Zubin Mehta: The Complete Columbia Album Collection

~ Release by Zubin Mehta, New York Philharmonic, Israel Philharmonic Orchestra, Wiener Philharmoniker, Berliner Philharmoniker, Los Angeles Philharmonic & New Philharmonia Orchestra (see all versions of this release, 1 available)

Tracklist

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1▼CD: Respighi: Feste Romane / Strauss: Don Juan
#TitleArtistRatingLength
1Feste Romane : I. Circenses
Ottorino Respighi4:22
2Feste Romane : II. Giubilio
Ottorino Respighi7:54
3Feste Romane : III. L' Ottorbrata
Ottorino Respighi8:10
4Feste Romane : IV. La Befana
Ottorino Respighi5:05
5Don Juan, Op. 20, TrV 156
Richard Strauss17:27
2▼CD: Verdi: Il trovatore(1)
#TitleArtistRatingLength
1Il trovatore: Atto I, Scena I. "All'erta, all'erta!" (Ferrando, retainers, soldiers)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
bass vocals:
Bonaldo Giaiotti (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:52
2Il trovatore: Atto I, Scena I. "Di due figli vivea" (Ferrando, retainers, soldiers)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
bass vocals:
Bonaldo Giaiotti (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi7:23
3Il trovatore: Atto I, Scena II. "Che più t'arresti?" (Inez, Leanora)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Elizabeth Bainbridge (mezzo-soprano, contralto)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:19
4Il trovatore: Atto I, Scena II. "Tacea la notte placida" (Leonora, Inez)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Elizabeth Bainbridge (mezzo-soprano, contralto)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi5:01
5Il trovatore: Atto I, Scena II. "Di tale amor, che dirsi" (Leonora, Inez)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Elizabeth Bainbridge (mezzo-soprano, contralto)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:38
6Il trovatore: Atto I, Scena II. "Tace la notte!" (Count)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
solo baritone vocals:
Sherrill Milnes (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:56
7Il trovatore: Atto I, Scena II. "Deserto sulla terra" (Manrico, Count)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:24
8Il trovatore: Atto I, Scena II. "Non m'inganno" (Count, Leonora, Manrico)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Non m'inganno… Infida! Qual voce!” (Conte Luna, Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:07
9Il trovatore: Atto I, Scena II. "Di geloso amor sprezzato" (Count, Leonora, Manrico)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:39
10Il trovatore: Atto II, Scena I. "Vedi! La fosche notturne spoglie" (gypsies)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:51
11Il trovatore: Atto II, Scena I. "Stride la vampa!" (Azucena, gypsies, Manrico, an old gypsy)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
bass vocals:
Stanley Riley (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:57
12Il trovatore: Atto II, Scena I. "Soli or siamo!" (Manrico, Azucena)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:05
13Il trovatore: Atto II, Scena I. "Condotta ell'era in ceppi" (Azucena, Manrico)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:02
14Il trovatore: Atto II, Scena I. "Non son tuo figlio?" (Manrico, Azucena)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:28
15Il trovatore: Atto II, Scena I. "Mal reggendo all'aspro assalto" (Manrico, Azucena)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:37
16Il trovatore: Atto II, Scena I. "Inoltra il piè" (Manrico, messenger, Azucena)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Neilson Taylor (baritone and footballer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Inoltra il piè” (Manrico, Azucena, messenger)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:06
17Il trovatore: Atto II, Scena I. "Perigliarti ancor languente" (Azucena, Manrico)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:38
18Il trovatore: Atto II, Scena II. "Tutto è deserto" (Count, Ferrando)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Bonaldo Giaiotti (operatic bass)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:27
19Il trovatore: Atto II, Scena II. "Il balen del suo sorriso" (Count)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1969-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (in 1969-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:32
20Il trovatore: Atto II, Scena II. "Quel suono! Oh ciel!" (Count, Ferrando, retainers)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Bonaldo Giaiotti (operatic bass)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel” (Conte Luna, Ferrando, retainers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi0:50
21Il trovatore: Atto II, Scena II. "Per me ora fatale" (Count, Ferrando, retainers)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Bonaldo Giaiotti (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:51
22Il trovatore: Atto II, Scena II. "Ah! se l'error t'ingombra" (nuns, Count, Ferrando, retainers)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Bonaldo Giaiotti (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:09
23Il trovatore: Atto II, Scena II. "Perché piangete" ... "O dolci amiche" (Leonora, Inez, Count, nuns)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals:
Elizabeth Bainbridge (mezzo-soprano, contralto)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 2. “Perché piangete” ... “O dolci amiche” (Leonora, Ines, Conte Luna, nuns)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:18
24Il trovatore: Atto II, Scena II. "E deggio e posso crederlo?" (Leonora, Count, Manrico, Inez, nuns, Ferrando, soldiers, Ruiz)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Ryland Davies (tenor) and Bonaldo Giaiotti (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals:
Elizabeth Bainbridge (mezzo-soprano, contralto)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:10
3▼CD: Verdi: Il trovatore(2)
#TitleArtistRatingLength
1Il trovatore: Atto III, Scena I. "Or co' dadi, ma fra poco" (soldiers, Ferrandao)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
solo bass vocals:
Bonaldo Giaiotti (operatic bass)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:00
2Il trovatore: Atto III, Scena I. "Squilli, echeggi la tromba guerriera" (Ferrando, soldiers)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
solo bass vocals:
Bonaldo Giaiotti (operatic bass)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:23
3Il trovatore: Atto III, Scena I. "In braccio al mio rival!" (Count, Ferrando, Azucena, soldiers)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Bonaldo Giaiotti (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi7:30
4Il trovatore: Atto III, Scena II. "Quale d'armi fragor poc'anzi intesi?" (Leonora, Manrico)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:17
5Il trovatore: Atto III, Scena II. "Ah si, ben mio, coll'essere io tuo" (Manrico)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
solo tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:17
6Il trovatore: Atto III, Scena II. "L'onda de' suoni mistici pura discenda al cor!" (Leonora, Manrico, Ruiz)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
bass vocals:
Ryland Davies (tenor)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:38
7Il trovatore: Atto III, Scena II. "Di quella pira l'orrendo foco" (Manrico, Leonora, Ruiz, armed men)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
bass vocals:
Ryland Davies (tenor)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:16
8Il trovatore: Atto IV, Scena I. "Siam giunti: ecco la torre" (Ruiz, Leonora)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
bass vocals:
Ryland Davies (tenor)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:06
9Il trovatore: Atto IV, Scena I. "D'amor sull'ali rosee" (Leonora)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
solo soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:25
10Il trovatore: Atto IV, Scena I. "Miserere d' un'alma già vicina" ... "Quel son, quelle preci" (Leonora, Manrico, choir)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:37
11Il trovatore: Atto IV, Scena I. "Tu vedrai che amore in terra" (Leonora)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
solo soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “Tu vedrai che amore in terra” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:06
12Il trovatore: Atto IV, Scena I. "Udiste? Come albeggi, la scure al figlio" (Count, Leonora)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:44
13Il trovatore: Atto IV, Scena I. "Mira, di acerbe lagrime" (Leonora, Count)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:24
14Il trovatore: Atto IV, Scena I. "Vivrà! ... Contende il giubilo" (Leonora, Count)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:12
15Il trovatore: Atto IV, Scena II. "Madre, non dormi?" (Manrico, Azucena)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi6:42
16Il trovatore: Atto IV, Scena II. "Ai nostri monti ritorneremo" (Azucena, Manrico)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:05
17Il trovatore: Atto IV, Scena II. "Che! ... Non m'inganna!" (Manrico, Leonora, Azucena, Count)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi9:50
4▼CD: Puccini: Tosca(1)
#TitleArtistRatingLength
1Tosca: Atto I. “Ah! Finalmente!”
bass vocals [Angelotti]:
Clifford Grant (operatic bass and actor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:02
2Tosca: Atto I. “E sempre lava”
bass vocals [Sagrestano]:
Paul Plishka (operatic bass) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:31
3Tosca: Atto I. “Damni i colori!”
bass vocals [Sagrestano]:
Paul Plishka (operatic bass) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1972-08)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:38
4Tosca: Atto I. “Voi! Cavaradossi!”
bass vocals [Angelotti]:
Clifford Grant (operatic bass and actor) (in 1972-08)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:01
5Tosca: Atto I. “Mario! Mario! Mario!”
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:54
6Tosca: Atto I. “Non la sospiri la nostra casetta”
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:17
7Tosca: Atto I. “Or lasciami al lavoro”
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto I. “Or lasciami al lavoro” (Cavaradossi, Tosca) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:52
8Tosca: Atto I. “Ah, quegli occhi!”
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:53
9Tosca: Atto I. “È buona la mia Tosca”
bass vocals [Angelotti]:
Clifford Grant (operatic bass and actor) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:06
10Tosca: Atto I. “Tutta qui la cantoria! Presto!”
bass vocals [Sagrestano]:
Paul Plishka (operatic bass) (in 1972-08)
choir vocals:
The John Alldis Choir (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano, Coro) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:15
11Tosca: Atto I. “Un tal baccano in chiesa!”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
bass vocals [Sagrestano]:
Paul Plishka (operatic bass) (in 1972-08)
tenor vocals [Spoletta]:
Francis Egerton (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:12
12Tosca: Atto I. “Tosca? Che non mi veda”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
bass vocals [Sagrestano]:
Paul Plishka (operatic bass) (in 1972-08)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini7:27
13Tosca: Atto I. “Tre sbirri, una carrozza”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
choir vocals:
The John Alldis Choir (in 1972-08)
tenor vocals [Spoletta]:
Francis Egerton (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:30
5▼CD: Puccini: Tosca(2)
#TitleArtistRatingLength
1Tosca: Atto II. “Tosca è un buon falco!”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
bass vocals [Sciarrone]:
John Gibbs (operatic bass) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:20
2Tosca: Atto II. “O galantuomo”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
tenor vocals [Spoletta]:
Francis Egerton (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:09
3Tosca: Atto II. “Egli è là – sale ascende l’uman cantico”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
tenor vocals [Spoletta]:
Francis Egerton (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:39
4Tosca: Atto II. “Dov’è Angelotti?”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
tenor vocals [Spoletta]:
Francis Egerton (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:45
5Tosca: Atto II. “Ed or fra noi parliam”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini5:59
6Tosca: Atto II. “Ahimè! – Mario consenti ch’io parli?”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
bass vocals [Sciarrone]:
John Gibbs (operatic bass) (in 1972-08)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:15
7Tosca: Atto II. “Nel pozzo… Nel giardino”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
bass vocals [Sciarrone]:
John Gibbs (operatic bass) (in 1972-08)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “Nel pozzo del giardino! Va, Spoletta!” (Tosca, Scarpia, Sciarrone, Cavaradossi) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini0:35
8Tosca: Atto II. “Floria! – amore”
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:23
9Tosca: Atto II. “Vittoria! Vittoria!”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:40
10Tosca: Atto II. “Quanto?” … “Quanto?” … “Il prezzo!”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:29
11Tosca: Atto II. “Ah! Piuttosto giù m’avvento”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:04
12Tosca: Atto II. “Vissi d’arte, vissi d’amore”
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:10
13Tosca: Atto II. “Risolvi? Mi vuoi supplice”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini5:09
14Tosca: Atto II. “Tosca, finalmente mia!”
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (in 1972-08)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:31
15Tosca: Atto III. “Io de’ sospiri”
treble vocals [Un pastore]:
David Pearl (UK boy soprano) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:58
16Tosca: Atto III. “Mario Cavaradossi? A voi”
bass vocals [Carceriere]:
Michael Rippon (operatic bass) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:45
17Tosca: Atto III. “E lucevan le stelle”
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1972-08)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:10
18Tosca: Atto III. “Ah! Franchigia a Floria Tosca”
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini0:58
19Tosca: Atto III. “Il tuo sangue o il mio amore volea”
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto III. “Il tuo sangue o il mio amore volea” (Tosca) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:41
20Tosca: Atto III. “O dolce mani”
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:43
21Tosca: Atto III. “Senti l’ora è vicina”
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto III. “Senti, l’ora è vicina” (Tosca, Cavaradossi) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini6:24
22Tosca: Atto III. “Com’è lunga l’attesa!”
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:22
23Tosca: Atto III. “Presto, su! Mario!”
bass vocals [Sciarrone]:
John Gibbs (operatic bass) (in 1972-08)
choir vocals:
The John Alldis Choir (in 1972-08)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1972-08)
tenor vocals [Spoletta]:
Francis Egerton (tenor) (in 1972-08)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
phonographic copyright (℗) by:
BMG Music (in 1973)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1972-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:21
6▼CD: Stravinsky: The Rite of Spring
#TitleArtistRatingLength
1The Rite of Spring: Adoration of the Earth: Introduction: Lento
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:31
2The Rite of Spring: Adoration of the Earth:The Augurs of Spring (Dance of the Young Girls)
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: I. L'Adoration de la terre: II. Les Augures Printaniers (Danses des adolescentes) (for two pianos)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
arrangement of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes
part of:
Le Sacre du printemps: I. L’Adoration de la terre (for two pianos)
Igor Stravinsky3:12
3The Rite of Spring: Adoration of the Earth: Mock Abduction
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:19
4The Rite of Spring: Adoration of the Earth: Spring Round Dances
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky4:21
5The Rite of Spring: Adoration of the Earth: Games of the Rival Tribes
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:47
6The Rite of Spring: Adoration of the Earth: Procession of the Wise Elder
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:44
7The Rite of Spring: Adoration of the Earth: Adoration of the Earth (The Wise Elder)
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VII. Le Sage
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:18
8The Rite of Spring: Adoration of the Earth: Dance of the Earth
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:15
9The Rite of Spring: The Sacrifice: Introduction: Largo
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:27
10The Rite of Spring: The Sacrifice: Mystical Circles of the Young Girls
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky2:59
11The Rite of Spring: The Sacrifice: Glorification of the Chosen Victim
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky1:38
12The Rite of Spring: The Sacrifice: Summoning of the Ancestors
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky0:44
13The Rite of Spring: The Sacrifice: Ritual of the Ancestors
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:38
14The Rite of Spring: The Sacrifice: Sacrificial Dance (The Chosen Victim)
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:32
7▼CD: Brahms: Violin Concerto
#TitleArtistRatingLength
1Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo
recording engineer:
Milton Cherin (audio engineer), Edward T. Graham (engineer) and Larry Keyes (engineer)
producer:
Andrew Kazdin (American record producer)
violin:
Isaac Stern (violinist) (on 1978-10-16)
orchestra:
New York Philharmonic (on 1978-10-16)
conductor:
Zubin Mehta (conductor) (on 1978-10-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1978-10-16)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: I. Allegro non troppo (Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo) (on 1978-10-16)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms22:55
2Concerto for Violin and Orchestra in D major, op. 77: II. Adagio
recording engineer:
Milton Cherin (audio engineer), Edward T. Graham (engineer) and Larry Keyes (engineer)
producer:
Andrew Kazdin (American record producer)
oboe:
Joseph Robinson (oboist) (on 1978-10-16)
violin:
Isaac Stern (violinist) (on 1978-10-16)
orchestra:
New York Philharmonic (on 1978-10-16)
conductor:
Zubin Mehta (conductor) (on 1978-10-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1978-10-16)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio) (on 1978-10-16)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms9:28
3Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
recording engineer:
Milton Cherin (audio engineer), Edward T. Graham (engineer) and Larry Keyes (engineer)
producer:
Andrew Kazdin (American record producer)
violin:
Isaac Stern (violinist) (on 1978-10-16)
orchestra:
New York Philharmonic (on 1978-10-16)
conductor:
Zubin Mehta (conductor) (on 1978-10-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1978-10-16)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace) (on 1978-10-16)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms7:46
8▶CD: Brahms: Symphony no. 2
9▶CD: Bruch: Violin Concerto no. 1 / Lalo: Symphonie espagnole
10▶CD: Gershwin: Music from the Woody Allen film Manhattan
11▶CD: Bartók: Violin Concerto no. 2
12▶CD: Mussorgsky: Pictures at an Exhibition / Ravel: La Valse
13▶CD: Brahms: Symphony no. 4
14▶CD: Stravinsky: Petrushka
15▶CD: Beethoven: Symphony no. 3
16▶CD: Chopin: Piano Concerto no. 1
17▶CD: Strauss: Also sprach Zarathustra
18▶CD: Tchaikovsky: Piano Concerto no. 1 / Bach: Prelude No. 10
19▶CD: Brahms: Violin Concerto / Academic Festival Overture
20▶CD: Bach: Concerto for Two Violins / Vivaldi: Concerto for Three Violins / Mozart: Sinfonia Concertante for Violin and Viola
21▶CD: Brahms: Piano concerto no. 2
22▶CD: Verdi: Requiem(1)
23▶CD: Verdi: Requiem(2)
24▶CD: Brahms: Piano concerto no. 1
25▶CD: Beethoven: Symphonies nos. 5 & 8
26▶CD: Mahler: Symphony no. 1 "Titan"
27▶CD: Montserrat Caballé sings Wagner
28▶CD: Prokofiev: Violin Concertos
29▶CD: Strauss: Ein Heldenleben, op. 40
30▶CD: Beethoven: Symphony no. 9 "Choral"
31▶CD: Beethoven: Choral Fantasia
32▶CD: Wagner: Highlights from "The Ring"
33▶CD: Brahms: Symphony no. 3 / Variations on a Theme by Joseph Haydn
34▶CD: Tchaikovsky: Violin Concerto / Sérénade Mélancolique / Mélodie
35▶CD: Wagner: Die Walküre Act I
36▶CD: Strauss: Symphonia Domestica / Burleske for Piano and Orchestra
37▶CD: Brahms: Symphony no. 1
38▶CD: Duffy: Heritage
39▶CD: Rimsky-Korsakov: Scheherezade / Russian Easter Overture
40▶CD: Rachmaninoff: Piano Concerto No. 3 / Rhapsody on a Theme of Paganini
41▶CD: Domingo at the philharmonic
42▶CD: Mozart: Flute Concertos nos. 1 & 2 / Rondo
43▶CD: Dvořák: Violin Concerto / "Carnival" Overture
44▶CD: Liszt: Hungarian Rhapsodies for Orchestra nos. 1–6
45▶CD: Suppé: Overtures
46▶CD: Strauss: Eine Alpensinfonie / Horn Concerto No. 1
47▶CD: Bartók: Concerto for Orchestra / The Miraculous Mandarin
48▶CD: Chopin: Piano Concertos nos. 1 & 2
49▶CD: Bruckner: Symphony no. 8/ Nullte Symphony(1)
50▶CD: Bruckner: Symphony no. 8/ Nullte Symphony(2)
51▶CD: Schönberg, Sibelius & Fauré: Pelleas und Melisande
52▶CD: Bartók: Violin Concertos
53▶CD: Ben-Haim: Psalm / Beethoven: Symphony no. 5 / Ravel: La Valse
54▶CD: Strauss: Salome(1)
55▶CD: Strauss: Salome(2)
56▶CD: Wagner: Orchestral excerpts
57▶CD: Beethoven: Violin Concerto / Sonata no. 10 for Piano and Violin
58▶CD: Saëns: Violin Concerto no. 3 / Wieniawski: Violin Concerto no. 2
59▶CD: Brahms: Symphony no. 1(NYPO)
60▶CD: Brahms: Symphony no. 2 / Tragic Overture
61▶CD: Brahms: Symphony no. 3 / Variations on a Theme by Joseph Haydn(NYPO)
62▶CD: Brahms: Symphony No. 4(NYPO)
63▶CD: Schönberg: Gurre-lieder(1)
64▶CD: Schönberg: Gurre-lieder(2)
65▶CD: Strauss: Symphonic Music From Intermezzo, Die Liebe der Danae, Die Frau ohne Schatten, Der Rosenkavalier
66▶CD: Prokofiev: Piano Concertos nos. 1-5
67▶CD: Mahler: Symphonies nos. 3 & 10(1)
68▶CD: Mahler: Symphonies nos. 3 & 10(2)
69▶CD: Mozart: Le nozze di Figaro(1)
70▶CD: Mozart: Le nozze di Figaro(2)
71▶CD: Mozart: Le nozze di Figaro(3)
72▶CD: Smetana: Má vlast
73▶CD: Sibelius: Violin Concerto / Bruch: Scottish Fantasy
74▶CD: Prokofiev: Piano Concertos nos. 2 & 4/ Overture on Hebrew Themes for Clarinet
75▶CD: Strauss: Ein Heldenleben / Horn Concerto no. 2
76▶CD: Mozart: Serenade K. 361 (370a), "Gran Partita"
77▶CD: Brahms: Violin Concerto
78▶CD: Liszt: Symphonic Poems
79▶CD: Bach: Concerto In D Minor For Two Violins / Vivaldi: Concerto In B Minor For Four Violins / Brahms: Symphony no. 2 / Streisand: Hatikvah
80▶CD: Mozart / Strauss: Arias
81▶CD: Mendelssohn & Beethoven: Violin Concertos(Znaider)
82▶CD: Brahms: Piano Concerto no. 1(Rubinstein)
83▶CD: Rachmaninoff: Piano Concerto no. 3(Horowitz)
84▶CD: Brahms: Piano Concerto no. 1(Buchbinder)
85▶CD: Brahms: Piano Concerto no. 2(Buchbinder)
86▶CD: New Year's Day Concert 1990
87▶CD: New Year's Day Concert 1995
88▶CD: New Year's Day Concert 1998
89▶CD: New Year's Day Concert 1998
90▶CD: New Year's Day Concert 2007
91▶CD: New Year's Day Concert 2007
92▶CD: New Year's Day Concert 2015
93▶CD: New Year's Day Concert 2015
94▶CD: Sommernachtskonzert 2015