2:24
6Afrodisia
baritone saxophone:
Cecil Payne (on 1955-03-29)
congas:
Carlos “Patato” Valdés (on 1955-03-29)
cowbell:
Richie Goldberg (on 1955-03-29)
double bass:
Oscar Pettiford (on 1955-03-29)
drums (drum set):
Art Blakey (on 1955-03-29)
piano:
Horace Silver (on 1955-03-29)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1955-03-29)
trombone:
Jay Jay Johnson (jazz/bop trombonist/session leader) (on 1955-03-29)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1955-03-29)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-03-29)
recording of:
Afrodisia (on 1955-03-29)
composer:
Kenny Dorham (US jazz trumpeter, singer, and composer)
publisher:
EMI Unart Catalog Inc. and Second Floor Music
Kenny Dorham5:04
7Just for You
Ornette Coleman3:52
8If There’s Soemone Lovelier Than You
Tal Farlow2:44
9The Last Time I Saw Paris
Sonny Rollins2:56
10Tuesday at Two
Chico Hamilton2:59
11Why Are We Afraid?
engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-02-29)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-02-29)
piano:
Wynton Kelly (on 1960-02-29)
saxophone:
Art Pepper (on 1960-02-29)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1960-02-29)
recording of:
Why Are We Afraid? (on 1960-02-29)
writer:
André Previn (pianist, conductor, composer, arranger) and Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
Art Pepper3:38
12The Twitch
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1961-11-29)
bass:
Buddy Catlett (on 1961-11-29)
drums (drum set):
Stu Martin (US jazz drummer) (on 1961-11-29)
French horn:
Julius Watkins (on 1961-11-29)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1961-11-29)
tenor saxophone:
Eric Dixon (woodwind) (on 1961-11-29)
trombone:
Billy Byers (on 1961-11-29), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-11-29) and Melba Liston (US jazz trombonist) (on 1961-11-29)
trumpet:
Jerome Kail (on 1961-11-29), Joe Newman (US jazz trumpeter) (on 1961-11-29), Clyde Reasinger (on 1961-11-29) and Clark Terry (American swing trumpeter) (on 1961-11-29)
woodwind:
Jerome Richardson (on 1961-11-29)
conductor:
Quincy Jones (on 1961-11-29)
arranger:
Quincy Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-11-29)
Quincy Jones3:50
13Chazzanova
Charles Mingus4:57
14Strike Up the Band
Steve Lacy2:01
15G’Wan Train
Quincy Jones6:22
16Nobody Knows the Trouble I’ve Seen
Johnny Griffin2:44
17Gonna Set Your Soul on Fire
Ramsey Lewis Trio2:03
18The Disguise
recorded in:
Los Angeles, California, United States (on 1958-02-22)
alto saxophone:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer) (on 1958-02-22)
cornet:
Don Cherry (jazz trumpeter) (on 1958-02-22)
double bass:
Don Payne (Bass player) (on 1958-02-22)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1958-02-22)
piano accordion:
Walter Norris (on 1958-02-22)
recording of:
The Disguise (on 1958-02-22)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
Ornette Coleman2:50
19Mingus Fingus No. 2
alto saxophone:
Eric Dolphy (on 1960-05-24)
cello:
Charles McCracken (cellist) (on 1960-05-24)
double bass:
Charles Mingus (on 1960-05-24)
drums (drum set):
Dannie Richmond (drummer) (on 1960-05-24)
flute:
Robert DiDomenica (American composer and flutist) (on 1960-05-24)
oboe:
Harry Schulman (on 1960-05-24)
percussion:
Sticks Evans (on 1960-05-24) and George Scott (on 1960-05-24)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1960-05-24)
saxophone:
Danny Bank (reeds) (on 1960-05-24), Bill Barron (on 1960-05-24) and John LaPorta (on 1960-05-24)
tenor saxophone:
Joe Farrell (on 1960-05-24) and Yusef Lateef (on 1960-05-24)
trombone:
Eddie Bert (on 1960-05-24), Charles Greenlee (on 1960-05-24), Slide Hampton (on 1960-05-24) and Jimmy Knepper (trombonist) (on 1960-05-24)
trumpet:
Marcus Belgrave (on 1960-05-24), Ted Curson (on 1960-05-24), Hobart Dotson (on 1960-05-24), Clark Terry (American swing trumpeter) (on 1960-05-24) and Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1960-05-24)
tuba:
Don Butterfield (on 1960-05-24)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-05-24)
recording of:
Mingus Fingus No. 2 (on 1960-05-24)
composer:
Charles Mingus
Charles Mingus3:35
20A Morning in Paris
Modern Jazz Quartet2:53

Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 126) (order: 111)