Nothing but the Best

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 10 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1Come Fly With Me
arranger:
Billy May
recording of:
Come Fly With Me
Texter:
Sammy Cahn (in 1957)
Komponist(in):
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) und フジパシフィックミュージック (Fujipacific Music, Inc.)
53:14
A2The Best Is Yet to Come
Orchester:
Count Basie and His Orchestra
arranger:
Quincy Jones
recording of:
The Best Is Yet to Come
Texter:
Carolyn Leigh (in 1959)
Komponist(in):
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. und WB Music Corp. (1929–2019)
42:56
A3The Way You Look Tonight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-01-27)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-01-27)
conductor:
Nelson Riddle (am 1964-01-27)
arranger:
Nelson Riddle
cover recording of:
The Way You Look Tonight (from “Swing Time”) (am 1964-01-27)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
3.153:22
A4Luck Be a Lady
arranger:
Billy May
recording of:
Luck Be a Lady (from “Guys and Dolls”)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp. und MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
Teil von:
Guys and Dolls (1955 musical film)
5:15
A5Bewitched
arranger:
Nelson Riddle
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
3:00
B1The Good Life
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-10)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-10)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-10)
Klavier:
Count Basie (pianist) (am 1964-06-10)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (am 1964-06-10), Bill Hughes (trombone) (am 1964-06-10), Grover Mitchell (trombone) (am 1964-06-10) und Ken Shroyer (trombonist) (am 1964-06-10)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-10), Frank Foster (saxophonist) (am 1964-06-10), Charlie Fowlkes (am 1964-06-10) und Frank Wess (am 1964-06-10)
Schlagzeug:
Sonny Payne (am 1964-06-10)
Trompete:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-10), Wallace Davenport (am 1964-06-10), Harry “Sweets” Edison (am 1964-06-10) und Al Porcino (am 1964-06-10)
Vibraphon:
Emil Richards (am 1964-06-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-10)
Orchester:
Count Basie and His Orchestra (am 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
The Good Life (am 1964-06-10)
Texter:
Jack Reardon (American songwriter)
Komponist(in):
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) und Prosadis
Version von:
Marina
2:27
B2The Girl From Ipanema
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-01-31)
Techniker(in):
Lee Herschberg
Koproduzent(in):
Ray Gilbert
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Akustikgitarre und Hintergrundgesang:
Antônio Carlos Jobim (am 1967-01-31)
Bass:
Ralph Peña
Cello:
Elizabeth Greenschpoon, Ray Kramer, Kurt Reher (cellist) und Nino Rosso (cellist)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Arnold Belnick, Bonnie Douglas, Emo Neufeld, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Bernard Kundell, Nathan Ross und Ralph Schaeffer
Holzblasinstrumente und Saxophon:
Buddy Collette, Arthur Gleghorn und Bud Shank
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone)
Schlagzeug:
Irv Cottler und Dom Um Romão
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-01-31)
conductor:
Claus Ogerman (am 1967-01-31)
arranger:
Claus Ogerman
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-01-31)
cover recording of:
The Girl From Ipanema (am 1967-01-31)
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, Volume I)
recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, Volume I)
53:14
B3Fly Me to the Moon (In Other Words)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-09)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-09)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-09)
Klavier:
Count Basie (pianist) (am 1964-06-09)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (am 1964-06-09), Bill Hughes (trombone) (am 1964-06-09), Grover Mitchell (trombone) (am 1964-06-09) und Ken Shroyer (trombonist) (am 1964-06-09)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-09), Frank Foster (saxophonist) (am 1964-06-09), Charlie Fowlkes (am 1964-06-09) und Frank Wess (am 1964-06-09)
Schlagzeug:
Sonny Payne (am 1964-06-09)
Trompete:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-09), Wallace Davenport (am 1964-06-09), Harry “Sweets” Edison (am 1964-06-09) und Al Porcino (am 1964-06-09)
Vibraphon:
Emil Richards (am 1964-06-09)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
Orchester:
Count Basie and His Orchestra (am 1964-06-09)
conductor:
Quincy Jones (, am 1964-06-09)
arranger:
Quincy Jones
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 75)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (am 1964-06-09)
Texter und Komponist(in):
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. und Hampshire House Publishing Corp.
Arrangement von:
Fly Me to the Moon
recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
42:28
B4Summer Wind
recorded in und engineered in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-05-16)
Techniker(in):
Eddie Brackett (am 1966-05-16) und Lee Herschberg (am 1966-05-16)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1966-05-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-05-16)
conductor:
Nelson Riddle (am 1966-05-16)
arranger:
Nelson Riddle (am 1966-05-16)
phonographisches Urheberrecht (℗) von:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
Summer Wind (am 1966-05-16)
Texter:
Johnny Mercer
Komponist(in):
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
übersetzte Version von:
Sommerwind
recording of:
Summer Wind
Texter:
Johnny Mercer
Komponist(in):
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
übersetzte Version von:
Sommerwind
2:55
B5Strangers in the Night
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-04-11)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) (am 1966-04-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-04-11)
arranger:
Ernie Freeman (am 1966-04-11)
phonographisches Urheberrecht (℗) von:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
recording of:
Strangers in the Night (am 1966-04-11)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4.12:45
B6Call Me Irresponsible
arranger:
Nelson Riddle
recording of:
Call Me Irresponsible
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Paramount Music Corporation
Teil von:
The 36th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1963 winner)
2:56
2▶12"-Vinyl