Light Classics for Listening & Relaxation

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Clair de Lune
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:37
2Samson and Delilah: “My Heart at Thy Sweet Voice”
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Samson and Delilah : Act II, Scene 3. “Softly Awakes My Heart”
composer:
Camille Saint‐Saëns (composer)
translated version of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
Camille Saint‐Saëns2:47
3Eine kleine Nachtmusik, Romanza
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart4:36
4Moonlight Sonata
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
partial recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Classic 100: Piano (2004) (number: 1) and Classic 100: Piano (2025) (number: 2)
part of:
Two Piano Sonatas, op. 27
Ludwig van Beethoven4:51
5Bird Songs at Eventide
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Bird Songs at Eventide
lyricist:
Royden Barrie (poet/songwriter)
composer:
Eric Coates (composer) (in 1926)
Eric Coates5:03
6Rusalka: “O Lovely Moon”
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
recording of:
Rusalka, op. 114: Song to the Moon (catch-all for arrangements)
composer:
Antonín Dvořák (composer)
arrangement of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
Antonín Dvořák4:18
7Tannhäuser: “Evening Star”
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Tannhäuser: O du mein holder Abendstern (catch-all for arrangements)
composer:
Richard Wagner (composer)
arrangement of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern”
Richard Wagner2:54
8Poeme
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
phonographic copyright (℗) by:
The Reader’s Digest Association Limited (not for release label use!) (in 1987)
recording of:
Poème (orchestral excerpt of the Lento from symphonic poem “At Twilight”)
composer:
Zdeněk Fibich (Czech composer)
arranger:
Ruud Bos (Dutch composer, arranger, pianist and conductor)
part of:
V podvečer, op. 39 (At Twilight, op. 39)
Zdeněk Fibich5:19
9Serenade
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
Joseph Haydn2:39
10Waltz in a Flat
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Waltz, op. 39 no. 15 (catch-all for unknown arrangements)
composer:
Johannes Brahms (German composer) (in 1865)
arrangement of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
Johannes Brahms1:27
11Nell
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
3 Songs for Voice and Piano, op. 18: No. 1 Nell
lyricist:
Leconte de Lisle
composer:
Gabriel Fauré (French composer) (in 1878)
publisher:
Éditions Alphonse Leduc
part of:
3 Songs for Voice and Piano, op. 18
Gabriel Fauré2:21
12Le Desir Waltz
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
Ludwig van Beethoven3:17
13Carmen: Flower Song
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:11
14La Bohème: Musetta’s Waltz “Mi chiamano Mimì”
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:55
15Caro mio ben
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Caro mio ben
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani and Tommaso Giordani
publisher:
G. Schirmer Inc.
Tommaso Giordani3:39
16Beau Soir
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Beau soir (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
arrangement of:
Beau soir, L. 6, CD 84 “Lorsque au soleil couchant les rivières sont roses” (for voice and piano)
Claude Debussy2:23
17Don Giovanni: “La ci darem la mano”
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Don Giovanni: “Là ci darem la mano” (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
Wolfgang Amadeus Mozart2:54
18The Girl With the Flaxen Hair
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair, catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
arrangement of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
Claude Debussy2:52
19Spartacus: Adagio
orchestra:
The London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Spartacus: Adagio of Spartacus & Phrygia
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1955)
part of:
Spartacus, op. 82
Aram Khachaturian3:34
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#TitleArtistRatingLength
1Danny Boy
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Danny Boy
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
Frederick Edward Weatherly (from 1910 until 1913)
composer:
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
is based on:
Londonderry Air
Frederick Edward Weatherly4:40
2Madama Butterfly: Flower Duet
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
composer:
Giacomo Puccini (Italian composer)
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:47
3Rustles of Spring
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
6 Stücke, op. 32: Nr. 3. Frühlingsrauschen (6 Pieces, op. 32: No. 3. Rustle of Spring, for orchestra)
composer:
Christian Sinding (Norwegian composer)
orchestration of:
6 Stücke, op. 32: Nr. 3. Frühlingsrauschen (6 Pieces, op. 32: No. 3. Rustle of Spring, for piano)
Christian Sinding2:31
4Sheep May Safely Graze
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach3:08
5The Four Seasons: Winter
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
partial recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. I/25) and Ryom-Verzeichnis (number: RV 297)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
Antonio Vivaldi2:10
6Appalachian Spring: Simple Gifts
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Appalachian Spring Suite: VII. Doppio movimento: Variations on a Shaker Hymn (Simple Gifts)
composer:
Aaron Copland (composer) (from 1943 until 1944)
is based on:
Simple Gifts
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland3:08
7Summertime
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Gershwin2:27
8The Chestnut Tree
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Myrthen, op. 25: Nr. 3. Der Nußbaum
lyricist:
Julius Mosen
composer:
Robert Schumann (German classical composer)
part of:
Myrthen, op. 25
Robert Schumann2:51
9Swan Lake: Dance of the Little Swans
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Swan Lake: Dance of the Little Swans
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
Pyotr Tchaikovsky1:27
10Clarinet Concerto in A major: Adagio
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:20
11The Ash Grove
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Folksong Arrangements, Volume I: The Ash Grove (Britten arrangement)
composer:
[traditional] (special purpose artist)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
arrangement of:
The Ash Grove (Welsh tune, "Down yonder green valley")
part of:
Folksong Arrangements, Volume I: British Isles, for voice & piano
Benjamin Britten2:45
12’Tis the Last Rose of Summer
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of:
Martha: Akt II. „Letzte Rose“ (The Last Rose of Summer)
composer:
Friedrich von Flotow (composer)
part of:
Martha: Akt II
Friedrich von Flotow3:47
13The Trout (Die Forelle)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Die Forelle, D. 550 (The Trout, D. 550)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert3:29
14Arabesque No. 1
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
arrangement of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano)
Claude Debussy5:03
15On Wings of Song
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements)
composer:
Felix Mendelssohn (composer)
arrangement of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Felix Mendelssohn2:49
16Promenade (Walking the Dog)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Promenade (Walking the Dog)
composer:
George Gershwin (composer) (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
George Gershwin2:59
17To a Wild Rose
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (original for solo piano)
composer:
Edward MacDowell (American composer, pianist) (in 1896)
part of:
10 Woodland Sketches, op. 51
Edward MacDowell3:16
18Praeludium
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Praeludium
composer:
Armas Järnefelt
Armas Järnefelt2:45
19Down by the Salley Gardens
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Down by the Salley Gardens
lyricist:
William Butler Yeats (in 1889)
composer:
[traditional] (special purpose artist)
arranger:
Herbert Hughes (in 1909)
version of:
Down by the Salley Gardens (poem by W.B. Yeats)
version of:
The Moorlough Shore
[unknown]3:19
20Spring Waters
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
12 Romances, op. 14: no. 11 "Spring Waters"
lyricist:
Фёдор Тютчев (Fyodor Tyutchev, XIX c. poet, lyricist, translator, diplomat and official)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1896)
part of:
12 Romances, op. 14
Sergei Rachmaninoff2:00
21Trees
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Trees
lyricist:
Joyce Kilmer (poet) (in 1913)
composer:
Oscar Rasbach (composer)
publisher:
Chappell Music Ltd.
Oscar Rasbach, Joyce Kilmer3:15
22Shenandoah
orchestra and performer:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Shenandoah
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 324)
[traditional]2:00
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#TitleArtistRatingLength
1Ave Maria
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
instrumental recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert3:00
2Deep River
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Deep River
lyricist and composer:
[traditional] (special purpose artist)
[unknown]4:17
3O Sacred Head, Now Wounded
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
O Sacred Head, Now Wounded
lyricist:
Bernard of Clairvaux (hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Hans Leo Hassler (latter 16th c. German composer and organist)
Johann Sebastian Bach2:30
4O Divine Redeemer
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Repentir (“O Divine Redeemer”)
composer:
Charles Gounod (French composer)
Charles Gounod3:25
5Requiem: Pie Jesu
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Requiem: Pie Jesu
lyricist and composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Requiem
Andrew Lloyd Webber4:08
6Ave Maria
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles Gounod5:21
7My Prayer
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
My Prayer
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Georges Boulanger (Romani-Romanian violinist, conductor, composer)
publisher:
J. Albert & Son Pty. Ltd., Peter Maurice Music, Skidmore Music Co., Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Avant de mourir
Georges Boulanger and Jimmy Kennedy3:44
8In a Monastery Garden
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
In a Monastery Garden
composer:
Albert Ketèlbey (English composer) (in 1915)
Albert William Ketèlbey5:49
9Requiem: Sanctus
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Requiem, op. 48: III. Sanctus (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:14
10The Mikado: The Moon and I
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
The Mikado: Act II, no. 13. “The sun, whose rays are all ablaze” (Yum-Yum)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Mikado: Act II
Gilbert & Sullivan2:29
11Carmen: Micaëla’s Air
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:32
12Bacianas Brasileiras No. 5
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Bachianas Brasileiras nº 5, W389 (catch-all for arrangements)
arrangement of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos3:21
13Concerto in D: Largo
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
Antonio Vivaldi3:02
14The Marriage of Figaro: Voi che sapete
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:50
15Black Is the Color of My Ture Love’s Hair
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Black Is the Colour (of My True Love’s Hair)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3103)
[unknown]4:20
16Kamennoi‐Ostrow (Rêve angélique)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Каменний остров, op. 10: No. 22. Rêve angélique (catch-all for arrangements)
composer:
Антон Григорьевич Рубинштейн (Anton Rubinstein, Russian composer)
arrangement of:
Каменний остров, op. 10: No. 22. Rêve angélique
Anton Rubinstein1:57
17Extase
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Extase
lyricist:
Henri Cazalis (a.k.a. Jean Caselli/Lahor)
composer:
Henri Duparc (French composer)
Henri Duparc3:53
18The Gadfly: Romance
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
The Gadfly Suite, op. 97a: VIII. Romance
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1955)
arranger:
Левон Атовмьян (Lev Atovmyan, Russian composer, arranger, editor, and administrator)
part of:
The Gadfly Suite, op. 97a
Dmitri Shostakovich3:45
19Vocalise
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Vocalise, op. 34 no. 14 (catch-all for unknown arrangements)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninoff4:23
4▼CD
#TitleArtistRatingLength
1Jeanie With the Light Brown Hair
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Jeanie With the Light Brown Hair
lyricist:
Stephen Foster (composer)
composer:
Stephen Foster (composer) (in 1854)
Stephen Foster2:25
2A Trumpeter’s Lullaby
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
A Trumpeter’s Lullaby
composer:
Leroy Anderson (until 1949-09-22)
Leroy Anderson3:03
3Angel of Music (from the Phantom of the Opera)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Angel of Music
additional lyricist:
Richard Stilgoe
lyricist:
Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
Andrew Lloyd Webber3:28
4Brazilian Lullaby
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Brazilian Lullaby
writer:
[traditional] (special purpose artist)
[traditional]3:35
5Adagio for Strings
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber7:29
6La Rondine: The Dream of Doretta
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
Giacomo Puccini2:35
7Gertrudes’s Dream Waltz
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
Ludwig van Beethoven3:57
8Träume (Dreams)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Wesendonck-Lieder: V. Träume (for voice and large orchestra, Wagner)
orchestrator and composer:
Richard Wagner (composer)
lyricist:
Mathilde Wesendonck
arrangement of:
Wesendonck-Lieder: V. Träume (for voice and piano)
is based on:
Träume, WWV 91b (for violin and orchestra)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner5:28
9Beautiful Dreamer
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Beautiful Dreamer
orchestrator:
Herbert Spencer (Production music composer)
lyricist and composer:
Stephen Foster (composer) (in 1864)
Stephen Foster3:24
10Songs My Mother Taught Me
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Songs My Mother Taught Me
lyricist:
Adolf Heyduk
composer:
Antonín Dvořák (composer)
translator:
Natalia Macfarren
version of:
Cigánské melodie, op. 55: IV. Když mne stará matka (Gypsy Songs: Songs My Mother Taught Me, for voice and piano)
Antonín Dvořák3:14
11Canon in D
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:49
12Old Folks at Home (Swanee River)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Old Folks at Home (Swanee River)
anthem of:
Florida, United States (from 1935 to present)
lyricist and composer:
Stephen Foster (composer) (in 1851)
publisher:
Carlin Music Group
Stephen Foster4:03
13At Dawning
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
At Dawning
lyricist:
Nelle Richmond Eberhart
composer:
Charles Wakefield Cadman (American composer)
Charles Wakefield Cadman3:11
14Annie Laurie
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Annie Laurie (19th century Scottish song)
lyricist:
William Douglas (Scottish soldier and poet of poem "Annie Laurie")
composer:
Alicia Ann Spottiswoode (Scottish songwriter) (from 1834 until 1835)
is based on:
Annie Laurie (the poem)
[traditional]4:13
15All Through the Night
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
[unknown]3:31
16Peer Gynt: Solveig’s Song
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
Edvard Grieg4:40
17Flow Gently, Sweet Afton
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Sweet Afton (set to music by Jonathan E. Spilman, 1837)
writer:
Robert Burns (18th century Scottish poet/lyricist) (in 1791)
composer:
Jonathan E. Spilman (in 1837)
is based on:
Sweet Afton (Robert Burns poem)
Jonathan E. Spilman4:08
18Drink to Me Only With Thine Eyes
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Drink to Me Only With Thine Eyes
lyricist:
Ben Johnson (English playwright & poet) (in 1616)
composer:
[anonymous] (special purpose artist)
[traditional]3:28