The Great American Songbook (Volume I-IV Earbook)

~ Release by Rod Stewart (see all versions of this release, 3 available)

Annotation

List of subparts
DVD5 tracks 1 to 4: Live At The Apollo Theater Video Sampler
DVD5 track 5: Bonus Music Video

The DVD included with the box-set is in fact a video sampler with 4 live performances and an official music video of track 5, Time After Time. Tracks 1 through 4 were recorded live at The Apollo Theater, New York City, in October 2004 for AOL Music Live.

℗ 2002, 2003, 2004, 2005 & © 2005 J Records, a unit of Sony BMG Music Entertainment. Marketed, Manufactured and Distributed by J Records.
Made In The U.S.A.

Annotation last modified on 2025-04-17 08:26 UTC.

Tracklist

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1▼CD: It Had to Be You… The Great American Songbook, Volume I
#TitleRatingLength
1You Go to My Head
cover recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
4:17
2They Can’t Take That Away From Me
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3:26
3The Way You Look Tonight
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
3:49
4It Had to Be You
cover recording of:
It Had to Be You
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
3:25
5That Old Feeling
cover recording of:
That Old Feeling
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
part of:
The 10th Academy Award for Best Original Song (number: 2)
2:55
6These Foolish Things
cover recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
3:48
7The Very Thought of You
cover recording of:
The Very Thought of You
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
3:20
8Moonglow
cover recording of:
Moonglow
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
3:33
9I’ll Be Seeing You
cover recording of:
I’ll Be Seeing You
lyricist:
Irving Kahal (in 1938)
composer:
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music and Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
3:51
10Ev’ry Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:28
11The Nearness of You
cover recording of:
The Nearness of You
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
3:01
12For All We Know
cover recording of:
For All We Know (1934 song)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
3:25
13We’ll Be Together Again
cover recording of:
We’ll Be Together Again
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:55
14That’s All
cover recording of:
That’s All
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
3:03
2▼CD: As Time Goes By… The Great American Songbook, Volume II
#TitleArtistRatingLength
1Time After Time
recording engineer:
Joel Moss
producer:
Phil Ramone
mixer:
Frank Filipetti
acoustic guitar:
David Spinozza
bass:
David Finck
cello:
Ann S. Kim, Richard Locker (cellist) and Mark Orrin Shuman
drums (drum set):
Frank Vilardi
keyboard:
Rob Mathes, Rob Mounsey and Philippe Saisse
piano:
Henry Hey
trumpet:
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
viola:
Adria Benjamin, Monica Gerard, Mary Hammann and Vincent Lionti
violin:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini, Ann Leathers (US violinist), Laura McGinniss, Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz and Carol Webb (violinist)
conductor:
Rob Mounsey
strings arranger:
Rob Mounsey
additional arranger:
Rob Mathes
cover recording of:
Time After Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Rod Stewart2:59
2I’m in the Mood for Love
recording engineer:
Carter Humphrey
producer:
Richard Perry (producer)
mixer:
Bobby Ginsburg and Carter Humphrey
bass:
Reggie McBride
drums (drum set):
John Ferraro
guitar:
Dean Parks (American session guitarist)
piano and synthesizer:
Mike Thompson (recording engineer)
saxophone:
Doug Webb
arranger:
Richard Perry (producer) and Mike Thompson (recording engineer)
cover recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Rod Stewart3:08
3Don’t Get Around Much Anymore
recording engineer and mixer:
Frank Filipetti
producer:
Phil Ramone
acoustic guitar:
David Spinozza
bass:
Tom Barney
cello:
Ann S. Kim, Richard Locker (cellist) and Mark Orrin Shuman
clarinet:
Lawrence Feldman (flutist and saxophonist)
drums (drum set):
Shawn Pelton
guitar and keyboard:
Rob Mathes
keyboard:
Rob Mounsey and Philippe Saisse
piano:
Peter Nero (US pianist & conductor)
viola:
Adria Benjamin, Monica Gerard, Mary Hammann and Vincent Lionti
violin:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini, Ann Leathers (US violinist), Laura McGinniss, Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz and Carol Webb (violinist)
conductor:
Rob Mounsey
strings arranger:
Rob Mounsey and Philippe Saisse
additional arranger:
Rob Mathes
cover recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
Rod Stewart2:49
4Bewitched, Bothered & Bewildered
recording engineer:
Bobby Ginsburg and Carter Humphrey
additional producer:
Lauren Wild
producer:
Richard Perry (producer)
mixer:
Carter Humphrey
bass:
Reggie McBride
drums (drum set):
Joe LaBarbera
guitar:
Aaron Kaplan, Larry Koonse and Dean Parks (American session guitarist)
horn and saxophone:
Doug Webb
piano and synthesizer:
Mike Thompson (recording engineer)
conductor:
Alan Broadbent
performer:
Cher
strings arranger:
Alan Broadbent
additional arranger:
Arnold Stiefel
arranger:
Richard Perry (producer) and Mike Thompson (recording engineer)
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
Rod Stewart & Cher4:14
5’Till There Was You
recording engineer:
Al Hemberger and Joel Moss
additional engineer:
Matt Noble
mixer:
Jan Folkson
bass:
David Finck
cello:
Jean Le Blanc and Richard Locker (cellist)
drums (drum set):
Warren Odze
guitar:
David Spinozza and Carl Sturken
keyboard and piano:
Rob Mathes
percussion:
Shawn Pelton
vibraphone:
Joe Locke (United States jazz vibraphonist)
strings arranger:
Rob Mathes
cover recording of:
Till There Was You (The Music Man)
lyricist and composer:
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing and Rinimer Corp.
part of:
The Music Man
Rod Stewart2:52
6Until the Real Thing Comes Along
recording engineer and mixer:
Carter Humphrey
producer:
Richard Perry (producer)
alto saxophone and clarinet:
Doug Webb
bass:
Reggie McBride
drums (drum set):
John Ferraro
guitar:
Larry Koonse and Dean Parks (American session guitarist)
piano and synthesizer:
Mike Thompson (recording engineer)
conductor:
Colin Freeman
clarinet and horn arranger:
Mike Thompson (recording engineer)
strings arranger:
Colin Freeman
arranger:
Richard Perry (producer)
cover recording of:
Until the Real Thing Comes Along
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
Rod Stewart3:39
7Where or When
recording engineer and mixer:
Al Hemberger
producer:
Evan Rogers (musician/producer) and Carl Sturken
bass:
David Finck
drums (drum set):
Warren Odze
guitar and piano:
Carl Sturken
cover recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
Rod Stewart & Lisa Ekdahl13:11
8Smile
recording engineer:
Ray Bardani and Carter Humphrey
producer:
Richard Perry (producer)
mixer:
Carter Humphrey
additional guitar:
Dean Parks (American session guitarist)
bass:
David Finck
drums (drum set):
Shawn Pelton
guitar:
Jimmy Rip and David Spinozza
piano:
Henry Hey
synthesizer:
Philippe Saisse and Mike Thompson (recording engineer)
additional arranger:
Rob Mathes, Richard Perry (producer), Mike Thompson (recording engineer) and Lauren Wild
cover recording of:
Smile (song version w/ lyrics)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
Rod Stewart3:13
9My Heart Stood Still
recording engineer:
Frank Filipetti and Joel Moss
producer:
Phil Ramone
mixer:
Frank Filipetti
acoustic guitar:
David Spinozza
alto saxophone:
Dave Koz
bass:
David Finck
cello:
Ann S. Kim, Richard Locker (cellist) and Mark Orrin Shuman
drums (drum set):
Frank Vilardi
keyboard:
Rob Mathes and Philippe Saisse
piano:
Henry Hey
viola:
Adria Benjamin, Monica Gerard, Mary Hammann and Vincent Lionti
violin:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini, Ann Leathers (US violinist), Laura McGinniss, Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz and Carol Webb (violinist)
conductor:
Rob Mounsey
strings arranger:
Philippe Saisse
additional arranger:
Rob Mathes
cover recording of:
My Heart Stood Still
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
Rod Stewart3:04
10Someone to Watch Over Me
recording engineer:
J.J. Blair and Carter Humphrey
producer:
Richard Perry (producer)
mixer:
Bobby Ginsburg
bass:
Chris Golden (American bassist)
drums (drum set):
Jimi Paxson, Jr
guitar:
Dean Parks (American session guitarist) and Frank Simes
piano and synthesizer:
Mike Thompson (recording engineer)
conductor:
Mort Lindsey
strings arranger:
Mort Lindsey
arranger:
Richard Perry (producer), Mike Thompson (recording engineer) and Lauren Wild
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Rod Stewart3:31
11As Time Goes By
additional recording engineer:
Bobby Ginsburg
recording engineer and mixer:
Carter Humphrey
producer:
Richard Perry (producer)
bass:
Reggie McBride
drums (drum set):
Kendall Kay
guitar:
Larry Koonse and Dean Parks (American session guitarist)
piano and synthesizer:
Mike Thompson (recording engineer)
saxophone and woodwind:
Doug Webb
performer:
Queen Latifah
arranger:
Richard Perry (producer) and Mike Thompson (recording engineer)
cover recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Rod Stewart & Queen Latifah3:50
12I Only Have Eyes for You
recording engineer and mixer:
Frank Filipetti
producer:
Phil Ramone
acoustic guitar:
David Spinozza
bass:
Tom Barney
cello:
Ann S. Kim, Richard Locker (cellist) and Mark Orrin Shuman
drums (drum set):
Shawn Pelton
keyboard:
Rob Mathes, Rob Mounsey and Philippe Saisse
piano:
Henry Hey
trumpet:
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
viola:
Adria Benjamin, Monica Gerard, Mary Hammann and Vincent Lionti
violin:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini, Ann Leathers (US violinist), Laura McGinniss, Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz and Carol Webb (violinist)
conductor:
Rob Mounsey
strings arranger:
Rob Mounsey
additional arranger:
Rob Mathes
cover recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
Rod Stewart3:08
13Crazy She Calls Me
recording engineer:
Bobby Ginsburg and Carter Humphrey
producer:
Richard Perry (producer)
mixer:
Carter Humphrey
bass:
Reggie McBride
clarinet, horn and woodwind:
Doug Webb
drums (drum set):
Joe LaBarbera
guitar:
Larry Koonse and Dean Parks (American session guitarist)
piano and synthesizer:
Mike Thompson (recording engineer)
arranger:
Richard Perry (producer) and Mike Thompson (recording engineer)
cover recording of:
Crazy He Calls Me
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Rod Stewart23:29
14Our Love Is Here to Stay
recording engineer:
Ray Bardani and Carter Humphrey
producer:
Richard Perry (producer)
mixer:
Carter Humphrey
bass:
David Finck
drums (drum set):
Shawn Pelton
guitar:
Dean Parks (American session guitarist), Jimmy Rip and David Spinozza
piano:
Henry Hey
synthesizer:
Philippe Saisse and Mike Thompson (recording engineer)
conductor:
Mort Lindsey
strings arranger:
Mort Lindsey
additional arranger:
Rob Mathes
arranger:
Richard Perry (producer) and Mike Thompson (recording engineer)
cover recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
Rod Stewart2:57
3▼CD: Stardust… The Great American Songbook, Volume III
#TitleArtistRatingLength
1Embraceable You
cover recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Rod Stewart3:31
2For Sentimental Reasons
assistant recording engineer:
Ryan Petrie
recording engineer:
Bobby Ginsburg and Bill Schnee (strings)
additional engineer:
Helen Atkinson, Darwin Best, Raj Das, Doug Epstein, Michael Teaney (engineer) and Steve Tyrell (American producer and vocalist)
producer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Steve Tyrell (American producer and vocalist)
mixer:
Andy Zulla
bass guitar:
Bob Cranshaw
cello:
David Low, Steve Richards (cellist), Stephen Erdody and Tim Landauer
drums (drum set):
Allan Schwartzberg
guitar:
Bob Mann (US session guitarist)
keyboard and synthesizer:
Kenny Ascher and Bob Mann (US session guitarist)
piano:
Kenny Ascher
saxophone:
Dave Koz
viola:
Brian Denbow, Janet Lakatos, Jorge Moraga, Dan Neufeld, Simon Oswell (violist), Nancy Roth and David Walther (Viola player)
violin:
Barbara Porter (violinist, photographer), Roberto Cani (violinist), Franklyn D’Antonio, Bruce Dukov, Edie Markman, Endre Granat (Hungarian violinist), Julie Ann Gigante, Kenneth Yerke, Ana Landauer, Michael Markman, Robert Peterson (violin), Katia Popov, Gil Romero and Haim Shtrum
vocals:
Rod Stewart
conductor:
Bob Mann (US session guitarist)
cover recording of:
(I Love You) for Sentimental Reasons
lyricist:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
composer:
William “Pat” Best
publisher:
MCA Duchess Music Corporation and Peter Maurice Music Co. Ltd.
Rod Stewart3:02
3Blue Moon
solo guitar:
Eric Clapton
cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Rod Stewart feat. Eric Clapton4:05
4What a Wonderful World
harmonica:
Stevie Wonder
cover recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Rod Stewart feat. Stevie Wonder4:30
5Stardust
cover recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Rod Stewart4:02
6Manhattan
lead vocals:
Bette Midler
cover recording of:
Manhattan
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rod Stewart & Bette Midler2:54
7’s Wonderful
cover recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Rod Stewart3:24
8Isn’t It Romantic
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
Rod Stewart3:51
9I Can’t Get Started
cover recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rod Stewart3:24
10But Not for Me
cover recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Rod Stewart3:23
11A Kiss to Build a Dream On
cover recording of:
A Kiss to Build a Dream On
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
The Strip (1951 film)
Rod Stewart3:14
12Baby, It’s Cold Outside
lead vocals:
Dolly Parton
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
Rod Stewart & Dolly Parton3:52
13Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Rod Stewart3:09
14A Nightingale Sang in Berkeley Square
cover recording of:
A Nightingale Sang in Berkeley Square
lyricist:
Eric Maschwitz
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Rod Stewart4:02
4▼CD: Thanks for the Memory… The Great American Songbook, Volume IV
#TitleArtistRatingLength
1I’ve Got a Crush on You
bass:
David Finck
guitar:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
piano:
Kenny Ascher
saxophone:
Dave Koz
cover recording of:
I’ve Got a Crush on You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
Rod Stewart & Diana Ross3:09
2I Wish You Love
bass:
David Finck
guitar:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
piano:
Kenny Ascher
cover recording of:
I Wish You Love
lyricist:
Charles Trenet
writer and translator:
Albert Beach
composer:
Léo Chauliac and Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. and Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Que reste-t-il de nos amours ?
Rod Stewart feat. Chris Botti3:38
3You Send Me
bass:
David Finck
guitar:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
piano:
Kenny Ascher
guest vocals:
Chaka Khan
cover recording of:
You Send Me
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
additional writer:
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Rod Stewart & Chaka Khan3:36
4Long Ago and Far Away
bass:
David Finck
guitar:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
piano:
Kenny Ascher
cover recording of:
Long Ago (and Far Away)
lyricist:
Ira Gershwin
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and T.B. Harms Co. (in 1944)
part of:
The 17th Academy Award for Best Original Song (number: 2)
Rod Stewart3:12
5Makin’ Whoopee
bass:
Ed Howard (bass player)
guitar:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
piano:
Kenny Ascher
cover recording of:
Makin’ Whoopee!
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
Rod Stewart & Elton John3:45
6My One and Only Love
bass:
Ed Howard (bass player)
guitar:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
cover recording of:
My One and Only Love
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京 (Musical Lights Tokyo)
version of:
Music from Beyond the Moon (My One and Only Love)
Rod Stewart feat. Roy Hargrove3:25
7Taking a Chance on Love
bass:
David Finck
guitar:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
piano:
Kenny Ascher
cover recording of:
Taking a Chance on Love
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
Rod Stewart3:28
8My Funny Valentine
bass:
David Finck
guitar:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
piano:
Kenny Ascher
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Rod Stewart2:50
9I’ve Got My Love to Keep Me Warm
bass:
Ed Howard (bass player)
guitar:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
piano:
Kenny Ascher
trumpet:
Warren Luening
cover recording of:
I’ve Got My Love to Keep Me Warm
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rod Stewart3:10
10Nevertheless
bass:
David Finck
guitar:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
piano:
Kenny Ascher
cover recording of:
Nevertheless (I’m in Love With You)
lyricist:
Bert Kalmar
composer:
Harry Ruby
publisher:
Chappell & Co., Crawford Music Corp., DeSylva, Brown and Henderson, Inc., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rod Stewart feat. Dave Koz43:51
11Blue Skies
bass:
David Finck
clarinet:
Dan Higgins (saxophonist and woodwind recording artist)
guitar:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
piano:
Kenny Ascher
cover recording of:
Blue Skies
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rod Stewart2:44
12Let’s Fall in Love
bass:
David Finck
guitar:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
piano:
Kenny Ascher
cover recording of:
Let’s Fall in Love
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
Rod Stewart feat. George Benson3:16
13Thanks for the Memory
bass:
David Finck
guitar:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
piano:
Kenny Ascher
cover recording of:
Thanks for the Memory
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Paramount Music Corporation
part of:
The 11th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1938 winner)
Rod Stewart3:11

Credits

Release

manufactured by, distributed by, copyrighted (©) by, phonographic copyright (℗) by and marketed by:J Records (US R&B)
Discogs:https://www.discogs.com/release/5400455 [info]
ASIN:US: B000BNI99K [info]