The Classic 1958-62 Recordings

~ Release by The Ahmad Jamal Trio (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1You Don't Know What Love Is
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
You Don’t Know What Love Is (from 1958-09-05 until 1958-09-06)
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
?:??
2I Didn't Know What Time It Was
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (from 1958-09-05 until 1958-09-06)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
?:??
3So Beats My Heart For You
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
So Beats My Heart for You (from 1958-09-05 until 1958-09-06)
writer:
Pat Ballard, Charles Henderson and Tom Waring
?:??
4A Gal In Calico
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
A Gal in Calico (from 1958-09-05 until 1958-09-06)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Arthur Schwartz
part of:
The 20th Academy Award for Best Original Song (number: 2)
?:??
5Our Delight
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live cover recording of:
Our Delight (from 1958-09-05 until 1958-09-06)
composer:
Tadd Dameron
?:??
6Little Old Lady
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Little Old Lady (in 1960-01)
lyricist:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
composer:
Hoagy Carmichael
4?:??
7For All We Know
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
For All We Know (1934 song) (in 1960-01)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
5?:??
8Pavanne
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
5?:??
9Excerpt From The Blues
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
?:??
10Easy To Love
?:??
11Time on my hands
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Time on My Hands (in 1960-01)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
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12Raincheck
?:??
13I'll Never Stop Loving You
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
I’ll Never Stop Loving You (in 1960-01)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
?:??
14Speak Low
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Speak Low (One Touch of Venus) (in 1960-01)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
?:??
15Rhumba No. 2
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
?:??
16We kiss in the shadow
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
We Kiss in a Shadow (The King and I) (on 1961-06-22)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
?:??
17Sweet and lovely
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Sweet and Lovely (on 1961-06-22)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
?:??
18The party's over
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
The Party’s Over (Bells Are Ringing) (on 1961-06-22)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
?:??
19Love For Sale
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Love for Sale (on 1961-06-22)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
?:??
20Snowfall
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Snowfall (on 1961-06-22)
writer:
Claude Thornhill and Ruth Thornhill
publisher:
Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
?:??
4▶CD
5▶CD