The Classic 1958-62 Recordings

~ Release by The Ahmad Jamal Trio (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1But not for me
live instrumental recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
?:??
2The Surrey With The Fringe On Top
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental recording of:
The Surrey With the Fringe on Top (on 1958-01-16)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
3Moonlight in Vermont
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental recording of:
Moonlight in Vermont (on 1958-01-16)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
4Music! Music! Music! (Put Another Nickel In)
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental recording of:
Music! Music! Music! (on 1958-01-16)
writer:
Bernie Baum and Stephan Weiss
?:??
5There Is No Greater Love
recording engineer:
Malcolm Chisholm (on 1958-01-16)
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
live instrumental recording of:
There Is No Greater Love (on 1958-01-16)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
?:??
6Poinciana
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental recording of:
Poinciana (Song of the Tree) (on 1958-01-16)
lyricist:
Buddy Bernier (in 1936)
composer:
Nat Simon (in 1936)
?:??
7Woody 'n' You
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live recording of:
Woody ’n’ You (on 1958-01-16)
composer:
Dizzy Gillespie
?:??
8What's new?
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental recording of:
What’s New? (on 1958-01-16)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
?:??
9Too late now
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernell Fournier (on 1958-01-17)
piano:
Ahmad Jamal (on 1958-01-17)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Too Late Now (Royal Wedding / On a Clear Day) (on 1958-01-17)
lyricist:
Alan Jay Lerner
composer:
Burton Lane
publisher:
Chappell & Co.
part of:
The 24th Academy Award for Best Original Song (number: 2)
?:??
10All the things you are
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1958-01-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
?:??
11Cherokee
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernell Fournier (on 1958-01-17)
piano:
Ahmad Jamal (on 1958-01-17)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Cherokee (on 1958-01-17)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
?:??
12It might as well be spring
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
It Might as Well Be Spring (State Fair) (on 1958-01-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
?:??
13I'll remember april
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
I’ll Remember April (on 1958-01-17)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
?:??
14My Funny Valentine
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (in 1958-01)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
?:??
15Gone with the wind
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Gone With the Wind (on 1958-01-17)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
?:??
16Billy Boy
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernell Fournier (on 1958-01-17)
piano:
Ahmad Jamal (on 1958-01-17)
arranger:
Ahmad Jamal
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Billy Boy (on 1958-01-17)
writer:
[traditional] (special purpose artist)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Roud Folk Song Index (number: 326)
?:??
17It's you or no one
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernell Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
It’s You or No One (on 1958-01-17)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
instrumental recording of:
It’s You or No One (in 1958-01)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
?:??
18They Can't Take That Away From Me
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1958-01-17)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
?:??
19Poor Butterfly
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Poor Butterfly (on 1958-01-17)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
?:??
20Secret Love
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
?:??
21Taking A Chance On Love
recorded in:
Chicago, Illinois, United States (in 1958)
double bass:
Israel Crosby (in 1958)
drums (drum set):
Vernell Fournier (in 1958)
piano:
Ahmad Jamal (in 1958)
instrumental cover recording of:
Taking a Chance on Love (in 1958)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
?:??
22Soft Winds
recorded in:
Chicago, Illinois, United States (in 1958)
double bass:
Israel Crosby (in 1958)
drums (drum set):
Vernell Fournier (in 1958)
piano:
Ahmad Jamal (in 1958)
instrumental cover recording of:
Soft Winds (also attributed to Fletcher Henderson) (in 1958)
composer:
Benny Goodman (clarinetist and bandleader)
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label) and Twenty-Eighth Street Music
?:??
2▼CD
#TitleRatingLength
1Taboo
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Taboo (1961 English lyrics version of Tabú) (from 1958-09-05 until 1958-09-06)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Margarita Lecuona (Cuban composer)
publisher:
Peer International Corporation (BMI), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
translated version of:
Tabú (original 1934 spanish lyrics)
?:??
2Should I?
?:??
3Stompin' At The Savoy
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Stompin’ at the Savoy (from 1958-09-05 until 1958-09-06)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
?:??
4The Girl Next Door
?:??
5I wish I knew
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
I Wish I Knew (from 1958-09-05 until 1958-09-06)
lyricist:
Mack Gordon
composer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
?:??
6Cheek To Cheek
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Cheek to Cheek (from “Top Hat”) (from 1958-09-05 until 1958-09-06)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
?:??
7Autumn In New York
?:??
8Secret Love
recorded in:
Chicago, Illinois, United States (in 1958)
double bass:
Israel Crosby (in 1958)
drums (drum set):
Vernell Fournier (in 1958)
piano:
Ahmad Jamal (in 1958)
instrumental cover recording of:
Secret Love (song from “Calamity Jane”) (in 1958)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America and Warner Chappell North America Ltd.
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1953 winner)
part of:
Calamity Jane (stage musical)
?:??
9Squatty Roo
?:??
10That's All
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
That’s All (from 1958-09-05 until 1958-09-06)
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
?:??
11This can't be love
?:??
12Autumn Leaves
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (from 1958-09-05 until 1958-09-06)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
?:??
13Ahmad's Blues
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live recording of:
Ahmad’s Blues (from 1958-09-05 until 1958-09-06)
composer:
Ahmad Jamal
?:??
14Ole Devil Moon
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Old Devil Moon (from “Finian’s Rainbow”) (from 1958-09-05 until 1958-09-06)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
?:??
15Seleritus
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live recording of:
Seleritus (from 1958-09-05 until 1958-09-06)
composer:
Ahmad Jamal
?:??
16It Could Happen To You
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
It Could Happen to You (from 1958-09-05 until 1958-09-06)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
?:??
17Ivy
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Ivy (from 1958-09-05 until 1958-09-06)
lyricist and composer:
Hoagy Carmichael
?:??
18Tater pie
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Tater Pie (from 1958-09-05 until 1958-09-06)
lyricist and composer:
Irving Ashby
?:??
19Let's Fall In Love
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Let’s Fall in Love (from 1958-09-05 until 1958-09-06)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
?:??
20Aki & Ukthay (Brother & Sister)
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live recording of:
Aki and Ukthay (Brother and Sister) (from 1958-09-05 until 1958-09-06)
composer:
Ahmad Jamal
?:??
3▼CD
#TitleRatingLength
1You Don't Know What Love Is
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
You Don’t Know What Love Is (from 1958-09-05 until 1958-09-06)
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
?:??
2I Didn't Know What Time It Was
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (from 1958-09-05 until 1958-09-06)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
?:??
3So Beats My Heart For You
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
So Beats My Heart for You (from 1958-09-05 until 1958-09-06)
writer:
Pat Ballard, Charles Henderson and Tom Waring
?:??
4A Gal In Calico
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
A Gal in Calico (from 1958-09-05 until 1958-09-06)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Arthur Schwartz
part of:
The 20th Academy Award for Best Original Song (number: 2)
?:??
5Our Delight
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live cover recording of:
Our Delight (from 1958-09-05 until 1958-09-06)
composer:
Tadd Dameron
?:??
6Little Old Lady
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Little Old Lady (in 1960-01)
lyricist:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
composer:
Hoagy Carmichael
4?:??
7For All We Know
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
For All We Know (1934 song) (in 1960-01)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
5?:??
8Pavanne
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
5?:??
9Excerpt From The Blues
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
?:??
10Easy To Love
?:??
11Time on my hands
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Time on My Hands (in 1960-01)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
?:??
12Raincheck
?:??
13I'll Never Stop Loving You
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
I’ll Never Stop Loving You (in 1960-01)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
?:??
14Speak Low
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Speak Low (One Touch of Venus) (in 1960-01)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
?:??
15Rhumba No. 2
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
?:??
16We kiss in the shadow
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
We Kiss in a Shadow (The King and I) (on 1961-06-22)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
?:??
17Sweet and lovely
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Sweet and Lovely (on 1961-06-22)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
?:??
18The party's over
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
The Party’s Over (Bells Are Ringing) (on 1961-06-22)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
?:??
19Love For Sale
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Love for Sale (on 1961-06-22)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
?:??
20Snowfall
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Snowfall (on 1961-06-22)
writer:
Claude Thornhill and Ruth Thornhill
publisher:
Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
?:??
4▼CD
#TitleRatingLength
1Broadway
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Broadway (on 1961-06-22)
writer:
Bill Bird (US composer mostly known for co-writing "Broadway" in 1940), Teddy McRae and William Henri Woode
publisher:
Rayven Music
?:??
2Willow weep for me
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Willow Weep for Me (on 1961-06-22)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
?:??
3Autumn Leaves
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1961-06-22)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
?:??
4Isn't it romantic
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (on 1961-06-22)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
?:??
5The breeze and I
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
The Breeze and I (on 1961-06-22)
lyricist:
Al Stillman
composer:
Ernesto Lecuona
publisher:
E.B. Marks Music Corp.
translated version of:
Andalucía
?:??
6Time on my hands
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Time on My Hands (on 1961-06-22)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
?:??
7Angel eyes
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Angel Eyes (1946 jazz standard) (on 1961-06-22)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
?:??
8You go to my head
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
You Go to My Head (on 1961-06-22)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
?:??
9Star eyes
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Star Eyes (on 1961-06-22)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
?:??
10All of you
?:??
11You're blasé
?:??
12What is this thing called love?
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1961-06-22)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
?:??
13Poinciana 9
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Poinciana (Song of the Tree) (on 1961-06-22)
lyricist:
Buddy Bernier (in 1936)
composer:
Nat Simon (in 1936)
?:??
14Autumn Leaves (1955 Studio Version)
?:??
5▼CD
#TitleRatingLength
1I'll Take Romance / My Funny Valentine
?:??
2Like someone in love
?:??
3Falling in love with love
?:??
4The best thing for you
?:??
5April in Paris
?:??
6The second time around
?:??
7We live in two different worlds
?:??
8Night mist blues
?:??
9Darn that dream
?:??
10On Green Dolphin Street
?:??
11Poinciana (1955 Studio Version)
?:??
12Pavanne (1955 Studio Version)
recording of:
Easy Does It
writer:
James Oliver Young and Sy Oliver
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Warock Corp.
?:??
13All Of You (1955 Studio Version)
?:??
14Darn That Dream (1955 Studio Version)
?:??
15Ahmad's Blues (1952 Studio Version)
?:??
16A Gal In Calico (1952 Studio Version)
?:??
17Aki & Ukthay (Brother & Sister)
recording of:
Aki and Ukthay (Brother and Sister)
composer:
Ahmad Jamal
?:??
18Billy Boy (1952 Studio Version)
?:??